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Instruments
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
TROMBONE
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UKULELE
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56
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6 758
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7 635
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17 453
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
21522
PIANO & CLAVIERS
Piano seul
20007
Piano, Voix
6996
Piano Facile
4181
Piano, Voix et Guitare
3263
Piano grosses notes
3211
Orgue
2342
Instruments en Do
1126
Accordéon
896
1 Piano, 4 mains
554
Accompagnement Piano
445
Piano Trio: piano, violon, violoncelle
137
2 Pianos, 4 mains
96
Piano (partie séparée)
69
Clavier
69
Piano Quatuor: piano, violon, alto, violoncelle
55
Piano Quatuor: piano, 2 violons, violoncelle
53
Orgue, Trompette (duo)
44
Piano Quintette: piano, 2 violons, alto, violoncelle
43
Orgue, Piano (duo)
35
Ligne De Mélodie, Piano
24
1 Piano, 6 mains
14
Clavecin
14
Accordéon, Voix
12
Instrument seul et Orgue
8
2 Pianos, 8 mains
4
Ensemble d'Accordéons
2
Orgue, Voix
2
Accordéon, Piano
1
Ensemble de Pianos
1
Instrumentations suivantes
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GUITARES
Guitare
2373
Guitare notes et tablatures
1994
Basse electrique
1807
Ligne De Mélodie, (Paroles) et Accords
1066
Ukulele
676
Paroles et Accords
243
Piano, Guitare (duo)
211
2 Guitares (duo)
105
Guitare (partie séparée)
88
Mandoline
71
Banjo
63
4 Guitares (Quatuor)
58
Dulcimer
58
Ensemble de guitares
21
3 Guitares (trio)
20
Basse électrique (partie séparée)
10
Mandoline, Piano (duo)
10
Ukulele Baryton
10
2 Dulcimers (duo)
9
Guitare, Violon, Violoncelle (trio)
4
Ensemble de Ukulélés
4
Mandoline, Guitare (duo)
3
Dobro
3
2 Mandolines (duo)
3
Partitions De Groupes
3
Guitare Pedal Steel
2
Orchestre à Plectres
1
2 Ukuleles
1
Instrumentations suivantes
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VOIX
Chorale SATB
6758
Chorale 2 parties
2727
Chorale 3 parties
2418
Voix seule
1427
Chorale Unison
1215
Voix duo, Piano
943
Chorale TTBB
786
Chorale SSAA
488
Voix duo
400
Voix Soprano, Piano
144
Chorale
126
Voix haute
104
Voix Alto, Piano
42
Voix moyenne, Piano
39
Voix Tenor, Piano
22
Voix Tenor
20
Voix basse, Piano
16
Voix basse
11
Chorale SSATB
10
Voix Baryton, Piano
8
Chorale SSAATTBB
8
Soli, choeur mixte et accompagnement
8
Voix Soprano
8
Chorale SSATTB
8
Voix Mezzo-Soprano, Piano
7
Chorale SSAB, Piano
4
Chorale SATBB
2
Voix, Guitare
1
Chorale SAATB A Cappella
1
Chorale SSAB a cappella
1
Voix Baryton
1
Chorale SATTBB A Cappella
1
Chorale SSATBB
1
Instrumentations suivantes
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VENTS
Saxophone
4806
Flûte traversière
2994
Clarinette
2808
Flûte traversière et Piano
1678
Clarinette et Piano
1183
2 Saxophones (duo)
1126
Hautbois, Piano (duo)
1102
Quatuor de Saxophones: 4 saxophones
1008
Saxophone Alto et Piano
987
Saxophone Alto
982
Saxophone Tenor
811
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
807
Saxophone (partie séparée)
782
Saxophone Tenor et Piano
751
Flûte, Hautbois, Clarinette, Basson
720
Quatuor de Clarinettes: 4 clarinettes
710
Flûte à bec Soprano
643
2 Flûtes traversières (duo)
640
2 Clarinettes (duo)
606
Flûte à Bec
483
Saxophone Soprano et Piano
468
Quintette de Saxophone: 5 saxophones
367
Quatuor de Flûtes : 4 flûtes
345
Hautbois (partie séparée)
342
Flûte, Clarinette (duo)
316
3 Saxophones (trio)
296
3 Clarinettes (trio)
292
Hautbois
271
2 Flûte à bec (duo)
248
Clarinette (partie séparée)
236
Saxophone, Clarinette (duo)
235
Ensemble de Clarinettes
230
2 Hautbois (duo)
212
Clarinette, Violon (duo)
195
Saxophone Baryton, Piano
188
Trio de Flûtes: 3 flûtes
185
Saxophone Soprano
183
Ensemble de Flûtes
174
Hautbois, Basson (duo)
159
Cor anglais, Piano
156
Clarinette, Trompette (duo)
151
Quintette de Clarinettes: 5 clarinettes
142
Flûte, Violon
139
Ensemble de saxophones
133
Hautbois, Clarinette (duo)
133
Flute (partie séparée)
124
Flûte et Guitare
106
Clarinette et Alto
100
Flûte, Hautbois, Clarinette (trio)
94
Hautbois, Flûte
92
Flûte, Saxophone (duo)
90
Flûte, Alto (duo)
90
Flûte à bec Soprano, Piano
89
Quintette de Flûte : 5 flûtes
88
Quatuor de Flûtes à bec
87
Flûte, Clarinette et Basson
85
Flûte à bec Alto
75
Flûte, Violoncelle
70
Flûte irlandaise
68
Flûte, Hautbois, Basson
66
Clarinette, Basson (duo)
64
Harmonica
63
Flûte, Violon et Violoncelle
63
Cor Anglais
60
Flûte, Trompette (duo)
60
Clarinette Basse, Piano
51
Hautbois, Clarinette, Basson (trio d'anches)
47
Flûte, Harpe et Violoncelle
46
2 Flûtes traversières, Piano
44
Clarinette, Guitare (duo)
42
3 Flûtes à bec (trio)
39
Clarinette, Harpe (duo)
37
Saxophone Baryton
35
Flûte, Hautbois (duo)
34
Clarinette, Violoncelle (duo)
34
2 Clarinettes, Basson
32
Ensemble De Flûte à bec
28
Hautbois, Violoncelle
26
Flûte, Violon, Piano
25
Ocarina
23
Flûte à bec Alto, Piano
21
Instruments en Mib
21
5 Flûtes à bec
21
Flûte, Violoncelle, Piano (trio)
21
Flûte à bec Tenor
19
Flûte, Clarinette, Piano (trio)
19
4 Hautbois
17
Hautbois, Guitare (duo)
15
Clarinette, Violoncelle, Piano (trio)
14
Piccolo, Piano
14
Saxophone et Orgue
13
2 Clarinettes, Piano
13
Flûte, Trombone (duo)
12
Cor anglais, Guitare (duo)
12
Flûte à bec, Guitare (duo)
12
2 Saxophones, Piano
11
Flûte, Basson et Piano
11
Saxophone et Guitare
11
3 Hautbois
10
Clarinette, Trombone (duo)
10
Flute, harpe et violon
10
Flûte, Hautbois, Violon
10
Piccolo
9
Flûte, Hautbois, Piano (trio)
9
Flûte, Clarinette, Violon (trio)
8
Clarinette Basse
8
Saxophone et Piano
7
Hautbois, violon (duo)
7
Flûte à Bec, Piano
7
Hautbois, trombone (duo)
7
Hautbois et alto (duo)
7
Flûte et Trio à cordes
7
Saxophone et violoncelle
6
Flûte, Violon, Violoncelle et Piano
6
Hautbois, Harpe
6
Ensemble de Hautbois
6
Hautbois, Basson et Piano
6
Flûte traversière, Orgue (duo)
5
Flûte, Alto et Piano
5
2 Cors Anglais Et Pianoforte
5
Flûte, trombone et piano
4
Clarinette, trompette et piano
4
Saxophone et Harpe
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Flûte traversière, Basse continue
4
Hautbois, Clarinette et Piano (Trio)
4
Clarinette, Alto et Piano (trio)
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Clarinette, Tuba
3
Flûte, Violoncelle, Guitare
3
Cornemuse
3
Flûte, alto et harpe
3
Flûte de Pan
2
Flûte, Tuba (duo)
2
Flûte, Violon, Guitare
2
Clarinette, Contrebasse (duo)
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Harmonica, Piano
2
Saxophone, Violon (duo)
2
2 Hautbois, Piano
2
Flûte à bec Soprano, Basse continue
2
Clarinette, Orgue
2
Flute, Cor (duo)
2
Ensemble à vent
2
Cor anglais et Harpe (duo)
1
Flûte à bec, Harpe
1
Melodica
1
Flûte à bec Alto, Basse continue
1
Flute, alto, violoncelle et guitare
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Basson, Piano (trio)
1
2 Hautbois et Basson
1
Flûte et Quatuor à Cordes
1
Clarinette, Orchestre
1
Hautbois, Violoncelle et Piano
1
2 Harmonicas
1
2 Flûtes traversières, Harpe
1
Instrumentations suivantes
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CUIVRES
Trompette
2662
Trombone
2217
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1096
Trombone et Piano
939
Trompette, Piano
893
Cor et Piano
573
Quatuor de Cuivres : 2 trompettes, trombone, tuba
538
Cor
513
Trompette (partie séparée)
457
Trombone (partie séparée)
387
2 Trombones (duo)
350
2 Trompettes (duo)
324
Tuba
309
Quatuor de Cuivres
274
Quatuor de Cuivres: 2 trompettes, Cor, trombone
260
Tuba et Piano
239
Trompette, Trombone (duo)
197
Euphonium
194
Quatuor de cuivres: 4 trombones
170
Trompette, Saxophone (duo)
168
Cor anglais, Piano
156
Cor (partie séparée)
148
2 Cors (duo)
145
Euphonium, Piano (duo)
126
Ensemble de Trombones
103
Tuba (partie séparée)
86
Quatuor de cuivres: 4 cors
85
Trompette, Cor (duo)
79
2 Tubas (duo)
74
Ensemble de Trompettes
72
Cor Anglais
60
Quatuor de cuivres: 4 trompettes
42
2 Euphoniums et 2 Tubas
41
Trio de Cuivres
34
3 Trombones (trio)
33
4 Tubas
31
Ensemble de Cors
31
Bass Clef Instruments
30
2 Euphoniums (duo)
25
Instruments en Sib
23
Euphonium, Tuba (duo)
22
Trombone, Tuba (duo)
22
Trombone, Cor (duo)
20
3 Trompettes (trio)
16
Cor, Violoncelle (duo)
13
Cor anglais, Guitare (duo)
12
Tuba et Orgue
10
Trompette, Violoncelle (duo)
10
Quatuor de cuivres: 2 trompettes, 2 trombones
10
Cornet A Pistons
9
Cor et Harpe
9
3 Tubas (trio)
9
Trompette, Trombone, Piano
9
Trompette, Tuba (duo)
8
Trompette, Harpe
8
Trombone, Violon (duo)
7
3 Cors (trio)
7
Trombone basse
7
Trombone, Alto (duo)
6
Cor et Basson (duo)
6
Trombone, Orgue
6
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
6
Trompette, violon (duo)
6
2 Trombones, Piano
5
Trompette, Basson (duo)
5
Cor, Tuba (duo)
5
Trombone basse et Piano
5
2 Cors Anglais Et Pianoforte
5
Trompette et Guitare
4
Tuba ou Euphonium ou Saxhorn
4
Trombone et orchestre
4
Cor et Orgue
4
2 Trompettes, Clavier (piano ou orgue)
3
Bugle
2
Cornet et orchestre
2
Clarinette, Cor (duo)
2
2 Cors, Piano
2
3 Euphoniums
2
Instruments en Fa
2
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
Cor, Trompette, Trombone (trio)
1
Cor, Violoncelle et Piano
1
4 Euphoniums
1
Trompette, Euphonium (duo)
1
Trompette, Orchestre
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
3153
Violon
2560
Harpe
2031
Violon et Piano
1961
Violoncelle
1611
Alto seul
1242
Violoncelle, Piano
1165
Alto, Piano
1072
Violon, Violoncelle (duo)
949
Trio à Cordes: violon, alto, violoncelle
731
2 Violons (duo)
550
2 Violoncelles (duo)
387
Violon, Alto (duo)
386
Quintette à cordes: 2 violons, alto, violoncelle, basse
339
Harpe, Flûte (duo)
305
2 Altos (duo)
290
Violon (partie séparée)
251
Contre Basse
226
Trio à Cordes: 2 violons, violoncelle
221
Alto (partie séparée)
215
Contrebasse, Piano (duo)
209
2 Harpes (duo)
203
Contrebasse (partie séparée)
175
Harpe, Violon (duo)
137
Alto, Violoncelle (duo)
133
Piano Trio: Violon, Alto, Piano
104
4 Violoncelles
95
Violon, Guitare (duo)
77
Trio à cordes: 3 violins
65
Violoncelle (partie séparée)
63
Trio à Cordes: 3 violoncelles
57
2 Contrebasses (duo)
56
Quatuor à cordes: 4 violons
52
Violoncelle , Guitare (duo)
45
Violoncelle, Contrebasse (duo)
44
Harpe et Piano
43
Violon, Basson (duo)
29
Trio à Cordes: 2 violons, alto
28
Quatuor à cordes : 4 altos
26
Trio à cordes
25
Trio à cordes: 3 altos
20
Alto et Basson
20
Harpe, Violoncelle (duo)
17
Harpe, Voix
16
Alto et Harpe
13
Alto, Guitare (duo)
13
Quintette à cordes: 2 violons, 2 altos, violoncelle
12
Flûte, Contrebasse (duo)
11
Ensemble de Violons
10
Harpe et mandoline
10
2 Violons, Piano
10
Violoncelle, Orgue
9
Harpe, Violon, Violoncelle
9
4 Contrebasses
8
Violon, Orgue
8
Harpe (partie séparée)
8
Ensemble d'Altos
7
Autoharp
7
Violon, Clarinette, Piano (trio)
7
2 Violoncelles, Piano
6
Ensemble de Violoncelles
5
Violoncelle, Basse continue
4
2 Altos, Piano
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
3 Harpes
4
5 Harpes
2
Violon, Tuba (duo)
2
Violoncelle, Orchestre
2
3 Contrebasses
2
Violon, Basse continue
2
Harpe, Trombone (duo)
2
Violon, Contrebasse (duo)
1
4 Harpes
1
Violon, Violoncelle, Clarinette
1
Alto, Orgue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
4335
Batterie
1986
Orchestre à Cordes
1659
Orchestre
1400
Cloches
916
Ensemble Jazz
797
Ensemble de cuivres
797
Orchestre de chambre
558
Fanfare
228
Ensemble de Percussions
216
Jazz combo
210
Percussion (partie séparée)
165
Batterie (partie séparée)
86
Marimba
77
Percussion
65
Vibraphone
58
Xylophone, Piano
23
Xylophone
18
Timbales (partie séparée)
13
2 Xylophones
9
Ensemble d'École
8
Quintette à Vent
8
3 Marimbas
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
5
Piano et Orchestre
4
Caisse Claire
3
Orchestre, Violon
3
Timbales
3
Bongos
2
Cajon
2
Quatuor à Vent : 4 instruments à vents
2
Quintette de Cuivres: autres combinaisons
2
Trio à Vent: 3 instruments à vents
2
Conga
1
Instrumentation Flexible
1
Marimba, Piano (duo)
1
Vibraphone (partie séparée)
1
Vibraphone et Marimba
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
49
Théorie de la musique
8
Vous avez sélectionné:
The Can Can
Chorale SATB
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6751
The Story of a Leader
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor K…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
13.68 €
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Chorale SATB
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
Three Evening Canticles — SATB voices, organ
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1349231 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1349231 Composed by Todd Marchand. Christian,Sacred,Traditional. 16 pages. Con Spirito Music #933976. Published by Con Spirito Music (A0.1349231). Three Evening Canticles were written as part of a setting of choral evensong for Church of the Holy Apostles - Anglican, Fort Worth, Texas. Metrical, mostly homophonic, and conservative in technical challenges and ranges, these canticles are accessible for small choirs and those of moderate ability, yet musically satisfying for large and accomplished groups. Phos Hilaron (“O Gladsome Lightâ€) is one of the earliest known Christian hymns (ca. 3rd-4th century) recorded outside of the Bible. Intended to be sung at the kindling of lights in the evening, it is sometimes known as the “lamp-lighting hymn†and has been adopted by some Anglican bodies as an optional invitatory canticle immediately preceding the psalm(s) appointed for the day.Magnificat (The Song of Mary) is a scriptural canticle based on an account in the Gospel of Luke (1:46-55). Mary, the expectant mother of Jesus, visits her cousin  Elizabeth, the expectant mother of John the Baptist, who will prophetically proclaim the coming of the Messiah. Elizabeth praises Mary for her faith and subjection to God’s will, and Mary responds, “My soul doth magnify the Lord ... for he that is mighty hath magnified me ... and his mercy is on them that fear him throughout all generations.†The Magnificat is said or sung immediately after the first lesson (scripture reading) in the service of evening prayer. Nunc Dimittis (The Song of Simeon) is also a scriptural canticle taken from Luke (2:29-32).  Simeon, a devout Jew, had been promised by the Holy Spirit that he would not die until he had seen the Messiah. When Mary and Joseph bring the infant Jesus to the Temple in Jerusalem for the ceremony of redemption of the firstborn son, Simeon takes the child into his arms and says “Lord, now lettest thou thy servant depart in peace ... for mine eyes have seen thy salvation.†The Nunc Dimittis is said or sung after the second lesson in evening prayer.Texts for these settings are from The Book of Common Prayer (2019), Traditional Language Edition, according to the use of the Anglican Church in North America, and they are largely the texts of the 1662 Book of Common Prayer of the Church of England.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$3.00
2.73 €
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Chorale SATB
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Todd Marchand
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Three Evening Canticles — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
Singin' in the Spirit
Chorale SATB
SATB choir - Digital Download SKU: H1.8421DP Arranged by Lloyd Larson. Musicals for…
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SATB choir - Digital Download SKU: H1.8421DP Arranged by Lloyd Larson. Musicals for Adults. School Musicals. Spirituals & Gospel, General Worship. Score. 62 pages. Hope Publishing - Digital #8421DP. Published by Hope Publishing - Digital (H1.8421DP). Sacred Musical for Adult Choirs From arranger, Lloyd Larson, here is an impressive musical celebration of the African American spiritual. The adaptability and endurance of these songs passed down to us from the African American slaves reveals the universality of their themes and their ability to carry forward a message that transcends race, cultural differences and socio-economic classes. Performed in its entirety, this is a dramatic 30-minute musical filled with unforgettable emotion. The narration tells of the stories behind and meanings within the spirituals, and the struggles of the people who created and passed on this whole body of music so essential to our American heritage. Each arrangement can also be performed alone as individual choral anthems suitable for worship and concerts. Separate rhythm chart accompaniments and CD tracks are available. The Rhythm packet contains parts for: Guitar, Bass, Drums & Synthesizer.
$12.95
11.78 €
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Chorale SATB
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Lloyd Larson
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Singin' in the Spirit
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Hope Publishing - Digital
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SheetMusicPlus
Candy Cane Lane
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.762511 By Sia. By G…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.762511 By Sia. By Greg Kurstin and Sia. Arranged by Rowena Harper. A Cappella,Barbershop,Christmas,Pop. 22 pages. Rowena Harper #6600135. Published by Rowena Harper (A0.762511). As cute as a bugs ear, this ultra-happy Christmas ditty by Sia is a true joy. Every theme seems unusually familiar, and they are presented by the lead one at a time, excepting the colour theme which is taken by the tenors. The four themes are then masterfully woven together in counterpoint in the last stretch of the arrangement. The tenors have the final post whilst the leads finish their theme and the tenors conclude with a very jazzy, very christmassy solo to polish the arrangement off. This is the perfect ear-worm for your Christmas season!Purchasing allows printing of one copy, and one copy per singer is required.Key = BbThis is a per copy price with a minimum order of 10 copies. Tenors have been written in treble clef as per barbershop convention - this can be changed on request.Contact: acappellatenor@gmail.com.
$3.00
2.73 €
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Chorale SATB
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Sia
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Rowena Harper
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Candy Cane Lane
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Rowena Harper
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SheetMusicPlus
Beyond The Sea
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Comp…
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
9.1 €
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Chorale SATB
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Eternal Father, Strong to Save (The United States Navy Hymn)
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1465877 Compos…
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1465877 Composed by Music by John B. Dykes and Words by William Whiting and Mary Hamilton. Arranged by James F. Linzey. Chamber,Classical,Patriotic,Religious,Sacred. 4 pages. Military Bible Association #1044474. Published by Military Bible Association (A0.1465877). History of the United States Navy and the Navy HymnOn August 26, 1775, the General Assembly of Rhode Island passed a resolution to create the Continental Fleet, to be funded by the Continental Congress in Philadelphia. But on October 3, 1775, Congress rejected it. On October 13, 1775, the Continental Congress changed courses and established the Continental Navy. This was the birth of the United States Navy. The Continental Navy obtained and armed two civilian vessels, the Andrew Doria and the Cabot. The first United States Navy ship was the USS Alfred, which was commissioned by Captain Dudley Saltonstall on December 3, 1775. John Adams served as the first Chairman of the Naval Committee, but in 1776 the Continental Congress appointed Commodore Esek Hopkins to be the Navy’s first Commander. After the Revolutionary War, the government abolished the Continental Navy. But 11 years later, Congress passed the Naval Act of 1794, which created the United States Navy. The Navy was involved in the Revolutionary War (1775 – 1776), the War of 1812 (1812 – 1815), the Civil World (1861 – 1865), the Mexican-American War (1846 – 1848), the Spanish-American War (1898), World War I (1914 – 1918), World War II (1939 – 1945), the Korean conflict, the Vietnam conflict (1964 – 1975), the war on terrorism through various military operations around the world (1987 – 2021) ), Operation Earnest Will (1987 – 1988), Operation Praying Mantis in the Persian Gulf (1988), Operation Urgent Fury at the invasion of Grenada (1983), Operation Desert Shield (1990 – 1991) and Operation Desert Storm (1991) which comprised the Gulf War, Operation Deliberate Force which was the invasion of Bosnia and Herzegovina (1995), Operation Allied Force which was the attack on Yugoslavia (1999), Operation Desert Fox which was the bombing of Iraq (1998), Operation Southern Watch which was the aerial patrolling of Iraq (1992 – 2003), Operation Enduring Freedom at the invasion of Afghanistan (2001 – 2021), and Operation Iraqi Freedom at the invasion of Iraq (2003 – 2011). The Navy emerged from World War II as the most powerful Navy in the world.In 1860, William Whiting of Winchester, England, wrote a poem titled “Eternal Father, Strong to Save” for one of his students, who was preparing to sail for the United States. The poem alludes to Psalm 107 and is a prayer for God’s protection from seafaring danger. In 1861, Rev. John Bacchus Dykes, an Anglican clergyman, composed the tune “Melita,” in 88 88 88 iambic meter, to accompany the hymn. “Melita” is the archaic name of Malta, which is an ancient seafaring nation. It was the site of the shipwreck that involved the Apostle Paul, as described in the Acts of the Apostles, chapters 27–28. In 1814, Malta became the Crown Colony of the United Kingdom, but in 1964 it gained independence and joined the British Commonwealth. The hymn has long been used by Navy and civilian chaplains during chapel services at sea, in navy and civilian maritime contexts. The Royal Navy, navies of the British Commonwealth, and the United States Navy adopted the hymn in the late 19th century as “The Navy Hymn.” Many verses have been written to Melita. James F. Linzey selected the four verses by Whiting (verses 1-3) and Hamilton (verse 4), which are the verses traditionally used in the Armed Forces Hymnal. James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
$1.99
1.81 €
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Chorale SATB
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Music by John B
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James F
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Eternal Father, Strong to Save
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Military Bible Association
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SheetMusicPlus
Bailen, Canten Que Noche Bonita! For SATB Chorus and Piano From the opera "On the Wings of the Scar
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.730403 Composed by James N…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.730403 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Octavo. 16 pages. James Nathaniel Holland #3218129. Published by James Nathaniel Holland (A0.730403). Use this rousing piece for a grand, happy opening with Spanish flare with Soloists, SATB Chorus, piano and guitar chords by American Costa Rican composer James Nathaniel Holland. Text is 90% in Spanish and 10% in English. Opening chorus is from Act III of the American opera, On the Wings of the Scarlet Messenger. Easy level to learn. Duration 2:02 minutes. Soloists needed: (2 tenors, 1 baritone bass, 1 mezzo soprano) and SATB chorusUse this piece as the first movement in combination with the Dances from On the Wings of the Scarlet Messenger. for full orchestra. Full orchestral accompaniment with full score in concert pitch, individual instrumental and vocal parts included sold separately. Full opera piano vocal score sold separately.YouTube Video presentation (with dances): https://youtu.be/QHzyUfKLI9MComposer website: http://lacoronadelossantos.net/jamesnathanielholland.html ****Tengan esta cancion de alegria para una apertura grande con sabor del Espana con Soloistas, SATB Coro, piano y acordes para guitara por compositor Americano-Costarricense James Nathaniel Holland. Letras estan en 90% espanol y 10% en ingles. Coro para el principio de Acto III de la opera Americana, On the Wings of the Scarlet Messenger. Abilidad facil y facil para presentar. Para solistas: (2 tenores, 1 baso baritono, 1 mezzo soprano) y SATB coroDuracion 2:02 minutos. Usa este como el movimiento primero y en combinacion con los Dances from On the Wings of the Scarlet Messenger. para orquestra completa (ofrecido aparte). Partitura para orquestra en tono del concierto, partitura individuales y de voces incluidos ofrecido aparte. Partitura de piano y voz y opera completa (en ingles) ofrecido aparte.Sitio del compositor: http://lacoronadelossantos.net/jamesnathanielholland.htmlo en espanol: https://www.facebook.com/jamesnathanielholland/
$4.00
3.64 €
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Chorale SATB
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James Nathaniel Holland
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Bailen, Canten Que Noche Bonita! For SATB Chorus and Piano From the opera "On the Wings of the Scar
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James Nathaniel Holland
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SheetMusicPlus
Bailen, Canten Que Noche Bonita! For SATB Chorus and Orchestestra From the opera "On the Wings of t
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.730402 Composed by James N…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.730402 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. Octavo. 46 pages. James Nathaniel Holland #3216671. Published by James Nathaniel Holland (A0.730402). Use this rousing piece for a grand, happy opening with Spanish flare with Soloists, SATB Chorus, and full orchestra by American Costa Rican composer James Nathaniel Holland. Text is 90% in Spanish and 10% in English. Opening chorus is from Act III of the American opera, On the Wings of the Scarlet Messenger. Easy level and simple to produce. Use this piece as the first movement in combination with the Dances from On the Wings of the Scarlet Messenger. for full orchestra. Soloists needed: (2 tenors, 1 baritone bass, 1 mezzo soprano) and SATB chorusInstrumentation: pic, 2fl, 2ob, eh, 12cl, bcl, tensax, 2bsn, 4 hrns, 2 tpt, trmb, btrm, tim, per (hand cym, castanets, ride cym, bd), hrp (or pno), stringsFull score in concert pitch, individual instrumental and vocal parts included.Piano vocal score and full opera vocal score sold separately.Duration 2:02 minutes. YouTube video presentation with dances: https://youtu.be/QHzyUfKLI9MComposer website: http://lacoronadelossantos.net/jamesnathanielholland.html****Tengan esta cancion de alegria para una apertura grande con sabor del Espana con Soloistas, SATB Coro, y orquestra completa por compositor Americano-Costarricense James Nathaniel Holland. Letras estan en 90% espanol y 10% en ingles. Coro para el principio de Acto III de la opera Americana, On the Wings of the Scarlet Messenger. Abilidad facil y facil para presentar. Usa este como el movimiento primero y en combinacion con los Dances from On the Wings of the Scarlet Messenger. para orquestra completa. Por solistas: (2 tenores, 1 baso baritono, 1 mezzo soprano) y SATB coroInstrumentacion: pic, 2fl, 2b, eh, saxten, 2fag, 4 trmbdellaves, 2 trmpt, trmb, btrm, tim, per (plat mano, castanuelas, plat, tambaso), hrp (o pno), cuerdasPartitura para orquestra en tono del concierto, partitura individuales y de voces incluidos.Partitura de piano y voz y opera completa (en ingles) ofrecido aparte.Duracion 2:02 minutos. Sitio del compositor: http://lacoronadelossantos.net/jamesnathanielholland.htmlo en espanol: https://www.facebook.com/jamesnathanielholland/
$15.95
14.51 €
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Chorale SATB
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James Nathaniel Holland
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Bailen, Canten Que Noche Bonita! For SATB Chorus and Orchestestra From the opera "On the Wings of t
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James Nathaniel Holland
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SheetMusicPlus
Go Where I Send Thee
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.882295 Composed by Tom Col…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.882295 Composed by Tom Colao. Arranged by Personage Press, LLC. Christian,Christmas,Praise & Worship,Sacred. Octavo. 16 pages. Personage Press, LLC #6051703. Published by Personage Press, LLC (A0.882295). Thank you for your interest in this title! You can purchase individual copies for a lower price at PersonagePress.com.Tom Colao's arrangement of the African-American Spiritual Go Where I Send Thee presents a rich, hearty sound tapestry worthy of the litany it contains. Built as a wonderful choral theme and variations, Colao allows us to hear this tune through different lenses in subsequent verses. The result is a piece that flies its listeners all the way across the American south from the feeling of barbershop harmonies to the open twang of the Appalachian trail. We think this is the best SATB arrangement of this important artifact, and we know you'll think so too when you hear it!
$63.00
57.3 €
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Chorale SATB
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Tom Colao
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Personage Press, LLC
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Go Where I Send Thee
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Personage Press, LLC
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SheetMusicPlus
Brincando no ar (Canto nupcial / Wedding song)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1030297 Composed by Cés…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1030297 Composed by César del Caño. 20th Century,A Cappella,Contemporary,Holiday,Love,Wedding. Octavo. 4 pages. Cesar del Cano #6418517. Published by Cesar del Cano (A0.1030297). · · Polyphonic a cappella work for four mixed voices (S, A, T/B) with divisi and solo voices. · Approximate duration: 1:30 · Pages (4): Cover (1), Score (2, 3), Lyrics (4): Original lyrics (in Galician Languaje), translation (Spanish & English) and other details. This last page also contains various links which can be accessed from the pdf edition. · A video-score from YouTube is attached. · [ENG] Brincando no ar (Dancing in the air) Wedding song. Text, music and polyphonic work: César del Caño She: Dancing in the air a dove is coming to you carrying a love song, oh yes! in its beak, dancing in the air. Chorus: Dancing in the air a dove is coming to you carrying a love song, oh yes! in its beak, dancing in the air. He: You came to me like the moon comes to the night, and nobody will steal from me this nest I have made for you. Chorus: Dancing in the air a dove is coming to you carrying a love song, oh yes! in its beak it came, dancing in the air. [ESP] Brincando no ar (Danzando en el aire) Canto nupcial Texto, música y obra polifónica: César del Caño Obra polifónica para cuatro voces mixtas (Soprano, Contralto, Tenor y Bajo), con divisi. Ella: Danzando en el aire una paloma viene a ti con una canción de amor ¡oh, sÃ! en su pico, danzando en el aire. Coro: Danzando en el aire una paloma viene a ti con una canción de amor ¡oh, sÃ! en su pico, danzando en el aire. Él: Llegaste a mà como la luna viene a la noche, y nadie me robará el nido que he hecho para ti. Coro: Danzando en el aire una paloma viene a ti con una canción de amor ¡oh, sÃ! en su pico llegó, danzando en el aire. · Composer data: Website: https://www.cesardelcano.com Facebook: https://www.facebook.com/cesardelcano.esp YouTube: https://www.youtube.com/playlist?list=PLr9iLxVNyr-9eBzCd-zlZE_Iyxavn_WhT ·
$4.50
4.09 €
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Chorale SATB
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César del Caño
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English) and other details
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Brincando no ar
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Cesar del Cano
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SheetMusicPlus
Brisbane Ladies (Augathella Station)
Chorale SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.774722 Composed by Traditi…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.774722 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 16 pages. Sandra Milliken #3863763. Published by Sandra Milliken (A0.774722). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon. Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port.Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20
2 €
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Chorale SATB
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Traditional
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Sandra Milliken
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Brisbane Ladies
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Sandra Milliken
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SheetMusicPlus
That they may rest in peace (voice with piano acc.)
Chorale SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.942423 Composed by Hubert…
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.942423 Composed by Hubert Parry (1848-1918). Arranged by Brock Lupton (1948-). Christian,Contemporary,Romantic Period,Sacred. Octavo. 6 pages. Brock Lupton #4764195. Published by Brock Lupton (A0.942423). This setting is ideal for Remembrance Day: it is also suitable for a funeral or celebration of life. It is singable as a congregation hymn, as an anthem for unison voices, or as a vocal solo (range A below middle C to D a ninth above middle C). The text is by Canadian poet Frederick George Scott (1861-1944). The original title is Requiescant (Let them rest). The source is Christian Poetry in Canada (ed David A. Kent ed, Anglican Book Center and ECW Press, Toronto, Canada, 1993) page 54. Scott was a military chaplain during World War I. This poem was, in the poet’s own words, [b]egun while I was lying awake in a sleeping-bag under a tarpaulin at Brielen, near Ypres…. during the gas attack on April 22nd, 1915…. As I lay awake, I wondered what all our comrades who had passed over were doing now…. I finished the poem at a little village called Robec. As I wrote it, I could see through the window, my host, who was a carpenter, making a baby’s coffin. (http://www.canadianpoetry.ca/confederation/FGScott/collected_poems/notes.htm) I have made a few slight changes: awful has become awe-filled Dear Christ became O Christ, and the line A weary road these men have trod has been altered to A weary road these warriors trod. Both the music and the original text are in the public domain in Canada, where copyright expires 50 years after the death of the author or composer.A brass quintet arrangement compatible with the voice part is available separately.
$5.00
4.55 €
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Chorale SATB
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Hubert Parry
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Brock Lupton (1948-)
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That they may rest in peace
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Brock Lupton
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SheetMusicPlus
By Bethesda's Pool, sacred music for SATB choir
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1208296 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1208296 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 11 pages. Kevin G. Pace #806402. Published by Kevin G. Pace (A0.1208296). A stunningly beautiful, sacred composition for SATB choir.  Music by Kevin G. Pace and text by Mary Ann W. Snowball.  Depicting the miracle of Jesus curing the man by the Pool of Bethesda.Text:By Bethesda’s special pool, each day they did wait.Blind and halt and withered there, each to not be late.By the pool the crippled lay; healing was the goal.Ere an angel’s touch was stirred, not one would be whole.Years and years a man stayed near, but with none to aid.Then the Savior came, unknown, to surround and stay.Wilt thou be made whole? was asked by the Healer there.I can’t reach the pool myself. These pains I must bear.Wilt thou be made whole? I can ease thy load.Can I heal thy sun-parched soul? May I make thee whole?Rise, and take thy bed and walk. These words Jesus spoke.Soon the man was cleansed and healed, as if he awoke.Had full faith been shown that day from this aged man?Can we also trust our Lord? Will we take his hand?By our own Bethesda pools in a sacred space,He can clearly mend our cares through (by) his wondrous grace.We can also rise like him o’er our doubts and fearsAs we linger, patiently, listening to hear.We can be made whole when his hand we hold.He can heal our holy souls; He will make us whole.
$1.99
1.81 €
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Chorale SATB
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Bethesda’s special pool, each day they did wait
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Kevin G
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healing was the goal
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By Bethesda's Pool, sacred music for SATB choir
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Kevin G. Pace
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SheetMusicPlus
The Sense of a Place Will Remain
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Con…
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Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95
7.23 €
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Chorale SATB
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Paul Burnell
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The Sense of a Place Will Remain
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Paul Burnell
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SheetMusicPlus
When I Survey the Wondrous Cross
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac W…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.
$2.50
2.27 €
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Chorale SATB
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cross
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WheatMyer Music
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SheetMusicPlus
Canadian Streams
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1341757 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1341757 Composed by Vahram Sargsyan. 20th Century,21st Century,A Cappella,Classical,Contemporary. 10 pages. Vahram Sargsyan #927318. Published by Vahram Sargsyan (A0.1341757). The creation of 'Canadian Streams' was inspired by two important milestones – the 150th anniversary of the Canadian Confederation and the 60th anniversary of the Armenian General Benevolent Union (AGBU) Canada. For this initiative, the composer has chosen a poem written by the father of Canadian poetry, Charles G. D. Roberts. The text portrays the countless spectacular Canadian rivers that were the “witnesses†and “storytellers†of the great, beautiful, and welcoming country’s rich history.About the ComposerVahram Sarkissian is an Armenian-Canadian composer, conductor, and singer currently residing in Montreal, Canada. His writing style represents a musical palette ranging from influences by V century Armenian medieval chant to previously unreported endogenous vocal extended techniques. Sarkissian's music has been performed in dozens of countries including the UK, Germany, Sweden, Austria, Italy, Switzerland, Japan, Canada, and the USA. His arrangement of an Armenian ancient chant Great Mystery has been included in the Oxford University Press anthology World Carols for Choirs and has been recorded by the BBC Singers. Sarkissian's instrumental work Hunting the Hunter was premiered under his baton at Carnegie Hall in 2012. His composition Joyful Light for choir has been performed more than a hundred times around the world.Vahram Sarkissian is also active as a lecturer. His workshops and presentations on extended vocal techniques are frequently featured at the most prestigious choral festivals and symposia around the world. Some of his recent lecturing events were at the World Symposium on Choral Music (Barcelona, Spain), ACDA Regional Conference (Pittsburgh, USA), International Festival of Choral Music Europa Cantat (Tallinn, Estonia), World Voice Day at Royal College of Music (Stockholm, Sweden), Podium Choral Conference and Festival (Toronto, Canada), among others.Vahram Sarkissian holds undergraduate and postgraduate degrees in composition and choral conducting. He is a member of the Composers’ Union of Armenia. He has served as a music consultant for European Choral Association (2010-2012).
$2.99
2.72 €
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Chorale SATB
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Vahram Sargsyan
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Canadian Streams
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Vahram Sargsyan
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SheetMusicPlus
Go, tell it on the mountain
Chorale SATB
SATB chorus and piano or small orchestra - Digital Download SKU: OX.9780193704213 C…
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SATB chorus and piano or small orchestra - Digital Download SKU: OX.9780193704213 Composed by John Rutter. John Rutter Anniversary Edition. Vocal score. 20 pages. Oxford University Press Digital #9780193704213. Published by Oxford University Press Digital (OX.9780193704213). ISBN 9780193704213.For SATB and piano or small orchestra. Full score for John Rutter's lively and joyful arrangement of this popular Christmas-themed African-American spiritual, compatible with the JRAE vocal score and the holy night collection. About John Rutter Anniversary EditionThe John Rutter Anniversary Edition celebrates the 70th birthday of one of Britain's leading composers and the 30th anniversary of his choir, The Cambridge Singers. Featuring mainly earlier pieces from the composer's catalog, this series presents seminal works for mixed chorus in brand new editions and with accompanying notes on both the music and performance, written by the composer himself. The Anniversary Edition provides the most comprehensive and authoritative performance materials (including full scores and parts) for over 30 of the composer's favorite anthems, carols, and songs.
$31.50
28.65 €
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Chorale SATB
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John Rutter
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Go, tell it on the mountain
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Oxford University Press Digital
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SheetMusicPlus
Sacred Anthems for Choir 3, sacred choral music
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1380601 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1380601 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 169 pages. Kevin G. Pace #965379. Published by Kevin G. Pace (A0.1380601). Sacred Anthems for Choir volume 3 is a collection of 21 sacred choral compositions with piano accompaniment. Music composed by Kevin G. Pace. Text by Mark R. Fotheringham.This music could be used by any Christian choir. Though written from the perspective of the Church of Jesus Christ of Latter-day Saints, the themes in many of these compositions are non-specific to any single creed,praising God and His Son, Jesus Christ, with unique fervor and beauty appropriate for any congregation.Titles:Come and SeeGethsemane, Garden Lovely The Prisoners Shall Surely Go Free Lord, Humbly I Come To Thee Now, TTBB Lord, Humbly I Come To Thee NowThe Dark GardenAll Wisdom, Grace and GloryInto the WindWaiting for Sunrise Let Thy Holy Spirit Guide, revised 2023Holy Father, I PrayBlessed Be God When We Call Sing to the Lord Dearest Savior Every Tongue Ye Are As a Fruitful FieldEver Saints Await Thee What Can I Offer? Where Would We Go Without You? Lead Us On To Victory!
$18.99
17.27 €
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Chorale SATB
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Kevin G
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Sacred Anthems for Choir 3, sacred choral music
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Kevin G. Pace
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SheetMusicPlus
The Gift to Sing - SATB choir
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.973048 Composed by Francis Kayali. 2…
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Choral Choir (SATB) - Digital Download SKU: A0.973048 Composed by Francis Kayali. 20th Century,Contemporary. Octavo. 19 pages. Francis Kayali #6230277. Published by Francis Kayali (A0.973048). The Gift to Sing is a poem by James Weldon Johnson (1871-1938) published in 1917. The central theme of the text is one of optimism and resilience, using the power of song – meaning, more broadly, art or any kind of artful, heightened expression – to overcome adversity. Although the poem can be interpreted broadly to pertain to any kind of struggle, it is likely that Johnson, as a civil-rights activist was alluding more specifically to the oppression African-Americans in the United States, a struggle that continues to this day, in 2020. I composed this setting in September of 2020, right after the Black Lives Matter protests that took place that summer, so current events played a role in this interpretation on my part as well. If one reads the poem as pertaining the continued struggle of African Americans, some passages may come across as ambiguous. For instance, I brood not over the broken past should not be taken as suggesting that the horrors of the past should be forgotten, but as an injunction that the memory of these horrors should not discourage us or diminish our resolve to work toward overcoming the injustices. The musical inspiration for the opening of the piece comes from the song Lonesome Valley, which starts with a pentatonic melodic gesture. The pentatonic scale is often used in African American Spirituals, Christian hymns, and folksongs (e.g., Swing Low, Sweet Chariot, Amazing Grace, How Can I Keep from Singing?, Red River Valley, Oh Shenandoah). The more rhythmic parts take inspiration from the African-American spiritual tradition, as found for instance in the choral music of Moses Hogan (1957-2003). Meanwhile, the tenor solo at the end, is intended to be very loud, bright, and without the pronounced vibrato one would find in a Western operatic style. This kind of bright and intense vocal sound is not unfamiliar to most listeners, who may have encountered it in places as varied as Sacred Harp singing, the opening of the Lion King soundtrack, or the Muslim call to prayer.
$1.99
1.81 €
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Chorale SATB
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Francis Kayali
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The Gift to Sing - SATB choir
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Francis Kayali
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SheetMusicPlus
The Heart and the Fountain (SATB)
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.944041 Composed by Ofer Ben-Amots, c…
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Choral Choir (SATB) - Digital Download SKU: A0.944041 Composed by Ofer Ben-Amots, composer and librettist. Contemporary. Octavo. 28 pages. The Composer's Own Press #4799263. Published by The Composer's Own Press (A0.944041). Composer’s Notes: The Hebrew text stems from a mystical Kabalistic source attributed to the great Hassidic Rabbi Nachman of Breslav. The words tell us, in a poetic and metaphysical manner, about the mechanism that moves the world and keeps the universe alive: there is a singing fountain at the end of the world and a pounding heart at the other end. The fountain and the heart are attracted to each other and wish to get closer, but as soon as they move from their place they lose sight of each other. Once they cannot see each other anymore the heart would stop beating and the fountain would stop singing. Thus, they both stay in their places and sing to each other. Their song spreads over the entire world and sparks of light emanate from it. When the sparks are woven together they produce enough Time for a new day to be created. The music mirrors the soft pounding of the heart and the spreading of this magical melody.Duration: 9' 40 For demo recording, any questions, or additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$9.90
9 €
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Chorale SATB
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Ofer Ben-Amots, composer and librettist
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The Heart and the Fountain
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The Composer's Own Press
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SheetMusicPlus
The King of Glory
Chorale SATB
SATB chorus - Digital Download SKU: C7.CGA198 Composed by Austin C Lovelace. Advent…
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SATB chorus - Digital Download SKU: C7.CGA198 Composed by Austin C Lovelace. Advent, Palm Sunday. With Unison, Congregation. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA198. Published by Chorister's Guild - Digital (C7.CGA198). UPC: 749193004128.Here we have a practical setting of the familiar hymn tune TRURO that combines children's and adult choirs. The text is based on Psalm 24 and is equally suitable for use during the Advent season or on Palm Sunday when nearly all children's choirs participate in the worship service. Further, it is written so that all ages of choirs could participate. The hymn tune is punctuated by the powerful dialogue from the Psalm: 'Who is the King of Glory' The Lord of hosts, He is the King of Glory!' This ties very well the Psalm ideas to Weissel's paraphrase, and then the closing stanza concludes with a personal response EUR to open the portals of one's heart. Another feature of the anthem s that the entire congregation can join in the singing at the appropriate places by either singing directly from the hymnal or by printing the words in a bulletin (permission is granted). The work can, of course, be used as an anthem, or as an elaborated congregational hymn in addition to another 'anthem' for the day.
$1.95
1.77 €
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Chorale SATB
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Austin C Lovelace
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The King of Glory
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Chorister's Guild - Digital
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SheetMusicPlus
Them Changes
Chorale SATB
Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1453743
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Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1453743 Composed by Chris Jasper, Ernie Isley, Marvin Isley, O'Kelly Isley, Ronald Isley, and Rudolph Isley. Arranged by Kerry Marsh. Funk,Jazz,Pop,Soul. Vocal Jazz Ensemble. 52 pages. Kerry Marsh #1032960. Published by Kerry Marsh (A0.1453743). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a much lower price than the standard flat-fee range ($60 to $75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the All Tracks Pack with SkyTracks (No Sheet Music) package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation)Them Changes is a standout track by Thundercat, featuring a funky, bass-driven groove that highlights Thundercat's virtuosic bass playing and unique blend of jazz, funk, and R&B influences. The lyrics explore themes of heartbreak and emotional turmoil, delivered with Thundercat's signature falsetto vocals.Kerry Marsh's vocal jazz arrangement begins with an a cappella rendition of the song's bridge, serving as a teaser before launching into the now-iconic drums and bass groove. A hallmark of neo-soul, the dissonance between the chord changes and the melody can present challenges for vocal harmonies. This arrangement skillfully navigates these tricky spots, employing octaves and unison writing to minimize clashes, and then breaking out into lush, dense harmonies where they are most effective.The chart concludes with a space for vocal or instrumental improv, accompanied by vocal backgrounds, ending the piece in a sudden and unconventional manner. This modern-day classic will be a hit with your vocal jazz ensemble, offering something for singers, instrumentalists, and the audience alike to enjoy.Perfect for advanced ensembles looking to explore contemporary jazz-funk, this arrangement captures the essence of Thundercat's innovative style while providing a fresh and exciting challenge. Check out the Scoreflipper preview to see how this arrangement can elevate your group's performance and captivate your audience.
$49.99
45.47 €
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Chorale SATB
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Chris Jasper, Ernie Isley, Marvin Isley, O'Kelly Isley, Ronald Isley, and Rudolph Isley
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Kerry Marsh
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Them Changes
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Kerry Marsh
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SheetMusicPlus
It's Christmastime (or Hear the Bells Ring)
Chorale SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.935511 Composed by Shaun …
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.935511 Composed by Shaun Parry. A Cappella,Christian,Christmas,Traditional. Octavo. 7 pages. MusicforMillions #4994317. Published by MusicforMillions (A0.935511). Written in the style of classic Christmas carols with fun, memorable melody and lyrics, this new Christmas song will quickly become a part of everyone's caroling canon. By and large, Christmas music is either sacred or secular, about Jesus, Mary, the shepherds and angels or about presents and parties and Santa Claus. We live them both simultaneously. This carol represents that, with the first verse being a patter of excitement and the second more lyrical, focusing on the Advent of the Savior. Then, just as in life, they are sung together, complimenting each other. We end in unison with a glorious and memorable refrain Nativity mangers make friends out of strangers with peace on earth, good will to all men. * Bells/Chimes sound beautiful but it can also be performed with just piano and the voices singing the bell parts.* Perfect of school or church Christmas concerts or caroling. Also great for families around the fireplace or out Christmas caroling. * Written to be sung by two groups, however, there is a cut version (explained in print) that does not require splitting in two groups. It can be sung straight through without overlapping the verses. * Some harmony parts are indicated in the vocal line. Of course you can sing just the melody in unison all the way through, but there are ample opportunities to break out into fun 2,3 and (in some places) 4-part harmonies. Up to you. You can find me at @the_shaunparry or www.shaunparry.com
$3.99
3.63 €
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Chorale SATB
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and large, Christmas music is either sacred or secular, about Jesus, Mary, the shepherds and angels or about presents and parties and Santa Claus
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Shaun Parry
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It's Christmastime
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MusicforMillions
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SheetMusicPlus
I Will Trust in the Lord
Chorale SATB
SATB choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX.10-5353L…
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SATB choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX.10-5353L Composed by Lloyd Larson. Singable Solutions. Sacred Anthem, General. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5353L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5353L). ISBN 9780787767167.This versatile and accessible anthem from Lloyd Larson underscores themes of confidence and trust. Based on Proverbs 3:5–6, it blends an exceptional, original melody with the African American spirituals “I Will Trust in the Lord†and “ʼTis So Sweet to Trust in Jesus.†It is equally effective for SATB or SAB choirs.
$2.50
2.27 €
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Chorale SATB
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Lloyd Larson
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I Will Trust in the Lord
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
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