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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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Sigh No More
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29
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19
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14
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6
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47
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19
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15
Violon
11
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2
Harpe
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4 Violoncelles
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
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Vous avez sélectionné:
Sigh No More
Chorale SATB
Partitions à imprimer
9 partitions trouvées
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Sigh No More Ladies
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Chorale SATB
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Gary Walth
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Sigh No More Ladies
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Hal Leonard - Digital
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SheetMusicPlus
Choral Choir,Voice (SATB) - SKU: HX.158931 Composed by Gary Walth. Choral. Concert. Octavo. 10 pages. Duration 150. Hal Leonard - Digital #211650. Publi...
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Choral Choir,Voice (SATB) - SKU: HX.158931 Composed by Gary Walth. Choral. Concert. Octavo. 10 pages. Duration 150. Hal Leonard - Digital #211650. Published by Hal Leonard - Digital (HX.158931).
$1.80
Sigh No More
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Chorale SATB
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INTERMÉDIAIRE
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Mumford & Sons
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Erin Murphy
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Sigh No More
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Erin Murphy
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.936182 By Mumford & Sons. By Mumford & Sons. Arranged by Erin Murphy. A Cappella,Pop. Octavo. 7 pages. Erin Murp...
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Choral Choir (SATB) - Level 3 - SKU: A0.936182 By Mumford & Sons. By Mumford & Sons. Arranged by Erin Murphy. A Cappella,Pop. Octavo. 7 pages. Erin Murphy #5310707. Published by Erin Murphy (A0.936182). 5 part a capella, mixed voices.
$3.99
Sigh no more, ladies
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Chorale SATB
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Contemporain
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Cecilia McDowall
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Sigh no more, ladies
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Oxford University Press Digital
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SheetMusicPlus
SATB chorus and piano - Composed by Cecilia McDowall. Sheet music. Octavo. 10 pages. Oxford University Press Digital #9780193545427. Published by Ox...
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SATB chorus and piano - Composed by Cecilia McDowall. Sheet music. Octavo. 10 pages. Oxford University Press Digital #9780193545427. Published by Oxford University Press Digital
$3.65
What If There Had Been No Star? (A Christmas Message)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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David W
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What If There Had Been No Star
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David W. Barber
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1399551 Composed by David W. Barber. 21st Century,A Cappella,Christmas,Religious,Sacred. 3 pages. David W...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1399551 Composed by David W. Barber. 21st Century,A Cappella,Christmas,Religious,Sacred. 3 pages. David W. Barber #982842. Published by David W. Barber (A0.1399551). An original Christmas carol with an insightful message. For SATB with optional keyboard accompaniment. This is the text: What if there had been no star?(A Christmas Message)What if there had been no star?No magi travelling from afar.No innkeeper, the doors all locked.No shepherds in the fields.No flocks.No Herod’s rage, no children slain.Then would we tell the tale again?No herald angels from on highTo tell the world the Word is nigh.No heavenly message from above.Forget all that. We’d still have love. © David W. Barber (SOCAN)Toronto, December 2023 (Music March 2024)This piece and more of my music is available for download and purchase from SheetMusicPlus and SheetMusicDirect via ArrangeMe. Find my music books and my new mystery novel, Hedshot, at IndentPublishing.com Read my author/composer blog at DavidWBarber.com Contact me at dbarber@indentpublishing.com.
$1.99
Sight Singing 4-Part SATB Chorale Practice
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Chorale SATB
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INTERMÉDIAIRE
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J
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Happy singing!
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Sight Singing 4-Part SATB Chor
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J. Gallagher
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.978025 Composed by J.C. Baker. A Cappella,Instructional. Octavo. 9 pages. J. Gallagher #5024785. Published by J....
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Choral Choir (SATB) - Level 3 - SKU: A0.978025 Composed by J.C. Baker. A Cappella,Instructional. Octavo. 9 pages. J. Gallagher #5024785. Published by J. Gallagher (A0.978025). Bach Chorale Styled SATB Sight Singing and Warm Up Practice perfect for high school students and SATB choirs looking to improve sight singing, sight reading, blending, and SATB practice and more with WEEKS worth of examples.Includes: 1. 9 pages, 175 measures, 22 examples of original SATB Chorale Styled Music for Sight Singing/Reading Practice in 4-part.2. Whole, Half, Quarter, and Eighth Note examples as well as rests. 3. Examples in various keys including C, D, Eb, F, Bb, G 4. All examples in 4/4 time 5. No accidentals, no dynamics to focus on blending, solfege/sight singing diatonic to key, tempo changes etc6. Rhythm examples7. Do-Mi-Sol examples 8. Increasing level of difficulty from easy to hardThis is a great way to begin choir rehearsal as a warm up, sight reading in SATB, blending, vowel shapes, following the conductor, counting in 4/4, section independence, harmonies vs melody, moving notes, and so much more! With these 22 examples a choir director can get weeks of work improving their ensemble as a whole, learning as a group to work through passages, listening to each other and focusing on all things outlined above!While these examples are somewhat basic (no dynamics, slurs, etc) the positive impact they can have on your ensemble should not be taken lightly. Happy singing!
$5.00
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Chorale SATB
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INTERMÉDIAIRE
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 2 - Eighths
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Dots and Beams
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #47...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Sight-singing exercises for two-part choirs vol. 1C - Compound meters
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Chorale SATB
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DÉBUTANT
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Nicholas Palmer
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Sight-singing exercises for tw
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Nicholas D Palmer
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SheetMusicPlus
Choral Choir (Mixed) - Level 1 - SKU: A0.782809 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3516751. Published by N...
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Choral Choir (Mixed) - Level 1 - SKU: A0.782809 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3516751. Published by Nicholas D Palmer (A0.782809). The purpose of this series of sight-singing exercise books is to give choir directors supplemental materials with which to strengthen the reading skills of singers.These exercises may be used in a variety of ways, starting with unison choir, then two part, then switching parts, etc… to maximize the exercises’ content. No texts are provided, so that the singers may use neutral syllables to focus on tone, or solfege, numbers, or rhythm syllables, depending on the system the teacher uses.This volume contains 20 exercises, using common rhythmic patterns in 6/8, 6/4, and 9/8, with some exercises in 12/8, and then 5/8 and 5/4. Volume 1A includes only longer note values, B introduces eighths and sixteenths, and D will introduce melodic minor.Volume 1 (ABCD)- Diatonic Seconds Volume 2 (ABCD) - Diatonic ThirdsVolume 3 (ABCD) - 1-5-1, octave leapsVolume 4 (ABCD) - FourthsVolume 5 (ABCD) - FifthsVolume 6 (ABCD) - SixthsVolume 7 (ABCD) - SeventhsVolume 8 (ABCD) - Chromatic intervalsIn general, the exercises give some direction for articulation, dynamics, and tempo. Though these are optional, the more notation detail the singers pay attention to, the greater their skill will be in reading all the notation on the page. In some cases, vagueness in these instructions leaves opportunities for singers to decide how to articulate, what tempo might be appropriate, and how loud or soft to sing.If you discover any errors, please notify me, and then give your singers a chance to figure out what the error is! Nick Palmerwww.nicholaspalmer.comnicholasdpalmer@gmail.com
$9.99
Gary Walth: Sigh No More Ladies for choir and piano (SATB)
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Chorale SATB
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INTERMÉDIAIRE
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Gary Walth
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Virtualsheetmusic
Instantly printable sheet music by Gary Walth for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / concert
Instantly printable sheet music by Gary Walth for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / concert
$5.78
The Lamb
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ryan Alexander Noakes
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The Lamb
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Ryan Alexander Noakes
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.932365 Composed by Ryan Alexander Noakes. Contemporary. Octavo. 11 pages. Ryan Alexander Noakes #5318813. Publis...
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Choral Choir (SATB) - Level 4 - SKU: A0.932365 Composed by Ryan Alexander Noakes. Contemporary. Octavo. 11 pages. Ryan Alexander Noakes #5318813. Published by Ryan Alexander Noakes (A0.932365). This piece is based on alternating between two hexachords; one for the 1st line and one for the 2nd line of each rhyming couplet in the text. As such, it has absolutely no tonal centre to it, making it a somewhat difficult piece to sight read initially and best suited to more advanced choirs.
$2.99
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Sigh No More
