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Sing When the Spirit Says Sing!
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Vous avez sélectionné:
Sing When the Spirit Says Sing!
SheetMusicPlus
Partitions à imprimer
7 partitions trouvées
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Sing When the Spirit Says Sing!
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Chorale SATB
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Musique Sacrée
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Jesse Vaughn
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Sing When the Spirit Says Sing
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Hope Publishing - Digital
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SheetMusicPlus
Choral SATB a cappella-Digital Version - Arranged by Jesse Vaughn. (A Cappella). Contemporary, Celebration, General Worship, Spiritual. Octavo. 8 page...
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Choral SATB a cappella-Digital Version - Arranged by Jesse Vaughn. (A Cappella). Contemporary, Celebration, General Worship, Spiritual. Octavo. 8 pages. Hope Publishing - Digital #C5399DP. Published by Hope Publishing - Digital
$2.95
I'm Goin'-a Sing When the Spirit Says Sing (I'm Gonna Sing)
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Chorale SATB
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Musique Sacrée
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David Neff
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I'm Goin'-a Sing When the Spir
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David Neff
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SheetMusicPlus
Composed by David Neff. Christian, Spiritual, Sacred, General Worship. Octavo. 3 pages. Published by David Neff (S0.344511). - Octavo - Christian,Spiritual,Sacr...
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Composed by David Neff. Christian, Spiritual, Sacred, General Worship. Octavo. 3 pages. Published by David Neff (S0.344511). - Octavo - Christian,Spiritual,Sacred,General Worship - David Neff
$1.99
Fill Me, Lord (With "I'm Gonna Sing When The Spirit Says Sing")
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Chorale SATB
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Brad Nix and Joseph Graham
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Sacred
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Fill Me, Lord
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Composed by Brad Nix and Joseph Graham. SATB. A Cappella; Sacred; Spiritual. Choral. 10 pages. Published by Hal Leonard - Digital Sheet Music ...
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Composed by Brad Nix and Joseph Graham. SATB. A Cappella; Sacred; Spiritual. Choral. 10 pages. Published by Hal Leonard - Digital Sheet Music
$2.50
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
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Chorale SATB
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FACILE
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Pub...
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Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99
I'm Gonna Sing When the Spirit Says Sing
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Chorale SATB
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Musique Sacrée
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I'm Gonna Sing When the Spirit
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Choral. Concert. Choral. 6 pages. Published by Hal Leonard - Digital Sheet Music (HX.317544). - Choral - Concert - Hal Leonard - Digital Sheet Music...
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Choral. Concert. Choral. 6 pages. Published by Hal Leonard - Digital Sheet Music (HX.317544). - Choral - Concert - Hal Leonard - Digital Sheet Music
$2.10
Pater Noster
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Chorale SATB
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Burton Goldstein
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Pater Noster
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Burton Goldstein Music
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1035265 Composed by Burton Goldstein. 20th Century,Contemporary,Sacred,Spiritual. Octavo. 24 pages. Burton Goldstein Music...
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Choral Choir (SATB) - SKU: A0.1035265 Composed by Burton Goldstein. 20th Century,Contemporary,Sacred,Spiritual. Octavo. 24 pages. Burton Goldstein Music #5001051. Published by Burton Goldstein Music (A0.1035265). In setting the Lord's Prayer to music, I looked up what Jesus said to his followers about how the Prayer should be said. In the Cambridge translation of the Gospel of Matthew, Jesus says: When thou prayest enter into thy closet...pray to thy Father which is in secret. Do not send a trumpet before thee.... Do not pray ostentatiously with vain repetition. I was surprised at this image of the Lord’s Prayer; perhaps I had Handel's Messiah and sound the trumpets and a huge congregation in the back of my mind. I became intrigued with the image of a man facing his God secretly, in an absolutely solitary and personal way.In this piece, the style of singing should be closely related to this style of praying. The performance should emphasize the quiet, meditative quality of the piece. The harmonic language I made for this piece is meant to convey a mysterious, mystical feeling, a feeling of intense inward concentration, in part conveyed by the close spacing of the chords at the beginning and the single, common tone that runs through these chords. This concentration leads to a sense of transcendence, in part created by the opening up of the close spacing especially beginning at m.26 and culminating in the floating section at m.38.I did not repeat any of the text, except the final Amen.
$14.99
What Happened on that Mountain
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Chorale SATB
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FACILE
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John W
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What Happened on that Mountain
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John Fisher
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1324224 Composed by John W. Fisher. A Cappella,Christian,Instructional,Praise & Worship,Spiritual. 3 page...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1324224 Composed by John W. Fisher. A Cappella,Christian,Instructional,Praise & Worship,Spiritual. 3 pages. John Fisher #912420. Published by John Fisher (A0.1324224). WHAT HAPPENED ON THAT MOUNTAIN is a sermon song based on the sermon With Jesus on the Mountain delivered by Dr. Paul de Jong on November 12, 2023 at the First Presbyterian Church, Fort Myers, Florida using the text of Mark 8:31-9:29. The tune is an SATB arrangement of the famous Christmas spiritual Go Tell it on the Mountain with original lyrics to teach about a very important event in the New Testament - Jesus on the Mount of Transfiguragtion. The Chorus departs from the rhythm of the original spiritual when the name of Jesus is sung, emphasizing that He is on a different plane than Moses and Elijah.This and the second verse emphasize how Peter, as he often was, was in error of considering building temporal booths to celebrate the three transfigured beings. What the voice from heaven says and what Jesus says are extremely important. This may not overtake the popularity of the original Christmas spiritual, but I would hope that some congregations would consider using it as a teaching hymn.
$7.00
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