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Vous avez sélectionné:
Prelude for Flute and Piano
Chorale SATB
Partitions à imprimer
6 partitions trouvées
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AVE MARIA - Tagliabue - for SATB Choir and Piano/Organ on Prelude in C major n. 1 BWV 846
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.724081 Composed by Renato Tagliabue …
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Choral Choir (SATB) - Digital Download SKU: A0.724081 Composed by Renato Tagliabue - on Preluded Bach. Christian,Contemporary,Sacred,Spiritual. Octavo. 8 pages. Renato Tagliabue #3479655. Published by Renato Tagliabue (A0.724081). SATB Choir adaptation of FANTASIA for Flute, Oboe, Franch Horn, Cello and Piano on Prelude n. 1 of J. S. Bach >>>>>> https://www.sheetmusicplus.com/title/fantasia-for-flute-oboe-franch-horn-cello-and-piano-on-prelude-n-1-of-j-s-bach-lead-sheet-and-set-of-parts-digital-sheet-music/20392650
$2.99
2.79 €
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Chorale SATB
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Renato Tagliabue - on Preluded Bach
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https://www
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AVE MARIA - Tagliabue - for SATB Choir and Piano/Organ on Prelude in C major n. 1 BWV 846
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Renato Tagliabue
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SheetMusicPlus
Ave Maria on BACH Cello Suite for Flute Piano
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.810462 Composed by Morakot…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.810462 Composed by Morakot Cherdchoo-ngarm. Baroque,Christian,Easter,Sacred,Wedding. Octavo. 5 pages. Emerald Music Publications #6599689. Published by Emerald Music Publications (A0.810462). Brand New Ave Maria composed on Bach Cello Suite No.1, Prelude.I composed a melody and use the original text from Ave MariaLatin:Ave Maria, gratia plena,Dominus tecum.Benedicta tu in mulieribus,et benedictus fructus ventris tui,Iesus.Sancta Maria, Mater Dei,ora pro nobis peccatoribus,nunc et in hora mortis nostrae.I also written this for Soprano & Piano(or Cello), SATB & Piano(or cello), Treble ins & Piano, Bass ins & Piano. You may check on my website www.morakotcomposer.com or on my profile in Sheetmusicplus.com.
$9.99
9.31 €
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Chorale SATB
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Morakot Cherdchoo-ngarm
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Piano(or Cello), SATB &
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Ave Maria on BACH Cello Suite for Flute Piano
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Emerald Music Publications
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SheetMusicPlus
Rock of Ages (Cleft for Me)
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.944167 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.944167 Composed by Augustus M. Toplady, Nicolo Paganini, and Thomas Hastings. Arranged by Eric Willis. Contemporary. Octavo. 11 pages. Eric Willis #4631787. Published by Eric Willis (A0.944167). Voice, Piano and Flute - Mid to Late IntermediateThis beautifully arranged hymn offers innovation while maintaining the original melody. The piano accompaniment is grouped in chordal sequences so the artist can effectively master the movement of the piece. The flute engages Paganini's Molto Perpetuo as a counterpoint and arrives at a newly created bridge before recapitulating the theme. This piece can be used in worship as a prelude, solo, trio or for congregational singing. It also makes a great recital piece.
$5.95
5.55 €
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Chorale SATB
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Augustus M
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Eric Willis
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Rock of Ages
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Eric Willis
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
82.01 €
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Chorale SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
America (My Country 'Tis of Thee)--SATB choir+soloist
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.786638 Composed by Samuel …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.786638 Composed by Samuel Francis Smith, Henry Carey. Arranged by Beka Wilson. Christian,Folk,Holiday,Patriotic,Sacred. Octavo. 10 pages. Beka Wilson #6332689. Published by Beka Wilson (A0.786638). This beloved patriotic hymn is perfect for any patriotic function, or for a church offertory or prelude for Independence Day, Memorial Day, or Veterans Day. This arrangement features a male solo part for the second verse. Length: around 2.5 minutes10 pagesSolo versions of this arrangement are available for voice, piano, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.Want this arrangement in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$1.99
1.85 €
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Chorale SATB
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Samuel Francis Smith, Henry Carey
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Beka Wilson
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America
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Beka Wilson
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SheetMusicPlus
Ave Maria
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.999076 Composed by Bach, G…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.999076 Composed by Bach, Gounod. Arranged by Katherine Brookes. Concert,Contemporary,Romantic Period,Sacred,Wedding. Octavo. 7 pages. Katherine Brookes #6036853. Published by Katherine Brookes (A0.999076). 'Ave Maria' by Bach/Gounod is often performed as a vocal or instrumental solo. This is a 4 part vocal arrangement, sung in English rather than the original Latin. It is a song that lends itself to a 4 part vocal arrangement and can be performed by a choir or small vocal ensemble. Duration ca. 2.30The Gounod solo voice part was published in the 1850's but is based around the Baroque keyboard piece 'Prelude No 1' by J.S. Bach. This is an SATB arrangement with piano accompaniment. Katherine Brookes is a Guinness World Record holding flute player. To contact Katherine please email katherine@katherinebrookes.com and for more information about her please visit her website www.katherinebrookes.com .
$3.00
2.8 €
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Chorale SATB
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Bach, Gounod
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Katherine Brookes
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Ave Maria
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Katherine Brookes
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SheetMusicPlus
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