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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Fifth Time
Non classifié
79
Piano & claviers
Piano seul
93
Piano, Voix
37
Piano Facile
13
Piano, Voix et Guitare
7
Orgue
4
2 Pianos, 4 mains
1
Instruments en Do
1
1 Piano, 4 mains
1
+ 3 instrumentations
Retracter
Guitares
Guitare
16
Guitare notes et tablatures
5
Ukulele
3
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
31
Chorale 3 parties
5
Chorale 2 parties
2
Voix Mezzo-Soprano, Piano
1
Voix haute
1
Chorale SSAA
1
Voix Alto, Piano
1
Chorale Unison
1
+ 3 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Flûte traversière et Piano
4
Clarinette
3
Hautbois, Piano (duo)
3
Quatuor de Saxophones: 4 saxophones
3
Saxophone Tenor et Piano
3
Flûte traversière
3
Saxophone Alto et Piano
3
Saxophone Baryton, Piano
3
Clarinette Basse, Piano
3
Flûte, Clarinette et Basson
2
Saxophone Alto
2
Clarinette et Piano
2
Saxophone Soprano et Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte, Hautbois, Clarinette (trio)
2
Saxophone (partie séparée)
1
Ensemble de Flûtes
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois, Guitare (duo)
1
Flûte et Guitare
1
Cor anglais, Piano
1
Hautbois (partie séparée)
1
Saxophone Tenor
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Clarinettes (duo)
1
2 Flûtes traversières (duo)
1
Flûte à bec Soprano
1
Saxophone Soprano
1
Piccolo
1
Hautbois, Harpe
1
Hautbois, Flûte
1
+ 27 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Euphonium, Piano (duo)
4
Trompette, Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trombone et Piano
2
Quatuor de Cuivres
2
Tuba et Piano
2
Cor anglais, Piano
1
Trompette, Trombone (duo)
1
Trompette
1
4 Tubas
1
2 Euphoniums et 2 Tubas
1
Trombone
1
+ 8 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
14
Violon
10
Alto, Piano
6
Violoncelle
6
Violon et Piano
4
Violoncelle, Piano
4
Alto seul
3
Trio à Cordes: 2 violons, violoncelle
2
Harpe
2
Trio à Cordes: violon, alto, violoncelle
2
2 Altos (duo)
1
2 Violoncelles (duo)
1
Alto (partie séparée)
1
4 Contrebasses
1
Violon, Alto (duo)
1
4 Violoncelles
1
Contrebasse, Piano (duo)
1
Contre Basse
1
2 Violons (duo)
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
58
Orchestre
12
Ensemble de cuivres
8
Cloches
2
Orchestre à Cordes
2
Piano et Orchestre
1
Vibraphone
1
+ 2 instrumentations
Retracter
Autres
Instruments
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EUPHONIUM
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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LUTH, THEOR…
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OUD
PARTITIONS …
PAS DE PART…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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CELTIQUE - IRISH - S…
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MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
The Fifth Time
Chorale SATB
Partitions à imprimer
31 partitions trouvées
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26
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
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Chorale SATB
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FACILE
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Pub...
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Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99
Save The Country
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Chorale SATB
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INTERMÉDIAIRE
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Patriotique
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Laura Nyro
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Jon Arterton
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Save The Country
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Jon Arterton
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1202097 Composed by Laura Nyro. Arranged by Jon Arterton. Patriotic. Octavo. 9 pages. Jon Arterton #800748. Publ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1202097 Composed by Laura Nyro. Arranged by Jon Arterton. Patriotic. Octavo. 9 pages. Jon Arterton #800748. Published by Jon Arterton (A0.1202097). What a great song for these times! Laura Nyro’s powerful anthem was made famous by The Fifth Dimension. features driving rhythms and heartfelt lyrics that your singers will love singing.  Come on, people, come on, children. Come on down to the glory river. Gonna wash you up and wash you down. Gonna lay the devil down. In my mind I can't study war no more. Save the people, save the children, save the country now.â€.
$2.35
We're the Water in the Waves
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Chorale SATB
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the final bars, we arrive at a
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Angela Salvaggione
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We're the Water in the Waves
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Imagine Music - Digital
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SheetMusicPlus
SATB chorus & piano - Grade 3 - SKU: IZ.VMW171 Composed by Angela Salvaggione. Score. 11 pages. Imagine Music - Digital #VMW171. Published by Imagine Mu...
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SATB chorus & piano - Grade 3 - SKU: IZ.VMW171 Composed by Angela Salvaggione. Score. 11 pages. Imagine Music - Digital #VMW171. Published by Imagine Music - Digital (IZ.VMW171). 8.5 x 11 in inches.Musically, the text gives indication as to the style of each verse. The first verse's gentle, flowing feel is the comfort of knowing we've been walking a path together. The second verse, a bit stronger, with the full choir entering, builds this comfort and joy of common experience. The third verse, with its darker text, should also have a more misterioso feel, but don't let it drag. Our parting is approaching. The fourth verse should have a lighter, more sparkling feel, with streams and snowflakes and growing understanding that though what may seem final is not, merely a new way of being. The resoluteness of the fifth verse reflects the strength of knowing that the path we have shared together regardless of our proximity, and gives us strength and joy in knowing that our lives are bettered by our shared experiences. The coda, beginning in measure 95, brings us back to a more settled feel, as we are comforted by the memory of those shared experiences. By the final bars, we arrive at a restful state, comfortable knowing that though time has passed and circumstances have changed, we have been blessed by what we've experienced together.
$2.05
Lost on the Steamer "Stonewall." Mamma! Why Don't Papa Come Home
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Chorale SATB
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G
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Lost on the Steamer "Ston
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.11731 Composed by G.W. Brown. Marine accidents, Fires, Parlors, Birdcages, Fireplaces, Clocks & watches...
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Piano and voice (solo and SATB chorus) - SKU: LV.11731 Composed by G.W. Brown. Marine accidents, Fires, Parlors, Birdcages, Fireplaces, Clocks & watches, Death, Mothers & children, Heaven. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11731). Lost on the Steamer Stonewall. Mamma! Why Don't Papa Come Home. Words by J. Murphy. Music by G.W. Brown. Published 1869 by Balmer & Weber, No. 206 Fifth Street in St. Louis. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Marine accidents, Fires, Parlors, Birdcages, Fireplaces, Clocks & watches, Death, Mothers & children, Heaven. First line reads Mamma! why don't Papa come home? why does he stay away?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
The Three Bells
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Chorale SATB
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S
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The Three Bells
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.12119 Composed by S. Shore. Clipper ships, Shipwrecks, Courage, Sailors, Heroes, Rescues. Lester S. Lev...
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Piano and voice (solo and SATB chorus) - SKU: LV.12119 Composed by S. Shore. Clipper ships, Shipwrecks, Courage, Sailors, Heroes, Rescues. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12119). The Three Bells. 3d. Edition. Words by Ellis Strand. Music by S. Shore. Published 1854 by D.B. Williamson, 141 South Fifth Street in Philadelphia. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Clipper ships, Shipwrecks, Courage, Sailors, Heroes, Rescues. First line reads Come swell the strain, the proud refrain, that sings of noble deeds.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Twenty-Fifth Sunday in Ordinary Time A (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Luke Mayernik
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Twenty-Fifth Sunday in Ordinar
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - SKU: MQ.80-416-146E Composed by Luke Mayernik. Psalm Setting,...
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Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - SKU: MQ.80-416-146E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-146E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-146E). English. Psalms 145.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
Twenty-Fifth Sunday in Ordinary Time B (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Luke Mayernik
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Twenty-Fifth Sunday in Ordinar
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - SKU: MQ.80-416-147E Composed by Luke Mayernik. Psalm Setting,...
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Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - SKU: MQ.80-416-147E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-147E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-147E). English. Psalms 54.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
Twenty-Fifth Sunday in Ordinary Time C (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Luke Mayernik
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Twenty-Fifth Sunday in Ordinar
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - SKU: MQ.80-416-148E Composed by Luke Mayernik. Psalm Setting,...
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Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - SKU: MQ.80-416-148E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-148E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-148E). English. Psalms 113.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
Fifth Sunday in Ordinary Time B (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Luke Mayernik
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Fifth Sunday in Ordinary Time
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - SKU: MQ.80-416-087E Composed by Luke Mayernik. Psalm Setting,...
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Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - SKU: MQ.80-416-087E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-087E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-087E). English. Psalms 147.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
Fifth Sunday in Ordinary Time A (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Luke Mayernik
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Fifth Sunday in Ordinary Time
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - SKU: MQ.80-416-086E Composed by Luke Mayernik. Psalm Setting,...
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Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - SKU: MQ.80-416-086E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-086E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-086E). English. Psalms 112.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
Fifth Sunday in Ordinary Time C (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Luke Mayernik
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Fifth Sunday in Ordinary Time
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - SKU: MQ.80-416-088E Composed by Luke Mayernik. Psalm Setting,...
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Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - SKU: MQ.80-416-088E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-088E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-088E). English. Psalms 138.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
Funhouse
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Chorale SATB
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FACILE
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Pink
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Eric Weber
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Funhouse
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Eric Weber
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1472017 By Pink. By Alecia Moore, Jimmy Harry, and Tony Kanal. Arranged by Eric Weber. A Cappella,Po...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1472017 By Pink. By Alecia Moore, Jimmy Harry, and Tony Kanal. Arranged by Eric Weber. A Cappella,Pop. 6 pages. Eric Weber #1049714. Published by Eric Weber (A0.1472017). Funhouse is a song recorded by American singer Pink for her fifth studio album of the same name (2008). Lyrically, the song is about Pink's break-up with Carey Hart. Billboard gave Funhouse a positive review, stating: Pink once again shows her versatility on this complex number, which calls for blues, funk and rock vocal styles that few other pop stars have been able to pull off. Experience this up-tempo song in a rousing arrangement for four voices and fun body percussion. The arrangement starts with the VAMP, originally after the triplet halftime bridge, which isn't included. You can add a piano if you like and get creative with the spoken lyrics or the arrangement of the parts. Dive into P!nk - you'll love it!Funhouse ist ein Song, aus dem gleichnamigen fünften Studioalbum der amerikanischen Sängerin P!nk. Inhaltlich handelt der Song von Pinks Trennung von Carey Hart. Der Song wurde unter anderem mit den Worten Pink beweist einmal mehr ihre Vielseitigkeit in dieser komplexen Nummer, die Blues-, Funk- und Rock-Gesangsstile erfordert, die nur wenige andere Popstars zustande gebracht haben. gelobt. Erleben Sie diese Up-Tempo-Nummer in einem mitreißenden Arrangement für vier Stimmen und spaßige Bodypercussion. Das Arrangement beginnt mit dem VAMP, welcher ursprünglich nach der Triolen-Halftimefeel-Bridge kommt, welche hier nicht mit enthalten ist. Sie können ein Klavier hinzufügen, wenn Sie möchten, und mit dem gesprochenen Text oder der Anordnung der Teile kreativ werden. Tauchen Sie ein in die Welt von P!nk - Sie werden es lieben!
$1.99
Lullaby for Mirabai
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Chorale SATB
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INTERMÉDIAIRE
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Jim Bosse
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Jim Bosse with Charles Rann
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Lullaby for Mirabai
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Jim Bosse
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.954972 Composed by Jim Bosse. Arranged by Jim Bosse with Charles Rann. Concert,Contemporary. Octavo. 10 pages. J...
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Choral Choir (SATB) - Level 3 - SKU: A0.954972 Composed by Jim Bosse. Arranged by Jim Bosse with Charles Rann. Concert,Contemporary. Octavo. 10 pages. Jim Bosse #4579745. Published by Jim Bosse (A0.954972). Suite Grandkids contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). I decided to write lyrics for each movement, creating a version for voice (male and/or female) and classical guitar, then expanding it to this version for SATB Choir with classical guitar and percussion. The percussion parts are easy and meant to be performed by members of the choir. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. This download is the score for the fifth movement, Lullaby for Mirabai. Performance time is 3 minutes and 20 seconds. Demand level is mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar
$2.99
Lullaby for Mirabai
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Chorale SATB
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INTERMÉDIAIRE
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Jim Bosse
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Jim Bosse with Charles Rann
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Lullaby for Mirabai
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Jim Bosse
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.954974 Composed by Jim Bosse. Arranged by Jim Bosse with Charles Rann. Concert,Contemporary. Octavo. 10 pages. J...
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Choral Choir (SATB) - Level 3 - SKU: A0.954974 Composed by Jim Bosse. Arranged by Jim Bosse with Charles Rann. Concert,Contemporary. Octavo. 10 pages. Jim Bosse #4579747. Published by Jim Bosse (A0.954974). Suite Grandkids contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). I decided to write lyrics for each movement, creating a version for voice (male and/or female) and classical guitar, then expanding it to this version for SATB Choir with classical guitar and percussion. The percussion parts are easy and meant to be performed by members of the choir. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. This download is all parts for the fifth movement, Lullaby for Mirabai. Performance time is 3 minutes and 20 seconds. Demand level is mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar
$1.99
Carol: Ave, Plena Gracia
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Chorale SATB
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INTERMÉDIAIRE
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Noël
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Sir Peter Maxwell Davies
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Carol: Ave, Plena Gracia
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB). organ ad libitum - intermediate - Composed by Sir Peter Maxwell Davies (1934-). This edition: choral score. The Royal Collection...
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Mixed choir (SATB). organ ad libitum - intermediate - Composed by Sir Peter Maxwell Davies (1934-). This edition: choral score. The Royal Collection. Downloadable. Duration 2 minutes. Schott Music - Digital #Q7198. Published by Schott Music - Digital
Latin.
During his time as Master of the Queen's Music, Sir Peter Maxwell Davies wrote a new carol for Her Majesty the Queen each Christmas. Ave, Plena Gracia , written for Christmas 2009, was the fifth in this series after An Heavenly Song, Wonder Tidings, The Yule-tide Bell and Kings and Shepherds all of which are published in the Schott Royal Collection.
First performed in St. James's Palace by the choir of the Chapel Royal on the Epiphany at the end of the 2009/2010 Christmas period, Ave, Plena Gracia is a short and traditional Latin setting that would be perfect for amateur choirs looking for new repertoire.
$3.99
Night Song
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Chorale SATB
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AVANCÉ
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Contemporain
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Kristian S Rodriguez
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Night Song
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Kristian S. Rodriguez
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1023344 Composed by Kristian S Rodriguez. 20th Century,Contemporary. Octavo. 8 pages. Kristian S. Rodriguez #519...
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Choral Choir (SATB) - Level 5 - SKU: A0.1023344 Composed by Kristian S Rodriguez. 20th Century,Contemporary. Octavo. 8 pages. Kristian S. Rodriguez #5191605. Published by Kristian S. Rodriguez (A0.1023344). Night Song, the fifth of seven movements of my secular cantata Sueño-Vibrant (2019), is a reflection and meditation on the discovery of one’s self-identity. It reflects the period in which I wrote this piece, a summer I remember as one of new adventures and discoveries, a time in which I came closer than ever before to discovering my true sense of self. With this piece, I invite listeners and performers alike into an introspective space, one in which they themselves try to identify the something happening inside them.
$4.99
Hope in Me (Choral Score)
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Chorale SATB
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FACILE
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Terre Johnson
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Hope in Me
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir, clarinet in B-flat, violin, and piano - Moderately Easy - SKU: MQ.50-2014-E Composed by Terre Johnson. Epiphany. 13 pages. MorningStar Music...
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SATB choir, clarinet in B-flat, violin, and piano - Moderately Easy - SKU: MQ.50-2014-E Composed by Terre Johnson. Epiphany. 13 pages. MorningStar Music Publishers - Digital Sheet Music #50-2014-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-2014-E). English. Isaiah 40:21-31.Composer Terre Johnson sets an adaptation of Isaiah 40:21 in the first person, so it appears as if God is speaking through the choir in this anthem of reassurance. The violin and clarinet sometimes support and sometimes soar above the choir. Easy SATB writing makes this a useful and satisfying offering, especially appropriate for the Fifth Sunday after Epiphany, Year B. Duration: 3:00.
$2.50
Drag Me Down
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Chorale SATB
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INTERMÉDIAIRE
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One Direction
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Eric Hagmann
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Drag Me Down
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Eric Hagmann
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.796824 By One Direction. By Jamie Scott, John Henry Ryan, and Julian Bunetta. Arranged by Eric Hagmann. A Cappel...
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Choral Choir (SATB) - Level 3 - SKU: A0.796824 By One Direction. By Jamie Scott, John Henry Ryan, and Julian Bunetta. Arranged by Eric Hagmann. A Cappella,Pop. Octavo. 6 pages. Eric Hagmann #4580515. Published by Eric Hagmann (A0.796824). An SATB + solo contemporary a cappella arrangement of Drag Me Down by One Direction. Recorded in 2015 for their fifth album, Made in the A.M., Drag Me Down was One Direction's first single since Zayn Malik left the group in March of the same year. It topped the charts in the United Kingdom, Ireland, France, Austria, and New Zealand, and it won the fan-voted Best Video Award at the 2016 Brit Awards.This arrangement retains the energy and intensity of the original song while adding a dash of supportive harmony to give it that contemporary a cappella flavor. The main melody fits comfortably in most tenor ranges but also could be performed easily by treble voices with minimal adjustment during the pre-chorus/chorus. Vocal percussion is encouraged, and this tune would be perfect for someone who might be learning beatboxing for the first time. Easy enough to learn over the course of a few rehearsals but still challenging enough to keep it engaging, this piece would be great as an opener or closer in your high school or college ensemble's repertoire. Soprano range: Bb4-E5Alto range: G3-C5Tenor range: C3-G4Bass range: F2-C4.
$2.25
Almighty God, How Strong and True (Downloadable)
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Chorale SATB
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FACILE
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Jay Althouse
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Almighty God, How Strong and T
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir and Piano - Moderately Easy - SKU: MQ.50-4059-E Composed by Jay Althouse. 21st Century, Grace, Hope/Assurance. 7 pages. MorningStar Music Pub...
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SATB choir and Piano - Moderately Easy - SKU: MQ.50-4059-E Composed by Jay Althouse. 21st Century, Grace, Hope/Assurance. 7 pages. MorningStar Music Publishers - Digital Sheet Music #50-4059-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-4059-E). English.The presence of fourths and fifths in the melody and harmonization give his anthem a timeless strength. Yet there is still tenderness as the text (based loosely on a text by Horatius Bonar) speaks of God's gentle grace. The music effectively contrasts the eternal and the new, making this anthem approachable and useful for any choir.
$2.25
Missa Millennia in Honor of St. Francis (SATB)
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Curtis Hanson
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Missa Millennia in Honor of St
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curti...
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Choral Choir (SATB) - Level 5 - SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
$10.00
It's Good Enough for Me!
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Chorale SATB
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Douglas E
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S/A and T/B highlights
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It's Good Enough for Me!
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Heritage Music Press
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SheetMusicPlus
SATB choir, Piano - SKU: LX.15-3771H Arranged by Douglas E. Wagner. General. Octavo. 8 pages. Heritage Music Press #e15/3771H. Published by Heritage Mus...
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SATB choir, Piano - SKU: LX.15-3771H Arranged by Douglas E. Wagner. General. Octavo. 8 pages. Heritage Music Press #e15/3771H. Published by Heritage Music Press (LX.15-3771H). ISBN 9780787770204.Douglas Wagner brings us a rousing setting of the familiar nineteenth-century spiritual. Beginning in F-major, it ratchets up tonally with each verse, ending with the fifth verse in A-major, in half-time style. For developing and experienced ensembles of any size, it includes unison, two-part, and four-part singing; S/A and T/B highlights; and an easy vocal pyramid in the coda section.
$2.40
Birds
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Chorale SATB
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INTERMÉDIAIRE
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Imagine Dragons
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Eric Hagmann
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Birds
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Eric Hagmann
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.796830 By Imagine Dragons. By Ben McKee, Dan Reynolds, Daniel Platzman, Joel Little, and Wayne Sermon. Ar...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.796830 By Imagine Dragons. By Ben McKee, Dan Reynolds, Daniel Platzman, Joel Little, and Wayne Sermon. Arranged by Eric Hagmann. A Cappella,Rock. Octavo. 9 pages. Eric Hagmann #4996203. Published by Eric Hagmann (A0.796830). An SATBarB w/ divisi + solo contemporary a cappella arrangement by Eric Hagmann, Birds was released in 2019 as the fifth single off of Imagine Dragon's Origins album. Perfomance Time: ~3:35Ranges:Solo = C3-B4Soprano = B3-E5Alto = G#3-A4Tenor = B2-F#4Baritone = B2-E4Bass = (Opt. E2) F#2-B3.
$2.25
Anim Zemiros
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Chorale SATB
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AVANCÉ
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
Agnus Dei
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Arya Brahmantya Boga
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Agnus Dei
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Arya Brahmantya Boga
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.493680 Composed by Arya Brahmantya Boga. Sacred. Octavo. 7 pages. Arya Brahmantya Boga #108546. Published...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.493680 Composed by Arya Brahmantya Boga. Sacred. Octavo. 7 pages. Arya Brahmantya Boga #108546. Published by Arya Brahmantya Boga (A0.493680). The fifth and the last song from Mass of Hope, a mass created in times of pandemic. This piece starts with mournful prayer in the beginning, followed with enchanting piano solo for the interlude and a tranquil prayer for ending both this piece and the mass.
$1.99
A Feast for Christmas (a seasonal entertainment for SATB & optional youth choir)
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Chorale SATB
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INTERMÉDIAIRE
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Noël
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Alan Bullard
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A Feast for Christmas
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Colne Edition / BullardMusic
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1084615 Composed by Alan Bullard. Children,Christmas,Classical. Octavo. 36 pages. Colne Edition / BullardMusic #...
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Choral Choir (SATB) - Level 3 - SKU: A0.1084615 Composed by Alan Bullard. Children,Christmas,Classical. Octavo. 36 pages. Colne Edition / BullardMusic #688801. Published by Colne Edition / BullardMusic (A0.1084615). A seasonable celebration for SATB choir, optional youth choir and narrator, with piano (or brass quintet, or string quintet, score and parts available from www.colneedition.co.uk). Duration c. 25-30 minutes. This 8-movement cantata contrasts the cooking of the Christmas dinner with more reflective Christmas themes, with an opportunity for the audience to join in at the end. Ideal for Christmas concerts. We welcome you to our ‘Feast for Christmas’. In the first movement, Christmas Welcome, the scene is set: but the key to a successful Christmas dinner is forward planning and in the second movement the Christmas Pudding is prepared in November, on ‘Stir-up Sunday’. In the third movement, Christmas Eve, the early twentieth century poet Robert Bridges looks back, on a frosty evening, from his own time to the very distant past, and considers what Christmas means to him. Then in the fourth movement, our Christmas Feast is prepared, and the Christmas Grace (fifth movement) is not forgotten. It is of course impolite to sing during the actual Christmas Dinner itself, but towards the end of the meal the peace is rudely interrupted by the sixth movement, Christmas Crackers. The seventh movement, Christmas Spirit, reminds us, in seventeenth-century words, of how we should share our good fortune with those who have need of it, and in the last movement, Christmas Celebration, the audience is invited to join in, with the last verse of the well known ‘We wish you a merry Christmas’ Some separate movements are also available: Christmas Recipe, Festival (Christmas) Grace, and Christmas Celebration. Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$3.99
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