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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Prelude in G
Non classifié
175
Piano & claviers
Piano seul
371
Orgue
72
Piano Facile
27
Piano, Voix
13
Piano, Voix et Guitare
8
Piano Trio: piano, violon, violoncelle
5
Accompagnement Piano
5
Instruments en Do
4
Clavecin
2
Clavier
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
20
Guitare
8
Piano, Guitare (duo)
3
Ukulele
3
Banjo
2
4 Guitares (Quatuor)
2
+ 1 instrumentations
Retracter
Voix
Chorale SATB
6
Chorale 2 parties
2
Voix Tenor, Piano
2
Voix Alto, Piano
1
Voix seule
1
Chorale 3 parties
1
+ 1 instrumentations
Retracter
Vents
Flûte traversière et Piano
29
Saxophone Tenor et Piano
27
Clarinette et Piano
19
Hautbois, Piano (duo)
16
Saxophone Soprano et Piano
14
Quatuor de Saxophones: 4 saxophones
13
Saxophone Alto et Piano
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Flûte, Hautbois, Clarinette, Basson
8
Flûte, trombone et piano
8
3 Saxophones (trio)
7
Flûte traversière
7
Flûte, Clarinette, Piano (trio)
5
Clarinette
5
Quatuor de Clarinettes: 4 clarinettes
5
2 Flûtes traversières, Piano
4
Ensemble de Clarinettes
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Violon, Piano
4
Flûte, Alto et Piano
4
Clarinette, Violon (duo)
4
2 Clarinettes, Piano
4
2 Flûtes traversières (duo)
4
Flûte, Violon et Violoncelle
3
Flûte, Violoncelle, Piano (trio)
2
Saxophone Baryton, Piano
2
Cor anglais, Piano
2
Ensemble de Flûtes
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Violoncelle
2
Flûte, Violon
2
Clarinette, Violoncelle, Piano (trio)
2
2 Saxophones (duo)
2
Clarinette, trompette et piano
2
Quintette de Flûte : 5 flûtes
2
Flûte, Violoncelle, Guitare
1
Flûte et Guitare
1
Quatuor de Flûtes à bec
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Trombone (duo)
1
Saxophone
1
Flûte à bec Soprano
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Violoncelle
1
Flûte, Violon, Violoncelle et Piano
1
2 Saxophones, Piano
1
Hautbois
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Basson (duo)
1
Clarinette, Saxophone, Piano
1
Flûte, Clarinette (duo)
1
3 Clarinettes (trio)
1
Saxophone (partie séparée)
1
Clarinette, Trombone (duo)
1
Clarinette Basse, Piano
1
Saxophone Alto
1
+ 52 instrumentations
Retracter
Cuivres
Trompette, Piano
18
Trombone et Piano
17
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Cor et Piano
8
Quatuor de cuivres: 4 trompettes
4
Euphonium, Piano (duo)
4
2 Euphoniums et 2 Tubas
3
Trompette (partie séparée)
2
Cor anglais, Piano
2
Tuba et Piano
2
4 Tubas
2
Trompette, Trombone, Piano
2
Ensemble de Trombones
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de cuivres: 4 cors
1
Trompette, Trombone (duo)
1
2 Cors (duo)
1
Cor
1
Cor, Violoncelle (duo)
1
Trio de Cuivres
1
Trompette
1
Tuba
1
Quatuor de cuivres: 4 trombones
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
38
Violon et Piano
32
Violoncelle
20
Alto, Piano
20
Trio à Cordes: violon, alto, violoncelle
18
Violoncelle, Piano
16
Violon
15
Trio à Cordes: 2 violons, violoncelle
8
Violon, Violoncelle (duo)
7
Harpe
7
2 Violoncelles (duo)
6
Trio à cordes: 3 violins
6
Alto seul
5
Harpe, Violon (duo)
4
Alto et Harpe
4
Harpe, Violoncelle (duo)
4
4 Violoncelles
4
Harpe, Voix
3
Violon (partie séparée)
3
Quatuor à cordes: 4 violons
3
2 Violons (duo)
3
Harpe, Flûte (duo)
2
Contrebasse, Piano (duo)
2
Violon, Alto (duo)
2
Alto et Basson
1
Violon, Clarinette, Piano (trio)
1
Alto, Violoncelle (duo)
1
Contre Basse
1
Alto (partie séparée)
1
Violon, Basson (duo)
1
2 Violoncelles, Piano
1
Violoncelle (partie séparée)
1
Ensemble de Violons
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
26
Orchestre à Cordes
17
Orchestre
8
Ensemble de cuivres
7
Cloches
2
Orchestre de chambre
1
Ensemble de Percussions
1
Percussion
1
+ 3 instrumentations
Retracter
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COR ANGLAIS
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EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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HARPE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
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Crtitères actifs :
Prelude in G
Chorale SATB
Partitions à imprimer
6 partitions trouvées
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1
Prelude
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Chorale SATB
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Musique Sacrée
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Frederic Chopin
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Patrick M
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Choral Octavo
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Prelude
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred (SATB choir) - Grade 3 - SKU: JX.00-4935 Based upon Prelude in C Minor. Composed by Frederic Chopin. Arranged by Patrick M. Lieberge...
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Choir Sacred (SATB choir) - Grade 3 - SKU: JX.00-4935 Based upon Prelude in C Minor. Composed by Frederic Chopin. Arranged by Patrick M. Liebergen. Choral (Sacred); Choral Octavo; Masterworks; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred Church Choral Series. Holy Week; Lent; Masterwork Arrangement; Romantic; Sacred; Spring. Choral Octavo. 8 pages. Jubilate Music Group - Digital #00-4935. Published by Jubilate Music Group - Digital (JX.00-4935). English. Jeremiah 31:31-34; Hebrews 5:7-10; Psalm 51:10-17; John 12:20-33.In the spirit of the classic Bach/Gounod Ave Maria, Patrick Liebergen has transformed the famous Chopin Prelude in G minor into a transportive choral supplication. The traditional English/Latin text. Kyrie elesion, Lord have mercy is perfect for Lent or anytime of year. This beautiful anthem sings itself, and is certain to become a church standard!
$2.25
Bach Little Fugue in G Minor for Double Reed Choir BWV 578
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Chorale SATB
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Stephanie Daige
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Bach Little Fugue in G Minor f
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Stephanie Daige
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Steph...
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Choral Choir (Mixed) - Level 5 - SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Stephanie Daige #3377603. Published by Stephanie Daige (A0.796870). This little fugue is one of Bach's most famous and beloved organ works. Re-imagined for double reed choir, it is a challenging and fun setting for this fugue. The different instruments take turns entering with the subject of the fugue, and interplay back and forth with the other instruments. The timbres of the different instruments adds a whole new textural dimension to this already fascinating work by J.S. Bach. I considered the need to breathe for each of these wind instruments, which obviously wasn't an issue for the original version intended for organ. This piece would be appropriate for advanced high school students, college students, or professionals. It would do well in a chamber music concert, in a church, or between acts of a larger ensemble concert, perhaps in another location of the auditorium while a (quiet!) set change is taking place. It would also work well as prelude or lobby music. The duration is just over three minutes (or longer if you prefer to take it slower). Each measure is numbered individually for convenience during rehearsals. I hope you will enjoy performing this piece as much as I have enjoyed arranging it! There are also versions of this piece available for wind and brass quintets. Please check out my other arrangements at: http://www.sheetmusicplus.com/publishers/stephanie-daige/6875
$17.99
BEHOLD HE IS COMING (SATB) – Revelation 1:7
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Chorale SATB
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INTERMÉDIAIRE
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Michael A
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BEHOLD HE IS COMING
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizio #3588427. Publ...
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Choral Choir (SATB) - Level 3 - SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizio #3588427. Published by M.A. Morizio (A0.926664). The Apostle John’s visions in Revelation are nothing less than astounding to all readers. However, little is it known that another Hymn to Christ is neatly tucked into the very first seven verses of this last book of the Bible. John begins his Revelation (verses 1-3) with a prelude, introducing Jesus Christ and the apocalypse (revelation) that was made to him via the angel sent to describe all the things about which he was to write. He says, Blessed is the one who reads aloud the words of this prophecy, and blessed are those who hear, and keep what is written in it, for the time is near. After this short prelude, John delivers an epistolary opening (a greeting identifying the author and recipients), then pronounces a blessing upon the recipients-verses 4-6. After both the prelude and the opening, John immediately proceeds to another known Hymn to Christ, in verse 7, which I have called, Behold He Is Coming. When presented with the text in Revelation 1:7, I immediately thought, Where is the Gospel, the good news, in this piece? After several minutes of meditating on the text, I realized the Gospel message was right there in front of me-in the very last line: Yes, so be it [Lord], so be it, [Amen!] There will be peace! All will be known. Every single person will understand, at that point. The end, is the ushering in of a new beginning. The piece is scored in G minor for SATB with flute and Bâ™ clarinet accompaniment. In the opening phrase, we hear the clarinet on a sustained high (concert) G, which crescendos into a quick, descending sixteenth note pattern. There is urgency! The flute joins the clarinet in a duet to complete the introduction to the anthem. Then, the choir begins their haunting chant, Behold, He is coming with the clouds. Every eye will see Him, even those who pierced Him. Every eye will see Him and all the tribes of the earth will mourn over Him . Alas, there is peace! The two instruments dissolve into an a cappella four-part chorale where the choir creates the agreement between the text and the music, modulating to the relative major (Bâ™)-all is reconciled in a final Amen!
$1.99
Canticles of Mary and Simeon, op. 77
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Adrian Gagiu
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Canticles of Mary and Simeon,
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1004720 Composed by Adrian Gagiu. 20th Century,Christian,Contemporary. Octavo. 19 pages. Adrian Gagiu #6201665. ...
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Choral Choir (SATB) - Level 4 - SKU: A0.1004720 Composed by Adrian Gagiu. 20th Century,Christian,Contemporary. Octavo. 19 pages. Adrian Gagiu #6201665. Published by Adrian Gagiu (A0.1004720). Contemporary tonal and modal setting in G for SATB chorus and organ of the traditional canticles, based on the ancient tonus peregrinus and two archetypal pentatonic scales. Each of the canticles is treated in various textures, homophonic and polyphonic, with corresponding themes and mirroring sections that are contributing to the unity of the composition, and is framed by a meditative organ prelude, interlude and postlude, respectively.
$7.99
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
A Christmas Carol
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Chorale SATB
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Noël
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Jonathan Hellerman
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A Christmas Carol
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J. F. Hellerman
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.921795 Composed by Jonathan Hellerman. Christian,Christmas,Contemporary,Sacred. Octavo. 6 pages. J. F. Hellerman #3566251....
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Choral Choir (SATB) - SKU: A0.921795 Composed by Jonathan Hellerman. Christian,Christmas,Contemporary,Sacred. Octavo. 6 pages. J. F. Hellerman #3566251. Published by J. F. Hellerman (A0.921795). A beautifully melodic setting of G. K. Chesterton's profound poetry (first line: The Christ-child lay on Mary's lap...). Set in four verses, each with a unique harmonization and voicing, this is a fitting meditation for the Christmas season - either as a liturgical prelude or interlude, or even as a concert work. About three minutes in length.For more information about the composer, visit hellermanmusic.com
$2.20
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Prelude in G