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--INSTRUMENTS--
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Teach Him A Lesson
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1
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1
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Teach Him A Lesson
Chorale SATB
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Spooky Goblin, a Halloween Sing & Ring Spooky Fun Song for Voices, Hand Bells, Chimes, or Orff Instr
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Chorale SATB
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DÉBUTANT
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Halloween
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Sylvia Chapa
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Spooky Goblin, a Halloween Sin
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Sylvia Chapa
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SheetMusicPlus
Choral Choir (Mixed) - Level 1 - SKU: A0.827768 Composed by Sylvia Chapa. Children,Halloween,Instructional. Octavo. 2 pages. Sylvia Chapa #3820443. Publ...
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Choral Choir (Mixed) - Level 1 - SKU: A0.827768 Composed by Sylvia Chapa. Children,Halloween,Instructional. Octavo. 2 pages. Sylvia Chapa #3820443. Published by Sylvia Chapa (A0.827768). PERMISSION TO COPY AS NEEDED IS GRANTED FOR EDUCATIONAL PURPOSES WITH PURCHASE OF 1 COPY. When Halloween is on children's minds, Spooky Goblin helps keep them on task to continue learning to read music while having Halloween fun! This Halloween novelty song is designed for easy and quick use by general music teachers and directors of Children's Choirs in church or school. This may be quickly learned for a Halloween party, a handbell choir recruiting activity, or for regular classroom instruction using singing, bells, chimes, or Orff instruments. 2 pages are included: the Spooky Goblin song with letter names, counts, words, and notated pitches plus a page with teaching instructions. Be sure to listen to the mp3 of real kids ringing and singing Spooky Goblin. (A fill in the blank worksheet for an extended lesson plan is available at Item ID SO.434647 ).
$5.00
VACCAJ - Metodo pratico di canto: Edizione completa di tutte le estensioni vocali con note storiche
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Chorale SATB
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FACILE
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Nicola Vaccaj
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Antonio Cericola
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VACCAJ - Metodo pratico di can
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Antonio Cericola
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.934267 Composed by Nicola Vaccaj. Arranged by Antonio Cericola. Instructional,Opera,Standards. Octavo. 200 pages...
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Choral Choir (SATB) - Level 2 - SKU: A0.934267 Composed by Nicola Vaccaj. Arranged by Antonio Cericola. Instructional,Opera,Standards. Octavo. 200 pages. Antonio Cericola #6328707. Published by Antonio Cericola (A0.934267). La nuovissima edizione di questo metodo storico include i componimenti scritti per tutte le estensioni vocali in tre tonalità diverse. Questa comodità sarà senz’altro utile non solo ai pianisti accompagnatori (che avranno a portata di mano la stessa aria già trasposta), ma anche agli insegnanti. Gli allievi, inoltre, potrebbero esercitare la stessa lezione in tonalità diverse per fini didattici e musicali. Ogni arietta è corredata da note storiche, da consigli interpretativi e da note autografe (ove presenti indicate in corsivo) del Vaccaj stesso. Al fine di suggerire ai cantori la giusta dizione italiana, tutti versi del Metastasio sono stati riscritti con gli accenti ortoepici correttamente segnati su tutte le parole di dubbia pronuncia italiana. Sono altresì indicati i raddoppiamenti fonosintattici. Una legenda ortoepica precede il metodo. Nell’appendice sono incluse sia le note storiche dettagliate di ciascuna opera da cui sono tratti i versi, sia la serie degli intervalli da cantare che il Vaccaj scrisse per le storiche edizioni. Di questi solfeggi cantati è stato realizzato anche il basso continuo per agevolarne l’esecuzione ai giovani pianisti. Questa nuova edizione completa dell’opera, curata nella veste grafica ed impaginata ex novo per una lettura più agevole e chiara, è arricchita ulteriormente dalla preziosa presentazione del M°Antonio Juvarra.This new edition of this historical method includes compositions written for all vocal extensions in three different keys.This convenience will certainly be useful not only to accompanying pianists, but also to teachers. Pupils also could practice the same lesson in different keys for educational and musical purposes. Each arietta is accompanied by historical notes, interpretative advice and handwritten notes (where present indicate in italics) by Vaccaj himself. All the verses of Metastasio have been rewritten with the orthoepic accents correctly marked on all words of dubious Italian pronunciation. The phonosyntactic doublings are also indicated. An orthoepic legend precedes the method. The appendix includes both the detailed historical notes of each work from which the verses are taken, and the series of intervals to be sung that Vaccaj wrote for the historical editions. The basso continuo has also been made of these sung solfeggios to facilitate their performance by young pianists. This new complete edition of the work, edited in the graphics and paginated from scratch for easier and clearer reading, is further enriched by the precious presentation of Maestro Antonio Juvarra.
$14.99
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Teach Him A Lesson
