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Pat-a-pan, for Harp and Flute
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1
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1
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Voix
Chorale SATB
1
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Flute, harpe et violon
2
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2
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1
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1
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1
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4
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3
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1
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1
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40
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3
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1
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Pat-a-pan, for Harp and Flute
Chorale SATB
Partitions à imprimer
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La loba (The Wolf) for SATB and flute
#
Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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La loba
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Adrienne Inglis
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1178090 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Halloween,Latin,Multicultural,World. ...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1178090 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Halloween,Latin,Multicultural,World. 14 pages. Adrienne Inglis (ASCAP) #778051. Published by Adrienne Inglis (ASCAP) (A0.1178090). Fabulous feminist empowerment piece by a woman poet and woman composer!For SATB mixed chorus and electronically distorted flute.La loba (2022) by Adrienne Inglis (ASCAP)SATB mixed chorus and distorted fluteText: an excerpt from La loba (1916) by Argentine poet Alfonsina Storni (1892-1938)Commissioned by Jonathan Riemer for Inversion Ensemble’s The Electric Choir concert October 22, 2022Duration 4:08 minutesDifficulty 3 (Advanced high school, collegiate or community chorus)Language — SpanishThe perusal score video will be included on this YouTube playlist.https://youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:22 Oct 2022 at 2 PM Inversion Ensemble and flutist Adrienne Inglis (world premiere) at KMFA Classical 89.5. Commissioned by Jonathan Riemer for Inversion Ensemble’s “Electric Choir†concert in October 2022, La loba (The Wolf) displays Alfonsina Storni’s powerful poetic voice as a feminist amidst the patriarchy of early twentieth century Buenos Aires. She breaks away from her expected role as a sheep in an obedient flock and becomes a wolf sharpening her teeth and honing her skills. Moreover, she calls for others to follow her to stand up and face the enemy. More than a century later, Storni’s voice still echoes with a powerful call to action in a world where women’s rights are as fragile as ever. Bored of its usual role as a bird, the flute breaks away from the flock to inhabitat the wolf through transformative electronic distortions. The main theme mimics actual wolf calls, surprisingly comfortable in the flute’s low register. The tango-infused choral harmonies evoke the dissonance and angst in women’s struggle for equality through the ages.
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Pat-a-pan, for Harp and Flute
