Backstreet Boys - I Want It That Way for SATB and Piano
All parts included :
- SATB and Piano
- SATB only
- Piano part only
- Soprano
- Alto
- Tenor
- Bass

An energetic new setting of the classic sacred text, "Cantate Domino" was commissioned as a competition piece by maestro Rolandas Daugela for the Cantate Domino International Choral Festival and Competition of 2017.

The piece opens with a triumphant fanfare, accompanied by an energetic rhythmic figure in the tenors and basses. This first theme is contrasted by the second section - a warm, contemporary "benedicite" theme, followed by a lyrical, folk-inspired "quia mirabilia". The final section is an exciting reprise of the first theme, but this time the tenors and basses carry the fanfare in four-part harmony while the sopranos and altos provide the driving accompaniment. In the final bars of the piece, the choir ascends in a powerful crescendo to a magnificent final cadence.

For a cappella SATB chorus with some divisi. Score includes piano reduction (for rehearsal). Also included: bonus version without piano reduction (for easier reading for singers).

Also available:
TTBB version
SSAA version

Ariana Grande's gorgeous new song "pov" arranged for an SATB vocal ensemble, with piano accompaniment + soloist line. It's a pretty, dreamy arrangement for your choir and a great way to show off any of your soloists.

Another fresh arrangement from Jennifer Durham, this time with piano accompaniment. The tasteful accompaniment provides a few harmonic surprises while supporting your chorus (and not overwhelming it!). Soloists have opportunities to shine if desired. The final verse moves to a stirring climax, after which an optional solo brings the piece to a satisfying close.

R� NOLLAG CHRISTMAS KING is a lively new Carol by MarieO'Reilly. It has been performed successfully over a period of c. 10 years now. This is the original version ( in English ) : for SATB with Piano Accompaniment.

Upbeat 80s Classic from Matthew Wilder.

A relatively easy SATB/piano arrangement by Martin Jones who leads two large community choirs, Ashton Sings and the Broughton Community Choir, and has a wealth of experience writing and arranging for them.

The arrangement follows the original song closely and will bring a smile to choirs and audiences alike!

It is suitable for community choirs, or for choirs who would like to sing an authentic sounding arrangement that is rewarding but not too involved.