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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Call
Non classifié
2 954
Piano & claviers
Piano seul
2 232
Piano, Voix
675
Piano, Voix et Guitare
491
Piano Facile
385
Orgue
277
Instruments en Do
109
1 Piano, 4 mains
65
Accompagnement Piano
58
Piano Trio: piano, violon, violoncelle
36
Piano grosses notes
31
2 Pianos, 4 mains
30
Piano (partie séparée)
15
Accordéon
14
Orgue, Piano (duo)
13
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Piano Quatuor: piano, violon, alto, violoncelle
8
Clavier
4
Orgue, Trompette (duo)
2
Clavecin
2
2 Pianos, 8 mains
1
1 Piano, 6 mains
1
Fake Book
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 18 instrumentations
Retracter
Guitares
Guitare notes et tablatures
339
Guitare
236
Ligne De Mélodie, (Paroles) et Accords
152
Basse electrique
76
Paroles et Accords
45
Ukulele
40
Guitare (partie séparée)
28
2 Guitares (duo)
18
Mandoline
12
4 Guitares (Quatuor)
11
Banjo
10
Ensemble de guitares
9
Piano, Guitare (duo)
4
Dulcimer
3
Mandoline, Guitare (duo)
2
3 Guitares (trio)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
1 481
Chorale 3 parties
355
Chorale 2 parties
208
Chorale Unison
172
Chorale TTBB
153
Chorale SSAA
83
Voix duo, Piano
47
Voix Soprano, Piano
27
Pack Instrumental pour Chorale
27
Voix seule
26
Voix haute
20
Voix duo
17
Voix Alto, Piano
16
Voix Tenor, Piano
9
Chorale
8
Chorale SSAATTBB
7
Voix Baryton, Piano
6
Voix moyenne, Piano
5
Voix Tenor
4
Voix basse, Piano
3
Voix Soprano
3
Chorale SSATTB
2
Voix basse
2
Voix Soprano, Orchestre
1
Chorale SSAB a cappella
1
Chorale SSATB
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAB, Piano
1
Voix Moyenne
1
Soli, choeur mixte et accompagnement
1
+ 25 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
225
Quatuor de Saxophones: 4 saxophones
186
Flûte traversière et Piano
177
Quatuor de Clarinettes: 4 clarinettes
166
Quintette de Saxophone: 5 saxophones
157
Flûte, Hautbois, Clarinette, Basson
156
Clarinette et Piano
124
Flûte traversière
122
Saxophone (partie séparée)
118
Quintette de Clarinettes: 5 clarinettes
107
2 Flûtes traversières (duo)
95
2 Saxophones (duo)
92
Saxophone Alto et Piano
89
Hautbois, Piano (duo)
86
Saxophone Alto
85
Clarinette
84
Ensemble de Clarinettes
83
Quatuor de Flûtes : 4 flûtes
82
Saxophone Soprano et Piano
57
3 Saxophones (trio)
56
Ensemble de saxophones
56
Saxophone Tenor et Piano
55
Ensemble de Flûtes
54
2 Clarinettes (duo)
53
Saxophone Tenor
52
3 Clarinettes (trio)
38
Quintette de Flûte : 5 flûtes
32
Flûte, Clarinette (duo)
29
Trio de Flûtes: 3 flûtes
29
Saxophone Baryton, Piano
29
Hautbois (partie séparée)
27
Clarinette (partie séparée)
25
Clarinette, Guitare (duo)
21
Flute (partie séparée)
21
Flûte et Guitare
20
Cor anglais, Piano
19
Saxophone
19
2 Hautbois (duo)
17
Clarinette Basse, Piano
16
Hautbois, Clarinette (duo)
15
Clarinette, Violon (duo)
13
2 Flûte à bec (duo)
12
Flûte à Bec
12
Saxophone, Clarinette (duo)
12
Hautbois, Basson (duo)
11
Flûte à bec Soprano
11
Clarinette, Trompette (duo)
11
Flûte, Violon, Piano
10
Hautbois, Flûte
10
Flûte, Clarinette et Basson
10
Saxophone Soprano
9
Flûte, Violon
9
Clarinette, Basson (duo)
9
Hautbois
9
Flûte à bec Alto
8
Flûte, Violon et Violoncelle
7
Quatuor de Flûtes à bec
7
Flûte, Hautbois, Clarinette (trio)
7
Flûte, Hautbois, Basson
6
Flûte, Saxophone (duo)
6
3 Flûtes à bec (trio)
6
Clarinette et Alto
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte à bec Alto, Piano
5
Flûte, Hautbois (duo)
5
Harmonica
4
Saxophone Baryton
4
Flûte, Alto (duo)
4
Flûte, Trompette (duo)
4
Clarinette, Violoncelle (duo)
3
Flûte à bec Soprano, Piano
3
5 Flûtes à bec
3
Flute, harpe et violon
3
Clarinette, Trombone (duo)
2
Flûte à bec Alto, Basse continue
2
Flûte à bec Tenor
2
Saxophone et Guitare
2
Clarinette, Violoncelle, Piano (trio)
2
Instruments en Mib
2
Flûte et Trio à cordes
2
Flûte traversière, Orgue (duo)
2
2 Saxophones, Piano
2
Hautbois, Guitare (duo)
2
Flûte, Violoncelle
2
Ensemble à vent
1
Flûte, Trombone (duo)
1
Flûte, alto et harpe
1
Flûte irlandaise
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Ensemble De Flûte à bec
1
Flûte, Harpe et Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Clarinette, Piano (trio)
1
Ensemble de Hautbois
1
Clarinette, Harpe (duo)
1
Piccolo
1
Hautbois, Harpe
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Flûtes traversières, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Cor anglais, Guitare (duo)
1
Flûte, Basson et Piano
1
3 Hautbois
1
Saxophone et Orgue
1
Flûte de Pan
1
Saxophone, Tuba (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
+ 103 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
222
Quatuor de Cuivres : 2 trompettes, trombone, tuba
151
Trompette
127
Trombone (partie séparée)
85
Trombone et Piano
83
Trompette, Piano
81
Trompette (partie séparée)
70
Trombone
58
Cor et Piano
49
Quatuor de Cuivres: 2 trompettes, Cor, trombone
41
Tuba et Piano
39
Quatuor de Cuivres
37
Cor
34
Euphonium, Piano (duo)
29
2 Trompettes (duo)
28
Quatuor de cuivres: 4 trombones
28
Cor (partie séparée)
26
2 Trombones (duo)
26
2 Cors (duo)
26
Tuba
23
Trompette, Trombone (duo)
21
Cor anglais, Piano
19
Ensemble de Trombones
19
Quatuor de cuivres: 4 cors
17
Tuba (partie séparée)
16
Trompette, Saxophone (duo)
10
Ensemble de Trompettes
9
Trompette, Cor (duo)
7
4 Tubas
6
Ensemble de Cors
5
3 Trompettes (trio)
5
2 Tubas (duo)
5
3 Trombones (trio)
5
Euphonium
4
Trio de Cuivres
4
Trombone, Cor (duo)
3
Quatuor de cuivres: 4 trompettes
3
Trombone, Tuba (duo)
3
2 Euphoniums (duo)
3
Cor, Tuba (duo)
2
3 Cors (trio)
2
Trompette, Tuba (duo)
2
Bass Clef Instruments
2
Instruments en Sib
2
3 Tubas (trio)
2
Euphonium, Tuba (duo)
2
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
Tuba et Orgue
1
Trombone basse et Piano
1
Cor et Orgue
1
Trombone basse
1
2 Cors, Piano
1
Cor anglais, Guitare (duo)
1
2 Euphoniums et 2 Tubas
1
Trompette, Violoncelle et Piano
1
Cor, Violoncelle (duo)
1
Clarinette, Cor (duo)
1
Trombone et orchestre
1
Bugle
1
+ 55 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
632
Violon et Piano
195
Violon
123
Violoncelle, Piano
121
Harpe
101
Trio à Cordes: violon, alto, violoncelle
98
Alto, Piano
90
Violoncelle
90
Quintette à cordes: 2 violons, alto, violoncelle, basse
70
Violon, Violoncelle (duo)
63
2 Violons (duo)
54
Alto seul
46
Violon, Alto (duo)
38
2 Violoncelles (duo)
38
Violon (partie séparée)
31
Contrebasse (partie séparée)
28
Trio à Cordes: 2 violons, violoncelle
28
Contrebasse, Piano (duo)
22
Alto (partie séparée)
22
2 Altos (duo)
21
Contre Basse
19
2 Harpes (duo)
15
4 Violoncelles
14
Violon, Guitare (duo)
14
Alto, Violoncelle (duo)
14
Trio à Cordes: 3 violoncelles
12
Trio à cordes: 3 violins
11
Alto, Guitare (duo)
9
Harpe, Voix
6
Harpe, Flûte (duo)
6
Violoncelle , Guitare (duo)
5
Ensemble de Violons
5
Trio à cordes: 3 altos
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
2 Contrebasses (duo)
4
Trio à Cordes: 2 violons, alto
4
Piano Trio: Violon, Alto, Piano
3
Harpe, Violon (duo)
3
Quatuor à cordes: 4 violons
3
Ensemble d'Altos
3
Quatuor à cordes : 4 altos
2
Violon, Orgue
2
Violoncelle, Contrebasse (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe, Violon, Violoncelle
1
Violon, Trompette et Piano
1
Ensemble de Violoncelles
1
Violoncelle (partie séparée)
1
Violoncelle, Orchestre
1
Violoncelle, Orgue
1
Harpe et Piano
1
Alto et Harpe
1
Harpe (partie séparée)
1
+ 48 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 453
Orchestre à Cordes
348
Orchestre
311
Ensemble Jazz
230
Ensemble de cuivres
146
Cloches
140
Orchestre de chambre
77
Batterie
59
Jazz combo
57
Ensemble de Percussions
28
Fanfare
27
Batterie (partie séparée)
18
Percussion (partie séparée)
16
Vibraphone
8
Marimba
7
Timbales (partie séparée)
3
Quintette de Cuivres: autres combinaisons
2
Caisse Claire
2
Xylophone
2
Instrumentation Flexible
1
Orchestre, Violon
1
Vibraphone et Marimba
1
Piano et Orchestre
1
Xylophone, Piano
1
+ 19 instrumentations
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--INSTRUMENTS--
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AUTOHARPE
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BASSE
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CHORALE - CHAN…
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Vous avez sélectionné:
The Call
Chorale SATB
Partitions à imprimer
1 481 partitions trouvées
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1476
Now Praise We Christ, The Holy One - sacred hymn
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Kevin G
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Now Praise We Christ, The Holy
#
Kevin G. Pace
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1080353 Composed by Kevin G. Pace (ASCAP), Martin Luther. Praise & Worship,Sacred,Spiritual. Octavo. 2 pages. Ke...
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Choral Choir (SATB) - Level 4 - SKU: A0.1080353 Composed by Kevin G. Pace (ASCAP), Martin Luther. Praise & Worship,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #684580. Published by Kevin G. Pace (A0.1080353). A bold, dramatic, sacred hymn. Music composed by Kevin G. Pace. Text written in the 1500s by Martin Luther. Text: 1 Now praise we Christ, the Holy One, The blessed virgin Mary's Son. From east to west, from shore to shore Let earth its Lord and King adore. 2 He who himself all things did make A servant's form agreed to take, That he as man mankind might win And save his creatures from their sin. 3 The grace and pow'r of God the Lord Upon the mother was outpoured; A virgin pure and undefiled In wondrous way conceived a child. 4 The noble mother bore a Son -- For so did Gabriel's promise run -- Whom John confessed and leaped with joy Before the mother knew her boy. 5 Upon a manger filled with hay In poverty content he lay; With milk was fed the Lord of all, Who feeds the ravens when they call. 6 The heav'nly choirs rejoice and raise Their voice to God in songs of praise. To humble shepherds is proclaimed The Shepherd who the world has framed. 7 All honor unto Christ the Lord, Eternal and incarnate Word, With Father and with Holy Ghost, Till time in endless time be lost.
$1.99
When I Survey the Wondrous Cross
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Chorale SATB
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INTERMÉDIAIRE
#
Musique Sacrée
#
Isaac Watts / Lowell Mason
#
Robert Myers
#
When I Survey the Wondrous Cro
#
WheatMyer Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pag...
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Choral Choir (SATB) - Level 3 - SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.
$2.50
The City In the Sea: Choral Tone Poem
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Chorale SATB
#
AVANCÉ
#
Contemporain
#
Stanley M Hoffman
#
The City In the Sea: Choral To
#
stanleymhoffman.com
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Pu...
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Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M...
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Choral Choir (SATB) - Level 3 - SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation. Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and B♠Clarinet. The key signature of the anthem is B♠Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major). The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune.
$2.99
Call to Communion
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Chorale SATB
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INTERMÉDIAIRE
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D
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Call to Communion
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D. H. Clark
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1466773 Composed by D. H. Clark. Christian,Sacred,Traditional. 6 pages. D. H. Clark #1045306. Publis...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1466773 Composed by D. H. Clark. Christian,Sacred,Traditional. 6 pages. D. H. Clark #1045306. Published by D. H. Clark (A0.1466773). This communion anthem is structured as an arrangement of Reginald Heber's text, Bread of the World in Mercy Broken, set to the Genevan Psalm tune RENDEZ A DIEU by Louis Bourgeois, 16th c. An original counter melody is used for the additional text of George Herbert's poem, The Call (Come my Way, my Truth, my Life...). These two motifs are woven together to create a beautiful choral invitation to holy communion.
$1.99
Sacred Anthems for Choir 3, sacred choral music
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Sacred Anthems for Choir 3, sa
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1380601 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sac...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1380601 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 169 pages. Kevin G. Pace #965379. Published by Kevin G. Pace (A0.1380601). Sacred Anthems for Choir volume 3 is a collection of 21 sacred choral compositions with piano accompaniment. Music composed by Kevin G. Pace. Text by Mark R. Fotheringham.This music could be used by any Christian choir. Though written from the perspective of the Church of Jesus Christ of Latter-day Saints, the themes in many of these compositions are non-specific to any single creed,praising God and His Son, Jesus Christ, with unique fervor and beauty appropriate for any congregation.Titles:Come and SeeGethsemane, Garden Lovely The Prisoners Shall Surely Go Free Lord, Humbly I Come To Thee Now, TTBB Lord, Humbly I Come To Thee NowThe Dark GardenAll Wisdom, Grace and GloryInto the WindWaiting for Sunrise Let Thy Holy Spirit Guide, revised 2023Holy Father, I PrayBlessed Be God When We Call Sing to the Lord Dearest Savior Every Tongue Ye Are As a Fruitful FieldEver Saints Await Thee What Can I Offer? Where Would We Go Without You? Lead Us On To Victory!
$18.99
Brothers
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Chorale SATB
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FACILE
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Carl M
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Brothers
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Carl M. Steubing Memorial Music Fund, Inc.
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1172921 Composed by Carl M. Steubing. 20th Century,A Cappella,Contemporary,Multicultural,World. 2 pages. ...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1172921 Composed by Carl M. Steubing. 20th Century,A Cappella,Contemporary,Multicultural,World. 2 pages. Carl M. Steubing Memorial Music Fund, Inc. #773130. Published by Carl M. Steubing Memorial Music Fund, Inc. (A0.1172921). “I hope that he can see in me, his brotherâ€. “Brothers†is an original musical work. The music is composed by Carl M. Steubing and the words are from a poem written by Carl’s good friend Miles J. Martin.  The opening lyrics, “Who is that manâ€, refers to an older Asian gentleman Miles encountered during vacation in the Far East. They were strangers that could not communicate, but when their eyes met they smiled at each other, and Miles recognized the man as his brother.  Shortly thereafter Miles sat down and wrote the poem called “Brothersâ€. Carl M. Steubing wrote the music, and it was published in 1967. This song was very relevant back in 1967 but has even more significance today. Brothers (and sisters) around the world are looking to belong in our chaotic world. They are searching for more connections, more empathy, and more love for each other.  No matter where you are from, the color of your skin, the faith you follow, or the person you choose to love, may we all find a way to look into each other’s eyes, smile and see in each other our brother or sister.
$2.25
Shouldest Not the Heavens Weep? sacred music for SATB choir wth Baritone soloist
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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mis’ry is their doom
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Shouldest Not the Heavens Weep
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1349477 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religi...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1349477 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 11 pages. Kevin G. Pace #934234. Published by Kevin G. Pace (A0.1349477). An epically beautiful, sacred choral work with baritone soloist.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:Shouldst Not the Heavens Weep?“ . . . for He loveth the world . . .† (2 Nephi 26:24)In a striking prophecy and opened to his view,Enoch saw mortality as a glorious truth.Curtains of creation birthed God’s pure holy race.Yet what Enoch saw were tears on His saddened face.How is it that Thou canst weep? Thou art God of all!All eternity is thine . . . this thy sacred call.Mercy goes before thy eyes, truth before thy throne.How is it that Thou canst weep? All thy worlds are known.Of my soul pure children came, from my very hands.I gave mankind agency so all love could stand.But, behold, their sins I see; mis’ry is their doom.Seeing some shall suffer much, my heart feels entombed.Shouldest not the heavens weep for these ofmy own?Suff’ring for each child of mine, I for them atoned.Tears that fall are for their souls; these must suffer too.If they choose not to repent, my love seems untrue.Chorus:Shouldst not the heavens weep? God gave life to all.Shouldst not the heavens weep? His love covers all.
$1.99
The Village
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Chorale SATB
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DÉBUTANT
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Wrabel
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David Jayden Anthony
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The Village
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d'Jam Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1501022 By Wrabel. By Andrew Jackson, Andrew Pearson, and Stephen Wrabel. Arranged by David Jayden A...
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Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1501022 By Wrabel. By Andrew Jackson, Andrew Pearson, and Stephen Wrabel. Arranged by David Jayden Anthony. Pop,Singer/Songwriter. 10 pages. D'Jam Music #1076976. Published by d'Jam Music (A0.1501022). A Powerful Anthem for LGBTQIA+ Pride and Inclusion Dive into the heart of resilience and authenticity with our SATB choral arrangement of The Village by Wrabel. This powerful and moving song has become an anthem for the LGBTQIA+ and queer communities, capturing the struggles, strength, and spirit of those who have faced adversity simply for being true to themselves.Why The Village Matters: The Village resonates deeply within the LGBTQIA+ community, offering a voice to those who feel misunderstood or marginalized. With lyrics that speak to the experience of feeling out of place in a world that doesn’t always understand, this song is a heartfelt reminder that there is a place—a village—for everyone. It's a celebration of diversity, acceptance, and the courage it takes to live openly and authentically. The song’s powerful message of self-acceptance and unity strikes a chord with listeners, making it a meaningful addition to pride concerts, LGBTQIA+ events, and any gathering that celebrates inclusion and equality.About the Arrangement: Our SATB choral arrangement of The Village captures the emotional depth and poignancy of Wrabel's original song while enhancing its harmonic richness through beautiful four-part vocal harmonies. The arrangement is designed to highlight the song’s heartfelt lyrics and dynamic melody, creating an unforgettable musical experience. This arrangement is perfect for choirs looking to make a bold statement about love, acceptance, and human rights, while showcasing their vocal talents in a deeply emotional performance.Perfect for Pride Concerts and Beyond: Including The Village in your repertoire is more than just a performance—it's a powerful statement of solidarity and support for the LGBTQIA+ community. Ideal for pride concerts, LGBTQIA+ awareness events, and other celebrations of diversity, this arrangement allows choirs to engage audiences with a message of hope and unity. It serves as a reminder that no matter how different we may feel, we are all part of a larger community—a village—that values love, acceptance, and equality.Key Features: Powerful lyrics that resonate with LGBTQIA+ and queer audiences Rich SATB harmonies that enhance the song’s emotional impact Ideal for pride concerts, LGBTQIA+ events, and diversity celebrations A meaningful addition to any choral program focusing on themes of acceptance and inclusivity By bringing The Village to your choir, you're not just performing a song—you're sharing a message of hope, love, and community that will resonate with all who hear it. Celebrate the power of music and the strength of the LGBTQIA+ community with this unforgettable SATB choral arrangement.We would love to see video (or hear audio) of performance or rehearsals! (david@davidja.com).
$4.50
Called to Remember
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Music: David Lantz III and Wor
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Called to Remember
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Lantz Choral Publications
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1245618 Composed by Music: David Lantz III and Words: Susan Bentall Boersma. Sacred. Octavo. 8 pages. Lantz Chor...
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Choral Choir (SATB) - Level 3 - SKU: A0.1245618 Composed by Music: David Lantz III and Words: Susan Bentall Boersma. Sacred. Octavo. 8 pages. Lantz Choral Publications #840501. Published by Lantz Choral Publications (A0.1245618). Intended use: CommunionTheme: the bread and wine, salvationWritten for choir with piano accompaniment, this original communion anthem recalls the neoromantic style of choral writing. Very accessible with very little divisi, this anthem will add to the observance of communion at any time of the year.
$2.35
The Legend of Ramund
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Chorale SATB
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Mogens Eliasen
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The Legend of Ramund
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Soverenity Enterprises Inc.
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1007125 Composed by Mogens Eliasen. Folk,Romantic Period. Octavo. 40 pages. Soverenity Enterprises Inc. #2948289. Publishe...
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Choral Choir (SATB) - SKU: A0.1007125 Composed by Mogens Eliasen. Folk,Romantic Period. Octavo. 40 pages. Soverenity Enterprises Inc. #2948289. Published by Soverenity Enterprises Inc. (A0.1007125). The 40-page score is a choral symphony with a powerful lesson to modern people, based on an old Danish folk song about the young super-hero Ramund. The score is dense with contents, both musically and lyrically, and alone for that reason, the 8-minute performance takes an advanced choir.The original folk song dates back to the Viking age and consist of many episodes ofRamund's life, almost like a personal saga. Some have undoubtedly been added later,making the total number of stanzas go up around 50, but the main idea of the song isto report about a young lad, whose ideas of what is right for him to do or not doare completely unaffected by other people's opinions, including those of royalties andcelebrities. The stories are in many regards comparable to those of Beowolf.Although the stories generally are dramatic and bloody, Ramund always retains hiscool attitude and shows how unimpressed he is with power demonstrations, even hisown when he is provoked to use his strength. It is a common element throughout thestories that Ramund detests evil and aggression, and he goes to great lengths to fightpower abusers and aggressive elements. He just wants to live in peace and not haveto be bothered by all those who like to abuse power!Included in this presentation for piano and 8 voices are 11 stanzas from what is believedto be original, in English translation, with focus on clarity of meaning, more so thanpoetical rules and rhymes. The first ruling concept has been to obtain clarity and agreat fit to the music. The second concept has been to add the inspiration this old folksong has created in the mind of a modern rebel who would like to see some ofRamund's attitude to power and power abusers put into action in our modern corruptsociety. Maybe in a less bloody version, but definitely with a similar effect! The added2 stanzas and the attached coda, as well as the added lyrics to the intermezzos and theincorporated commentaries to the action should serve that purpose.In addition, the original tune itself, as well as the lyrics and the intermezzo, haveinspired some musical development throughout the piece, to further accentuate themeaning and the messages about respecting each other, standing together againstabuse, and not letting power abusers get away with their crimes.The 8 voices cover ranges as follows: First sopranos: C4 through Bb5 (possibly G5); Second sopranos: C4 through E5; All altos: G3 through D5; All tenors: C3 through G#4(possibly F#4); First basses: F2 through D4; Second basses: D2 through B3
$7.00
Hope of the World 10: Zebulun, Naphtali by Stephen R Dalrymple
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Stephen R Dalrymple
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Hope of the World 10: Zebulun,
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Stephen R Dalrymple
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.818368 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrympl...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.818368 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. 27 pages. Stephen R Dalrymple #6709715. Published by Stephen R Dalrymple (A0.818368). Hope of the World: 10 Zebulun, Naphtalioriginal song arranged for SATB choir and piano by Stephen R Dalrymple♫ sequenced by the composer♫ music © 1999 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2024 Stephen R Dalrymple♫ based on Isaiah 8-9 and Matthew 4.♫ Isaiah 8 ends and Isaiah 9 begins with the brutal Assyrian invasion and deportation of the northern 10 tribes of Israel (586 BC). Assyria was so effective in disrupting the nation, that we call the 10 northern tribes the “lost tribes of Israel.†God sent many prophets to warn the people that they were failing to keep their covenant with God and that judgment day was coming for the nation.♫ The tribes of Zebulun and Naphtali were located near the Sea of Galilee. They, like all the Northern people, would curse God on the day of darkness as they were killed or deported.♫ But Isaiah sees ahead to a time when Zebulun and Naphtali will be overcome with light and joy. “The people walking in darkness have seen a great light.†This prophecy was fulfilled as Jesus healed and taught in the cities of ancient Zebulun and Naphtali.♫ Includes 1) full score 2) SATB choir part on 2 staves 3) full score for 10 inch tablet♫  (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube channel @DalrympleDesigns.
$2.00
Prayer For A New Mother
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Chorale SATB
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INTERMÉDIAIRE
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Nicholas White
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Prayer For A New Mother
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Nicholas White Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1256869 Composed by Nicholas White. 21st Century,Christmas,Folk,Singer/Songwriter. Octavo. 8 pages. Nicholas Whi...
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Choral Choir (SATB) - Level 3 - SKU: A0.1256869 Composed by Nicholas White. 21st Century,Christmas,Folk,Singer/Songwriter. Octavo. 8 pages. Nicholas White Music #850256. Published by Nicholas White Music (A0.1256869). A gentle setting for chorus and keyboard, rich in melody and harmony, of Dorothy Parker's poem. The things she knew, let her forget again-The voices in the sky, the fear, the cold,The gaping shepherds, and the queer old menPiling their clumsy gifts of foreign gold.Let her have laughter with her little one;Teach her the endless, tuneless songs to sing,Grant her her right to whisper to her sonThe foolish names one dare not call a king.Keep from her dreams the rumble of a crowd,The smell of rough-cut wood, the trail of red,The thick and chilly whiteness of the shroudThat wraps the strange new body of the dead.Ah, let her go, kind Lord, where mothers goAnd boast his pretty words and ways, and planThe proud and happy years that they shall knowTogether, when her son is grown a man.
$2.00
Hymns from Childhood - Set 10 (SATB)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Various
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Curtis Hanson
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Hymns from Childhood - Set 10
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.719738 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 13 pages. Curtis Hanson #4573123. Publish...
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Choral Choir (SATB) - Level 3 - SKU: A0.719738 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 13 pages. Curtis Hanson #4573123. Published by Curtis Hanson (A0.719738). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This set was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.
$2.25
We Have Gathered
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Chorale SATB
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Stan Pethel
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We Have Gathered
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Hope Publishing - Digital
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SheetMusicPlus
Choral SATB choir - SKU: H1.C5420DP Composed by Stan Pethel. General Worship, Trust & Unity, Worship. Octavo. 10 pages. Hope Publishing - Digital #C5420...
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Choral SATB choir - SKU: H1.C5420DP Composed by Stan Pethel. General Worship, Trust & Unity, Worship. Octavo. 10 pages. Hope Publishing - Digital #C5420DP. Published by Hope Publishing - Digital (H1.C5420DP). Acts 2:42 - Acts 2:43 - Acts 2:44 - Acts 2:45 - Acts 2:46 - Acts 2:47.Original composition This Stan Pethel original has a contemporary feel and functions as a celebratory call to worship. The closing line of the chorus sums up the anthem's message, With each other share in word, and song, and prayer, the worship that we bring, Lord, to you. Rhythm parts include electric guitar, electric bass, synth and drums.
$3.25
Lord, I Hear You Callin'
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Chorale SATB
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Musique Sacrée
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James E Clemens
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Lord, I Hear You Callin'
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Chorister's Guild - Digital
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SheetMusicPlus
SATB chorus - SKU: C7.CGA849 Composed by James E Clemens. General. With Soprano or tenor solo, keyboard. Sacred Anthem. Octavo. 12 pages. Chorister's Gu...
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SATB chorus - SKU: C7.CGA849 Composed by James E Clemens. General. With Soprano or tenor solo, keyboard. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA849. Published by Chorister's Guild - Digital (C7.CGA849). UPC: 749193005927.SATB, soprano or tenor solo, Opt. Keyboard General- Following a quiet introduction, a plaintive solo summons the choir to respond. Harmonies characteristic of an American spiritual permeate the call-and-response form, and build to an energetic, rhythmic cry between the men's and womenAEs parts.
$2.10
Brisbane Ladies (Augathella Station)
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Chorale SATB
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DÉBUTANT
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Traditional
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Sandra Milliken
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Brisbane Ladies
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.774722 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 16 pages. Sandra Milliken #3863...
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Choral Choir (SATB) - Level 1 - SKU: A0.774722 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 16 pages. Sandra Milliken #3863763. Published by Sandra Milliken (A0.774722). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon. Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port.Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20
The Beatitudes, 24 Sacred Songs Celebrating The Beatitudes Through Music and Narration
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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the end of the Sermon a recipi
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Kevin G
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The Beatitudes, 24 Sacred Song
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1076393 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 194 ...
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Choral Choir (SATB) - Level 4 - SKU: A0.1076393 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 194 pages. Kevin G. Pace #680550. Published by Kevin G. Pace (A0.1076393). Have you ever wondered how to have a really happy life? In Matthew 5-7 in The New Testament and in 3 Nephi 12-14 in The Book of Mormon, Another Testament of Jesus Christ, our Savior teaches us the way to contentment and happy living through The Beatitudes. These gems of Christian living were taught by Jesus as the initial part of the most well-known of his teachings called The Sermon on the Mount. The word “beatitude†comes from the Latin “beatitudo†meaning “blessedness.†Each of the eight beatitudes in this book consists of two phrases: the condition and the result. Together, these illustrate a set of ideals focusing on love and humility, echoing the highest of Jesus’ teachings on spirituality and compassion. Each also promises a future reward, and the themes appear to escalate from beginning to advancing levels of responsibility and spirituality as the Sermon progresses. By the end of the Sermon a recipient would have earned the reward to stand ceremonially in the presence of God, and to ultimately gain the greatest reward of living with Him in heaven. The purpose of this book is to praise our Lord through song and text, rejoicing in the gifts we receive from Him as we do as He suggests. Please enjoy this collection of original solos, SATB choral renditions, and a duet, along with a short text explaining each beatitude in the order our Savior spoke them so many years ago as part of the greatest sermon ever given, our Lord’s Sermon on the Mount! It was a joy to prepare them for you. Happy Living!
$10.95
The Kingdom Has A New Son (Cast) from "The Kings" - ACT 2:Song 10
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Chorale SATB
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INTERMÉDIAIRE
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McCorkle, Dennis F
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The Kingdom Has A New Son
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.784836 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkl...
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Choral Choir (SATB) - Level 3 - SKU: A0.784836 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkle Music and eBook Publications #11763. Published by DF McCorkle Music and eBook Publications (A0.784836). ACT 2: Song 10. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 12:24 - And David comforted Bathsheba his wife, and went in unto her, and lay with her; and she bore a son, and called his name Solomon. And Yahweh loved him;] [1 Kings 2:1-4 - Now the days of David drew nigh that he should die; and he charged Solomon his son, saying: 2 I go the way of all the earth; be thou strong therefore, and show thyself a man; 3 and keep the charge of Yahweh your God, to walk in His ways, to keep His statutes, and His commandments, and His ordinances, and His testimonies, according to that which is written in the law of Moses, that you may prosper in all that you do, and whithersoever you turn yourself; 4 that Yahweh establish His word which He spoke concerning me, saying: ‘If thy children take heed to their way, to walk before Me in truth with all their heart and with all their soul, there shall not fail thee, said He, a man on the throne of Israel.’] BATHSHEBA becomes pregnant again and DAVID a son, SOLOMON is born to them [The Kingdom has a New Son – Elders]. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
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Before They Call I Will Answer
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Chorale SATB
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AVANCÉ
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Paul Jones
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Before They Call I Will Answer
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Paul S. Jones
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.871082 Composed by Paul Jones. Christian,Contemporary,Sacred. Octavo. 8 pages. Paul S. Jones #3559267. Pu...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.871082 Composed by Paul Jones. Christian,Contemporary,Sacred. Octavo. 8 pages. Paul S. Jones #3559267. Published by Paul S. Jones (A0.871082). A gorgeous setting of Isaiah 65:22-24 for SATB divided chorus, cello solo, baritone solo and organ or piano. This lovely work employs tight added 2nd harmonies, shifting modes, a dramatic baritone solo part and a challenging cello solo that starts the work and then acts as an obbligato throughout. Perfect for an advanced chamber choir, university choir, or superb church choir. .
$2.75
The Call
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Daniel Elder
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The Call
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Daniel Elder Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1413649 Composed by Daniel Elder. A Cappella,Classical,Contemporary,Sacred. 24 pages. Daniel Elder M...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1413649 Composed by Daniel Elder. A Cappella,Classical,Contemporary,Sacred. 24 pages. Daniel Elder Music #995433. Published by Daniel Elder Music (A0.1413649). Setting George Herbert's poem of the same name, The Call pulls at a thread of profound piety; a quiet yearning for the divine. Is he calling out to the Lord—or is he listening for His answer? Is Herbert even questioning his faith? The musical harmonies project a brittle uncertainty, sometimes blossoming at its high points to a passionate discord—all cries of a desperate man seeking comfort, understanding, yet fumbling in the dark with naught but his faith to guide him.
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Joseph, Thou Son of David (Matthew 1 : 20-21) : SSAATB or SSATB Choir Acapella
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Chorale SATB
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M
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Joseph, Thou Son of David
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Vocal Works
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.741923 Composed by M. Ryan Taylor. 20th Century,A Cappella,Christian,Christmas,Contemporary,Sacred. Octavo. 6 pages. Vocal...
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Choral Choir (SATB) - SKU: A0.741923 Composed by M. Ryan Taylor. 20th Century,A Cappella,Christian,Christmas,Contemporary,Sacred. Octavo. 6 pages. Vocal Works #484783. Published by Vocal Works (A0.741923). It is difficult to find Christmas music that focuses on the role of Joseph, Christ’s foster father. That is one of the reasons I chose to set this text, it is a part of the story that is often left out. The other reason is that this it contains one of the first New Testament prophecies concerning Christ, the revelation that Jesus will save his people from their sins. That seems to be what Joseph needed to know at the time. Joseph was perhaps the third convert, after Mary and Martha. Demo: https://mryantaylor.bandcamp.com/track/joseph-thou-son-of-david-demo . . . Joseph, thou son of David, fear not to take unto thee Mary thy wife: for that which is conceived in her is of the Holy Ghost. And she shall bring forth a son, and thou shalt call his name JESUS: for he shall save his people from their sins.
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THE GREAT HUMILITY OF CHRIST (SATB) – Philippians 2:5-11
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Chorale SATB
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INTERMÉDIAIRE
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Michael A
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THE GREAT HUMILITY OF CHRIST
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizio #3588423. Publ...
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Choral Choir (SATB) - Level 3 - SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizio #3588423. Published by M.A. Morizio (A0.926663). In chapter two of Paul's letter to the Philippians, Paul begins speaking to his readers about encouragement, comfort from love, participation in the Spirit, and godly affection and sympathy for one another. He says, we are to count others as more important than ourselves. He pleads, Complete my joy by doing these things. From this point, Paul breaks immediately into this other known 1st century Hymn to Christ (Verses 5-11), which I have called, The Great Humility of Christ. The hymn text is a beautiful exposition of the Gospel; Christ in the form of God, did not hold onto (grasp) His equality with God, but humbled Himself and took on the human form of a servant (slave) and poured Himself out for all of mankind. The anthem is composed for SATB (a cappella) choir in two stanzas, with a bridge section and a coda. The piece is scored in D minor, but weaves between D minor and G Major (representing the dual natures of Christ-fully God and fully man). After the first stanza, regarding Christ’s taking on human flesh, the unthinkable happens; Christ humbles Himself in holy obedience to be put to death, even a humiliating and repugnant death on a cross. Here in the anthem we find the musical bridge between the two stanzas with the sopranos holding onto a single note (high D) followed by a cascade of dissonant suspensions, one voice handing off to the other, finally resolving in a descending scale.The second stanza declares God’s having exalted Christ as a consequence of His sacrifice, giving Him a name that is above every name, that at the name of Jesus every knee shall bow, in heaven and on earth and under the earth. The final coda (in G Major) trumpets the pronouncement that; Every tongue will confess that Jesus Christ is Lord, to the glory of the Father.
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Call to Praise (Downloadable)
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Chorale SATB
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FACILE
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Raymond H Haan
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Call to Praise
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir, keyboard - Moderately Easy - SKU: MQ.50-7051-E Composed by Raymond H Haan. Lent, Thanksgiving. Instrument parts. 6 pages. MorningStar Music ...
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SATB choir, keyboard - Moderately Easy - SKU: MQ.50-7051-E Composed by Raymond H Haan. Lent, Thanksgiving. Instrument parts. 6 pages. MorningStar Music Publishers - Digital Sheet Music #50-7051-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-7051-E). Written in a classical style, this bright and happy anthem is useful as a choral call to worship or anthem of praise. Both accompaniment and choral parts are vigorous and assertive, reflecting the call to Praise Him for His wondrous doings. The repeated chords and the running passages of the accompaniment provide an energetic background for the easy choral parts. Accompaniment may be played by Organ or Piano. Particularly useful in connection with Psalm 95, Third Sunday of Lent, Year ARevised Common Lectionary.
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"Hope" is the thing with feathers (SATB)
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Chorale SATB
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INTERMÉDIAIRE
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Keaton Manwaring
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"Hope" is the thing
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Keaton Manwaring
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1177607 Composed by Keaton Manwaring. A Cappella. Octavo. 6 pages. Keaton Manwaring #777622. Published by Keaton...
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Choral Choir (SATB) - Level 3 - SKU: A0.1177607 Composed by Keaton Manwaring. A Cappella. Octavo. 6 pages. Keaton Manwaring #777622. Published by Keaton Manwaring (A0.1177607). Hope is such a powerful thing that can push us through the toughest of times. In this poem, Emily Dickinson calls hope a feathered thing. It perches in the soul and sings without stoping. The singing is at the loudest when things are at their worst. Although hope is the central theme to the poem, the harsh conditions that are described in the poem was the driving force while writing the music. Creating a sound for the chillest day and the storm that could not abash the little bird was what really inspired me to write this piece. Something that stood out for me, was the use of dashes that breaks up the poem. I used rests to create these breaks. These rests are very deliberate to show these pauses of contemplation, almost struggling for the right words to describe a complex subject such as hope. At first the rests felt like a hindrance, where it felt natural for the music to flow, but now I cannot imagine the piece without it.
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The Call
