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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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DEEJAY
DIDGERIDOO
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FLUTE TRAVERSI…
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HARPE
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LIVRES
LUTH
MANDOLINE
MARIMBA
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rain After the Sun
Non classifié
47
Piano & claviers
Piano seul
13
Piano, Voix
6
Piano, Voix et Guitare
5
Orgue
2
2 Pianos, 4 mains
1
Instruments en Do
1
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1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Facile
1
+ 4 instrumentations
Retracter
Guitares
Guitare notes et tablatures
3
Voix
Chorale SATB
12
Voix Alto, Piano
10
Chorale 3 parties
5
Chorale 2 parties
3
Chorale SSAA
2
Chorale Unison
2
Chorale TTBB
1
+ 2 instrumentations
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Vents
Quintette de Saxophone: 5 saxophones
4
Ensemble de saxophones
4
Hautbois, Piano (duo)
3
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2
Quatuor de Clarinettes: 4 clarinettes
2
Ensemble de Clarinettes
2
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1
Clarinette et Piano
1
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1
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1
Flûte traversière et Piano
1
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1
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1
Quintette de Flûte : 5 flûtes
1
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1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone Alto et Piano
1
+ 12 instrumentations
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Cuivres
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
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2
Trombone
2
Trompette, Piano
2
Quatuor de cuivres: 4 trombones
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Trombone et Piano
2
Euphonium, Piano (duo)
2
Tuba et Piano
1
Cor et Piano
1
+ 6 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3
Ensemble d'Altos
1
Contrebasse, Piano (duo)
1
Violoncelle, Piano
1
Ensemble de Violons
1
Trio à Cordes: violon, alto, violoncelle
1
Violon et Piano
1
Alto, Piano
1
+ 3 instrumentations
Retracter
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Orchestre d'harmonie
9
Orchestre à Cordes
2
Ensemble de cuivres
2
Orchestre de chambre
1
Xylophone, Piano
1
Orchestre
1
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1
Ensemble de Percussions
1
Cloches
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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Crtitères actifs :
Rain After the Sun
Chorale SATB
Partitions à imprimer
12 partitions trouvées
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1
Солнце (Sun)
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Chorale SATB
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Cassy Gress
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Солнце
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Cassy Gress
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - SKU: A0.1418462 Composed by Cassy Gress. 21st Century. 10 pages. Cassy Gress #1000029. Published by Cassy Gress...
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Choral Choir,Choral,SATB Chorus divisi - SKU: A0.1418462 Composed by Cassy Gress. 21st Century. 10 pages. Cassy Gress #1000029. Published by Cassy Gress (A0.1418462). On April 8, 2024, I had the privilege to be able to view a solar eclipse in totality. I'd previously seen one at around 99% totality, but 100% is a completely different experience. I periodically glanced at the sun in my protective glasses, watching the disc shrink down to nothing, not expecting much other than the absence of a sun. But I looked away for a moment, and my son suddenly cried, It's there!I turned and gasped: the sky was a flat twilight blue, and a crisp brilliant ring glowed in the sky, safe to view with the naked eye. The world was still, strangely silent, alien and new. We all tried to grab as many pictures as we could. After a few minutes, the moon continued its arc across the sky, and the sun's glare abruptly reappeared, already blinding even as a sliver. I can still see that ring in my mind's eye, fiercely burning, as if someone had literally cut a circle out of the sky and exposed another universe behind it.In this piece I tried to capture the growing ominous wonder of an eclipse approaching totality. While the 2024 eclipse was not visible in Russia, the Russian word for sun, Ñолнце (solntse), has a lily-like fragility to it that the English equivalent does not. Various parts of the choir repeat the word throughout the piece, and the repeated ts and s sounds should create a percussive susurrance. Stagger breathing should be used throughout.Also repeated is the Russian word for moon, луна (luna). As the eclipse approaches that crystalline moment of totality, the moon becomes more and more prominent and the text more chantlike. The refrain, first sung by a solo bass at bar 7, and sung in variation by the other parts thereafter, is repeated in its original form once by the sopranos near the top of their range. This represents the sun in final desperate ecstasy, before it too collapses into the inevitability and madness of occultation.After an indefinite sudden pause, the shock of the moment, the choir reverently sings suscipe deprecationem nostram. Glorificamus te. As the moon frees the sun from its cold grip, the menace of the previous section threatens to return, but just as quickly fades, revealing once again Ñолнце в небе (the sun in the sky).
$1.99
When the Sun Comes After Rain
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Chorale SATB
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Robert Louis Stevenson
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Matthew Emery
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When the Sun Comes After Rain
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Pavane Publishing
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SheetMusicPlus
Choral Choir,Choral,Voice (SATB) - SKU: HX.319630 Composed by Robert Louis Stevenson. Arranged by Matthew Emery. This edition: scorch. Choral. A Cappell...
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Choral Choir,Choral,Voice (SATB) - SKU: HX.319630 Composed by Robert Louis Stevenson. Arranged by Matthew Emery. This edition: scorch. Choral. A Cappella,Concert. 7 pages. Pavane Publishing #P1441. Published by Pavane Publishing (HX.319630).
$2.25
The Old Palmer Song
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Chorale SATB
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FACILE
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the time the rush was over, th
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Traditional
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Sandra Milliken
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The Old Palmer Song
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.774724 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 14 pages. Sandra Milliken #3873...
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Choral Choir (SATB) - Level 2 - SKU: A0.774724 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 14 pages. Sandra Milliken #3873279. Published by Sandra Milliken (A0.774724). The Old Palmer Song is a favourite Australian folk song that is meant to be sung in a rollicking style that reflects the excitement and anticipation of hardy Australian colonials setting out in search of gold. Following hard on the heels of the great California gold rushes (1848 – 1855) came the discovery of payable quantities of gold in Australia. The first gold rush in Australia began in New South Wales in May 1851 after prospector Edward Hargraves discovered gold near Orange, at a site he called Ophir. Other discoveries quickly followed, including those at Ballarat and Bendigo in the colony of Victoria. Then came Rosewood and Gympie (1867) in Queensland; the Gawler region in South Australia in 1868; and Halls Creek (1885), Kalgoorlie and Coolgardie (1893) in Western Australia. One of Australia’s richest alluvial goldfields was that of the Palmer River in far north Queensland. The rush to the Palmer began in 1873 and lasted for about three years. The goldfields were nearly 100 miles inland from the small coastal settlement of Cooktown and the early prospectors had a hard time of it just getting to the field. Leaving Cooktown they crossed the coastal mangroves, then on through dense tropical rainforest, into the more open eucalypt forest beyond and then across the dry, inhospitable and rugged country of the hinterland dissected by wide and deep rivers. And always there was the risk of meeting with fierce resistance from the Aborigines whose tribal land they were travelling through. At the height of the rush there were around 35,000 prospectors on the Palmer (including a great many Chinese). By the time the rush was over, the Palmer had yielded over 100 tons of gold! The Old Palmer Song is set to the tune of Ten Thousand Miles Away, a shore ballad/sea shanty that probably originated in Ireland in the early 19th Century.
$2.20
The Advent
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Chorale SATB
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FACILE
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Gail M
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The Advent
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Gail M Luley
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1488102 Composed by Gail M. Luley. A Cappella,Advent,Christian,Classical,Traditional. 8 pages. Gail ...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1488102 Composed by Gail M. Luley. A Cappella,Advent,Christian,Classical,Traditional. 8 pages. Gail M Luley #1064981. Published by Gail M Luley (A0.1488102). Music and Performance NotesThe Advent sets a poem by Rabindranath Tagore (1861-1941) to music. The poet asks us to recognize that God comes to us and is present in everything around us, in the things we see, experience and feel. God ever comes and touches us with joy. We recognize God in our songs, in our moods, in sorrow, in joy, in our daily lives.This music is scored for SATB choir and viola. If a violist is not available, a violin can substitute. A piano reduction of the choral parts can be used just for rehearsal, or also in the performance if necessary. If no string player is available, the pipe organ can be used for the string part.Note on the textRabindranath Tagore was a Bengali poet, writer, playwright, composer, philosopher, social reformer, and painter during the age of Bengal Renaissance. He reshaped Bengali literature and music as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of the profoundly sensitive, fresh and beautiful poetry of Gitanjali, he became in 1913 the first non-European and the first lyricist to win the Nobel Prize in Literature.Song Offering/Gitanjali 45Have you not heard his silent steps?He comes, comes, ever comes.Every moment and every age, every day and everynight he comes, comes, ever comes.Many a song have I sung in many a mood of mind,but all their notes have always proclaimed,He comes, comes, ever comes.In the fragrant days of sunny April through the forestpath he comes, comes, ever comes.In the rainy gloom of July nights on the thunderingchariot of clouds he comes, comes, ever comes.In sorrow after sorrow, it is his steps that press upon my heart,and it is the golden touch of his feet that makes my joy to shine.Rabindranath Tagore.
$5.00
Train Poems for SATB a cappella with solo vocal quartet (text by Laura Kelly)
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Chorale SATB
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Judith Cloud
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Train Poems for SATB a cappell
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Judith Cloud
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.981228 Composed by Judith Cloud. A Cappella. Octavo. 51 pages. Judith Cloud #6690579. Published by Judith Cloud (A0.981228...
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Choral Choir (SATB) - SKU: A0.981228 Composed by Judith Cloud. A Cappella. Octavo. 51 pages. Judith Cloud #6690579. Published by Judith Cloud (A0.981228). Train Poems (poems by Laura Kelly)1. The Silver Breath of Water2. The Gentle Theater of Sunday Afternoon3. The Echo My Future Runs Ahead to Make
$4.99
Let All the World in Ev'ry Corner Sing — SATB voices, organ
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Todd Marchand
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Let All the World in Ev'ry Cor
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1439047 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1019076. Published ...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1439047 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1019076. Published by Con Spirito Music (A0.1439047). “Let All the World in Ev’ry Corner Sing” is a short poem from the collection, The Temple, by Anglican priest, poet, and orator George Herbert (1593-1633). A contemporary of William Shakespeare and John Milton, God-child to poet John Donne, Herbert is associated with the 17th-century Metaphysical poets and “is remembered as a pivotal figure: enormously popular, deeply and broadly influential, and arguably the most skillful and important British devotional lyricist of his or any other time.” Shortly before his death in 1633 at age 39, Herbert directed that a manuscript of his religious poems be sent to his fellow clergyman and friend, Nicholas Ferrar, reportedly saying, “Tell him ... if he can think it may turn to the advantage of any dejected poor Soul, let it be made publick: if not, let him burn it: for I and it, are less than the least of God’s mercies.” First published in 1633, The Temple was an enormously popular work, totaling more than 20,000 copies printed in 13 editions between 1633 and 1679.“Let All the World in Ev'ry Corner Sing” is the refrain of Herbert’s poem, “Antiphon (I),” which appeared in the “Christian Life” section of The Temple. An antiphon may be defined as a short sentence or refrain sung or recited before or after a psalm or canticle; and in Herbert's short poem of two stanzas, he may also have intended that the verses be recited antiphonally (alternately) by two groups. The third stanza in this setting for SATB voices and organ, a doxology by an unknown author, was added in the 19th century. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). For more sacred, patriotic, folk, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.00
And His Kingdom Will Have No End
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Kevin Longley
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Kevin Longley
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And His Kingdom Will Have No E
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Kevin Longley
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1109087 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. A Cappella,Christian,Praise...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1109087 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. A Cappella,Christian,Praise & Worship,Religious,Sacred. 10 pages. Kevin Longley #711630. Published by Kevin Longley (A0.1109087). Inspiration While I have recited the Nicene Creed countless times, in July 2021 something changed. The church had cleared the return of the choir, post pandemic, and it was my first Sunday of singing in well over a year. That Sunday as I recited the creed something happened when I reached the line “And His Kingdom Will Have No Endâ€. Was it louder? Was it spoken with greater conviction? Something was different! Maybe it was just me. I'm not sure but all I know is that every Sunday thereafter it had the same impact on me. Within a few weeks I decided to compose a choral piece about that very line. I had to! The Music For the most part the harmony and structure are traditional but do contain harmonic structures with a contemporary flair. The arrangement is refrain, verse, refrain, verse, bridge and then refrain. The first and 3rd refrains are highly similar while the second refrain contains a soprano section descant while featuring the bass's carrying the main melody. The overall intent of the music is that on every return to the refrain, it is louder than the previous refrain. This signifies the singers confidence growing, in the existence of God's Kingdom, after each verse. With that said the piece starts quietly, almost being heard from a distance. The refrain lyrics speak to the hope that we carry for God's kingdom while the verses speak to God and Jesus in a more intimate way. The bridge speaks to the strength of the Kingdom and then leads back to the opening refrain, now in double forte. The high point in the piece is reached where volume, emotion and a significant ritard occur at the phrase “we'll be togetherâ€. From there the piece decreases in volume ending in a quiet confidence repeating “No end, no end, no endâ€.
$1.99
Christ Is Alive
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Chorale SATB
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Mark Kellner
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Christ Is Alive
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Hope Publishing - Digital
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SheetMusicPlus
Choral SATB Chorus - SKU: H1.GC971DP Composed by Mark Kellner. Piano Accompaniment. Easter Sunday, Sacred. Octavo. 12 pages. Hope Publishing - Digital #...
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Choral SATB Chorus - SKU: H1.GC971DP Composed by Mark Kellner. Piano Accompaniment. Easter Sunday, Sacred. Octavo. 12 pages. Hope Publishing - Digital #GC971DP. Published by Hope Publishing - Digital (H1.GC971DP). Mark Kellner. Acts 1:1 - Acts 1:2 - Acts 1:3 - Colossians 3:1 - Hebrews 4:15 - Isaiah 11:9 - John 14:6 - John 20:2 - Luke 24:23 - Mark 16:19 - Matthew 28:2 - Revelation 1:18.Original anthem This fine text is ideal for Easter and Ascension services. Written ten days after the assassination of Dr. Martin Luther King, Jr. , the text addresses Easter hope out of terrible suffering, and reveals a Christ who is both here and now. The combination of the hymn tune TRURO accompanied by familiar strains of Widor's Toccata from his Fifth Organ Symphony, creates a festive presentation.
$2.95
Benediction....satb
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Folklorique/Traditionel
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Traditional Irish
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Donald A
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Benediction....satb
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Donald A Mills
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.928981 Composed by Traditional Irish. Arranged by Donald A. Mills, 2019. A Cappella,Christian,Holiday,Praise & W...
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Choral Choir (SATB) - Level 3 - SKU: A0.928981 Composed by Traditional Irish. Arranged by Donald A. Mills, 2019. A Cappella,Christian,Holiday,Praise & Worship,Sacred. Octavo. 3 pages. Donald A Mills #4804981. Published by Donald A Mills (A0.928981). For a service in which the congregation is blessed with the Blessed Sacrament. This traditional Irish hymn may also be appropriate for just about any day of the year, especially so at services before or after St. Patrick's Day. This hymn is for SATB w piano accomp. It may be performed a cappella. Written for quartet, very large quartet, or choir in church, school, or community choral groups. A pianist or organist may play the four parts along with the choir. This hymn is short and may be used as a benediction at the end of a religious service. Of course it is very useful within a choral concert performance of any sort. Just sing it softly when required, sing it sweetly, and your audiences will love it. This traditional Irish blessing is an ancient Celtic prayer. Celtic literature is famed for using images of nature and everyday life to speak of how God interacts with His people. May the road rise up to meet you is about God's blessing for your journey in life - may your walk be an easy one, with no mountains to climb or obstacles to overcome. It alludes to three images from nature - the wind, sun and rain as pictures of God's care and provision: The wind can be likened to the Spirit of God, which helps move you along on rough days. The sun's warmth in the prayer reminds us of the tender mercies of God, by which the rising sun will come to us from heaven. The soft falling rain speaks of God's provision and sustenance. Finally, we are reminded that we are held safe in God's loving hands as we travel on our journey through life.
$2.99
Silent Night, Silent World
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Chorale SATB
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Musique Sacrée
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Jay Althouse and Sally K
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Choral Octavo
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Silent Night, Silent World
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred (SATB choir) - Grade 3 - SKU: JX.00-22781 Based upon Largo from Symphony No. 9 by Antonin Dvorak, and Silent Night, Holy Night. Comp...
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Choir Sacred (SATB choir) - Grade 3 - SKU: JX.00-22781 Based upon Largo from Symphony No. 9 by Antonin Dvorak, and Silent Night, Holy Night. Composed by Jay Althouse and Sally K. Albrecht. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Church Choral Series. Christmas; Sacred. Choral Octavo. 8 pages. Jubilate Music Group - Digital #00-22781. Published by Jubilate Music Group - Digital (JX.00-22781). English. Psalm 96, Isaiah 9:2-7, Luke 2:1-20, Titus 2:11-14.Awe-inspiring! Above the slow opening strains of Dvorak's Largo from his New World Symphony, we hear the Christmas narrative: For unto us a Child is born. After a dramatic pause, the flowing accompaniment signals the choral response: Silent night, holy night, sung to Dvorak's melody, a brilliant pairing of text and melody. As the rapture continues, the choir and accompaniment swell, proclaiming, We reflect God's true light on this Christmas morn. We give this our highest recommendation for worship and seasonal concerts! Suggested scriptures: Psalm 96, Isaiah 9: 2-7, Luke 2: 1-20, Titus 2: 11-14.
$1.65
Robert Louis Stevenson: When the Sun Comes After Rain - choir (SATB: soprano, alto, tenor, bass)
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Chorale SATB
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INTERMÉDIAIRE
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Robert Louis Stevenson
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Virtualsheetmusic
Instantly printable sheet music by Robert Louis Stevenson for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / concert,a cappella
Instantly printable sheet music by Robert Louis Stevenson for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / concert,a cappella
$6.23
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