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Vous avez sélectionné:
The Five Elements
Chorale SATB
Partitions à imprimer
5 partitions trouvées
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Nordisk vår
Chorale SATB
SATB chorus divisi - Digital Download SKU: BJ.1282K Nordic Spring. Composed …
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SATB chorus divisi - Digital Download SKU: BJ.1282K Nordic Spring. Composed by Daniel Fjellström. Secular. Octavo. 20 pages. Bo Ejeby Forlag - Digital #1282K. Published by Bo Ejeby Forlag - Digital (BJ.1282K). 8.27 x 11.7 inches.Nordic Spring takes you on a ramble through moods and tones inspired by the brilliant, astringent and melancholic poetry of Edith Sodergran. The two percussion parts take turns accompanying the choir and painting contrasts with their own melodies and an extended instrumental interlude. Spring is represented by the marimba, the vibraphone and the crotales, that create a tonal world based on the Chinese philosophy of the Five Elements: Spring (wood), Summer (fire), Late Summer (earth), Autumn (metal), and Winter (water). These phases generate or give birth to one another in one order, while they control or undo each other in the reverse order. Nordisk var was commissioned by the Vocal Art Ensemble of Sweden, conducted by Jan Yngwe, and the Rhythm Art Duo - Daniel Berg and Fredrik Duvling, with financial support from Korcentrum Syd (Southern Choral Centre), Lund University. The piece is dedicated to these two ensembles that also performed it at its world premiere on May 19, 2015 at the venue Artisten in Gothenburg. - Daniel Fjellstrom Vocal score. Separately available: full score (1282P) and instrumental parts (1282I).
$6.00
5.55 €
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Chorale SATB
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Daniel Fjellström
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Nordisk vår
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Missa Millennia in Honor of St. Francis (SATB)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
$10.00
9.25 €
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Chorale SATB
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Curtis Hanson
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Missa Millennia in Honor of St. Francis
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Curtis Hanson
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SheetMusicPlus
Fly
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.844243 Composed by …
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.844243 Composed by Donald John Sebesky. Arranged by Gerhard Guter. A Cappella. Octavo. 5 pages. Gerhard Guter #4109727. Published by Gerhard Guter (A0.844243). Voicing: a cappella SSATTB plus soloists (soprano & tenor) Originally recorded and sung by the composer/arranger, Don Sebesky, for the CTI Records release Giant Box in 1973. An ethereal introduction sets the tone for the recurring soprano and tenor duet. Lush, contemporary harmonies accompany the duet, weaving through five key centers until all that remains is the introductory material reintroduced in a new key, and with spacey counterlines. Optional antiphonal parts (heard in demo at 12 second mark), notes (expanding voicing to SSAATTBB), and suggestions for doubling are provided for larger choirs, but these additional elements are not necessary for a successful performance. Recorded as the title track on Fly by the Riverside City College Vocal Jazz Ensemble and premiered at the University of North Texas/Addison Jazz Festival in 2006.
$49.99
46.23 €
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Chorale SATB
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Donald John Sebesky
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Gerhard Guter
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tenor)
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Fly
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Gerhard Guter
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SheetMusicPlus
Gaudeamus
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1333731 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1333731 Composed by David W. Barber. A Cappella,Christian,Early Music,Jazz,Medieval. 25 pages. David W. Barber #920028. Published by David W. Barber (A0.1333731). I wrote this piece in 2018 to mark the 50th anniversaryof the Toronto Chamber Choir, a fine early music choir I have sung with since 1998.Using the  opening of the well-known Gregorian chant Gaudeamus omnes (and changingthe text to let us rejoice in music, Gaudeamus is a five- minute musical history tourthrough the various time periods the TCC sings. It begins with plainchant, then two-voiceorganum of the 11th-century Notre Dame school of Leonin and Perotin, followed bythree-voice hocket of a slightly later period. Then a nod to the 15th-century Dufay motetNuper rosarum flores (which the TCC has performed.) Next comes some 16th-centuryTudor music -- Byrd, say -- including some false relations and a typical English cadence.Then comes an allusion to Purcell, specifically the pleasing dissonance of the “voice of theTurtle†from My Beloved Spake. Then comes a little Bach-like fugue (or fughetta) based onthe Gaudeamus motif. Since the TCC rarely performs Classic/Romantic repertoire, wejump immediately to a jazzy ending in compound meter -- imagine Byrd meets Brubeck,based on one of my own earlier pieces for solo piano, but with elements of the Gaudeamusmelody. And all that in five minutes. Phew!
$3.99
3.69 €
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Chorale SATB
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David W
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Gaudeamus
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David W. Barber
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SheetMusicPlus
Gloria (Downloadable Choral Score)
Chorale SATB
SATB choir divisi, optional children's choir, organ, handbells - Moderately Easy - Digital…
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SATB choir divisi, optional children's choir, organ, handbells - Moderately Easy - Digital Download SKU: MQ.50-1428-E Composed by Susan Borwick. Advent, Christmas. Instrument parts. 15 pages. MorningStar Music Publishers - Digital Sheet Music #50-1428-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-1428-E). Originally composed as a meditative recessional, Gloria blends three elements: quiet, sustained choral singing; Franz Gruber's STILLE NACHT melody; and a gradual and inevitable thinning of vocal, then instrumental sound to silence. The choir writing is often in 8 parts, the handbell part is not difficult but spans a five octave set.
$2.85
2.64 €
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Chorale SATB
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Susan Borwick
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Gloria
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
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