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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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AUTRES
Vous avez sélectionné:
That's What Love Is For Bass
Chorale SATB
Partitions à imprimer
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Amy Grant: That's What Love Is For - choir (SATB: soprano, alto, tenor, bass)
Chorale SATB
Instantly printable sheet music by Amy Grant for choir (SATB: soprano, alto, tenor, bass) …
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Instantly printable sheet music by Amy Grant for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / love,pop
$5.93
5.35 €
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Chorale SATB
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Amy Grant
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Virtualsheetmusic
He's Alive and He Still Loves Us
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.995880 By Tanya L. Vance. …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.995880 By Tanya L. Vance. By Tanya Lee Vance. Easter,Sacred. Octavo. 6 pages. Tanya Vance #4641983. Published by Tanya Vance (A0.995880). Appropriate for the Easter season or any time of the year to remind us that Jesus death was not the end. This beautiful choral arrangement will stir the heart and inspire many. Jesus is alive in His heavenly home and yes, He still loves us! For verse two, the rhythm varies with the words from verse 1. For example, taken should be on two 8th notes instead of one quarter note like in the first verse. I have included a recording I made at home using just my voice to give you an idea of what the song sounds like. Of course, with a full choir, it will sound so much better. I am a soprano and I was trying to sing tenor and bass, so please use your imagination!
$4.75
4.29 €
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Chorale SATB
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Tanya L
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He's Alive and He Still Loves Us
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Tanya Vance
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SheetMusicPlus
Anim Zemiros
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909…
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
2.71 €
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Chorale SATB
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Toxic
Chorale SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1265200 By Britney …
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1265200 By Britney Spears. By Cathy Dennis, Christian Karlsson, Henrik Jonback, and Pontus Winnberg. Arranged by Jason Howard. A Cappella,Contemporary,Pop. Octavo. 9 pages. Jason Howard #858044. Published by Jason Howard (A0.1265200). This arrangement of Toxic is a fresh take on the popular 2000's hit! Taking inspiration from the original and several other different covers of this song, I've written out what is probably one of my favorite arrangements I've written. It's sure to challenge your performers and keep your audience engaged from start to finish!It starts with a soft drone in the Basses that continuously adds chord tones and volume to build sonic intensity and set the tone right out of the gate! We then move on to a slowed down first verse with the melody supported only by chords in the choir. Vocal Percussion leads us into a tempo change and explosive snippet of the melody before the piece hits its stride. Lots of upbeats, syncopations, and altered melodic tones throughout adds a high level of difficulty to this piece. As we get to the end of this piece, the ensemble will suddenly alter time to a half time feel that not only adds to excitement but also helps to bring the piece to a dramatic closing.This is written for Solo voice and SSAATTBB choir and a Vocal Percussionist.As with most of my arrangements I leave many of the syllables blank to encourage the director/performers to put their own spin on the arrangement with their own choice of syllables! Suggested syllables in certain spots and all necessary melodic lyrics have all been included for you!I hope that you and your group enjoys my arrangement! If you do (or even if you don't), please leave a comment and let me know! As a current full time band director who would love to be able to do this full time one day, any and all critiques are appreciated, and I'm particularly interested in formatting suggestions! If you would rather email me than leave a comment, shoot me an email at jhowardarranging@gmail.com!A little about me:My name is Jason Howard, and at the time of this publication, I'm going into my 5th year as a band director at the middle and high school levels. I have quite a bit of experience with arranging of various types of vocal and instrumental ensembles and combos. Most are for personal use, but as I get time, I hope to publish more and more for public consumption! Primarily, I focus on popular music, and I one day hope to bring important and influential classical musics to audiences and younger students everywhere!
$1.99
1.8 €
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Chorale SATB
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Britney Spears
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Jason Howard
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Toxic
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Jason Howard
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SheetMusicPlus
ANSWER THE CALLING
Chorale SATB
Choral Choir,Choral,SATB Chorus - Digital Download SKU: A0.1478226 Composed by Lois…
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Choral Choir,Choral,SATB Chorus - Digital Download SKU: A0.1478226 Composed by Lois Cecsarini. Sacred,Spiritual. 9 pages. LoNotesMusic #1055625. Published by LoNotesMusic (A0.1478226). For SATB chorus, piano, optional bass and percussion (2:37). Organ may replace piano. Sacred, inspirational.This song seeks to affirm God’s call to love and justice, by capturing two wise spiritual insights: that God’s calling is to be found “where your deep gladness and the world’s deep hunger meet,” and that, “justice is what love looks like in public.” References: Frederick Buechner, Cornel West. May also be performed as a vocal solo with piano.
$2.20
1.99 €
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Chorale SATB
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Lois Cecsarini
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ANSWER THE CALLING
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LoNotesMusic
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SheetMusicPlus
Oh Shenandoah (SATB choir and piano)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1255595 Composed by Tradit…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1255595 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Patriotic,Traditional. Octavo. 11 pages. Colin Kirkpatrick Publications #849108. Published by Colin Kirkpatrick Publications (A0.1255595). Here’s a new arrangement of that ever-popular American folksong Shenandoah.  The original song probably has its origins among the French Canadians who traded with Native Americans around the Great Lakes during the sixteenth century. These traders exchanged weapons and tools for animal furs, especially beaver pelts. Paddling their canoes along the Mississippi and Missouri Rivers the traders were well-known for their singing. However, as most of the traders were illiterate, the songs were never written down and went through numerous changes over the years and centuries.  In most versions of the song, the lyrics tell of a seafarer, possibly a canoeing fur-trader, who was in love with the daughter of Shenandoah, a Native American Chief who lived in what is now the state of Virginia. John Shenandoah was a real person: evidently an individual of commanding presence who lived for over a hundred years.  Shenandoah became one of the most popular capstan shanties, a slow song which set a manageable pace for the crew in a heavy and lengthy task. Most versions of the song have a similar couplet at the end of each verse. In some transcriptions, the melody is written out entirely in 4/4 time; others use triple time and some arrangements use a mixture of both. In this version, the lyrics have been selected from different versions of the song. This SATB arrangement for choir and piano is within easy technical reach of most amateur choirs. The top soprano note is G just above the treble staff. The highest alto note is the C above middle C and the tenor and bass parts fall well within the usual choral range. Each section of the choir takes the melody at some point. With a running time of 04:00 this piece is enjoyable to sing and hear. It’s an essential addition to your choir’s repertoire.
$2.35
2.12 €
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Chorale SATB
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Traditional
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Colin Kirkpatrick
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Oh Shenandoah
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Colin Kirkpatrick Publications
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SheetMusicPlus
Wannabe
Chorale SATB
SATB - Intermediate - Digital Download By The Spice Girls. Arranged by Drew Downing. 11 …
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SATB - Intermediate - Digital Download By The Spice Girls. Arranged by Drew Downing. 11 pages. Published by Drew Downing
You want a zig-a-zig-ah? Look no further that this guaranteed crowd favourite. This fun SATB arrangement is perfect for stage choirs, schools, colleges and both large and small ensembles. The iconic call-and-response opening is split between a GROUP 1 and GROUP 2, allowing conductor to allocate to the ensembles strengths. The Tenors and Basses also get some featured parts, with simple and achievable harmonies throughout. And what would WANNABE even be without the classic "lover" echo-fade at the end? That's in there, too! This arrangement also features piano accompaniment and chord symbols.
$2.90
2.62 €
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Chorale SATB
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The Spice Girls
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Wannabe
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Drew Downing
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SheetMusicPlus
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