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Non classifié
680
PIANO & CLAVIERS
Piano seul
659
Piano Facile
86
Piano, Voix
65
Orgue
55
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25
Instruments en Do
24
1 Piano, 4 mains
23
Piano Trio: piano, violon, violoncelle
8
Accompagnement Piano
8
2 Pianos, 4 mains
7
Orgue, Trompette (duo)
5
Clavecin
2
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2
Piano Quatuor: piano, violon, alto, violoncelle
2
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1
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1
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Banjo
3
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2
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2
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VOIX
Chorale SATB
297
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49
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45
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29
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17
Chorale SSAATTBB
11
Voix duo, Piano
10
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4
Voix haute
3
Chorale SSAB, Piano
2
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1
Chorale SATTB
1
Voix duo
1
Voix basse, Piano
1
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VENTS
Flûte traversière et Piano
47
2 Saxophones (duo)
45
Clarinette
42
Saxophone Alto
40
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
40
Flûte traversière
40
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36
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31
Clarinette et Piano
27
Saxophone Tenor
26
2 Clarinettes (duo)
26
Flûte, Hautbois, Clarinette, Basson
22
Saxophone Alto et Piano
21
2 Flûtes traversières (duo)
21
Hautbois, Piano (duo)
21
Saxophone, Clarinette (duo)
19
Ensemble de Clarinettes
17
Hautbois (partie séparée)
16
Clarinette, Violon (duo)
15
Saxophone Soprano et Piano
15
Saxophone (partie séparée)
14
3 Clarinettes (trio)
12
Clarinette, Trompette (duo)
11
Saxophone Tenor et Piano
11
2 Hautbois (duo)
10
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10
Hautbois, Clarinette (duo)
10
Flûte, Alto (duo)
8
Hautbois, Basson (duo)
8
Flûte, Violon
8
Quintette de Clarinettes: 5 clarinettes
8
Quintette de Saxophone: 5 saxophones
8
Clarinette (partie séparée)
8
Hautbois, Flûte
7
Flûte, Saxophone (duo)
6
Clarinette et Alto
6
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6
Saxophone Baryton, Piano
5
Flûte, Clarinette (duo)
5
Trio de Flûtes: 3 flûtes
5
Quintette de Flûte : 5 flûtes
4
Clarinette, Basson (duo)
4
Flûte et Guitare
4
Flûte, Trompette (duo)
4
3 Saxophones (trio)
4
Flûte, Clarinette et Basson
3
Ensemble de saxophones
3
Clarinette, Violoncelle (duo)
3
Flute (partie séparée)
3
Flûte, Hautbois, Basson
2
Hautbois, Violoncelle
2
3 Flûtes à bec (trio)
2
2 Cors Anglais Et Pianoforte
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Violoncelle
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Flûte à bec Soprano
2
2 Saxophones, Piano
1
Saxophone et Guitare
1
Saxophone
1
Flûte, Hautbois, Piano (trio)
1
2 Flûtes traversières, Piano
1
Flûte, Harpe et Violoncelle
1
Hautbois, violon (duo)
1
Flûte, alto et harpe
1
Piccolo
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
5 Flûtes à bec
1
Hautbois, Clarinette, Basson et Piano
1
Saxophone Soprano
1
Flûte et Trio à cordes
1
2 Clarinettes, Basson
1
Hautbois, Basson et Piano
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois (duo)
1
Flûte, Violon, Piano
1
Quatuor de Flûtes à bec
1
Hautbois et alto (duo)
1
Hautbois
1
Ensemble à vent
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flute, harpe et violon
1
Ensemble De Flûte à bec
1
Flûte, Clarinette, Piano (trio)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
40
Trombone
32
Trompette
32
Trombone et Piano
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Trompette (partie séparée)
17
Trompette, Piano
17
Trompette, Saxophone (duo)
15
Cor et Piano
15
Cor
15
2 Trompettes (duo)
14
Tuba
12
2 Trombones (duo)
11
Trombone (partie séparée)
11
Tuba et Piano
7
Trompette, Trombone (duo)
7
Cor (partie séparée)
6
Euphonium, Piano (duo)
6
Quatuor de cuivres: 4 trombones
5
2 Cors (duo)
3
Ensemble de Trombones
3
2 Euphoniums et 2 Tubas
3
Quatuor de Cuivres
3
Quatuor de cuivres: 4 cors
3
Ensemble de Trompettes
2
2 Cors Anglais Et Pianoforte
2
2 Tubas (duo)
2
2 Euphoniums (duo)
2
Euphonium
2
Trombone basse
2
Tuba (partie séparée)
2
Tuba ou Euphonium ou Saxhorn
1
3 Trombones (trio)
1
Ensemble de Cors
1
Euphonium, Tuba (duo)
1
Cor, Violoncelle (duo)
1
4 Tubas
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
138
Violon et Piano
84
Violon
67
Violoncelle, Piano
42
Violoncelle
35
Violon, Violoncelle (duo)
28
Harpe
26
Trio à Cordes: violon, alto, violoncelle
25
Alto, Piano
23
Violon (partie séparée)
21
2 Violons (duo)
20
Alto seul
16
2 Violoncelles (duo)
14
Violon, Alto (duo)
14
Alto (partie séparée)
10
Contrebasse, Piano (duo)
10
Violon, Guitare (duo)
10
2 Altos (duo)
10
Contre Basse
6
4 Violoncelles
5
Alto, Violoncelle (duo)
5
Contrebasse (partie séparée)
5
Trio à Cordes: 2 violons, violoncelle
4
Violoncelle , Guitare (duo)
4
2 Contrebasses (duo)
3
Trio à Cordes: 3 violoncelles
3
Violoncelle, Contrebasse (duo)
3
Harpe, Flûte (duo)
2
Violon, Basson (duo)
2
Violoncelle (partie séparée)
2
Alto et Basson
1
Quatuor à cordes : 4 altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto et Harpe
1
Trio à cordes: 3 violins
1
Ensemble de Violoncelles
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, alto
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
441
Orchestre à Cordes
150
Orchestre
69
Cloches
45
Ensemble Jazz
32
Ensemble de cuivres
30
Orchestre de chambre
29
Ensemble de Percussions
29
Percussion (partie séparée)
9
Batterie
9
Marimba
4
Fanfare
3
Vibraphone
3
Xylophone, Piano
2
Timbales
1
Batterie (partie séparée)
1
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AUTRES
Formation musicale - Solfège
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Northwest Passage (Downloadable Piano/Choral Score)
Chorale SATB
SATB choir, wind quintet and string quartet or piano - Medium - Digital Download SKU: M…
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SATB choir, wind quintet and string quartet or piano - Medium - Digital Download SKU: MQ.1.3438-E Composed by Z. Randall Stroope. Advanced/Collegiate. Secular, 21st Century, Creation/Nature. Score & instrument part. 24 pages. Duration 8 minutes, 25 seconds. Galaxy Music Corporation - Digital #1.3438-E. Published by Galaxy Music Corporation - Digital (MQ.1.3438-E). English.Northwest Passage is a set of “poetic landscapes†that reflects on three elements of the great Northwest of the United States—rivers, mountains, and prairies. Each sonic reflection (movement) combines to form a larger image, not unlike someone standing on a vista and seeing rivers, mountains, and prairies—each distinct, but part of one vast expanse.The work is scored for two versions: mixed chorus and piano, or mixed chorus, wind quintet, and string quartet. The harmonic vocabulary of the work maintains an uncomplicated, transparent (“organicâ€) approach in describing nature. The melodic vocabulary immediately pulls the listener's eye to the image, and rhythm is used as the underlying spark that is subtly ever changing and unpredictable. These three poetic landscapes should be performed without applause between movements.1. A Willow by the River|William Carlos Williams was a medical practitioner, pediatrician, and an avid writer. He wrote short stories, novels, plays, critical essays and, of course, poetry. The subjects of his writing were often “local†images, and he preferred to see the world “as it is,†without unnecessary trappings or “airs.†He was an important mentor to many younger poets of his day. “Willow Poem†(A Willow by the River) has no rhyme scheme but is comprised of fourteen individual lines. The willow is the focus of the poem (by its title and content) and how it never changes but will always “be.†The river represents, among other things, life quickly moving by and in a constant state of motion.2. Mountains|Marjorie Seiffert (who often used the pseudonyms Elijah Hay or Angela Cypher) led an incredibly full and balanced life. College introduced her to a world beyond her domestic and civic life and, as a result, she wanted to experience self-empowerment and independence. She prided herself in being a spouse, mother and maintaining a full slate of professional appearances and commissions for writing. Her poetry is vivid, keenly “visual,†and full of fast-paced, tightly woven ideas. “Mountain trails†(Mountains) was written at Glacier Park, Montana in September 1917.3. The Prairie|John Hay was an American statesman who was personal assistant to Abraham Lincoln. He also served as U. S. Secretary of State and Ambassador to Great Britain. He was a cultivated man of letters and wrote poetry which was straightforward in design and delivery. Nature was often the subject of his creative output. -Z. Randall StroopeDuration: 8:25Instrumental Parts packet includes: Flute, Oboe, Clarinet, Horn, Bassoon, Strings (1-1-1-1).
$3.20
2.91 €
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Chorale SATB
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Northwest Passage
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Mamma mia dammi cento lire
Chorale SATB
Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1354521 By Traditio…
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Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1354521 By Traditional Song. By Traditional Song. Arranged by Bacco Baccanels. A Cappella,Folk,Multicultural,Traditional,World. 7 pages. Bacco Baccanels #939239. Published by Bacco Baccanels (A0.1354521). Italiano--------La versione originale di questa canzone di emigranti è abbastanza semplice: la stessa melodia si ripete per tutta la canzone e gli arrangiamenti vocali esistenti che mi è capitato di ascoltare sono abbastanza privi di ritmo.Ho cercato di aggiungere movimento. C'è un'introduzione musicale, con poco testo e poi si passa al tema principale, in cui il basso da' ritmo alla melodia principale. Poco dopo, con una variazione ispirata ai Queen di Bohemian Rapsody si modula in tonalità vicina, per sottolineare il cantato dei fratelli della triste protagonista e subito dopo il tema si addolcisce per lasciare spazio alla madre triste che preannuncia la tragedia. Tragedia che si canta subito dopo in minore per poi tornare sulla melodia principale fino al finale, dove dopo una frase corale si torna al ritmo e al tema principale.English--------The original version of this emigrant song is quite simple: same melody repeats throughout the song. More, the existing vocal arrangements I've heard are quite steady and not so rhythmic.So I tried to add some movement: there is a musical introduction with little lyrics and then we move on to the main theme, where the bass gives rhythm to the main melody.Shortly after, with a Queen-inspired variation coming from Bohemian Rhapsody the score modulates in a close key, to underline the singing of the brothers of the song's sad heroin and immediately after the theme softens to leave room to the sad mother heralding the coming tragedy.A tragedy that is sung immediately afterwards, in minor, and then returns to the main melody until the finale, where after a choral phrase we return to the main theme.
$2.50
2.27 €
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Chorale SATB
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Traditional Song
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Bacco Baccanels
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Mamma mia dammi cento lire
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Bacco Baccanels
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SheetMusicPlus
L’inverno è passato
Chorale SATB
Mixed choir (SATB) a cappella; instruments ad libitum - easy to intermediate - Digital…
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Mixed choir (SATB) a cappella; instruments ad libitum - easy to intermediate - Digital Download Der Winter ist vorrüber. Arranged by Uve Urban. Downloadable. Schott Music - Digital #Q577020. Published by Schott Music - Digital
$2.99
2.72 €
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Chorale SATB
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Uve Urban
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L’inverno è passato
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Schott Music - Digital
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SheetMusicPlus
Contrary Passages
Chorale SATB
Choral Choir,Choral (SATB) - Digital Download SKU: A0.1388676 By Dr. Kingsley Owhon…
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Choral Choir,Choral (SATB) - Digital Download SKU: A0.1388676 By Dr. Kingsley Owhonda. By Dr. Kingsley Owhonda. Arranged by Dr. Kingsley Owhonda. Christian,Praise & Worship,Religious,Sacred,Spiritual. 6 pages. Dr. Kingsley Owhonda #972181. Published by Dr. Kingsley Owhonda (A0.1388676). Gospel Song for guitar and SATB/Choir.
$10.00
9.1 €
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Chorale SATB
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Dr
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Contrary Passages
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Dr. Kingsley Owhonda
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SheetMusicPlus
Dealing With Difficult Passages
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.993261 Composed by Kingsley Owhonda.…
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Choral Choir (SATB) - Digital Download SKU: A0.993261 Composed by Kingsley Owhonda. Arranged by Kingsley Owhonda. Christian,Gospel,Sacred. Octavo. 2 pages. Dr. Kingsley Owhonda #6050517. Published by Dr. Kingsley Owhonda (A0.993261). It is a scripture song suitable or worship. Good for choir and church.
$5.00
4.55 €
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Chorale SATB
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Kingsley Owhonda
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Kingsley Owhonda
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Dealing With Difficult Passages
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Dr. Kingsley Owhonda
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SheetMusicPlus
Two Passages from The Testament of Freedom (Downloadable)
Chorale SATB
SATB choir, (piano) or (full orchestra) or (concert band) - Digital Download SKU: MQ.30…
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SATB choir, (piano) or (full orchestra) or (concert band) - Digital Download SKU: MQ.3038-E Composed by Randall Thompson. 27 pages. E. C. Schirmer Music Company - Digital #3038-E. Published by E. C. Schirmer Music Company - Digital (MQ.3038-E). Movements I (The God who gave us life) and IV (I shall not die without a hope) fromThe Testament of Freedom, which was composed in honor of the 200th anniversary of the birth of Thomas Jefferson. The texts, from the writings of Mr. Jefferson, were chosen by the composer.
$3.25
2.96 €
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Chorale SATB
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Randall Thompson
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Two Passages from The Testament of Freedom
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Moments of Memory
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1191548 Composed by Stepha…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1191548 Composed by Stephan Langenberg. Classical,Contemporary,Contest,Festival,Patriotic. Octavo. 4 pages. Stephan Langenberg #791049. Published by Stephan Langenberg (A0.1191548). (engl.) The orchestral work „moments of memory“, inspired by the pieces Last Post and Auld Lang Syne, is an emotional and powerful composition that takes the listener on a journey through the past. The sounds of the trumpet in Last Post create a mood of dignity and respect, while Auld Lang Syne with its familiar melodies and lyrics creates an atmosphere of nostalgia and connection. The work skillfully weaves these elements together to create a musical narrative that evokes both sublime and familiar feelings. From solemn trumpet sounds to the gentle choir and string passages, the orchestral work offers an impressive spectrum of emotions and sounds that will captivate the listener.(deu.) Das Orchesterwerk, inspiriert von den Stücken Last Post und Auld Lang Syne, ist eine emotionale und kraftvolle Komposition, die den Zuhörer auf eine Reise durch die Vergangenheit mitnimmt. Die Klänge der Trompete in Last Post erzeugen eine Stimmung der Würde und des Respekts, während Auld Lang Syne mit seinen vertrauten Melodien und Texten eine Atmosphäre der Nostalgie und Verbundenheit schafft. Das Werk verwebt geschickt diese Elemente, um eine musikalische Erzählung zu schaffen, die sowohl erhabene als auch vertraute Gefühle hervorruft. Von feierlichen Trompetenklängen bis hin zu sanften Chor- und Streicherpassagen bietet das Orchesterwerk ein beeindruckendes Spektrum an Emotionen und Klängen, die den Zuhörer in den Bann ziehen werden.
$2.49
2.26 €
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Chorale SATB
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Stephan Langenberg
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Moments of Memory
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Stephan Langenberg
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SheetMusicPlus
Anim Zemiros
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909…
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
2.73 €
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Chorale SATB
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Strano il mio Destino for SATB + Piano (complete score + piano acc. + piano rehearsal + text and tra
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.904849 Composed by Giorgia…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.904849 Composed by Giorgia Todrani, Maurizio Fabrizio. Arranged by Marco Borsoi. Jazz,Pop,World. Octavo. 21 pages. Marco Borsoi #3512071. Published by Marco Borsoi (A0.904849). Strano il mio destino è un brano musicale della cantautrice italiana Giorgia, 3º classificato al Festival di Sanremo 1996. Il pezzo è contenuto nell'album Strano il mio destino (Live & studio 95/96). Autori del brano sono Giorgia e Maurizio Fabrizio. Questa armonizzazione originale per coro misto SATB e pianoforte, esalta ancor più le caratteristiche melodiche e armoniche del brano, rendendolo ancora più unico e magico. Il brano parla di una donna che riflette su una storia passata. Una storia che lei stessa ha voluto o dovuto chiudere, ma non certo senza rimpianti; Che donna sarò, se non sei con me e se ti amerò ancora e di più …. E pensa: Strano il mio destino che mi porta qui … ; un destino che la costringe, per qualche motivo, a riflettere sul suo passato, riportandola al momento in cui ha deciso di andarsene via in silenzio. Un destino che, ancora oggi, la sorprende a ripensare a quell’amore ma senza indicarle una nuova strada dove poter andare, perché, anche se tutto quell’amore, io l’ho spazzato via…, fa male non pensare a te. Nel ritornello, emerge una speranza (sottolineata dall’apertura della melodia): Io non ti perderò, oltre il tempo e le distanze andrò…; speranza che viene confermata nell’ultima strofa: È chiaro il mio destino … io ti raggiungerò, quando la ragazza capisce anche che non tutto dipende da lei: proverò a gridare e forse sentirai, la mia voce che ti chiama, se vuoi.. E la speranza, divenuta certezza, ritorna con la ripetizione, enfatizzata dallo slancio melodico, della frase conclusiva … per non lasciati più. --------------- Strano il mio Destino is a piece of music by the Italian singer-songwriter Giorgia, 3rd at the Sanremo Festival 1996. The piece is on the album Strano il mio destino (Live & studio 95/96). Authors of the song are Giorgia and Maurizio Fabrizio.This original harmonization for mixed SATB choir and piano, enhances even more the melodic and harmonic characteristics of the piece, making it even more unique and magical. The song is about a woman who reflects on a past story. A story that she herself wanted or had to close, but certainly not without regrets; What a woman I will be, if you are not with me and if I will love you more and more.... And she thinks: Strange is my fate, that brings me here…; a fate that compels her, for some reason, to reflect on her past, bringing her back to the moment in which she decided to leave away in silence. A destiny that, even today, surprises her to rethink about that love but without indicating a new way to go, because, even if all that love, I have swept it away ..., it hurts not to think about you. In the refrain, a hope emerges (underlined by the opening of the melody): I will not lose you, beyond time and distance I will go ...; hope that is confirmed in the last stanza: It is clear my destiny ... I will reach you, when the girl also understands that not everything depends on her: I will try to shout and maybe you will hear, my voice calling you, if you want . And hope, become certainty, returns with the repetition, emphasized by the melodic impetus, of the concluding sentence ... not to leave you, anymore.
$9.99
9.09 €
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Chorale SATB
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Giorgia Todrani, Maurizio Fabrizio
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Marco Borsoi
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studio 95/96)
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Strano il mio Destino for SATB + Piano
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Marco Borsoi
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SheetMusicPlus
Missa super «Pour ung plaisir» (Amon)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1003385 Composed by Blasiu…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1003385 Composed by Blasius Amon. Arranged by Aristotle A. Esguerra. Christian,Classical,Renaissance,Sacred,World. Octavo. 16 pages. CantemusDomino.Net #3539299. Published by CantemusDomino.Net (A0.1003385). A polyphonic mass for SATB choir by Blasius Amon (or Ammon) (c.1560–1590) consisting of the following movements:1. Kyrie (~1:10);2. Gloria (~2:45 plus chanted Gloria incipit [not included in score]);3. Credo* (~5:30 plus chanted Credo incipit [not included in score]);4. Sanctus (~0:45);5. Benedictus** (~0:40);5b. Hosanna (~0:25; sung after both Sanctus and Benedictus)6. Agnus Dei I (~0:40 per invocation).*Credo includes a passage for SA duet and a passage for TB duet.**Benedictus is SAT.Total length: ~13:40 (all movements); ~8:10 (without Credo); ~5:25 (without Gloria and Credo)Key: C majorRange requirements (middle C = C4):· Cantus [Soprano]: C4–E5· Altus [Alto]: G3–A4· Tenor: F3–G4· Bassus [Bass]: A2–C4Format: 8.5x11Systems per page: 4 (5 for Benedictus; 3 for Agnus Dei)Accompaniment: none
$4.50
4.09 €
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Chorale SATB
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Blasius Amon
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Aristotle A
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Missa super «Pour ung plaisir»
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CantemusDomino.Net
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SheetMusicPlus
Das Vaterunser (Globale Version)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.916562 Composed by Deborah…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.916562 Composed by Deborah Park. Christian,World. Octavo. 7 pages. Deborah Park #4633875. Published by Deborah Park (A0.916562). Anmerkung der Komponistin Das Vaterunser (Global Version) ist eine zeitgenössische Fassung des Vaterunsers, in der pentatonische Tonleitern und Kombinationen aus traditionellen und nicht-traditionellen Harmonien und Rhythmen verwendet werden. Das Gebet selbst ist ein Plädoyer dafür, dass Gottes Wille in jedem von uns getan wird. Infolgedessen sollte während der gesamten Arbeit eine aufrichtige und ernsthafte Stimmung im Vordergrund stehen. Die meisten Christen kennen das Gebet auswendig in ihrer eigenen Sprache und es wird heute von jeder christlichen Tradition verwendet. Ich habe die globale Version für drei verschiedene Sprachen geschrieben: Englisch, Deutsch und Koreanisch. Diese Hymne ist im Stil des Responsorial-Gesangs gehalten: Ein Solist singt eine Linie, der der Chor oder die Klavierbegleitung folgen. Jede Passage wird auf ihre eigene Weise entwickelt, aber die übliche Technik, die in dieser Arbeit verwendet wird, ist die systematische Verwendung von Wiederholungen, die dem Vorhandenen neue Texturschichten hinzufügen (z. B. mm.11–18 und mm. 19–33). Diese Technik beginnt mit einer einfachen Figur, die einige Male mit leichten Abweichungen wiederholt wird. Das Klavier mit einer einfachen viertaktigen Passage führt in den neuen Abschnitt und die neue Zeit ein. Dann treten Chor, Solist und Klavier im leicht modifizierten Call-and-Response Stil auf. Die verwendeten Rhythmen in mm. 27–31 sind eine Variation von Gutgeori jang dan, einem der traditionellen koreanischen Rhythmen, die diese globale Version einzigartig machen. Der letzte Abschnitt, der Gott Ehre macht, ist die Doxologie, in der vertraute Akkorde und Kadenzen plötzlich zu ungewohnter Harmonie führe, um die Ehrfurcht und das Staunen widerzuspiegeln, die zum Ende von „Amen in D-Dur führen. Wenn es richtig ausbalanciert und gemischt ist, schimmert das Lied mit einer Brillanz, die die Ehrfurcht und das Wunder widerspiegelt, das es erschaffen sollte.
$1.99
1.81 €
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Chorale SATB
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Deborah Park
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Das Vaterunser
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Deborah Park
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SheetMusicPlus
Crying Out in the Wilderness for SATB chorus and pedal or lever harp or keyboard
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.953615 Composed by Adrienn…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.953615 Composed by Adrienne Inglis (ASCAP). Christmas,Contemporary,Sacred. Octavo. 11 pages. Adrienne Inglis (ASCAP) #8873. Published by Adrienne Inglis (ASCAP) (A0.953615). Crying Out in the Wilderness (2008) for SATB chorus with harp is a setting of the Gospel of Luke 3:2b-6 NRSV in phrygian mode. The passage about John's journey into the wilderness and ministry of baptism is appropriate for Advent. This particular scripture passage occurs on the Second Sunday of Advent during Year C of the Common Lectionary. This work is ideal as an anthem or offertory for an intermediate mixed choir. The harp part may be played on keyboard. Duration 2:50.
$3.99
3.63 €
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Chorale SATB
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Adrienne Inglis
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Crying Out in the Wilderness for SATB chorus and pedal or lever harp or keyboard
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Adrienne Inglis
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SheetMusicPlus
The City In the Sea: Choral Tone Poem
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanle…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
5.09 €
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Chorale SATB
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Stanley M Hoffman
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The City In the Sea: Choral Tone Poem
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stanleymhoffman.com
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SheetMusicPlus
The Passionate Shepherd & The Nymph's Reply for SATB Choir & Piano (optional Renaissance Guitar)
Chorale SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1360780 Composed by…
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1360780 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pages. Vocal Works #945275. Published by Vocal Works (A0.1360780). Visit http://choirworks.com for the choral music of M. Ryan Taylor. This cheeky quodlibet (or partner song) was crafted from Christopher Marlowe's famous poem The Passionate Shepherd to His Love and The Nymph's Reply to the Shepherd by Sir Walter Raleigh. The music includes optional chords for Renaissance Guitar, which was tuned the same as a modern GCEA ukulele (an 8-string ukulele would be a passable substitute if no period instrument is available). Versions for SA, SB, SAB and SATB choir are available at http://choirworks.com ...Recording by Rocky Mountain Chamber Singers.
$2.49
2.26 €
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Chorale SATB
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M
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The Passionate Shepherd & The Nymph's Reply for SATB Choir & Piano
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Vocal Works
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SheetMusicPlus
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arr…
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Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #481065. Published by Guido Menestrina (A0.828714). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://www.youtube.com/watch?v=vqOa9skJg5o.
$13.99
12.73 €
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Chorale SATB
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
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Guido Menestrina
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SheetMusicPlus
Festkantate (Choir SATB)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1271277 Composed by Stepha…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1271277 Composed by Stephan Langenberg. 21st Century,Christian,Contemporary,Contest,Festival,Religious. Octavo. 52 pages. Stephan Langenberg #863610. Published by Stephan Langenberg (A0.1271277). (de.) Die Festkantate ist ein beeindruckendes musikalisches Werk aus dem Jahr 2019, das die Herzen der Zuhörer mit einem vielschichtigen und mitreißenden Klangspektrum erfüllt. Diese einzigartige kirchenmusikalische Komposition vereint Chor, Posaunenchor, Flötenensemble, Schlagwerk und Klavier zu einem wahren Fest der Klänge, das die Sinne begeistert und die Emotionen anspricht und ist gleichzeitig ideal in einen Festgottestdienst integrierbar.Die Idee hinter der Festkantate ist es, die klangliche Vielfalt verschiedener Instrumente und Stimmen zu nutzen, um ein fesselndes musikalisches Erlebnis zu schaffen. Der Chor bildet das fundamentale Rückgrat, das mit seiner harmonischen Melodieführung und kraftvollen Ausdrucksstärke die Geschichte erzählt. Die Texte von Jens Langenberg, häufig inspiriert von feierlichen Anlässen und jubelnden Momenten, verleihen der Kantate eine besondere Bedeutung und einen gemeinschaftsstärkenden Charakter.Die Festkantate ist eine beeindruckende Symbiose aus Chor, Posaunenchor, Flötenensemble, Schlagwerk und Klavier, die die Zuhörer auf eine emotionsgeladene musikalische Reise mitnimmt. Von festlichen Klängen und jubelnden Momenten bis hin zu sanften Passagen voller Anmut und Tiefe ist diese Kantate eine wahre Bereicherung für jedes Konzertprogramm und festliche Gottesdienste.Besetzung:Tibicinium (Blockflötenchor) SATBSoloinstrumente (Trompete & Horn)Posaunenchor SATB (hoch/tief)Pauken / kleines SchlagwerkChor SATBKlavier (oder Orgel).
$2.99
2.72 €
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Chorale SATB
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Stephan Langenberg
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Festkantate
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Stephan Langenberg
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SheetMusicPlus
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonard…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guido Menestrina #238145. Published by Guido Menestrina (A0.828703). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimentoEdit Published by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: http://youtu.be/q3iMskZjm1Y.
$17.99
16.36 €
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Chorale SATB
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
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Guido Menestrina
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SheetMusicPlus
Happy Xmas (War Is Over)
Chorale SATB
Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.758332 By John & Yoko Ono…
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Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.758332 By John & Yoko Ono W/harlem Comm. By John Lennon and Yoko Ono. Arranged by Ester Alessandrini. Rock. Octavo. 31 pages. Ester #3564047. Published by ester (A0.758332). J.Lennon ha scritto questo meraviglioso passaggio per la guerra in Vietnam e per tutte le guerre. Specialmente cantato durante le festività natalizie, è stato orchestrato per un insieme di studenti per primi tre anni di studio e in Fa maggiore.
$18.00
16.37 €
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Chorale SATB
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John & Yoko Ono W/harlem Comm
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Ester Alessandrini
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Happy Xmas
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ester
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SheetMusicPlus
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovann…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contemporary,Sacred. Octavo. 44 pages. Guido Menestrina #368381. Published by Guido Menestrina (A0.828704). Anthem which was performed in King Henry the Seventh's Chappel at the Funeral of the most Noble & Victorious Prince John Duke of Marlborough By Giovanni Bononcini (1670-1747) transcribed by Guido Menestrina Il padre, Giovanni Maria Bononcini (Buononcini) (1642-1678), era stato violinista e compositore: attivo alla corte di Modena, aveva scritto un trattato, Musico prattico, pubblicato nel 1673. Il fratello minore di Giovanni, Antonio Maria, fu anch'egli musicista. Proprio dal padre Giovanni ricevette la prima educazione musicale; quando questi morì, nel 1678, divenne studente di Giovanni Paolo Colonna a Bologna, dove vennero eseguiti i suoi primi lavori. Proprio grazie al Colonna entrò a far parte dell'Accademia dei Filarmonici in veste di compositore. Nel 1685 aveva già preparato e pubblicato le sue prime opere. Ottenne nel 1688 il posto di musicista presso la basilica di San Petronio, e più tardi divenne maestro di cappella nella chiesa di San Giovanni in Monte. Sempre a Bologna fece la conoscenza del librettista Silvio Stampiglia, assieme al quale, tra il 1692 e il 1696, produrrà cinque opere. A partire dal 1692 si recò a Milano, Roma (dove fu apprezzato e sostenuto da Filippo II Colonna e dalla sua consorte Olimpia Pamphilj) e Venezia; infine, dal 1698 al 1711 si stabilì a Vienna, dove godette i favori degli imperatori Leopoldo I e Giuseppe I. Di passaggio a Berlino nel 1702, incontrò Georg Friedrich Händel, di quindici anni più giovane di lui, di cui riconobbe il talento precoce: lo avrebbe rincontrato alcuni anni più tardi. Dal 1714 al 1719 fu di nuovo a Roma, al servizio di Johann Wenzel, Conte di Gallas, Ambasciatore dell'Imperatore d'Austria a Roma, molto noto per il suo amore per la musica. Al Conte di Gallas, Bononcini dedicò la Favola Pastorale Erminia, rappresentata al Teatro della Pace nella Stagione del Carnevale del 1719. Il dramma musicale ebbe grandissimo successo sia per la musica, sia per gli interpreti, fra cui si segnalarono Domenico Gizzi (1687-1758), Musico Soprano della Real Cappella di Napoli ed il celebre contralto napoletano Francesco Vitale. Sempre nella Stagione del Carnevale 1719 al Teatro della Pace, Bononcini rappresentò il dramma per musica L'Etearco, dal librettista Silvio Stampiglia dedicato alla Contessa Ernestina di Gallas, moglie dell'Ambasciatore austriaco. Anche in questo dramma per musica Domenico Gizzi e Francesco Vitale fecero apprezzare tutte le spezie più ricercate del virtuosismo canoro. Poi, dal 1720 si stabilì a Londra, sotto la protezione del John Churchill, I duca di Marlborough. Qui si esibì anche al violoncello in numerosi concerti, molto apprezzati dall'aristocrazia inglese. Divenne membro della prestigiosa Royal Academy of Music.[senza fonte] Il pubblico londinese era, all'epoca, totalmente ignorante dell'opera italiana, e Händel stava muovendo i primi passi della sua prestigiosa carriera. Fra i due compositori si accese un forte spirito di competizione, sia che collaborassero alla realizzazione della medesima impresa (i tre atti dell'opera Muzio Scevola furono composti il primo da Filippo Amadi, il secondo da Bononcini, il terzo da Händel, al fine di soddisfare tutti e tre gli artisti), sia che, più spesso, si impegnassero in produzioni rivali. Le opere di maggior successo di Bononcini in quegli anni furono Astarto (1720), Crispo (1722), Griselda (1722), che si rivelò un vero e proprio trionfo, Erminia (1723), Calfurnia (1724). A favore dell'italiano era anche una certa ostilità verso Händel dovuta alle sue origini tedesche e alla contemporanea presenza sul trono inglese della poco amata dinastia di Hannover. Ma nel 1727-1728 scoppiò uno scandalo che compromise il successo di Bononcini e lo costrinse a lasciare Londra: il compositore Antonio Lotti accusò il madrigale di Bononcini In una siepe ombrosa di essere un plagio di un brano dei suoi Duetti, terzetti e madrigali. Fuggito a Parigi nel 1733, a causa di speculazion.
$9.99
9.09 €
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Chorale SATB
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Giovanni Bononcini
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Giovanni Bononcini, Giovanni Battista Bononcini
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Guido Menestrina
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Giovanni Bononcini - Anthem
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Guido Menestrina
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SheetMusicPlus
The Song of the Stars for SATB (divisi) and timpani
Chorale SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.969144 Composed by …
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.969144 Composed by Martha Hill Duncan. A Cappella,Contemporary,Spiritual,World. Octavo. 14 pages. Martha Hill Duncan #5741901. Published by Martha Hill Duncan (A0.969144). The Song of the Stars from the Passamaquoddy on Campobello Island, New Brunswick for SSAA and timpani A lyrical, rhythmic and expressive acapella work with timpani accompaniment, begins with 4 voices and eventually builds to dramatic and glorious 11 voice harmonies at the climaxes.We are the stars which sing, We sing with our light;We are the birds of fire,We fly over the skyOur light is a voice.We make a road for spirits,For the spirits to pass over. Among us are three huntersWho chase a bear;There never was a timeWhen they were not huntingWe look down on the mountains. This is the Song of the Stars.
$2.25
2.05 €
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Chorale SATB
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Martha Hill Duncan
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The Song of the Stars for SATB
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Martha Hill Duncan
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SheetMusicPlus
I will be with you
Chorale SATB
SATB choir unaccompanied - Digital Download SKU: OX.9780193538689 Composed by Sarah…
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SATB choir unaccompanied - Digital Download SKU: OX.9780193538689 Composed by Sarah Quartel. Sheet music. Octavo. 8 pages. Oxford University Press Digital #9780193538689. Published by Oxford University Press Digital (OX.9780193538689). ISBN 9780193538689.For SATB unaccompanied. I will be with you sets a reflective text by the composer with a message of enduring solace. Lush harmonies, with predominantly homophonic passagework, coupled with flowing and cascading lines in every voice part make for a tranquil musical experience.
$3.25
2.96 €
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Chorale SATB
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Sarah Quartel
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I will be with you
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Oxford University Press Digital
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SheetMusicPlus
Le lointain et étrange voyage
Chorale SATB
Choir (SATB) and bassgambe - difficult - Digital Download SKU: S9.Q50483 For mix…
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Choir (SATB) and bassgambe - difficult - Digital Download SKU: S9.Q50483 For mixed choir and viola da gamba. Composed by Thierry Pecou. This edition: choral score. Schott Chamber Choir. Downloadable, Choral score. Duration 7 minutes. Schott Music - Digital #Q50483. Published by Schott Music - Digital (S9.Q50483). French.Dieses Stück, ein Auftragswerk von Odile Amossé für ihren Kammerchor EVOA, wurde von Passagen aus den Lusiaden, dem bekanntesten Werk des portugiesischen Dichters Luis de Camoẽs, inspiriert. Es beschwört die großen Entdeckungsreisen der westlichen Mächte herauf, die die Welt des 15. Jahrhunderts nachhaltig verändern sollten. Das Stück besteht aus mehreren Sätzen, die verschiedene Etappen einer Reise darstellen, bis zur glücklichen Rückkehr in das Heimatland.
$6.99
6.36 €
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Chorale SATB
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Thierry Pecou
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Le lointain et étrange voyage
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Schott Music - Digital
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SheetMusicPlus
Christkindl-Kumedi
Chorale SATB
Bfl (SA), Ob, Klar, V I-III, Vc, KB, Git, Pk, Schlgz mixed choir (SATB) with children's ch…
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Bfl (SA), Ob, Klar, V I-III, Vc, KB, Git, Pk, Schlgz mixed choir (SATB) with children's choir, soloists (SSAATB), 6 speakers and instruments - very easy - Digital Download SKU: S9.Q2518 Geistliches Komödienspiel aus Bayern. Composed by Cesar Bresgen. This edition: score. Downloadable, Score. Duration 75' 0. Schott Music - Digital #Q2518. Published by Schott Music - Digital (S9.Q2518). German.„Das geistliche Komödienspiel aus Bayern, die Christkindl-Kumedi, haben bäuerliche Autoren für ein bäuerliches Publikum geschrieben, das oftmals weitverstreut auf einsamen Höfen wohnte. Die Bauern stellten die Darsteller und den Regisseur; mit der Inszenierung zog man nun von Bauernhof zu Bauernhof, von Bauernstube zu Bauernstube. Man kann also mit gutem Recht von einem Vorläufer unseres modernen ‘Zimmertheaters’ sprechen! Und genau wie bei unserem heutigen Zimmertheater war auch damals die Ausstattung und die Kostümierung der Christkindl-Kumedi sehr einfach, man richtete sich mehr oder weniger nach den vorhandenen Möglichkeiten. Der Spieltext folgt nahezu unverändert einer Handschrift aus Grainet bei Passau, welche den Titel trägt: „Geistliches Komedien-Spiel zu Ehren des Christkindelein Anno den 20 ten Jäner 1836, dargeboten in August Hartmann und Hyazinth Abeles Volksschauspielen (Leipzig 1880)“. Einige der Originalmelodien sind in unsere Neugestaltung übernommen worden; sie stammen aus dem bayrisch-österreichischen Grenzraum. Die übrige Musik wurde neu geschaffen.†(Cesar Bresgen) Die Christkindl-Kumedi ist für Kinder ab 6 Jahren geeignet; die Partien von Maria, dem Vorsänger und dem Engel sollten entweder von erfahrenen und entsprechend ausgebildeten Jugendlichen oder von Erwachsenen gesungen werden.
$57.99
52.75 €
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Chorale SATB
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Cesar Bresgen
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Christkindl-Kumedi
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Schott Music - Digital
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SheetMusicPlus
Joy to the World (alto solo, choir, brass quintet and piano)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.773758 Composed by George …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.773758 Composed by George Frideric Handel. Arranged by Anthony Giamanco. Christmas,Contemporary,Sacred. Octavo. 28 pages. Whole Tone Press #5002095. Published by Whole Tone Press (A0.773758). Joy to the World is arranged in a festive style for alto solo, choir, brass quintet and piano. The alto solo is straightforward, adhering to the original melody. The choir parts are moderately easy (with some divisi) and support the soloist for the most part; however, they are given the third stanza to sing unaccompanied. The brass parts are moderate in difficulty (1st trumpet is required to play a whole note D6 at the finale). A good pianist (late intermediate +) is required to play moderately fast scale passages, both hands, during a transitional section, as well as a number of thick chord passages and leaps. This piece is ideal for use during the Christmas season in both church and concert venues. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, and on YouTube. Contact info: tony@shalomlife.org.
$2.95
2.68 €
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Chorale SATB
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George Frideric Handel
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Anthony Giamanco
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Joy to the World
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Whole Tone Press
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SheetMusicPlus
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