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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Processional March
Non classifié
184
Piano & claviers
Piano seul
38
Orgue
29
Accompagnement Piano
7
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Facile
2
Piano, Voix et Guitare
1
Instruments en Do
1
+ 3 instrumentations
Retracter
Guitares
3 Guitares (trio)
3
Guitare
3
4 Guitares (Quatuor)
3
Piano, Guitare (duo)
2
Voix
Chorale SATB
3
Chorale 3 parties
2
Vents
Hautbois, Piano (duo)
21
Flûte traversière et Piano
16
Flûte, Hautbois, Clarinette, Basson
16
Clarinette et Piano
13
Saxophone Soprano et Piano
13
3 Saxophones (trio)
12
Saxophone Tenor et Piano
12
Quatuor de Saxophones: 4 saxophones
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Quatuor de Clarinettes: 4 clarinettes
10
Saxophone Alto et Piano
10
2 Flûtes traversières, Piano
7
Clarinette, Violoncelle, Piano (trio)
6
2 Saxophones (duo)
6
Flûte, Clarinette (duo)
6
Flûte, Hautbois, Piano (trio)
5
Flûte, Clarinette, Piano (trio)
5
Clarinette, trompette et piano
5
Flûte, trombone et piano
4
Clarinette, Violon (duo)
4
Quatuor de Flûtes : 4 flûtes
4
2 Clarinettes, Piano
4
2 Clarinettes (duo)
3
Flûte, Clarinette et Basson
3
Saxophone (partie séparée)
3
Flûte, Violon et Violoncelle
3
Flûte, Hautbois, Clarinette (trio)
3
Trio de Flûtes: 3 flûtes
3
Flûte, Violoncelle, Piano (trio)
3
2 Flûtes traversières (duo)
3
Clarinette (partie séparée)
3
Flûte, Alto et Piano
2
Flûte, Violon, Piano
2
Flûte, Basson et Piano
2
3 Clarinettes (trio)
2
Flûte, Violoncelle, Guitare
2
Ensemble de Clarinettes
2
Flûte, Hautbois, Basson
2
Hautbois (partie séparée)
1
Flute (partie séparée)
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, Alto et Piano (trio)
1
Flûte traversière
1
Saxophone Alto
1
Flûte, Hautbois, Violon
1
Flûte et Guitare
1
Quintette de Saxophone: 5 saxophones
1
Flûte et Trio à cordes
1
Flûte, Violon, Violoncelle et Piano
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violon, Guitare
1
Clarinette
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Violoncelle
1
Flûte, Violon
1
+ 50 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
46
Ensemble de Trompettes
33
Trombone et Piano
17
Trompette, Piano
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Quatuor de cuivres: 4 trompettes
7
Trompette
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Cor et Piano
5
2 Trompettes (duo)
4
Trombone
4
Trompette, Trombone (duo)
3
Trombone (partie séparée)
3
Tuba
3
Trombone, Orgue
2
2 Trombones (duo)
2
Quatuor de cuivres: 4 trombones
2
Tuba (partie séparée)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Quatuor de cuivres: 4 cors
2
3 Trompettes (trio)
2
Cor
1
Trompette (partie séparée)
1
Trompette, Cor (duo)
1
Cor (partie séparée)
1
Tuba ou Euphonium ou Saxhorn
1
Trio de Cuivres
1
Trompette, Trombone, Piano
1
Cor, Violoncelle et Piano
1
Ensemble de Trombones
1
+ 25 instrumentations
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Cordes
Alto, Piano
20
Violon et Piano
13
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violoncelle, Piano
10
Trio à Cordes: violon, alto, violoncelle
7
4 Violoncelles
6
Trio à cordes: 3 violins
6
Trio à Cordes: 2 violons, violoncelle
5
Violon
4
Quatuor à cordes: 4 violons
4
2 Harpes (duo)
3
Violon, Violoncelle (duo)
3
2 Violons (duo)
3
2 Violoncelles (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à Cordes: 3 violoncelles
2
Violon, Alto (duo)
2
Alto, Violoncelle (duo)
1
Violoncelle
1
Harpe
1
2 Altos (duo)
1
2 Violons, Piano
1
Piano Trio: Violon, Alto, Piano
1
Violon, Basson (duo)
1
Alto et Basson
1
Alto seul
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
28
Ensemble de cuivres
9
Fanfare
5
Orchestre à Cordes
4
Orchestre de chambre
4
Orchestre
3
Percussion (partie séparée)
2
Percussion
1
Timbales (partie séparée)
1
Cloches
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
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FLUTE TRAVERSI…
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LIVRES
LUTH
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Vous avez sélectionné:
Processional March
Chorale SATB
Partitions à imprimer
3 partitions trouvées
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My Beloved - A Bridal Processional Hymn
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Chorale SATB
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INTERMÉDIAIRE
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Kyle Casey
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My Beloved - A Bridal Processi
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Kyle Casey
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.907105 Composed by Kyle Casey. Christian,Sacred,Wedding. Octavo. 5 pages. Kyle Casey #5996879. Published by Kyle...
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Choral Choir (SATB) - Level 3 - SKU: A0.907105 Composed by Kyle Casey. Christian,Sacred,Wedding. Octavo. 5 pages. Kyle Casey #5996879. Published by Kyle Casey (A0.907105). My Beloved is a bridal processional or bridal march based on the text from the bible book Song of Songs (Song of Solomon). Scored for organ and choir. Features a short organ fanfare intended to signal the congregation to stand for the bride and a solo verse for tenor or soprano voice. Perfect for any wedding where an alternative to the traditional here comes the bride processional is desired.
$7.50
Miserere Mei
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Chorale SATB
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FACILE
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César Zumel
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Miserere Mei
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César Zumel
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.939977 Composed by César Zumel. Christian,Easter,Gospel,Spiritual. Octavo. 3 pages. César Zumel #3067073. ...
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Choral Choir (SATB) - Level 2 - SKU: A0.939977 Composed by César Zumel. Christian,Easter,Gospel,Spiritual. Octavo. 3 pages. César Zumel #3067073. Published by César Zumel (A0.939977). Great way to start a concert! Miserere (psalm 50) is a processional march for SATB choir. First bars are really a processional march, while chorus is a poliphonic song generating an atmosphere of round. Verses are gregorian imitation. Effective and easy for creating an atmosphere in line with Easter sorrow. It could be performed marching the choir, and an small group singing the gregorian imitation.Tesiture not so demanding makes it afordable for all type of choirs. The highest tesiture has a short durationg going back to relaxed one soon. It is usefull for conductors to start to work the Easter season, using it as warming up exercise (progresivity, mantric, self voice control,...).It is really interesting for starting a concert marching the choir to the stage, or at least to start the concert.At services it could be used at communio.For aditional info, please contact czmorago@gmail.com
$3.00
Ride On! Ride On in Majesty! — SATB voices, organ
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Chorale SATB
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INTERMÉDIAIRE
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English ballad
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Todd Marchand
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Ride On! Ride On in Majesty! &
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1367409 Composed by English ballad. Arranged by Todd Marchand. Christian,Easter,Lent,Sacred. 5 pages. Con...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1367409 Composed by English ballad. Arranged by Todd Marchand. Christian,Easter,Lent,Sacred. 5 pages. Con Spirito Music #951781. Published by Con Spirito Music (A0.1367409). Perhaps the most often-sung processional hymn on Palm Sunday, “Ride On, Ride On in Majesty†was written in 1820 by Anglican cleric, poet, and scholar Henry Hart Milman (1791-1868) and first  published in Reginald Heber’s Hymns Written and Adapted to the Weekly Church Service of the Year (1827). The hymn references Jesus’ entry into Jerusalem prior to his Passion, as recorded in Matthew 21:1-11.Writing for the Hymnology Archive of The Hymn Society in the US and Canada, editor Chris Fenner notes in his analysis of the text that:“This hymn ... is much less a narrative or paraphrase of the triumphal entry (Matt. 21, Mk. 11, Lk. 19, Jn. 12) than it is a forward-looking hymn pointing from the palms to the cross to [Jesus’] ascended position on the throne. The triumphal entry itself is a fulfillment of Zechariah 9:9 (‘Behold, your king is coming to you . . . humble and mounted on a donkey’). The recurring opening line is possibly an allusion to Psalm 45:4 (‘in thy majesty ride prosperously’). “Some hymnological commentators connect this hymn with the idea of the great reversal in Philippians 2:5-12, where we find the Christ who humbled himself in a crucified death, later to be exalted, name above all names, to which every knee will bow. As Canadian hymn scholar Stanley Osborne observed, this hymn’s poetic strength is in its exploration of that duality:'Objective, robust, confident, and stirring, it possesses that peculiar combination of tragedy and victory which draws the singer into the very centre of the drama. It is this which gives the hymn its power and its challenge.'In this arrangement for SATB voices and organ, Milman’s text is set to the 15th-century English ballad, “Deo Gratias†(aka The Agincourt Carol), with the refrain Ride on in majesty!†following each verse.©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
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