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CHARANGO
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
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DOBRO - GUI…
DULCIMER
EUPHONIUM
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
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HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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PIANO & CLAVIERS
Orgue
19
Piano seul
13
Piano, Voix
8
Piano, Voix et Guitare
6
Accompagnement Piano
5
Piano Facile
1
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1
VOIX
Chorale SATB
9
Chorale Unison
3
Chorale 3 parties
3
Voix Alto, Piano
1
VENTS
Flûte traversière et Piano
392
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
189
2 Flûtes traversières (duo)
144
Flûte, Hautbois, Clarinette, Basson
109
Flûte, Clarinette (duo)
104
Flûte traversière
84
Quatuor de Flûtes : 4 flûtes
38
2 Flûtes traversières, Piano
37
Flûte, Clarinette, Piano (trio)
37
Hautbois, Piano (duo)
29
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27
Flûte, trombone et piano
27
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27
Saxophone Tenor et Piano
26
Quintette de Flûte : 5 flûtes
25
Trio de Flûtes: 3 flûtes
23
Saxophone Alto et Piano
18
Flûte, Hautbois, Piano (trio)
17
Flûte et Guitare
16
Flûte, Alto et Piano
16
Flûte, Clarinette et Basson
15
Flûte, Violon, Piano
15
Ensemble de Flûtes
15
Flute (partie séparée)
15
Flûte, Violoncelle
11
Flûte, Hautbois, Clarinette (trio)
10
Flûte, Violon, Violoncelle et Piano
9
Clarinette et Piano
8
Clarinette
8
3 Saxophones (trio)
8
Flute, Cor (duo)
8
Hautbois, Clarinette, Basson (trio d'anches)
7
Flûte, Basson et Piano
7
Flûte, Violon
7
Hautbois, Flûte
6
Flûte, Violoncelle, Guitare
6
Flûte, Hautbois, Basson
6
Flûte traversière, Orgue (duo)
5
Flûte, Hautbois (duo)
5
Flûte, Saxophone (duo)
4
Saxophone Soprano et Piano
3
Clarinette Basse, Piano
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Flûte, Trombone (duo)
3
Quatuor de Clarinettes: 4 clarinettes
3
Flûte, Alto (duo)
2
Flûte, Violon, Guitare
2
Quatuor de Saxophones: 4 saxophones
2
Flûte, Tuba (duo)
1
2 Clarinettes, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte et Trio à cordes
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Hautbois, Violon
1
Flûte, Trompette (duo)
1
3 Clarinettes (trio)
1
Flûte, Clarinette, Violon (trio)
1
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CUIVRES
Trombone et Piano
22
Cor et Piano
14
Trompette, Piano
10
Trompette
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
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CORDES
Violon et Piano
27
Alto, Piano
25
Violoncelle, Piano
17
Harpe, Flûte (duo)
12
Alto et Harpe
8
Harpe, Violon (duo)
8
Harpe, Violoncelle (duo)
8
Violon
6
Trio à Cordes: violon, alto, violoncelle
6
Harpe, Voix
2
Quatuor à cordes: 2 violons, alto, violoncelle
2
Contrebasse, Piano (duo)
1
Violon, Alto (duo)
1
2 Violons, Piano
1
Alto seul
1
Violoncelle
1
Violon, Violoncelle (duo)
1
Contre Basse
1
Harpe
1
Flûte, Contrebasse (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre
14
Orchestre de chambre
13
Orchestre d'harmonie
13
Ensemble de cuivres
3
Cloches
2
Big band
1
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AUTRES
Vous avez sélectionné:
Prelude for Flute and
Chorale SATB
Partitions à imprimer
9 partitions trouvées
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AVE MARIA - Tagliabue - for SATB Choir and Piano/Organ on Prelude in C major n. 1 BWV 846
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.724081 Composed by Renato Tagliabue …
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Choral Choir (SATB) - Digital Download SKU: A0.724081 Composed by Renato Tagliabue - on Preluded Bach. Christian,Contemporary,Sacred,Spiritual. Octavo. 8 pages. Renato Tagliabue #3479655. Published by Renato Tagliabue (A0.724081). SATB Choir adaptation of FANTASIA for Flute, Oboe, Franch Horn, Cello and Piano on Prelude n. 1 of J. S. Bach >>>>>> https://www.sheetmusicplus.com/title/fantasia-for-flute-oboe-franch-horn-cello-and-piano-on-prelude-n-1-of-j-s-bach-lead-sheet-and-set-of-parts-digital-sheet-music/20392650
$2.99
2.75 €
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Chorale SATB
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Renato Tagliabue - on Preluded Bach
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https://www
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AVE MARIA - Tagliabue - for SATB Choir and Piano/Organ on Prelude in C major n. 1 BWV 846
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Renato Tagliabue
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SheetMusicPlus
Ave Maria on BACH Cello Suite for Flute Piano
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.810462 Composed by Morakot…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.810462 Composed by Morakot Cherdchoo-ngarm. Baroque,Christian,Easter,Sacred,Wedding. Octavo. 5 pages. Emerald Music Publications #6599689. Published by Emerald Music Publications (A0.810462). Brand New Ave Maria composed on Bach Cello Suite No.1, Prelude.I composed a melody and use the original text from Ave MariaLatin:Ave Maria, gratia plena,Dominus tecum.Benedicta tu in mulieribus,et benedictus fructus ventris tui,Iesus.Sancta Maria, Mater Dei,ora pro nobis peccatoribus,nunc et in hora mortis nostrae.I also written this for Soprano & Piano(or Cello), SATB & Piano(or cello), Treble ins & Piano, Bass ins & Piano. You may check on my website www.morakotcomposer.com or on my profile in Sheetmusicplus.com.
$9.99
9.18 €
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Chorale SATB
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Morakot Cherdchoo-ngarm
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Piano(or Cello), SATB &
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Ave Maria on BACH Cello Suite for Flute Piano
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Emerald Music Publications
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SheetMusicPlus
Rock of Ages (Cleft for Me)
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.944167 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.944167 Composed by Augustus M. Toplady, Nicolo Paganini, and Thomas Hastings. Arranged by Eric Willis. Contemporary. Octavo. 11 pages. Eric Willis #4631787. Published by Eric Willis (A0.944167). Voice, Piano and Flute - Mid to Late IntermediateThis beautifully arranged hymn offers innovation while maintaining the original melody. The piano accompaniment is grouped in chordal sequences so the artist can effectively master the movement of the piece. The flute engages Paganini's Molto Perpetuo as a counterpoint and arrives at a newly created bridge before recapitulating the theme. This piece can be used in worship as a prelude, solo, trio or for congregational singing. It also makes a great recital piece.
$5.95
5.46 €
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Chorale SATB
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Augustus M
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Eric Willis
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Rock of Ages
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Eric Willis
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SheetMusicPlus
Prelude to Bethlehem
Chorale SATB
Chorus - Digital Download SKU: AX.00-PO-0003201 Prelude to Bethlehem - SATB.…
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Chorus - Digital Download SKU: AX.00-PO-0003201 Prelude to Bethlehem - SATB. Composed by Muzio Clementi. Arranged by Ruth Morris Gray. Secular Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0003201. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003201). UPC: 038081487434. Phillips Brooks.Pianists will instantly recognize this Clementi prelude, and now choral singers can share the beauty of his music during the Christmas season. Ingenious composer Ruth Morris Gray adds her own melody, choral parts, and flute obbligato to Clementi's masterpiece. The O Little Town of Bethlehem text makes this appropriate for the stage or the sanctuary.Inst. Parts Available (choral).
$1.90
1.75 €
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Chorale SATB
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Muzio Clementi
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Ruth Morris Gray
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Prelude to Bethlehem
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
80.81 €
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Chorale SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
BEHOLD HE IS COMING (SATB) – Revelation 1:7
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926664 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizio #3588427. Published by M.A. Morizio (A0.926664). The Apostle John’s visions in Revelation are nothing less than astounding to all readers. However, little is it known that another Hymn to Christ is neatly tucked into the very first seven verses of this last book of the Bible. John begins his Revelation (verses 1-3) with a prelude, introducing Jesus Christ and the apocalypse (revelation) that was made to him via the angel sent to describe all the things about which he was to write. He says, Blessed is the one who reads aloud the words of this prophecy, and blessed are those who hear, and keep what is written in it, for the time is near. After this short prelude, John delivers an epistolary opening (a greeting identifying the author and recipients), then pronounces a blessing upon the recipients-verses 4-6. After both the prelude and the opening, John immediately proceeds to another known Hymn to Christ, in verse 7, which I have called, Behold He Is Coming. When presented with the text in Revelation 1:7, I immediately thought, Where is the Gospel, the good news, in this piece? After several minutes of meditating on the text, I realized the Gospel message was right there in front of me-in the very last line: Yes, so be it [Lord], so be it, [Amen!] There will be peace! All will be known. Every single person will understand, at that point. The end, is the ushering in of a new beginning. The piece is scored in G minor for SATB with flute and Bâ™ clarinet accompaniment. In the opening phrase, we hear the clarinet on a sustained high (concert) G, which crescendos into a quick, descending sixteenth note pattern. There is urgency! The flute joins the clarinet in a duet to complete the introduction to the anthem. Then, the choir begins their haunting chant, Behold, He is coming with the clouds. Every eye will see Him, even those who pierced Him. Every eye will see Him and all the tribes of the earth will mourn over Him . Alas, there is peace! The two instruments dissolve into an a cappella four-part chorale where the choir creates the agreement between the text and the music, modulating to the relative major (Bâ™)-all is reconciled in a final Amen!
$1.99
1.83 €
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Chorale SATB
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Michael A
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BEHOLD HE IS COMING
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M.A. Morizio
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SheetMusicPlus
America (My Country 'Tis of Thee)--SATB choir+soloist
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.786638 Composed by Samuel …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.786638 Composed by Samuel Francis Smith, Henry Carey. Arranged by Beka Wilson. Christian,Folk,Holiday,Patriotic,Sacred. Octavo. 10 pages. Beka Wilson #6332689. Published by Beka Wilson (A0.786638). This beloved patriotic hymn is perfect for any patriotic function, or for a church offertory or prelude for Independence Day, Memorial Day, or Veterans Day. This arrangement features a male solo part for the second verse. Length: around 2.5 minutes10 pagesSolo versions of this arrangement are available for voice, piano, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.Want this arrangement in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$1.99
1.83 €
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Chorale SATB
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Samuel Francis Smith, Henry Carey
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Beka Wilson
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America
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Beka Wilson
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SheetMusicPlus
Ave Maria
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.999076 Composed by Bach, G…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.999076 Composed by Bach, Gounod. Arranged by Katherine Brookes. Concert,Contemporary,Romantic Period,Sacred,Wedding. Octavo. 7 pages. Katherine Brookes #6036853. Published by Katherine Brookes (A0.999076). 'Ave Maria' by Bach/Gounod is often performed as a vocal or instrumental solo. This is a 4 part vocal arrangement, sung in English rather than the original Latin. It is a song that lends itself to a 4 part vocal arrangement and can be performed by a choir or small vocal ensemble. Duration ca. 2.30The Gounod solo voice part was published in the 1850's but is based around the Baroque keyboard piece 'Prelude No 1' by J.S. Bach. This is an SATB arrangement with piano accompaniment. Katherine Brookes is a Guinness World Record holding flute player. To contact Katherine please email katherine@katherinebrookes.com and for more information about her please visit her website www.katherinebrookes.com .
$3.00
2.76 €
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Chorale SATB
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Bach, Gounod
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Katherine Brookes
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Ave Maria
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Katherine Brookes
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SheetMusicPlus
In the stillness Chopin SATB with descant
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1012401 Composed by Freder…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1012401 Composed by Frederic Chopin. Arranged by Sporton. Christian,Contemporary,Romantic Period,Sacred,Spiritual. Octavo. 9 pages. Diddly music #6326015. Published by Diddly music (A0.1012401). Chopin prelude op.28 no.20 (Funeral March) is arranged for SATB with words in the stillness God be with you, can be used in a religious setting or at the end of a concert as a farewell blessing, there is a descant portraying the voice of God to be played on a flute or any C instrument and also for alto saxophone or any Eb instrument.
$2.99
2.75 €
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Chorale SATB
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Frederic Chopin
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Sporton
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In the stillness Chopin SATB with descant
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Diddly music
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SheetMusicPlus
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