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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ten in the Bed
Non classifié
292
Piano & claviers
Piano seul
107
Instruments en Do
99
Piano Facile
79
Piano, Voix
69
Piano, Voix et Guitare
23
Orgue
16
1 Piano, 4 mains
8
Accompagnement Piano
2
2 Pianos, 4 mains
2
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavecin
1
Accordéon
1
+ 8 instrumentations
Retracter
Guitares
Guitare
16
Ligne De Mélodie, (Paroles) et Accords
11
Guitare notes et tablatures
10
Dulcimer
4
4 Guitares (Quatuor)
2
Ukulele
2
Mandoline
2
3 Guitares (trio)
1
Banjo
1
2 Guitares (duo)
1
+ 5 instrumentations
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Voix
Chorale SATB
72
Chorale TTBB
14
Chorale 3 parties
9
Voix Alto, Piano
9
Chorale 2 parties
8
Chorale Unison
8
Chorale SSAA
6
Voix Soprano, Piano
4
Voix haute
3
Voix Tenor, Piano
3
Voix Tenor
1
Voix Baryton, Piano
1
Voix duo
1
Voix duo, Piano
1
Chorale SSAATTBB
1
+ 10 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
38
Ensemble de saxophones
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Quintette de Saxophone: 5 saxophones
24
Flûte traversière et Piano
10
Ensemble de Clarinettes
8
Saxophone Tenor et Piano
8
Quatuor de Clarinettes: 4 clarinettes
7
Flûte, Hautbois, Clarinette, Basson
6
Flûte traversière
6
2 Saxophones (duo)
6
Saxophone Tenor
5
Clarinette et Piano
4
Clarinette
4
2 Flûtes traversières (duo)
4
Saxophone (partie séparée)
3
Quintette de Flûte : 5 flûtes
3
Saxophone Alto et Piano
3
Saxophone, Clarinette (duo)
3
Flûte à bec Alto, Piano
2
Quatuor de Flûtes à bec
2
Saxophone Baryton, Piano
2
Ensemble de Flûtes
2
Saxophone Soprano et Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Ocarina
2
Clarinette Basse, Piano
2
Hautbois, Piano (duo)
2
Hautbois, Basson (duo)
2
3 Clarinettes (trio)
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette (duo)
1
Clarinette, Violon (duo)
1
Clarinette, Trompette (duo)
1
2 Clarinettes (duo)
1
Saxophone Alto
1
Hautbois, Flûte
1
Flûte à bec Soprano
1
Flûte, Hautbois, Clarinette (trio)
1
3 Saxophones (trio)
1
Flûte, alto et harpe
1
Cor anglais, Piano
1
Clarinette, Basson (duo)
1
Flûte, Saxophone (duo)
1
2 Hautbois (duo)
1
Ensemble à vent
1
Harmonica
1
Trio de Flûtes: 3 flûtes
1
Flûte à bec Alto
1
+ 44 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Quatuor de Cuivres
12
Ensemble de Trombones
8
Trompette
8
Ensemble de Trompettes
6
Quatuor de cuivres: 4 trombones
5
Trombone
4
Ensemble de Cors
3
Trombone et Piano
3
Tuba et Piano
3
Trompette, Saxophone (duo)
3
Trompette, Piano
2
Cor
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone basse et Piano
2
Tuba
2
Euphonium, Piano (duo)
2
Cor et Piano
2
Trompette, Trombone (duo)
1
2 Trombones (duo)
1
2 Trompettes (duo)
1
Cor anglais, Piano
1
+ 18 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
117
Violon, Violoncelle (duo)
87
Trio à Cordes: 2 violons, violoncelle
57
Trio à Cordes: violon, alto, violoncelle
26
Violon et Piano
26
Violoncelle
24
Violon
21
Violoncelle, Piano
13
Violon, Alto (duo)
13
2 Violoncelles (duo)
9
Alto, Piano
8
2 Violons (duo)
4
Harpe
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Ensemble de Violons
3
2 Altos (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto (partie séparée)
1
Trio à cordes: 3 violins
1
Ensemble d'Altos
1
Violon (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Orgue
1
Contre Basse
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
82
Orchestre
48
Orchestre à Cordes
24
Ensemble Jazz
14
Orchestre de chambre
12
Cloches
6
Ensemble de cuivres
5
Jazz combo
1
Fanfare
1
Batterie
1
Quintette de Cuivres: autres combinaisons
1
Orchestre, Violon
1
+ 7 instrumentations
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Autres
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TROMPETTE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
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Vous avez sélectionné:
Ten in the Bed
Chorale SATB
Partitions à imprimer
72 partitions trouvées
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When I Survey the Wondrous Cross
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pag...
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Choral Choir (SATB) - Level 3 - SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.
$2.50
Three Sacred Songs: 1. The Round Day (Downloadable)
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Chorale SATB
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Derek Healey
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Three Sacred Songs: 1. The Rou
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir, flute and piano (ad lib.) - Moderately Difficult - SKU: MQ.7540-E Composed by Derek Healey. Instrument part. 9 pages. E. C. Schirmer Music C...
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SATB choir, flute and piano (ad lib.) - Moderately Difficult - SKU: MQ.7540-E Composed by Derek Healey. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #7540-E. Published by E. C. Schirmer Music Company - Digital (MQ.7540-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdalene’s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd lad’s (Jesus’s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, “And threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.†The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdalene’s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).
$1.95
We Kneel Beside Thy Bed in Awe, sacred Christmas music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Kevin G
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We Kneel Beside Thy Bed in Awe
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1440128 Composed by Kevin G. Pace (ASCAP), Michael Young. Christian,Christmas,Praise & Worship,Relig...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1440128 Composed by Kevin G. Pace (ASCAP), Michael Young. Christian,Christmas,Praise & Worship,Religious,Sacred. 10 pages. Kevin G. Pace #1020077. Published by Kevin G. Pace (A0.1440128). Beautiful, sacred Christmas music for SATB choir. Music by Kevin G. Pace. Text by Michael Young.Text:1. O tender bud, O purest lightNow glowing in the darkest night.O princely babe, O holy child,Begotten to be undefiled.We kneel beside Thy bed in awe,And let our tears fall to the straw.2. O joyous song, O sweetest taste,Restoring what would go to waste.O peaceful prince, O mighty king,Begotten to remove death’s sting.We kneel beside Thy bed in awe,And let our tears fall to the straw.3. O wondrous love, O beauteous Son,Now come to succor everyone.O truthful Word, O faithful friend,Begotten that our pain might end.We kneel beside Thy bed in awe,And let our tears fall to the straw.
$1.99
The Birth
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Chorale SATB
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FACILE
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Ian Calvert
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The Birth
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Ian Calvert
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1298965 Composed by Ian Calvert. 21st Century,A Cappella,Christmas,Contemporary,Holiday. 6 pages. Ian Cal...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1298965 Composed by Ian Calvert. 21st Century,A Cappella,Christmas,Contemporary,Holiday. 6 pages. Ian Calvert #888815. Published by Ian Calvert (A0.1298965). This is the first publication of a new Christmas song, set for SATB a cappella and ideal for community or professional choirs. The words are those of a poem by Leonard Clark (1905 – 1981). He was an English poet who was raised in The Forest of Dean, in the west of England. The Forest became his great passion and inspiration; much of his poetry reflects that upbringing and often relates to nature. In 1972 he published a slim little book of Christmas poems, of which ‘The Birth’ is one. What I like about this poem is its simplicity and clarity – and its narrative development through the verses. It starts with the poet waking in the pre-dawn. He then realizes that it is Christmas Day and in the stillness of that time his mind turns to the birth of Jesus, as traditionally told; tenors and basses start this verse. Then he steps out of time and space and looks through his bedroom window to contemplate the mystery of incarnation; sopranos and altos begin this third verse. And he finishes at the stable, offering devotion to the newborn Lord. This song is also available in a version for voice and piano. Drawn from the same book of poems there is available another new Christmas song, called Singing in the Streets; that one is set for baritone and piano. Ian Calvert.
$1.99
In Heaven and on Earth for SATB chorus, flute, and pedal or lever harp or piano
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Chorale SATB
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INTERMÉDIAIRE
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Adrienne Inglis
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In Heaven and on Earth for SAT
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Ing...
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Choral Choir (SATB) - Level 3 - SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Inglis (ASCAP) #4807817. Published by Adrienne Inglis (ASCAP) (A0.953621). One of the most powerful passages in scripture set to music! Good length for an anthem, interesting and idiomatic use of flute and harp, nice mix of beautiful melodic passages and crunchy bits!A Setting of Philippians 2:5-11 from New Revised Standard VersionFor SATB chorus, flute, and clà rsach (Scottish lever harp) or harp or pianoDuration approximately 5:00 The Letter of Paul to the Philippians 2:5-11 (NRSV)*Let the same mind be in you that was in Christ Jesus, who, though he was in the form of God, did not regard equality with God as something to be exploited, but emptied himself, taking the form of a slave, being born in human likeness. And being found in human form, he humbled himself and became obedient to the point of death - even death on a cross.Therefore God also highly exalted him and gave him the name that is above every name, so that at the name of Jesus every knee should bend, in heaven and on earth and under the earth, and every tongue should confess that Jesus Christ is Lord, to the glory of God the Father. *New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.Composed by Adrienne Inglis in 2014 and premiered in 2014 in Austin, Texas, by the Westminster Presbyterian Church Sanctuary Choir, In Heaven and on Earth for SATB chorus, flute, and clà rsach, draws inspiration from the tune Love is the Cause of my Mourning from The Caledonian Pocket Companion Book 1, p. 27. The piece opens with the tune altered to G mixolydian mode. As the word exploited appears, a sinister-sounding E flat enters the harmony. Open octaves between soprano and bass show the emptying, followed by a shift to E phrygian mode with the word slave. Several dissonances emerge as the narrative gets darker. The flute and clà rsach represent chaos or hell with an aleatoric interlude of extended techniques involving tongue rams, flutter tonguing, multiphonics, spoken syllables, and lever glissandi. The harp then joyfully proclaims the new tonality of G major in a fanfare to introduce the text of praise and exaltation. The original source tune returns harmonically restored to G major.
$3.99
By Bethesda's Pool, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Bethesda’s special pool
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Kevin G
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healing was the goal
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By Bethesda's Pool, sacred mus
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1208296 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1208296 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 11 pages. Kevin G. Pace #806402. Published by Kevin G. Pace (A0.1208296). A stunningly beautiful, sacred composition for SATB choir.  Music by Kevin G. Pace and text by Mary Ann W. Snowball.  Depicting the miracle of Jesus curing the man by the Pool of Bethesda.Text:By Bethesda’s special pool, each day they did wait.Blind and halt and withered there, each to not be late.By the pool the crippled lay; healing was the goal.Ere an angel’s touch was stirred, not one would be whole.Years and years a man stayed near, but with none to aid.Then the Savior came, unknown, to surround and stay.Wilt thou be made whole? was asked by the Healer there.I can’t reach the pool myself. These pains I must bear.Wilt thou be made whole? I can ease thy load.Can I heal thy sun-parched soul? May I make thee whole?Rise, and take thy bed and walk. These words Jesus spoke.Soon the man was cleansed and healed, as if he awoke.Had full faith been shown that day from this aged man?Can we also trust our Lord? Will we take his hand?By our own Bethesda pools in a sacred space,He can clearly mend our cares through (by) his wondrous grace.We can also rise like him o’er our doubts and fearsAs we linger, patiently, listening to hear.We can be made whole when his hand we hold.He can heal our holy souls; He will make us whole.
$1.99
"Wonderful" is in the Stable, Christmas Carol : SATB Choir (Some Divisi) and Piano (2007 version)
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Chorale SATB
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Noël
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M
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"Wonderful" is in th
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Vocal Works
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.741949 Composed by M. Ryan Taylor. Christian,Christmas,Contemporary,Sacred,Spiritual. Octavo. 11 pages. Vocal Works #48492...
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Choral Choir (SATB) - SKU: A0.741949 Composed by M. Ryan Taylor. Christian,Christmas,Contemporary,Sacred,Spiritual. Octavo. 11 pages. Vocal Works #484927. Published by Vocal Works (A0.741949). A completely different setting of the text written a year after the original for choral composition contest. In Bethlehem, the House of Bread, the Bread of Life is found, For David’s root and David’s branch is born in David’s town. A manna in our wilderness, a gift that we might live, Lies in the oxen’s manger, His life to freely give. Oh Wonderful! is in the stable, Counselor lies on the hay, Mighty God with sheep and oxen makes His bed on Christmas Day. The new-forged light o’er Bethlehem guides seekers from afar; Reveals the place where lightly lies the Bright and Morning Star. His dawning beams with mercy, for He will freely be Our compass and our lantern for all eternity. Oh Wonderful! is in the stable, Counselor lies on the hay, Mighty God with sheep and oxen makes His bed on Christmas Day. The shepherds bring their milk-white lambs before the Lamb of God And mark the oxen, rams and kine about Him on the sod. The last and lasting sacrifice, fulfilling all the law, Without a spot or blemish, lies nestled in the straw. Oh Wonderful! is in the stable, Counselor lies on the hay, Mighty God with sheep and oxen makes His bed on Christmas Day. The wise lay gifts around the child, the Gift of Father’s love, The Author of salvation’s song, the Bread sent from above. Oh Wonderful! is in the stable, Counselor lies on the hay, Mighty God with sheep and oxen makes His bed on Christmas Day. The Prince of Peace lies soft and sweetly on His bed this Christmas Day.
$1.99
Put Me in My Little Bed
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Chorale SATB
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C
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Put Me in My Little Bed
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.797 Composed by C.A. White. Children praying, Beds, Dolls, Mothers & children, Death, Families, Religio...
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Piano and voice (solo and SATB chorus) - SKU: LV.797 Composed by C.A. White. Children praying, Beds, Dolls, Mothers & children, Death, Families, Religion. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.797). Put Me in My Little Bed. Written by Dexter Smith. Music by C.A. White. Published 1870 by White, Smith & Perry, 298 & 300 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Children praying, Beds, Dolls, Mothers & children, Death, Families, Religion. First line reads Oh! birdie, I am tired now, I do not care to hear you sing.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Put Me in My Little Bed
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Chorale SATB
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C
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Put Me in My Little Bed
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.799 Composed by C.A. White. Children praying, Beds, Dolls, Mothers & children, Death, Families, Religio...
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Piano and voice (solo and SATB chorus) - SKU: LV.799 Composed by C.A. White. Children praying, Beds, Dolls, Mothers & children, Death, Families, Religion. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.799). Put Me in My Little Bed. Written by Dexter Smith. Music by C.A. White. Published 1869 by White, Smith & Perry, 298 & 300 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Children praying, Beds, Dolls, Mothers & children, Death, Families, Religion. First line reads Oh! birdie, I am tired now, I do not care to hear you sing.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Ruler of Land and Sea (The United States Coast Guard Hymn)
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Chorale SATB
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DÉBUTANT
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James F
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Ruler of Land and Sea
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Military Bible Association
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1465870 Composed by James F. Linzey and George Elvey. Chamber,Classical,Patriotic,Religious,Sacred. ...
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Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1465870 Composed by James F. Linzey and George Elvey. Chamber,Classical,Patriotic,Religious,Sacred. 4 pages. Military Bible Association #1044467. Published by Military Bible Association (A0.1465870). History of the United States Coast Guard and the Coast Guard HymnIn 1915 the United States Congress formed the United States Coast Guard (USCG) when it combined the Revenue Cutter Service with the Life-Saving Service. The Coast Guard became the sole maritime arm of the United States Armed Forces with the purpose of saving people in danger at sea and enforcing America’s maritime laws. In 1939, the Coast Guard assumed responsibility for the Lighthouse Service and maintenance of aids to maritime navigation. In 1946 the Coast Guard assumed oversight of the Bureau of Marine Inspection and Navigation, including merchant marine licensing and merchant vessel safety. And in 1967, the Coast Guard assumed the administration of bridges over navigable waterways. The Coast Guard serves under the Department of Homeland Security in peacetime, but under the Department of the Navy in war. Missions include protecting the environment, and securing the nation by enforcing Federal laws on the high seas, on the nation's coastal waters, and in the nation’s inland waterways. At one time, under its former name, the Coast Guard was the only Unted States Armed Force at sea. On August 4, 1790, President George Washington signed the Tariff Act, providing funds to finance the construction of ten ships to enforce Federal tariff and trade laws. Throughout much of its history, the Coast Guard used verse one of the Navy Hymn in its chapel services, because it did not have its own hymn. So, on June 18, 2024, hymn writer James F. Linzey, who dubbed the Coast Guard as the “Ruler of Land and Sea,” since it patrolled the shores and the seas, felt inspired to write the United States Coast Guard hymn. He felt that a score that matched the majesty of the Navy Hymn would be appropriate. Therefore, he chose “Diademata” by Elvey. James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
$1.99
Mother of Creation - SATB
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Richard E Brown
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Richard E Brown
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Mother of Creation - SATB
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Dacker Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.814676 Composed by Richard E Brown. Arranged by Richard E Brown. Contemporary,Holiday,Praise & Worship,Sacred. O...
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Choral Choir (SATB) - Level 3 - SKU: A0.814676 Composed by Richard E Brown. Arranged by Richard E Brown. Contemporary,Holiday,Praise & Worship,Sacred. Octavo. 15 pages. Dacker Music #2957057. Published by Dacker Music (A0.814676). Mother of Creation is a Mothers' Day or general-purpose anthem, for SATB and organ, that celebrates God as Mother. The words, by Henry Lebedinsky, were originally written to the hymn tune Beach Spring, fragments of which are prominently featured in the organ part, leading to the climactic last verse when the choir sings it in full.
$2.00
The Shepherd's Benediction
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Chorale SATB
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Musique Sacrée
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Victor C Johnson
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The Shepherd's Benediction
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
SATB choir, a cappella (With Optional Tambourine, Accompaniment MP3, Hand Drum) - SKU: LX.10-5749L Composed by Victor C Johnson. Sacred Anthem, Benedict...
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SATB choir, a cappella (With Optional Tambourine, Accompaniment MP3, Hand Drum) - SKU: LX.10-5749L Composed by Victor C Johnson. Sacred Anthem, Benediction. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5749L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5749L). Pamela Stewart's text comes alive when paired with Victor Johnson's music. Written in an a cappella Renaissance-style, the 6/8 meter propels the music forward, and optional hand drum and tambourine parts complete the musical package. The lyrics speak from the point of view of the shepherds, as they joyfully tell the world what they have seen and heard: Gloria! Sing gloria! Each heart a bed of hay, every life a Bethlehem, each day a Christmas Day!
$2.50
Praise God, Who by the Law (Downloadable)
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Chorale SATB
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FACILE
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the Law, SATB, Trumpet, Organ<
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Mark W
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Praise God, Who by the Law
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir, organ, trumpet - Moderately Easy - SKU: MQ.51-3062-E Composed by Mark W. Oldenburg and Stephen P. Folkemer. Lent. 10 pages. MorningStar Musi...
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SATB choir, organ, trumpet - Moderately Easy - SKU: MQ.51-3062-E Composed by Mark W. Oldenburg and Stephen P. Folkemer. Lent. 10 pages. MorningStar Music Publishers - Digital Sheet Music #51-3062-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.51-3062-E). English.These anthems were written specifically to fit the prescribed texts for each Sunday of Lent in Cycle B. The anthems may be downloaded and printed from your computer. Based on NUN FREUT EUCH.Available for Lent Cycle B Lent 1 - Through Greys of Fogs and Clouds and Seas, SATB, Organ, and Treble Instrument Lent 2 - After Wandering Years, SATB, Organ, Treble Instrument Lent 3 - Praise God, Who By the Law, SATB, Trumpet, Organ Lent 4 - Nostalgic for Their Servitude Lent 5 - I Was Wed at Sinai Instrumental Part and Congregational Page included.
$1.00
Eternal Father, Strong to Save (The United States Navy Hymn)
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Chorale SATB
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FACILE
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Music by John B
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James F
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Eternal Father, Strong to Save
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Military Bible Association
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1465877 Composed by Music by John B. Dykes and Words by William Whiting and Mary Hamilton. Arranged ...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1465877 Composed by Music by John B. Dykes and Words by William Whiting and Mary Hamilton. Arranged by James F. Linzey. Chamber,Classical,Patriotic,Religious,Sacred. 4 pages. Military Bible Association #1044474. Published by Military Bible Association (A0.1465877). History of the United States Navy and the Navy HymnOn August 26, 1775, the General Assembly of Rhode Island passed a resolution to create the Continental Fleet, to be funded by the Continental Congress in Philadelphia. But on October 3, 1775, Congress rejected it. On October 13, 1775, the Continental Congress changed courses and established the Continental Navy. This was the birth of the United States Navy. The Continental Navy obtained and armed two civilian vessels, the Andrew Doria and the Cabot. The first United States Navy ship was the USS Alfred, which was commissioned by Captain Dudley Saltonstall on December 3, 1775. John Adams served as the first Chairman of the Naval Committee, but in 1776 the Continental Congress appointed Commodore Esek Hopkins to be the Navy’s first Commander. After the Revolutionary War, the government abolished the Continental Navy. But 11 years later, Congress passed the Naval Act of 1794, which created the United States Navy. The Navy was involved in the Revolutionary War (1775 – 1776), the War of 1812 (1812 – 1815), the Civil World (1861 – 1865), the Mexican-American War (1846 – 1848), the Spanish-American War (1898), World War I (1914 – 1918), World War II (1939 – 1945), the Korean conflict, the Vietnam conflict (1964 – 1975), the war on terrorism through various military operations around the world (1987 – 2021) ), Operation Earnest Will (1987 – 1988), Operation Praying Mantis in the Persian Gulf (1988), Operation Urgent Fury at the invasion of Grenada (1983), Operation Desert Shield (1990 – 1991) and Operation Desert Storm (1991) which comprised the Gulf War, Operation Deliberate Force which was the invasion of Bosnia and Herzegovina (1995), Operation Allied Force which was the attack on Yugoslavia (1999), Operation Desert Fox which was the bombing of Iraq (1998), Operation Southern Watch which was the aerial patrolling of Iraq (1992 – 2003), Operation Enduring Freedom at the invasion of Afghanistan (2001 – 2021), and Operation Iraqi Freedom at the invasion of Iraq (2003 – 2011). The Navy emerged from World War II as the most powerful Navy in the world.In 1860, William Whiting of Winchester, England, wrote a poem titled “Eternal Father, Strong to Save” for one of his students, who was preparing to sail for the United States. The poem alludes to Psalm 107 and is a prayer for God’s protection from seafaring danger. In 1861, Rev. John Bacchus Dykes, an Anglican clergyman, composed the tune “Melita,” in 88 88 88 iambic meter, to accompany the hymn. “Melita” is the archaic name of Malta, which is an ancient seafaring nation. It was the site of the shipwreck that involved the Apostle Paul, as described in the Acts of the Apostles, chapters 27–28. In 1814, Malta became the Crown Colony of the United Kingdom, but in 1964 it gained independence and joined the British Commonwealth. The hymn has long been used by Navy and civilian chaplains during chapel services at sea, in navy and civilian maritime contexts. The Royal Navy, navies of the British Commonwealth, and the United States Navy adopted the hymn in the late 19th century as “The Navy Hymn.” Many verses have been written to Melita. James F. Linzey selected the four verses by Whiting (verses 1-3) and Hamilton (verse 4), which are the verses traditionally used in the Armed Forces Hymnal. James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
$1.99
Freu dich, du werte Christenheit
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Chorale SATB
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INTERMÉDIAIRE
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Hermann Schroeder and Johannes
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Freu dich, du werte Christenhe
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) - intermediate - SKU: S9.Q21180 Motette nach Johannes de Cleve. Composed by Hermann Schroeder and Johannes de Cleve. This edit...
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Mixed choir (SATB) - intermediate - SKU: S9.Q21180 Motette nach Johannes de Cleve. Composed by Hermann Schroeder and Johannes de Cleve. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 5 minutes. Schott Music - Digital #Q21180. Published by Schott Music - Digital (S9.Q21180). German.Hermann Schroeder (1904-1984) is one of the most important composers of Catholic church music in the 20th century. Apart from more than 100 organ works and masses, he also wrote numerous motets. The present four-part motet Freu dich, du werte Christenheit for mixed a cappella choir (SATB) was written in 1975. This old Resurrection song from the 16th century is based on a setting by the Franco-Flemish composer Johannes des Cleve (around 1529-1582) which has been skillfully transferred by Schroeder to the modern age with subtle harmonies. The tenor voice sings the cantus firmus and is embedded in archaic-seeming sounds typical of Schroeder by the other voices. This three-verse Resurrection song of about five minutes is perfect for church services at Easter.
$2.99
The Mark of the Beast
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Chorale SATB
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INTERMÉDIAIRE
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Luis Chris Medina
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The Mark of the Beast
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Luis Chris Medina
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.912895 Composed by Luis Chris Medina. 20th Century,Sacred,Spiritual. Octavo. 76 pages. Luis Chris Medina #476481...
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Choral Choir (SATB) - Level 3 - SKU: A0.912895 Composed by Luis Chris Medina. 20th Century,Sacred,Spiritual. Octavo. 76 pages. Luis Chris Medina #4764811. Published by Luis Chris Medina (A0.912895). The Mark of the Beast choral movt is part of the Worship Him trilogy (Included in this download file which has the Director Score/SATB part/Trumpet/Piano and Timpani parts)The Third Angel’s Warning is a message found in Revelation 14:9-12, set to music as a choral fantasy. Written for SATB Choir, Bb trumpet, Timpani with piano accompaniment.  This dramatic selection written in a quasi English style has memorable themes and lush harmonies and attempts to portray the serious theme found in the final book of the bible foretelling the closing scenes between good and evil and the revelation of Jesus Christ.  Parts included on sheet Music Plus.The Worship Him first movement can be heard at: https://www.youtube.com/embed/gUpu_80CKKQ.
$1.99
Ring, Ring the Banjo
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Chorale SATB
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DÉBUTANT
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Stephen Foster
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Thomas G Degan
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Ring, Ring the Banjo
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Thomas Degan
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1449955 Composed by Stephen Foster. Arranged by Thomas G Degan. 19th Century,A Cappella,Early Music,...
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Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1449955 Composed by Stephen Foster. Arranged by Thomas G Degan. 19th Century,A Cappella,Early Music,Folk,Historic. 2 pages. Thomas Degan #1029685. Published by Thomas Degan (A0.1449955). Ring, Ring de Banjo is a minstrel song written in 1851. The song's words and music are from Stephen Foster. THIS ARRANGEMENT HAS BEEN UPDATED TO INCLUDE CONTEMPORARY ENGLISH AND DOES NOT INCLUDE REFERENCES TO SLAVERY OR DEROGATORY RACIAL TERMS.The song, (originally) written to mimic the dialect of Black people in the Southern United States, is about a newly-freed slave who wishes to come back to his master's plantation. As his old master is dying, the singer plays the banjo on his old master's deathbed until he dies. It is one of minstrelsy's most explicit evocations of the potentially violent relationship in slavery between master and slave and inspired a number of imitators, including the abolitionist Harriet Beecher Stowe. -Wikipedia.
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Över de stillen Straten (SATB) - German bed-time song (as performed by Die Blowboys)
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Chorale SATB
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FACILE
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Martin Schröder
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Över de stillen Straten
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Martin Schröder
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.758076 Composed by Martin Schröder. Folk,Multicultural,World. Octavo. 4 pages. Martin Schröder #3408333. P...
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Choral Choir (SATB) - Level 2 - SKU: A0.758076 Composed by Martin Schröder. Folk,Multicultural,World. Octavo. 4 pages. Martin Schröder #3408333. Published by Martin Schröder (A0.758076). The famous German song 'Över de stillen Straten' sung in lower German in a new version composed by Martin Schröder and arranged for mixed choir (SATB). As performed by German sea shanty group Die Blowboys. 2 pp.
$2.50
Monk - Abide with Me (Eventide) in E flat Major - Easy
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Chorale SATB
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DÉBUTANT
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William Henry Monk
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Piacere Music Sheets
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the day is almost over
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Monk - Abide with Me
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Piacere Music Sheets
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.1077080 Composed by William Henry Monk. Arranged by Piacere Music Sheets. A Cappella,Praise & Worship,Romantic P...
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Choral Choir (SATB) - Level 1 - SKU: A0.1077080 Composed by William Henry Monk. Arranged by Piacere Music Sheets. A Cappella,Praise & Worship,Romantic Period,Sacred,Spiritual. Octavo. 10 pages. Piacere Music Sheets #681177. Published by Piacere Music Sheets (A0.1077080). Opus/Catalog Number: IWM 1 Key/Tone: E flat major Movements/Sections: Andante Year/Date of Composition: 1861 Difficulty: Grade 2/12 (Easy) Obs.: This hymn is sung by Christians all over the world in times of sorrow and deep distress. The lyrics were written in 1847 by Henry Francis Lyte, an English pastor, poet and musician, only a few weeks before he died from tuberculosis. He was inspired by Saint Luke's account of Christ's appearance with His two disciples on the way to Emmaus: They urged Him strongly: Stay with us, for it is nearly evening; the day is almost over. (Luke 24:29). The music was composed by William Henry Monk, music editor of the famous Anglican Church hymnal Hymns Ancient and Modern, and it was included in the first edition of that hymnal in 1861. Mrs. Monk has described in her own words the context: This tune was written at a time of great sorrow - when together we watched, as we did daily, the glories of the setting sun. As the last golden ray faded, he took some paper and penciled that tune which has gone all over the earth. This score is the complete version of Abide With Me for choir SATB. Included: Full score and separated parts for each voice.
$2.95
The Darkling Thrush
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Chorale SATB
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INTERMÉDIAIRE
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Michael Scheurich
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The Darkling Thrush
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Michael Scheurich
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1229140 Composed by Michael Scheurich. A Cappella,Christmas,Contemporary. Octavo. 6 pages. Michael Scheurich #82...
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Choral Choir (SATB) - Level 3 - SKU: A0.1229140 Composed by Michael Scheurich. A Cappella,Christmas,Contemporary. Octavo. 6 pages. Michael Scheurich #825042. Published by Michael Scheurich (A0.1229140). A moody SATB choral wintertime piece written in Ab based upon the Thomas Hardy poem, The Darkling Thrush, that explores themes of hope, despair and the passage of time. The speaker intitially describes a bleak and desolate winter landscape, but this is contrasted by the appearance of the thrush, which is described as full-throated and singing a joyful song. The thrush's song seems to represent a glimmer of hope in an other wise bleak season.
$1.99
Tauben vergiften im Park
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Chorale SATB
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INTERMÉDIAIRE
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Georg Kreisler
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Bernhard Hofmann
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Tauben vergiften im Park
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) and piano - intermediate - SKU: S9.Q48005 Georg Kreisler - Lieder und Chansons. Composed by Georg Kreisler. Arranged by Bernha...
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Mixed choir (SATB) and piano - intermediate - SKU: S9.Q48005 Georg Kreisler - Lieder und Chansons. Composed by Georg Kreisler. Arranged by Bernhard Hofmann. This edition: choral score. Humor - love - black humor. Georg Kreisler für Chor. Downloadable, Choral score. Duration 2' 40. Schott Music - Digital #Q48005. Published by Schott Music - Digital (S9.Q48005). German.Georg Kreisler equals scathing, dark black humour on the piano! The Singphoniker have arranged Georg Kreisler's best known songs for all-male ensemble and recorded them on CD. Schott now publishes the corresponding music edition for mixed choir SATB with piano accompaniment (Georg Kreisler - Lieder und Chansons, ED 22737). In addition, all songs from the sheet music album are available in separate editions: Tauben vergiften im Park puts the relationship between dove and man in a nutshell and suggests a funnily described, yet ethically not correct method of taking action against the pigeon terror. This pleasant arrangement with Kreisler's humorous text most certainly creates an exuberant atmosphere in the concert.
$4.99
You're The Voice
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Chorale SATB
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INTERMÉDIAIRE
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Rebecca St
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Sandra Milliken
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You're The Voice
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.774738 By Rebecca St. James. By Andy Quanta, Chris Thompson, Keith Reid, and Maggie Ryder. Arranged by Sandra Mi...
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Choral Choir (SATB) - Level 3 - SKU: A0.774738 By Rebecca St. James. By Andy Quanta, Chris Thompson, Keith Reid, and Maggie Ryder. Arranged by Sandra Milliken. Christian,Gospel. Octavo. 16 pages. Sandra Milliken #4408392. Published by Sandra Milliken (A0.774738). You’re the Voice is a powerful protest song written by Andy Qunta, Keith Reid, Chris Thompson and Maggie Ryder, and recorded by the very popular Australian singer John Farnham for his album Whispering Jack in 1986.The song was one of the biggest hits of 1986 in Australia, topping the singles chart for seven weeks. In 1987 it was awarded the ARIA Award for Single of the Year. It was also one of Farnham’s biggest successes in Europe, charting at No. 1 in Germany and Sweden and reaching the Top 10 in Austria, Ireland, Switzerland and the UK.The song’s main message is an empowering one, encouraging people everywhere to take a stand against corruption and to make their voices heard. To wake up to your own power. It can also be described it as an anti-war song, since it was released in the mid-80s, during the height of the Cold War.Farnham’s version of You’re the Voice contains one of the most famous bagpipe solos ever recorded. It was played by a group of four pipers. If you have a bagpipe soloist/s available, tacet the choir in the bagpipe section (from measure 59) to get the full effect!The SATB arrangement provides scope for a massed choir situation: have a children’s choir sing the Soprano or Soprano and Alto parts in the section beginning at measure 84, with the semi chorus being a group of 3 or more strong singers, ensuring an appropriate balance between the solo, semi-chorus and full choir.
$2.30
I Dreamt My Little Boy of Thee
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Chorale SATB
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Alfred Lee
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I Dreamt My Little Boy of Thee
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.10991 Composed by Alfred Lee. Children, Families, Dreaming, Religion. Lester S. Levy Collection. 4 page...
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Piano and voice (solo and SATB chorus) - SKU: LV.10991 Composed by Alfred Lee. Children, Families, Dreaming, Religion. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10991). I Dreamt My Little Boy of Thee. Beautiful Ballad in Reply to Put Me in My Little Bed. Written by Frank W. Green, Esq. Music Composed by Alfred Lee. Published [n.d.] by C. Sheard, Musical Bouquet Office, 192 High Holborn in London. Composition of strophic with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Children, Families, Dreaming, Religion. First line reads I dreamt my little boy of thee, whilst thou wert lying snug and warm.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Laughter In The Rain
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Neil Sedaka
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John Fries
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Laughter In The Rain
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John Fries
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1237677 By Neil Sedaka. By Neil Sedaka and Phil Cody. Arranged by John Fries. 20th Century,Pop,Standards....
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1237677 By Neil Sedaka. By Neil Sedaka and Phil Cody. Arranged by John Fries. 20th Century,Pop,Standards. 13 pages. John Fries #833181. Published by John Fries (A0.1237677). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Laughter in the Rain is a song composed and recorded by Neil Sedaka, with lyrics by Phil Cody. It includes a 20-second saxophone solo by Jim Horn. The opening chord of the chorus was based on that used by John in Goodbye Yellow Brick Road, which Sedaka has described as a drop-dead chord. He combined that with a pentatonic melody inspired by Aaron Copland. Cody claims to have written the lyrics in about five minutes after smoking marijuana and falling asleep under a tree for a couple of hours.
$1.99
Beautiful Songs of the South. Take Me Back Home
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Chorale SATB
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Will S
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Beautiful Songs of the South.
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.3880 Composed by Will S. Hays. Waterfronts, Dwellings, Steamboats, Deathbeds, Mothers & children, Domes...
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Piano and voice (solo and SATB chorus) - SKU: LV.3880 Composed by Will S. Hays. Waterfronts, Dwellings, Steamboats, Deathbeds, Mothers & children, Domestic life. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3880). Beautiful Songs of the South. Take Me Back Home. Written and Composed by Will S. Hays. Published 1866 by Oliver Ditson & Co. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Waterfronts, Dwellings, Steamboats, Deathbeds, Mothers & children, Domestic life. First line reads Hark! how the cold, bitter winds now are blowing!.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
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Ten in the Bed
