Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Side Note
Non classifié
293
Piano & claviers
Piano seul
335
Piano Facile
318
Piano grosses notes
32
Piano, Voix
28
Piano, Voix et Guitare
12
Orgue
10
2 Pianos, 4 mains
9
Instruments en Do
8
1 Piano, 4 mains
7
Piano Trio: piano, violon, violoncelle
5
Clavier
3
Accordéon
1
Orgue, Piano (duo)
1
Accompagnement Piano
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
535
Guitare
27
Ukulele
5
Basse electrique
4
Paroles et Accords
3
Mandoline
2
4 Guitares (Quatuor)
2
2 Guitares (duo)
2
Dulcimer
2
Ligne De Mélodie, (Paroles) et Accords
2
Piano, Guitare (duo)
1
Ensemble de guitares
1
2 Ukuleles
1
Banjo
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
43
Chorale TTBB
12
Chorale SSAA
12
Chorale 3 parties
10
Chorale 2 parties
9
Chorale Unison
7
Voix Soprano, Piano
3
Voix haute
2
Voix basse, Piano
1
Voix duo, Piano
1
+ 5 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
27
2 Saxophones (duo)
27
Quatuor de Saxophones: 4 saxophones
26
Quintette de Saxophone: 5 saxophones
21
Flûte, Hautbois, Clarinette, Basson
21
Saxophone Alto
17
Flûte traversière et Piano
17
Flûte traversière
15
Ensemble de saxophones
13
Hautbois, Piano (duo)
13
Clarinette
12
Saxophone Baryton, Piano
11
Clarinette et Piano
11
Saxophone Alto et Piano
11
Saxophone Tenor et Piano
10
Saxophone Soprano et Piano
9
Saxophone Tenor
7
2 Flûtes traversières (duo)
7
2 Clarinettes (duo)
7
Hautbois
6
Saxophone Soprano
5
Saxophone Baryton
5
Hautbois (partie séparée)
5
2 Hautbois (duo)
4
Saxophone (partie séparée)
4
Ensemble de Clarinettes
4
Ensemble de Flûtes
3
3 Saxophones (trio)
2
Quatuor de Clarinettes: 4 clarinettes
1
Flûte et Guitare
1
Trio de Flûtes: 3 flûtes
1
Flûte, Violoncelle
1
Flute (partie séparée)
1
Cor anglais, Piano
1
Hautbois, Basson (duo)
1
Clarinette, Trombone (duo)
1
Flûte, Trombone (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone
1
Quintette de Flûte : 5 flûtes
1
Flûte à bec Tenor
1
+ 36 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trompette
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Trombone et Piano
14
Quatuor de cuivres: 4 trombones
13
Trompette, Piano
13
Tuba et Piano
13
Cor et Piano
9
Cor
9
Tuba
8
2 Cors (duo)
8
Trombone
8
2 Trompettes (duo)
7
2 Trombones (duo)
7
2 Tubas (duo)
3
Euphonium, Piano (duo)
3
Trompette, violon (duo)
3
Ensemble de Trombones
2
Ensemble de Trompettes
2
Trompette, Trombone (duo)
2
Trompette (partie séparée)
2
2 Euphoniums et 2 Tubas
2
Trombone basse
1
Quatuor de Cuivres
1
Cor anglais, Piano
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Tubas
1
Bass Clef Instruments
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
62
Violoncelle
26
Harpe
24
Violon
22
Violon et Piano
21
Violon, Violoncelle (duo)
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Alto, Piano
13
Violoncelle, Piano
12
2 Violoncelles (duo)
12
Trio à Cordes: violon, alto, violoncelle
10
Contrebasse, Piano (duo)
10
Contre Basse
10
Trio à Cordes: 2 violons, violoncelle
8
2 Violons (duo)
8
Alto seul
7
2 Altos (duo)
7
Violon, Alto (duo)
4
2 Contrebasses (duo)
4
3 Harpes
2
4 Violoncelles
2
5 Harpes
2
Quatuor à cordes : 4 altos
1
Violon, Basson (duo)
1
Harpe, Violoncelle (duo)
1
Harpe, Trombone (duo)
1
Violoncelle (partie séparée)
1
Alto (partie séparée)
1
Ensemble de Violons
1
Trio à Cordes: 2 violons, alto
1
Ensemble d'Altos
1
Ensemble de Violoncelles
1
Quatuor à cordes: 4 violons
1
Harpe, Voix
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
67
Orchestre à Cordes
35
Orchestre
26
Ensemble de cuivres
16
Ensemble Jazz
11
Orchestre de chambre
10
Cloches
7
Ensemble de Percussions
6
Batterie
3
Percussion (partie séparée)
3
Marimba
3
Jazz combo
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Fanfare
2
Piano et Orchestre
1
+ 10 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1
Partitions Numériques
43
Librairie Musicale
25
Matériel de Musique
572
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Side Note
Chorale SATB
Partitions à imprimer
43 partitions trouvées
<
1
26
Side by Side
#
Chorale SATB
#
Jay Althouse
#
Movement and Staging
#
Side by Side
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Chorus - SKU: AX.00-PO-0002448 Side by Side - SATB. Arranged by Jay Althouse. Secular Choral. 7 pages. Alfred Music - Digital Sheet Music #00-PO-...
(+)
Chorus - SKU: AX.00-PO-0002448 Side by Side - SATB. Arranged by Jay Althouse. Secular Choral. 7 pages. Alfred Music - Digital Sheet Music #00-PO-0002448. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002448). UPC: 038081004433.A unique arrangement of one of the all-time great friendship songs . . . unique because it can be performed with a swing beat OR with even eighth notes. The straightforward treatment means it's easy-to-learn in just a few rehearsals so it's perfect for the beginning . . . or the end . . . of the school year. A good choice for movement.Inst. Parts Available (choral); Movement and Staging; Recorded Acc. Available.
$2.25
I Walk Beside Thee
#
Chorale SATB
#
FACILE
#
Musique Sacrée
#
Brooke Griffin Carpenter
#
Brooke Griffin Carpenter
#
I Walk Beside Thee
#
Brooke Griffin Carpenter
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1376536 By Brooke Griffin Carpenter. By Brooke Griffin Carpenter. Arranged by Brooke Griffin Carpenter. C...
(+)
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1376536 By Brooke Griffin Carpenter. By Brooke Griffin Carpenter. Arranged by Brooke Griffin Carpenter. Christian,Praise & Worship,Religious,Sacred,Spiritual. 8 pages. Brooke Griffin Carpenter #961065. Published by Brooke Griffin Carpenter (A0.1376536). I wrote this song to describe my feelings about the atonement of Jesus Christ. It's a conversation with the Savior about His role in my life and my desire to follow Him. It was greatly inspired by the October 2012 General Conference address The First Great Commandment by Elder Jeffrey R. Holland. Elder Holland states: My beloved brothers and sisters, I am not certain just what our experience will be on Judgment Day, but I will be very surprised if, at some point in that conversation, God does not ask us exactly what Christ asked Peter: 'Did you love me?' I think He will want to know if in our very mortal, very inadequate, and sometimes childish grasp of things, did we at least understand one commandment, the first and greatest commandment of them all—'Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy strength, and with all thy mind' (Luke 10:27; see also Matthew 22:37–38). And if at such a moment we can stammer out, 'Yea, Lord, thou knowest that I love thee,' then He may remind us that the crowning characteristic of love is always loyalty. This song is a testament of the words I want to say when that day comes for me.*Please note that this is the choral version of this composition.
$2.75
Dawn Desiderata
#
Chorale SATB
#
Musique Sacrée
#
Raffaele Marcellino
#
Dawn Desiderata
#
Serenissima Pty Ltd
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1027855 Composed by Raffaele Marcellino. 20th Century,Concert,Praise & Worship,Sacred. Octavo. 8 pages. Serenissima Pty Lt...
(+)
Choral Choir (SATB) - SKU: A0.1027855 Composed by Raffaele Marcellino. 20th Century,Concert,Praise & Worship,Sacred. Octavo. 8 pages. Serenissima Pty Ltd #4337777. Published by Serenissima Pty Ltd (A0.1027855). DAWN DESIDERATA was commissioned by the Sydney Philharminia Choirs for the 2009 Sydney Festival for the Dawn Awakenings events.Program Note: The text is adapted from Max Erhmann's Desiderata, which for years was thougth to be an anonymous 18th century text found by accident in a New England Church. The work is intended as a gentle whisper to the ear of the community in its daily awakening of what is increasingly a complex world, saturated with with information and knowledge. So much so that truth, reason, emotion, lies, rhetoric, verbage, lay tanlged, undifferentiated and completely accessible to all.Run time 3:32. Registered with APRA/AMCOS
$14.99
Down by the riverside
#
Chorale SATB
#
John Rutter
#
Down by the riverside
#
Oxford University Press Digital
#
SheetMusicPlus
SATB chorus divisi and chamber orchestra - SKU: OX.9780193200807 Composed by John Rutter. John Rutter Anniversary Edition. Set of parts. 59 pages. Oxfor...
(+)
SATB chorus divisi and chamber orchestra - SKU: OX.9780193200807 Composed by John Rutter. John Rutter Anniversary Edition. Set of parts. 59 pages. Oxford University Press Digital #9780193200807. Published by Oxford University Press Digital (OX.9780193200807). ISBN 9780193200807.For SATB (with divisions and optional audience). This set contains the following string parts: 4x vln I, 4x vln II, 3x vla, 2x vc, 1x db. About John Rutter Anniversary EditionThe John Rutter Anniversary Edition celebrates the 70th birthday of one of Britain's leading composers and the 30th anniversary of his choir, The Cambridge Singers. Featuring mainly earlier pieces from the composer's catalog, this series presents seminal works for mixed chorus in brand new editions and with accompanying notes on both the music and performance, written by the composer himself. The Anniversary Edition provides the most comprehensive and authoritative performance materials (including full scores and parts) for over 30 of the composer's favorite anthems, carols, and songs.
$72.50
Down by the riverside
#
Chorale SATB
#
John Rutter
#
Down by the riverside
#
Oxford University Press Digital
#
SheetMusicPlus
SATB chorus divisi and chamber orchestra - SKU: OX.9780193200791 Composed by John Rutter. John Rutter Anniversary Edition. Full score. 31 pages. Oxford ...
(+)
SATB chorus divisi and chamber orchestra - SKU: OX.9780193200791 Composed by John Rutter. John Rutter Anniversary Edition. Full score. 31 pages. Oxford University Press Digital #9780193200791. Published by Oxford University Press Digital (OX.9780193200791). ISBN 9780193200791.For SATB (with divisions and optional audience) and chamber orchestra. Full score for John Rutter's lively arrangement of this barnstorming American folk-song. About John Rutter Anniversary EditionThe John Rutter Anniversary Edition celebrates the 70th birthday of one of Britain's leading composers and the 30th anniversary of his choir, The Cambridge Singers. Featuring mainly earlier pieces from the composer's catalog, this series presents seminal works for mixed chorus in brand new editions and with accompanying notes on both the music and performance, written by the composer himself. The Anniversary Edition provides the most comprehensive and authoritative performance materials (including full scores and parts) for over 30 of the composer's favorite anthems, carols, and songs.
$32.50
Funeral For A Tree
#
Chorale SATB
#
INTERMÉDIAIRE
#
Contemporain
#
John Powell
#
Funeral For A Tree
#
as do Ray meflute studio production
#
SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.874246 Composed by John Powell. Arranged by a do Ray me flute studio production , Ray-Michael Kauffman. Contem...
(+)
Choral Choir (Mixed) - Level 3 - SKU: A0.874246 Composed by John Powell. Arranged by a do Ray me flute studio production , Ray-Michael Kauffman. Contemporary. Octavo. 31 pages. As do Ray meflute studio production #3885051. Published by as do Ray meflute studio production (A0.874246). Https://www.youtube.com/watch?v=PqIQfHGxLEg&feature=youtu.be With thoughts leaning and reflecting on the end on Fall, and November, I can’t help but notice the beauty of fall and the trees and foliage. This wonderous little musical piece , from the motion picture The Lorax from the Dr. Seuss movie, depicts of the main character the Lorax speaking for the trees and in many ways advocating for all things, people and groups that can not speak for themselves. And even in the times that we live in, this story still rings true today. And beauty can still be found in sadness, or endings whether the be falling leaves in the park, or even with the events that are said , we grow and learn, being grateful for what we have , and learn to find our voices to speak out for the things that truly matter in life. This music, which is much like a hymnal, especially in the beginning of the piece, is perfect for this message. A message of peace, reflectiveness and hope and courage. As a side note , this piece should be played with lots of thoughtful rubato, and when the meter changes for 4/4(5/4) to 12/8, the beat does not change from quarter to dotted quarter .In the middle, minor section, I really added and improvised my musical skills per chord and melody of the song which makes my arrangement very distinctive, individual and unique. This would be great for a movie themed concert, all by it's self, for a funeral, for Arbor Bay/ Tree ceremony , for fall or autumn music/ themed programs, recitals, etc. Sure to be a well used piece in your collection. Scored for piccolo, flute 1, 2, 3 4, alto and bass flute. This pieces suites smaller groups , such as 1 per part, or doubling up with discretion. please visit my website at doraymeflute.com , too!I hope you enjoy this as much as I do, thank you for your support.#movie music #arborday#holidaymusic #fallmusic #holiday #fall #autumn #season #flutechoir #movieflute #autumnmusic
$14.99
This I Know
#
Chorale SATB
#
INTERMÉDIAIRE
#
Contemporain
#
Aaron Shust
#
Christopher R
#
This I Know
#
Christopher Brown
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.747292 By Aaron Shust. By Aaron Shust, Andrew Pruis, and Matthew West. Arranged by Christopher R. Brown. Contemp...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.747292 By Aaron Shust. By Aaron Shust, Andrew Pruis, and Matthew West. Arranged by Christopher R. Brown. Contemporary. Octavo. 7 pages. Christopher Brown #5324397. Published by Christopher Brown (A0.747292). This anthem is arranged for tenor soloist, SATB choir, piano & optional worship band (rhythm chart). The lyrics direct us to be assured of what we know is true according to the Word of God during times of uncertainty, anxiety, and doubt. Lyrics below.This is the vocal part for the arrangement which includes the soloist and choral parts. The piano accompaniment and rhythm chart is available separately on SheetMusicPlus.Please Note:Performance of this music requires one copy of the vocal score purchased for each singer.Lyrics:When I'm surrounded by uncertaintyAnd my fear tries to steal controlThere's one thing that is no mysteryJesus loves me this I knowWhen I'm flooded with anxietyWaves of doubt won't drown my soulThere's a peace that rests inside of meJesus loves me this I knowPraise the One Who walks beside me throughMountain high and valley lowMy hope is found in this forever TruthJesus loves me this I knowJesus loves me this I knowWhen my sin says I'm unreachablePast the point where grace can goWhen I feel anything but loveableJesus loves me this I knowPraise the One Who walks beside me throughMountain high and valley lowMy hope is found in this forever TruthJesus loves me this I knowJesus loves me this I knowOn Christ the Solid Rock I standAll other ground is sinking sandMy Saving Grace My only hopeMy Jesus loves me this I knowOn Christ the Solid Rock I standAll other ground is sinking sandMy Saving Grace My only hopeMy Jesus loves me this I knowPraise the One Who walks beside me throughMountain high and valley lowMy hope is found in this forever TruthJesus loves me this I knowJesus loves me this I knowPraise the One Who walks beside me throughMountain high and valley lowMy hope is found in this forever TruthJesus loves me this I knowJesus loves me this I knowJesus loves me this I knowOn Christ the Solid Rock I standAll other ground is sinking sandMy Saving Grace My only hopeMy Jesus loves me this I know
$1.99
Bring His Love
#
Chorale SATB
#
INTERMÉDIAIRE
#
Musique Sacrée
#
the first of the year I had th
#
Kevin Longley
#
Bring His Love
#
Kevin Longley
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1019370 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #6532899. ...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.1019370 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #6532899. Published by Kevin Longley (A0.1019370). Bring His LoveInspiration (below is a note I sent to my sister) Hi Karen! In the fall of last year I started working on a new church anthem for FUMC. Over the years your choir has sung several pieces of mine; so I felt I should do something in return. I quickly got an idea for the music only (sometimes I will get some lyric ideas also, but didn't this time.) By the first of the year I had the basic structure sketched out on paper but then put it aside for Easter Rehearsals. When the pandemic stopped all church choirs I returned to the music and by early May had the score in the computer, close to completion. At that point I still didn't have any lyrics but began feeling that it should be about God's creation. All I could envision was a singer with his arms stretched out to the sun, the ocean, the moon, etc. while singing this piece. So I started searching for a possible prayer that might fit and came upon Canticle of the Son. As I read it through I liked the structure and began sketching out the lyrics. I couldn't help but wonder what our response should be to God's creation. How should we thank him or praise him or take care of it? I then turned my thoughts to FUMC and considered this - what phrase would sum up this churches mission? I almost immediately got Bring His Love. From there the balance of the lyrics fell into place. So attached is the recording and the music. I have no expectations but hope you and the choir enjoy the music. The Music The piece starts with 16th note broken chords in the upper register of the piano which lead to the opening theme. A tenor soloist begins by singing God's praises for all he has given us; ending with the thought How can we thank such kindness?; The answer Bring His Love the B section. At its conclusion we are returned to the opening theme, this time sung by the choir which again leads us to the same questionHow can we thank such kindness?, The answer Bring His Love the B section. A C section is then introduced with a change to a more beat driven accompaniment with the vocals alternating between the upper and lower voices. A return to the opening theme, with minimal chordal accompaniment, features the original soloist but then adds a second voice leading to a duet and a return to the broken chord accompaniment.. Finally the B section,Bring His Love is repeated and concludes in a rousing fashion.. Program Notes The piece could work very well for Earth Day celebrations.
$1.99
From Me To You
#
Chorale SATB
#
INTERMÉDIAIRE
#
The Beatles
#
Emily Maree Moriarty
#
From Me To You
#
Emily Maree Moriarty
#
SheetMusicPlus
SATB Chorus,Voice - Level 3 - SKU: A0.1410574 By The Beatles. By John Lennon and Paul McCartney. Arranged by Emily Maree Moriarty. A Cappella,Pop. Barbe...
(+)
SATB Chorus,Voice - Level 3 - SKU: A0.1410574 By The Beatles. By John Lennon and Paul McCartney. Arranged by Emily Maree Moriarty. A Cappella,Pop. Barbershop Quartet. 8 pages. Emily Maree Moriarty #992994. Published by Emily Maree Moriarty (A0.1410574). An SATB a cappella arrangement of the song 'From Me To You', the first Beatles song to reach number one in the UK, and the B-side to 'Please Please Me'. This arrangement is in SATB notation with melody predominantly in the Alto. This is quartet pricing. Each copy entitles you to make four (4) prints. Please note that I have a different version of this arrangement available in SSAA and SSAB (see my other listings).To see more of my work check out my website (https://emilysacappella.wixsite.com/music) and Facebook page (https://www.facebook.com/emacappella/).
$12.99
Joyful Farewell
#
Chorale SATB
#
INTERMÉDIAIRE
#
Joseph B
#
Joyful Farewell
#
Joseph B. Baker
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.907076 Composed by Joseph B. Baker. Classical,Sacred,Spiritual,Traditional. Octavo. 6 pages. Joseph B. Baker #67...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.907076 Composed by Joseph B. Baker. Classical,Sacred,Spiritual,Traditional. Octavo. 6 pages. Joseph B. Baker #6705531. Published by Joseph B. Baker (A0.907076). On the primitive, raucous side, this anthem's lyrics echo the themes of old Sacred Harp shaped note pieces. It depicts the sentiments of the departing servant - Dear friends I can no more abide with you, no longer stay....for I am called away!! It is easily learned and fun to sing - a different approach to singing of the heavenly home!
$3.00
Gracias
#
Chorale SATB
#
INTERMÉDIAIRE
#
Leandro Bizama
#
Gracias
#
Leandro Bizama Music
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.1132266 By Leandro Bizama. By Leandro Bizama. A Cappella. Octavo. 6 pages. Leandro Bizama Music #732512. ...
(+)
Choral Choir (SATB divisi) - Level 3 - SKU: A0.1132266 By Leandro Bizama. By Leandro Bizama. A Cappella. Octavo. 6 pages. Leandro Bizama Music #732512. Published by Leandro Bizama Music (A0.1132266). A bilingual (first verse in Spanish and second verse in English) inspiring piece dedicated to all those who make an impact in our lives. Gracias was written as a tribute to teachers, family members and friends who have supported me throughout the years and I know all of us have people in our lives like that. Arranged for SSAATTBB, Gracias is meant for advanced High School choirs and beyond. Here is the text: Gracias por compartir tu fe, por darme la esperanza de un mundo mejor. Gracias por darme de tu luz, por enseñarme a imaginar, a crecer y a volar. Gracias por compartir tu corazón y sobre todo gracias por tu inspiración. Thank you for being by my side, for lending me a shoulder and teaching me to fly. Thank you for understanding me, for knowing how to cheer me up and how to make me smile. Thank you for sharing your own soul with me and most of all for all the things you’ve done for me. Y sobre todo gracias por tu inspiración.- Feel free to contact me with questions. www.leandrobizama.com Note: it will look better when printed in octavo size.
$2.00
YOU ARE MY HOLY LORD, A 16 Minute Worship Service for Choir & Congregation (Score & Parts included)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Christian contemporain
#
Various
#
Gary Lanier
#
Orchestra.Â
#
YOU ARE MY HOLY LORD, A 16 Min
#
The Lanier Company
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1171042 Composed by Various. Arranged by Gary Lanier. Christian,Contemporary,Praise & Worship,Religious,S...
(+)
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1171042 Composed by Various. Arranged by Gary Lanier. Christian,Contemporary,Praise & Worship,Religious,Spiritual. 52 pages. The Lanier Company #771379. Published by The Lanier Company (A0.1171042). YOU ARE MY HOLY LORD is a 16 minute non-stop worship servicefor choir and congregation, compiled by world-renowned Composer, Gary Lanier.SUGGESTED USE1. NON-STOP WORSHIP SERVICE: This musical was designed tobe used as one complete work, allowing the choir to be spotlighted withsegments, and the congregation joining the choir, expanding the worshipexperience for everyone. The Worship Leader knits the work together withnarration throughout, guiding all participants.2. WORSHIP SEGMENTS: This work can also be used in segments.Consider adding some of the following to your worship service:1. HOLY, HOLY, HOLY / SPIRIT OF THE LIVING GOD2. THERE IS NONE LIKE YOU / GOD OF MANY WONDERS3. TURN YOUR EYES UPON JESUS / I LONG TO WORSHIP YOU4. HE IS LORD / HOLY, HOLY, HOLY / YOU ARE MY HOLY LORDADDITIONAL RESOURCESIn preparation for presenting YOU ARE MY HOLY LORD, considerintroducing these new worship songs to the congregation,several weeks in advance:GOD OF MANY WONDERSI LONG TO WORSHIP YOUYOU ARE MY HOLY LORDYou can find WORSHIP LEAD SHEETS at the end of the socreand production notes.PERFORMANCE NOTEOn page 37 you will find a SUGGESTED WORSHIP GUIDE for theperformance of YOU ARE MY HOLY LORD. In additon, it is effective touse projection of words during the worship service. Consider projecting allthe words, even those that the choir is singing, without the congregation.This will allow everyone to experience the text of each song, andencourage the congregation to sing, at the right times. Also available is a MP3 Orchestra Accompaniment Track and MP3 Performance Track with Worship Leader, Gary Lanier, Choir & Orchestra.Â
$2.99
Veni, Veni Emmanuel (SATBdiv)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Jubal's Lyre Music
#
Martin Dicke
#
Veni, Veni Emmanuel
#
Jubal's Lyre Music Publishers
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.918908 By Jubal's Lyre Music. By Anonymous. Arranged by Martin Dicke. A Cappella,Advent,Christian,Christm...
(+)
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.918908 By Jubal's Lyre Music. By Anonymous. Arranged by Martin Dicke. A Cappella,Advent,Christian,Christmas,Holiday. 18 pages. Jubal's Lyre Music Publishers #6623465. Published by Jubal's Lyre Music Publishers (A0.918908). Your choir will enjoy this inventive and stirring setting of the great Latin Advent/Christmas hymn Veni, Veni Emmanuel (O Come, O Come Emmanuel). The complete Latin text is set to music. Besides the choral score, notes and a separate keyboard part are included. An English edition is also available. Composed in a Neo-Renaissance style, it sets all seven verses modulating into four keys while passing the melody from voice to voice before concluding with sudden and surprising key changes that lead to a powerful cadence on the altered note of the Picardy third. It may be performed acapella, with keyboard, or with instruments. The instrumental parts are published separately as Fantasia on O Come, O Come Emmanuel in the following editions: String Quartet, String Ensemble, and Woodwind Quintet. This motet is the first of Three Motets on Latin Christmas Hymns. The other two motets are Of the Father’s Love Begotten (CORDE NATUS EX PARENTIS) and O Come, All Ye Faithful (ADESTE FIDELIS), both available in English or Latin. For more music and information visit
$2.00
O Come, O Come Emmanuel (SATBdiv)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Jubal's Lyre Music
#
Martin Dicke
#
O Come, O Come Emmanuel
#
Jubal's Lyre Music Publishers
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.918907 By Jubal's Lyre Music. By Anonymous. Arranged by Martin Dicke. A Cappella,Advent,Christian,Christm...
(+)
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.918907 By Jubal's Lyre Music. By Anonymous. Arranged by Martin Dicke. A Cappella,Advent,Christian,Christmas,Holiday. 18 pages. Jubal's Lyre Music Publishers #6623403. Published by Jubal's Lyre Music Publishers (A0.918907). Your choir will enjoy this inventive and stirring setting of the great Advent/Christmas hymn O Come, O Come Emmanuel (VENI EMMANUEL). Besides the choral score, notes and a separate keyboard part are included. A Latin edition is also available. Composed in a Neo-Renaissance style, it sets all seven verses modulating into four keys while passing the melody from voice to voice before concluding with sudden and surprising key changes that lead to a powerful cadence on the altered note of the Picardy third. It may be performed acapella, with keyboard, or with instruments. The instrumental parts are published separately as Fantasia on O Come, O Come Emmanuel in the following editions: String Quartet, String Ensemble, and Woodwind Quintet. This motet is the first of Three Motets on Latin Christmas Hymns. The other two motets are Of the Father’s Love Begotten (CORDE NATUS EX PARENTIS) and O Come, All Ye Faithful (ADESTE FIDELIS), both available in English or Latin. For more music and information visit www.jubalslyre.com/music.
$2.00
Missionary Medley: Called to Serve, Let Us All Press On, Put Your Shoulder to the Wheel (Soprano & T
#
Chorale SATB
#
FACILE
#
Musique Sacrée
#
Gospel Spirituel
#
Adam Geibel, Evan Stephens, Gr
#
Stacey Oakes
#
Missionary Medley: Called to S
#
Stacey Oakes at Whiting Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1033403 Composed by Adam Geibel, Evan Stephens, Grace Gordon, and Will L. Thompson. Arranged by Stacey Oakes. Ch...
(+)
Choral Choir (SATB) - Level 2 - SKU: A0.1033403 Composed by Adam Geibel, Evan Stephens, Grace Gordon, and Will L. Thompson. Arranged by Stacey Oakes. Christian,Gospel,Sacred,Spiritual. Octavo. 12 pages. Stacey Oakes at Whiting Publishing #3878753. Published by Stacey Oakes at Whiting Publishing (A0.1033403). Good for Missionary or Youth Musical Numbers - Soprano/Tenor or Men/Women Choirs This medley was written upon request for a missionary's send-off! It's great for: - Church Services - Missionary Farewells and Homecomings - Firesides - Youth Choirs - Adult Choirs - Soprano and Tenor Duet Purpose/Message: The medley's purpose is to invigorate us and to encourage us to be brave in sharing truth. It emphasizes the concepts of pressing on, having courage, and not fearing. Difficulty: Medium (There are some independent singing sections, some notes at the top of the soprano and tenor range, and a couple spots with less typical harmonies. It is, however, not a difficult piece overall. Those who are accustomed to singing in choirs will have no trouble but will be challenged enough to enjoy the piece.) Range: The notes are within range for a somewhat experienced or serious singer. If using in a choir, you can have the higher notes sung one octave lower by those out of range, or add a harmonic note as needed. There are only a couple of instances where this might be needed. Solutions to Problems: If you have youth afraid to go on missions, this song will help them take courage and be brave. If you have adults who are faltering from fear (as all do on occasion), it is hoped this song will bolster their courage and resolve. Duration of Work: This medley is approximately 4:12 minutes long. Performing Rights Organization: The composer is a member of BMI. Contact Information: You can contact the composer through MyMusicStash.blogspot.com. Some of her works are also posted on Instagram @LDSSheetMusic Called to Serve: Grace Gordon, Adam Geibel; Let Us All Press On: Evan Stephens; Put Your Shoulder to the Wheel: Will L. Thompson.
$3.99
Soon We Will Be Done (Downloadable)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Gospel Spirituel
#
Kyle Pederson
#
Soon We Will Be Done
#
Galaxy Music Corporation - Digital
#
SheetMusicPlus
SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporati...
(+)
SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.†The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goin’ home to live with God No more weeping and a-wailing (repeat) Goin’ home to live with God I want t’ meet my mother (repeat) Goin’ home to live with God I want t’ meet my Jesus (repeat) Goin’ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.†In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
$3.20
Whiter Than the Snow
#
Chorale SATB
#
FACILE
#
Text: Eden Reeder Latta
#
Ken Litton
#
Whiter Than the Snow
#
Artist of Note, Inc.
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1490010 Composed by Text: Eden Reeder Latta (1839 - 1915) Tune: Henry Southwick Perkins (1833 -1914....
(+)
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1490010 Composed by Text: Eden Reeder Latta (1839 - 1915) Tune: Henry Southwick Perkins (1833 -1914. Arranged by Ken Litton. Christian,Lent,Religious,Sacred. 11 pages. Artist of Note, Inc. #1066874. Published by Artist of Note, Inc. (A0.1490010). Whiter Than the Snow/Eden Reeder Latta - Henry Southwick Perkins BLESSED BE THE FOUNTAIN arr. Ken Litton (ASCAP)As an SBC music missionary active in Brazil I quickly discovered the hymns missionaries had taken with them as the work gained impetus from the 1890s when the Bagbys arrived to build on the foundation laid by early pioneers like Solomon Ginsburg. I found myself leading those hymns from the nearly 100 year old Cantor Cristão (Christian Singer) in the strongly attended evening services at the Igreja Batista Rio Doce (Sweet River Baptist Church) in Recife, with people literally leaning in through the windows from outside to sing along. Just a normal p.m. attendance or... curiosity about the missionary leading? No, certainly it was the message of the gospel in these great hymns and in the Brazilians’ creative work as well. I mainly remember holding that small print hymnal in one hand and leading with the other (shaking badly) and singing in Portuguese!From that kind of congregational participation I vividly remember the hymn Blessed be the Fountain by Eden Reeder Latta (1839 - 1915) and Henry Southwick Perkins (1833 -1914) with it’s energetic dotted eighth and sixteenth rhythm figures and text of confession based on Zechariah 13:1. That text was very important in the lives of disciples in Brazil and in my own heart. Here I have used only the verses of the text and tune, simply smoothing out the rhythm and adjusting the lyric to more modern usage (yet preserving the devotional pronouns Thee, Thy and Thine).The tune BLESSED BE THE FOUNTAIN is altered in rhythm, tempo and one descending interval from the original. The arrangement is by me, having built the intro, interlude and key change as well as the ending from the material that constituted the refrain in the origina. As a bridge and additional textual/musical impulse into the key change and final verse I’ve interpolated the refrain from the well-known gospel hymn Whiter than Snow (FISCHER) by James Nicholson and William G. Fischer.The voices include a wide variety of unison, two-part and four-part passages that are well within the capability of the average church choir. The accompaniment difficulty level is about as minimal as it can be I hope, while still reflecting support for the voices, a measure of variety as well as some real independence.I certainly think choirs of some ability and their dedicated accompanists will enjoyWhiter Than the Snow as much as I have in developing it.
$2.99
Softly the Night is Sleeping — SATB voices, organ, solo instrument
#
Chorale SATB
#
FACILE
#
Todd Marchand
#
Hartford, Connecticut
#
Softly the Night is Sleeping &
#
Con Spirito Music
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1318475 Composed by Todd Marchand. Christian,Christmas,Sacred. 10 pages. Con Spirito Music #907143. Publi...
(+)
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1318475 Composed by Todd Marchand. Christian,Christmas,Sacred. 10 pages. Con Spirito Music #907143. Published by Con Spirito Music (A0.1318475). “Softly the Night is Sleeping†is a Nativity poem by the Rev. Edward Abiel Washburn (1819-1881), a noted American Episcopal clergyman who studied at both Harvard and Yale, and who served parishes in Newburyport, Massachusetts; Hartford, Connecticut; Philadelphia, Pennsylvania; and New York City. A noted preacher, he also translated Latin hymns as well as authoring a number of his own poems.In three verses, Washburn’s poem recalls the Bethlehem hillside where shepherds watched their flocks by night, the virgin mother Mary, the infant Jesus in the manger, the heavenly host singing “Gloria,†the bright star shining above, the arrival of the Magi, and more. Each unison verse, which may be assigned as written or at the director’s discretion, is followed by a chorus with full SATB voices singing “Glory to God! Peace on the earth, good will to men.†Includes parts for solo C instrument (oboe, flute, violin) or solo Bb clarinet.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
March for Guarding the Constitution
#
Chorale SATB
#
INTERMÉDIAIRE
#
Contemporain
#
Jonson K
#
March for Guarding the Constit
#
Johnson Gao
#
SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.1007039 Composed by Jonson K. Gao. Contemporary. Octavo. 3 pages. Johnson Gao #6326381. Published by Johnson Ga...
(+)
Choral Choir (Mixed) - Level 3 - SKU: A0.1007039 Composed by Jonson K. Gao. Contemporary. Octavo. 3 pages. Johnson Gao #6326381. Published by Johnson Gao (A0.1007039). Note:This song was composed by Johnson K. Gao for guarding the Constitution in the duration within Jan. 25- Mar. 11, 2021, when he was in sick and agony of pain, because that he was infected by shingle and under the post herpetic neuralgia. He did so when he felt that the constitution had been damaged by the extreme left Democrats in the 2020 President election.笔记:这首æŒæ˜¯ç”± Johnson K. Gao 创作的,在 2021 å¹´ 1 月 25 日至 3 月 11 日这段时间里,ä»–å› æ‚£å¸¦çŠ¶ç–±ç–¹å’Œç–±ç–¹åŽç¥žç»ç—›è€Œæ„Ÿåˆ° ä¸é€‚和痛苦 。 当他感到宪法在 2020 年总统大选ä¸å—到æžå·¦ æ´¾æ°‘ä¸»å…šäººçš„ç ´åæ—¶, ä»–è¿™æ ·åšäº†ã€‚
$1.99
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
#
Chorale SATB
#
Leonardo Leo
#
Guido Menestrina
#
Leonardo Leo - Dixit Dominus a
#
Guido Menestrina
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestri...
(+)
Choral Choir (SATB) - SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #481065. Published by Guido Menestrina (A0.828714). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://www.youtube.com/watch?v=vqOa9skJg5o.
$13.99
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Leonardo Leo
#
Guido Menestrina
#
Leonardo Leo - Dixit Dominus a
#
Guido Menestrina
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guid...
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guido Menestrina #238145. Published by Guido Menestrina (A0.828703). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimentoEdit Published by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: http://youtu.be/q3iMskZjm1Y.
$17.99
The Rage and Reconciliation of King Lear for SATB, bassoon, and piano
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Adrienne Inglis
#
The Rage and Reconciliation of
#
Adrienne Inglis
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.953613 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 20 pages. Adrienne Inglis (ASCAP) #4643489. Pu...
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.953613 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 20 pages. Adrienne Inglis (ASCAP) #4643489. Published by Adrienne Inglis (ASCAP) (A0.953613). Program note: Scored for mixed chorus, bassoon, and piano, The Rage and Reconciliation of King Lear by Adrienne Inglis weaves passages from Shakespeare’s King Lear with signature phrases of the Rev. Dr. Milton H. Riemer. Dr. Riemer’s words bring insight and reflection to the poignant narrative of a parent-child relationship. Outside in a raging storm, King Lear angrily punishes himself for foolishly excluding his favorite daughter, Cordelia, from a portion of his kingdom. As mental illness takes hold, he suffers from curious confusion but understands his failings and begs Cordelia’s forgiveness. The Scottish air Etrick Banks provides melodic material that yields a royal fanfare, lament, thunderstorm, dementia, regret, and reconciliation. Crunchy chords and unsettling dissonances punctuate the sounds of modal chants and medieval polyphony.
$3.99
Ah, but shall I not long?
#
Chorale SATB
#
INTERMÉDIAIRE
#
Karen E
#
Ah, but shall I not long?
#
Pax Multimedia
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.919010 Composed by Karen E. Peace (KE Peace). Contemporary,Holiday,Love. Octavo. 8 pages. Pax Multimedia ...
(+)
Choral Choir (SATB divisi) - Level 3 - SKU: A0.919010 Composed by Karen E. Peace (KE Peace). Contemporary,Holiday,Love. Octavo. 8 pages. Pax Multimedia #2894557. Published by Pax Multimedia (A0.919010). Love poem by the composer. SSAATTBB with piano for rehearsal only.Text: Ah, but shall i not long for you? Shall I, in obeisance to your scruples , then banish my love to a dark cell and express not its insistent call? It is you who have loved me and made me love -- Now I am as Prometheus, who, seeing fire, could never after forget its light and for that, submitted to burning pain for love of fire and love of human kind. And, captive to its eternally mesmerizing call, consented his liver to be consumed. And so my heart for you. Each ray of the setting sun that lures my essence outside its boundaries Each sparkle reflected on my solitary walls, each note that calls the soul to absent itself from form each subtle intimation of immortality -- at each my soul cries out for you, who has captured and entranced, plundered and bound, myself, in love, to you.
$1.99
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Side Note
