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TRI ET FILTRES
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Vous avez sélectionné:
Sanctus et Benedictus
Chorale SATB
Partitions à imprimer
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Sanctus et Benedictus (SATB + Piano)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.888204 Composed by Konstan…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.888204 Composed by Konstantinos Evangelatos. Contemporary. Octavo. 18 pages. Konstantinos Evangelatos #4729215. Published by Konstantinos Evangelatos (A0.888204). Text from Latin Mass (in Latin). For Mixed Choir (SATB) and piano accompaniment. 10 pages, duration about 3.49 min. Appropriate for schools and students! For general use. Also available for Similar Voices Choir (SSA or TTBar). The two versions (similar or Mixed voices) are available and with Classical Orchestra accompaniment.
$2.20
2.01 €
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Chorale SATB
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Konstantinos Evangelatos
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Sanctus et Benedictus
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Konstantinos Evangelatos
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SheetMusicPlus
SANCTUS et BENEDICTUS (From Missa brevis by Palestrina - For SATB Choir
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.724123 Composed by G.P.L. da Palestr…
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Choral Choir (SATB) - Digital Download SKU: A0.724123 Composed by G.P.L. da Palestrina. Baroque,Christian,Sacred,Spiritual. Octavo. 4 pages. Renato Tagliabue #3493989. Published by Renato Tagliabue (A0.724123).
$8.99
8.23 €
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Chorale SATB
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G
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SANCTUS et BENEDICTUS
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Renato Tagliabue
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
80.5 €
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Chorale SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
ALTERNATIVE MASS, for SATB choir a cap.
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.887067 Composed by …
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.887067 Composed by Marilena Zlatanou. Contemporary. 21 pages. Marilena Zlatanou #3035601. Published by Marilena Zlatanou (A0.887067). This composition is built in form as a traditional Mass, but the text used comprises of a selection of only a few words of those usually applied in the traditional Mass movements. The text used, described in detail, is as follows:1. As Kyrie movement: Only the word ELEISON (Have Mercy On Us) 2. As Gloria movement: Only the word GLORIA (Hail)3. As Credo movement: Alternative text: Paul’s 1:13 Corinthian (on love)4. As Sanctus / Benedictus: Only the sentence: PLENI SUNT COELI ET TERRA GLORIA TUA (The Sky and the Earth are full of Thy Glory)5. As Agnus Dei: Only the sentence DONA NOBIS PACEM (Give Us Peace)The text selection is a result of the intention to concentrate on the essence and the universal character of each movement, without getting into conflict with the dogmatic parts of the original text. This is also the reason for the use of the word alternative in the title. The writing is fairly melodious and tonal, with some contemporary effects.The individual movements may also be used seperately.Duration of the whole mass lasts for about 20 minutes.The individual movements vary from 2 and a half to 7 minutes. The attached mp3 file (of the last movement) is a converted sibelius file.Please visit website www.zlatanou.net for more information.Member of TONO, the Norwegian copyright org.
$20.00
18.3 €
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Chorale SATB
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Marilena Zlatanou
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ALTERNATIVE MASS, for SATB choir a cap.
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Marilena Zlatanou
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SheetMusicPlus
Missa pro defunctis (Amon)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1003391 Composed by Blasiu…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1003391 Composed by Blasius Amon. Arranged by Aristotle A. Esguerra. Classical,Contemporary,Renaissance,Sacred,World. Octavo. 21 pages. CantemusDomino.Net #3540949. Published by CantemusDomino.Net (A0.1003391). A Requiem Mass for SATB Choir by Blasius Amon (or Ammon) (c.1560–1590) consisting of the following movements:1. Introit Requiem aeternam with verse Te decet hymnus (~3:30);2. Kyrie (~3:15);3. Gradual Requiem aeternam (~2:15);4. Offertory Domine Iesu Christe with verse Hostias et preces (~4:45);5. Sanctus (~2:15);6. Benedictus (~1:30);7. Agnus Dei (~2:30);8. Communion Absolve Domine with verse Requiem aeternam (~2:45).**Note that this Communion antiphon differs from the usual Lux aeterna.Total length: ~22:45 plus length of chanted Sequence [not included].Range requirements (middle C = C4):· Cantus [Soprano]: B3–Eâ™5· Altus [Alto]: F3–Bâ™4 (a solitary E3 is called for)
$4.50
4.12 €
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Chorale SATB
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Blasius Amon
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Aristotle A
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Missa pro defunctis
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CantemusDomino.Net
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SheetMusicPlus
Missa pro defunctis a 4 (Belli)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1003349 Composed by Guilio…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1003349 Composed by Guilio Belli. Arranged by Aristotle A. Esguerra. Christian,Contemporary,Renaissance,Sacred,World. Octavo. 16 pages. CantemusDomino.Net #3535133. Published by CantemusDomino.Net (A0.1003349). A polyphonic requiem mass for SATB choir by Giulio Belli (c.1560–1621?) consisting of the following movements:1. Introit Requiem aeternam with verse Te decet hymnus (~2:15);2. Kyrie (~1:30);3. Sequence Dies irae, odd verses (~4:30 plus length of even chant verses [not included]);4. Offertory Domine Iesu Christe (~2:45 plus length of chant verse Hostias et preces and response Quam olim [not included]);5. Sanctus (~1:30);6. Benedictus (~0:30);7. Agnus Dei* (~1:15);8. Communion Lux aeterna with verse Requiem aeternam (~1:45).*Text underlay for the Ordinary (Novus Ordo) Form of the Roman Rite also supplied.Total length: ~16:00 plus length of chanted Gradual, Tract/Alleluia, Sequence (odd verses), and Offertory verse with response [not included].Range requirements (middle C = C4):· Cantus: B3–D5· Altus: F3–G4· Tenor: C3–F4· Bassus: F2–Bâ™3Pages: 16 8.5x11 sheetsSystems per page: 4 (3 for Agnus Dei; 2 for Sequence)Accompaniment: none
$4.50
4.12 €
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Chorale SATB
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Guilio Belli
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Aristotle A
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Missa pro defunctis a 4
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CantemusDomino.Net
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SheetMusicPlus
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