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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Last Stand
Non classifié
602
Piano & claviers
Piano seul
240
Piano, Voix et Guitare
90
Piano Facile
59
Instruments en Do
52
Piano, Voix
48
Accompagnement Piano
19
Orgue
18
Piano grosses notes
7
Piano Quatuor: piano, violon, alto, violoncelle
4
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
4
Piano (partie séparée)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
1
Accordéon
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
48
Ligne De Mélodie, (Paroles) et Accords
47
Guitare
29
Ukulele
13
Guitare (partie séparée)
5
Basse electrique
4
Piano, Guitare (duo)
4
Paroles et Accords
4
Mandoline
2
Dulcimer
2
Banjo
2
4 Guitares (Quatuor)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
45
Chorale 3 parties
20
Voix duo, Piano
12
Chorale 2 parties
10
Chorale Unison
9
Chorale TTBB
6
Voix haute
6
Voix Soprano, Piano
6
Chorale SSAA
4
Voix Baryton, Piano
3
Voix seule
3
Voix Tenor, Piano
2
Soli, choeur mixte et accompagnement
2
Voix moyenne, Piano
2
Pack Instrumental pour Chorale
2
Voix basse, Piano
2
Voix Tenor
1
Voix Soprano
1
Voix basse
1
Voix duo
1
Voix Alto, Piano
1
+ 16 instrumentations
Retracter
Vents
2 Saxophones (duo)
53
Flûte, Hautbois, Clarinette, Basson
36
Flûte traversière et Piano
34
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
30
Clarinette et Piano
29
Quatuor de Saxophones: 4 saxophones
28
2 Clarinettes (duo)
27
Hautbois, Piano (duo)
27
2 Flûtes traversières (duo)
26
Saxophone Alto et Piano
24
Saxophone, Clarinette (duo)
23
Quatuor de Clarinettes: 4 clarinettes
19
Saxophone Soprano et Piano
18
Saxophone (partie séparée)
17
Clarinette, Violon (duo)
17
3 Clarinettes (trio)
17
Quatuor de Flûtes : 4 flûtes
16
Flûte, Clarinette (duo)
13
Saxophone Tenor et Piano
13
Saxophone Tenor
12
Clarinette, Trompette (duo)
11
2 Hautbois (duo)
10
Saxophone Alto
8
Hautbois, Basson (duo)
8
Flûte, Alto (duo)
8
Flûte, Violon
8
Clarinette Basse, Piano
8
Clarinette et Alto
8
Saxophone Baryton, Piano
8
Hautbois (partie séparée)
7
Ensemble de Clarinettes
7
Flûte traversière
7
Hautbois, Clarinette (duo)
7
Flûte, Trompette (duo)
6
Hautbois, Flûte
6
Flûte, Saxophone (duo)
6
Clarinette
6
Cor anglais, Piano
5
Ensemble de Flûtes
5
Ensemble de saxophones
4
Flûte, Hautbois, Clarinette (trio)
3
Flûte à bec Soprano
3
Flûte à bec Alto, Piano
3
Flûte, Hautbois (duo)
3
Trio de Flûtes: 3 flûtes
3
Flûte à bec Soprano, Piano
3
Quintette de Clarinettes: 5 clarinettes
2
Flûte à Bec
2
Harmonica
2
Hautbois, violon (duo)
2
Flûte à bec Alto
2
Clarinette Basse
1
Cor Anglais
1
Flute (partie séparée)
1
Flûte, Violoncelle
1
Saxophone et Orgue
1
Flûte, Violon et Violoncelle
1
3 Saxophones (trio)
1
Piccolo, Piano
1
2 Flûtes traversières, Piano
1
Hautbois, Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Violoncelle (duo)
1
Flûte, Clarinette et Basson
1
+ 59 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Trombone et Piano
16
Trompette, Saxophone (duo)
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Trompette, Piano
14
Cor et Piano
14
Trompette (partie séparée)
13
Trompette
11
Trombone (partie séparée)
10
2 Trompettes (duo)
10
2 Trombones (duo)
10
Euphonium, Piano (duo)
8
Trompette, Trombone (duo)
7
Trombone
6
Tuba et Piano
5
Cor
5
Cor anglais, Piano
5
2 Cors (duo)
4
Quatuor de Cuivres
4
Trompette, Cor (duo)
2
Cor Anglais
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Tubas
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone basse et Piano
1
Tuba
1
Tuba et Orgue
1
2 Euphoniums et 2 Tubas
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
51
Violon et Piano
37
Alto, Piano
27
Violoncelle, Piano
24
Violon, Alto (duo)
23
2 Violons (duo)
20
Violon
17
Harpe
17
Violon, Violoncelle (duo)
17
Violoncelle
15
Trio à Cordes: violon, alto, violoncelle
12
2 Altos (duo)
10
2 Violoncelles (duo)
10
Contrebasse, Piano (duo)
6
Contre Basse
5
Alto seul
5
Contrebasse (partie séparée)
3
Violon (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
Alto (partie séparée)
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle, Contrebasse (duo)
1
Violon, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
Harpe, Violoncelle (duo)
1
Violoncelle (partie séparée)
1
4 Contrebasses
1
2 Harpes (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Violon, Violoncelle
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
105
Orchestre de chambre
30
Orchestre
29
Ensemble Jazz
27
Orchestre à Cordes
18
Ensemble de cuivres
10
Cloches
9
Ensemble de Percussions
6
Batterie (partie séparée)
4
Percussion (partie séparée)
3
Fanfare
3
Batterie
3
Xylophone, Piano
1
Marimba
1
Jazz combo
1
+ 10 instrumentations
Retracter
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ACCORDEON
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BASSE
BASSON
BATTERIE
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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REGGAE
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Vous avez sélectionné:
The Last Stand
Chorale SATB
Partitions à imprimer
45 partitions trouvées
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1
26
IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M...
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Choral Choir (SATB) - Level 3 - SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation. Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and B♠Clarinet. The key signature of the anthem is B♠Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major). The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune.
$2.99
Last Words Orchestra Score and Instrument Parts
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Michael Myrick
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Last Words Orchestra Score and
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MICHAEL MYRICK
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.765565 Composed by Michael Myrick. Easter,Sacred. Octavo. 228 pages. MICHAEL MYRICK #2998963. Published by MICHA...
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Choral Choir (SATB) - Level 3 - SKU: A0.765565 Composed by Michael Myrick. Easter,Sacred. Octavo. 228 pages. MICHAEL MYRICK #2998963. Published by MICHAEL MYRICK (A0.765565). Last Words begins on the day of the crucifixion, the heart of the passion story. The last statements Jesus makes are set to music to bring worshipers to a closer understanding of His sacrifice. The cantata takes the listener from sorrow to heartbreak as Christ looks down from the cross and speaks. This is a deeply moving service your choir and congregation will never forget. BREATHTAKING!CONTENTSPreludeI. Woman Behold Your SonII. Father, Forgive ThemIII. ParadiseIV. My God, Why?V. I ThirstVI. Father into Your HandsVII. It Is FinishedVIII. KyrieSCORE, ALL ORCHESTRA PARTS ARE INCLUDED WITH THIS PURCHASEVideo Promotional: https://youtu.be/jvKOh2oP8xUChoir / Keyboard edition is also available from SMP. S0.187873 Last Words SATB and Keyboard
$100.00
Out of the Depths
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Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Philip Le Bas
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Out of the Depths
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Philip Le Bas
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.818179 Composed by Philip Le Bas. Christian,Contemporary,Sacred,Spiritual. Octavo. 11 pages. Philip Le Bas #5770...
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Choral Choir (SATB) - Level 4 - SKU: A0.818179 Composed by Philip Le Bas. Christian,Contemporary,Sacred,Spiritual. Octavo. 11 pages. Philip Le Bas #5770087. Published by Philip Le Bas (A0.818179). This setting of Psalm 130 (Out of the depths have I cried to you, O Lord) was written as a response to the covid-19 lockdown crisis. It is a prayer for help in the midst of difficulty and sin, waiting for God with hope in his compassion and forgiveness. Its tempo marking of soulful, but rhythmic highlights the character of the weary, bluesey theme in B flat minor and its falling chromatic accompaniment. However, there are signs of hope throughout the setting, and the last verse mixes its principal key of G major with the original rise and fall of the minor third interval (G to B flat). Hope is, after all, sure and certain, yet it is a trust in a God who is ultimately unseen and unknownable.Psalm 130: Out of the depths have I cried to you, O Lord, Lord, hear my voice,O let your ears be attentive to the voice of my supplications. If you, O Lord, should mark our iniquities, Lord, who could stand? But there is forgiveness with you, that you may be feared. I wait for the Lord, I wait for the Lord.My soul waits, and in his word I hope. My soul waits for the Lord more than those who watch for the morning, more than those who watch for the morning. O Israel, hope in the Lord, for with the Lord there is steadfast love and great power to redeem. The Lord will redeem you, O Israel, from all your iniquities.
$1.99
The Living Cathedral
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Chorale SATB
#
INTERMÉDIAIRE
#
Geoffrey Peterson
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The Living Cathedral
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Geoffrey Peterson
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.942966 Composed by Geoffrey Peterson. Classical,Contemporary,Sacred. Octavo. 28 pages. Geoffrey Peterson #599750...
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Choral Choir (SATB) - Level 3 - SKU: A0.942966 Composed by Geoffrey Peterson. Classical,Contemporary,Sacred. Octavo. 28 pages. Geoffrey Peterson #5997509. Published by Geoffrey Peterson (A0.942966). The title of the cantata was borrowed from the book The Living Cathedral: St John the Divine: A History and Guide. The following statement by St John the Divine expresses some of my motivation for composing it:St John the Divine embraces a community that extends beyond the Episcopal Church to include people of many faiths and cultures here in New York City…The Cathedral is a living place of worship built on a foundation of purpose and inspiration…Since its founding in 1893, the Cathedral has stood as a ‘house of prayer for all nations,’ inspired by the wave of immigration that took place over the last four decades of the 19th century. The values of inclusion and community have remained integral to the Cathedral and all who visit.It is my hope, not only for communities of faith, but for all people to strive and achieve the human ideals of tolerance, understanding and kindness. Movements: I. Alleluia II. Lord, make me an instrument of Thy peace (Prayer of Saint Francis) III. Laudate Dominum (Psalm 149,150) IV. Lead gently, Lord, and slow (Paul Laurence Dunbar) V. The spacious firmament on high (Psalm 19, Joseph Addison) *Organ and string parts available for sale separately.
$3.99
The Star-Spangled Banner
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Chorale SATB
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INTERMÉDIAIRE
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John Stafford Smith
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Shelton Ridge Love
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The Star-Spangled Banner
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Shelton Ridge Love
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.779348 Composed by John Stafford Smith. Arranged by Shelton Ridge Love. Folk,Holiday,Patriotic. Octavo. 14 pages...
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Choral Choir (SATB) - Level 3 - SKU: A0.779348 Composed by John Stafford Smith. Arranged by Shelton Ridge Love. Folk,Holiday,Patriotic. Octavo. 14 pages. Shelton Ridge Love #3096887. Published by Shelton Ridge Love (A0.779348). Arranged for SATB choir with piano duet (one piano, four hand) accompaniment, this majestic arrangement of The Star-Spangled Banner is perfect for every American patriotic concert or celebration. After a fanfare opening, the audience is invited to participate in the pledge to the flag and the first stanza. The choir then sings the lesser-known second stanza, concluding with a triumphant coda.At this time, the companion recording includes only digitized voices, so the lyrics for the entire arrangement are included below. (Lyrics by Francis Scott Key)America! America!God shed his grace on thee!O say, can you see, by the dawn's early light,What so proudly we hailed at the twilight's last gleaming?Whose broad stripes and bright stars, through the perilous fight,O'er the ramparts we watched were so gallantly streaming?And the rocket's red glare, the bombs bursting in air,Gave proof through the night that our flag was still there.O say, does that star-spangled banner yet waveO'er the land of the free and the home of the brave?O thus be it ever when free men shall standBetween their loved homes and the war's desolation!Blest with vict'ry and peace, may the head'n-rescued landPraise the pow'r that hath made and preserved us a nation!Then conquer we must when our cause it is just,And this be our motto: In God is our trust!And the star-spangled banner in triumph shall waveO'er the land of the free and the home of the brave!Ah! America!
$1.99
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
The Messianic Psalm Trilogy
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Zachary Damm
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The Messianic Psalm Trilogy
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Digital Print Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.969602 Composed by Zachary Damm. Christian,Easter,Sacred,Spiritual,Standards. Octavo. 17 pages. Digital Print Pu...
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Choral Choir (SATB) - Level 3 - SKU: A0.969602 Composed by Zachary Damm. Christian,Easter,Sacred,Spiritual,Standards. Octavo. 17 pages. Digital Print Publishing #6620047. Published by Digital Print Publishing (A0.969602). The first in a trilogy of Messianic Psalms, Psalm 22 poignantly presents the Good Shepherd, giving His life for the sheep, then rising again triumphantly. The contrast between the minor and major keys of the first and second sections adequately portray the humiliation and exaltation of the Savior. This Psalm is a moving and fresh piece of music for Easter services, or any time of the year. Psalm 23 is the second in the trinity including Psalms 22 and 24 and presents the Great Shepherd, having died and risen again, caring for His sheep. The lively, flowing rhythm and the simple melody create a pleasant pastoral atmosphere that captures the message of this popular Psalm. The last of a trilogy of Psalms including Psalms 22 and 23, Psalm 24 presents the Chief Shepherd, returning to rule over the world. A triumphant organ part accompanies the jubilant choir to welcome the King.See also other Psalms and works by this composer including the aforementioned titles sold individually. To contact the composer, please send a message to zddamm@yahoo.com or (703) 389-5058.
$8.00
Last Words
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Michael Myrick
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Last Words
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MICHAEL MYRICK
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.765617 Composed by Michael Myrick. Christian,Easter,Sacred. Octavo. 68 pages. MICHAEL MYRICK #3575911. Published...
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Choral Choir (SATB) - Level 3 - SKU: A0.765617 Composed by Michael Myrick. Christian,Easter,Sacred. Octavo. 68 pages. MICHAEL MYRICK #3575911. Published by MICHAEL MYRICK (A0.765617). Last Words begins on the day of the crucifixion, the heart of the passion story. The last statements Jesus makes are set to music to bring worshipers to a closer understanding of His sacrifice. The cantata takes the listener from sorrow to heartbreak as Christ looks down from the cross and speaks. This is a deeply moving service your choir and congregation will never forget. BREATHTAKING!
$4.50
The Last Rose of Summer
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Chorale SATB
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FACILE
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Traditional
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Alejandro Ignacio Luiso
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The Last Rose of Summer
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Alejandro Luiso
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.935526 Composed by Traditional. Arranged by Alejandro Ignacio Luiso. Celtic,Folk,Holiday,Standards. Octavo. 6 pa...
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Choral Choir (SATB) - Level 2 - SKU: A0.935526 Composed by Traditional. Arranged by Alejandro Ignacio Luiso. Celtic,Folk,Holiday,Standards. Octavo. 6 pages. Alejandro Luiso #6203763. Published by Alejandro Luiso (A0.935526). This song is one of the most well known songs in the folk and traditional irish repertoire, and this new arrangement shares the lead melody between every part, giving every voice in the choir the chance to showcase their skills and expressive range.
$5.99
There is Only One, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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There is Only One, a sacred hy
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1102947 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1102947 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #706274. Published by Kevin G. Pace (A0.1102947). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: When life seems unsure, with no lasting cure, Questions come about turning faith to doubt. When you feel alone, and no care is shown, When it’s hard to stand, take God’s steady hand. Take his hand! Take his hand when life’s not what was planned. Take his hand; He’ll lend his strength—He can. Just take his hand. Oh, take his hand. When in dark despair, when no one is there, When belief is small and all trust is stalled, When cast down with shame, hear his holy Name. When life’s filled with fear, know He’s very near. He is near! He is near and to Him you are dear. He is near and He will dry your tears. Oh, He is near. Know He is near. When sore trials come, when shade covers sun, When all hope is past and belief won’t last, When God’s arm is bare and His voice seems rare, There is only One. Know that He will come. He will come! He will come when senses feel so numb. He will come when blessings seem undone. Oh, He will come. Know He will come. Take his hand! When it’s hard to stand, oh take his hand, for He is near! When life’s filled with fear, know He is near, and He will come! There is only One. Oh, He will come. There is only One and He will come.
$1.99
The Gallery Carol
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Chorale SATB
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INTERMÉDIAIRE
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Anonymous
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Donovan D
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The Gallery Carol
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Donovan Klotzbeacher
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1294906 Composed by Anonymous. Arranged by Donovan D. Klotzbeacher. Christian,Christmas,Holiday,Re...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1294906 Composed by Anonymous. Arranged by Donovan D. Klotzbeacher. Christian,Christmas,Holiday,Religious,Sacred. 5 pages. Donovan Klotzbeacher #885218. Published by Donovan Klotzbeacher (A0.1294906). Here is a fresh arrangement of a carol from an old church gallery book. It is for mixed voices SATB with divisi and includes a piano part. The first verse is a standard four-part chorale. The second verse is a trio for women and the third verse is a trio for men. The last verse is a variation on the chorale that has the feel of a descant, finally resolving on the final notes of the original melody.
$1.99
Save The Last Dance For Me (arr. Mark Brymer)
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Chorale SATB
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Rock
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Michael Buble
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Mark A
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Save The Last Dance For Me
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Hal Leonard - Digital
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SheetMusicPlus
(SATB) - SKU: HX.439994 By Michael Buble. Arranged by Mark A. Brymer. Pop,Rock,Standards. Choral. 7 pages. Duration 155. Published by Hal Leonard - Digi...
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(SATB) - SKU: HX.439994 By Michael Buble. Arranged by Mark A. Brymer. Pop,Rock,Standards. Choral. 7 pages. Duration 155. Published by Hal Leonard - Digital (HX.439994).
$1.80
For Wisdom is Better than Jewels
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Chorale SATB
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INTERMÉDIAIRE
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Connie Pwll Walck Tyler
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For Wisdom is Better than Jewe
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Connie Tyler
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.1008087 Composed by Connie Pwll Walck Tyler. Christian,Contemporary,Jewish,Sacred. Octavo. 48 pages. Conn...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.1008087 Composed by Connie Pwll Walck Tyler. Christian,Contemporary,Jewish,Sacred. Octavo. 48 pages. Connie Tyler #4765403. Published by Connie Tyler (A0.1008087). What is Wisdom?In Proverbs 8:5-11 she says,Learn prudence, acquire intelligence, …take my instruction instead of silver,and knowledge rather than choice gold,for Wisdom is better than jewels. This suite of three songs is appropriate for use in a Christian or Jewish religious service or a secular concert. It includes a short audience participation possibility at the end of the last song. All are written for flute, piano, ethnic drum, SATB plus a high soprano part that can be a soloist. The drum part is written out, but could be improvised. The first song, Hear My Call, is short (1:49) and could be used as a call to worship in a religious service. The second song, God Created Me, (4:36) is an anthem of praise using the wonderful words of the creation of Wisdom in Proverbs 8:22-36 with a descant of the creation story in the book of Ben Sira 24:3, found in the Apocrypha. The tenors and basses sing the comparison of Wisdom with the trees of Israel, also found in Ben Sira, all in praise of Wisdom. The third song, Choose Life, (1:16) includes a chant that can be sung by the congregation or audience along with the choir. This could be used as the final hymn in a religious service. All three songs can be used separately or together. At the end of the score you will find a copy of the congregational chant which can be copied and placed in an Order of Service or Program. Purchase includes the right to make eight photocopies. For additional copies please purchase another score from sheetmusicplus.com. The recording is electronically produced and therefore has choral oohs without words. All three songs are on the recording, and at the end there is a flute rendering of the chant.. This is not intended to stand alone, but to be sung, as directed, with the last part of the choir song, Choose Life.
$20.00
Slavery Chain Done Broke At Last (with "Free At Last")
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Chorale SATB
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Spiritual
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Stephen DeCesare
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Slavery Chain Done Broke At La
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Exultet Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.620930 Composed by Spiritual. Arranged by Stephen DeCesare. Folk,Instructional,Spiritual,Standards,Traditional. ...
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Choral Choir (SATB) - Level 2 - SKU: A0.620930 Composed by Spiritual. Arranged by Stephen DeCesare. Folk,Instructional,Spiritual,Standards,Traditional. Octavo. 12 pages. Exultet Music #3493147. Published by Exultet Music (A0.620930). Two African-American spirituals from the Civil War period that sing of the freeing of the slaves, have been freshly arranged and joined together and scored for Soprano Solo, Tenor Solo, SATB, with Piano accompaniment. Accessible and appropriate for any church or concert setting. Featured in the musical The American Civil War which is available on this site.
$3.99
Nearer My God To Thee (SATB)
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Chorale SATB
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FACILE
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Musique Sacrée
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Stephen DeCesare
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Stephen DeCesare
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Nearer My God To Thee
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Exultet Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1082854 By Stephen DeCesare. By Lowell Mason. Arranged by Stephen DeCesare. Film/TV,Praise & Worship,Sacred,Stan...
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Choral Choir (SATB) - Level 2 - SKU: A0.1082854 By Stephen DeCesare. By Lowell Mason. Arranged by Stephen DeCesare. Film/TV,Praise & Worship,Sacred,Standards,Traditional. Octavo. 7 pages. Exultet Music #687060. Published by Exultet Music (A0.1082854). The 19th century Christian hymn which is well known as the alleged last song the band on RMS Titanic played before the ship sank has been freshly arranged for SATB with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$3.99
Hymns of the Cross
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Chorale SATB
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Musique Sacrée
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Lloyd Larson
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Hymns of the Cross
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Exaltation Publications
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SheetMusicPlus
SATB choir, Congregation, Piano (With Optional Brass Quintet, Handbell 3-5 octaves) - SKU: LX.10-3250L Composed by Lloyd Larson. Hymn Enhancement Series...
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SATB choir, Congregation, Piano (With Optional Brass Quintet, Handbell 3-5 octaves) - SKU: LX.10-3250L Composed by Lloyd Larson. Hymn Enhancement Series. Sacred Anthem, Holy Week, Lent. Octavo. 10 pages. Exaltation Publications #e10/3250L. Published by Exaltation Publications (LX.10-3250L). UPC: 000308100532.Designed as a resource to enhance congregational singing, this series provides choral Introits and/or Codas to be used with familiar hymns. Standard chorale settings along with an interlude, modulation, last stanza free harmonization and high-voice descant are also included in each arrangement.
$2.50
The Sound Of Silence
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Chorale SATB
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AVANCÉ
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Cody Fry Feat
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Cody Fry
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The Sound Of Silence
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Cody Fry
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1497505 By Cody Fry Feat. Sleeping At Last. By Paul Simon. Arranged by Cody Fry. 21st Century,Classi...
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Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1497505 By Cody Fry Feat. Sleeping At Last. By Paul Simon. Arranged by Cody Fry. 21st Century,Classical,Contemporary,Film/TV,Singer/Songwriter. 9 pages. Cody Fry #1073657. Published by Cody Fry (A0.1497505). The haunting lyrics of Paul Simon's The Sound of Silence take on new salience with this epic orchestral reimagining by Grammy-nominated arranger Cody Fry. Written for orchestra, full choir, and two solo vocalists, this jaw-dropping symphonic poem will leave you contemplating the nature of modern society and technology. First premiered with the Chicago Symphony Orchestra in May 2024, Cody has been performing this new arrangement to standing ovations all over the country.
$2.99
Seek The Lord's Will, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Seek The Lord's Will, a sacred
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1092023 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 3 pa...
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Choral Choir (SATB) - Level 4 - SKU: A0.1092023 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #696157. Published by Kevin G. Pace (A0.1092023). A beautiful, magnificent, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text : Seek the Lord’s will when you need direction. He will honor ev’ry honest heart. Hope will follow heeded inspiration; Understanding He’ll impart. Seek the Lord’s will; seek Him in your asking, Certain to remember his pure grace. Listen closely, for his voice is lasting; He will come into your space. Seek the Lord’s will when you feel defeated. Mercy begs to banish ev’ry care. Kneeling even when all hope’s depleted Brings God’s peace with love so rare. Seek Him; ever seek Him. Seek the Lord’s will for your life. Trust Him; ever trust Him. He will answer in his time. Love Him; ever love Him. Charity He’ll gift to you. Seek the Lord’s will always; He designs to make you new.
$1.99
Angel, Blow that Trumpet
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Chorale SATB
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Ken Litton
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Ken Litton
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Angel, Blow that Trumpet
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - SKU: A0.1436603 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 20 pages. A...
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Choral Choir,Choral,SATB Chorus - SKU: A0.1436603 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 20 pages. Artist of Note, Inc. #1016714. Published by Artist of Note, Inc. (A0.1436603). Angel, Blow that TrumpetWords & Music by Ken Litton (ASCAP)SATB Piano, opt. String Bass, Clarinet, Trumpet & TromboneMany choirs/ensembles haven't done many trumpet-feature songs in the last decade or so. But, since the trumpet figures so prominently in the Bible why not try one?! And, since both the anthems and contemporary worship songs of today tend to neglect the second coming of Christ here’s an offering from the spiritual/anthem/jazz confluence.Angel, Blow that Trumpet is based on I Corinthians 13:50-57 and I Thessalonians 4:13-18. The style? Well, let’s call it “Natalie Sleeth meets New Orleans jazz!”You’re almost sure to find the voicing very approachable, yet thrilling for SATB (TTNN and SSA also available).The accompaniment is a dixie-land styling originally conceived for piano, string bass/fretless electric bass/standard bass guitar (it would be fun to have someone do it on the “big bass viol”), Bb clarinet, trombone and Bb trumpet. These parts are included with the choral score.Above all, it's fairly easy to learn and fun to sing!The clarinet and trombone parts a lot of fun and the trumpet part features an easily playable/adaptable ending that really nails the piece (actually the lower version is really nice). It turns out that they are really best for good, legit players just as written in a swing style.And, though I know that you have more than enough skill to get all of this from the score, the audio file in mp3 format (3:32) will also available separately.All this from the places you go for the best in downloadable resources:Sheet Music Directsheetmusicdirect.comSheet Music Plussheetmusicplus.comAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$1.99
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Chorale SATB
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INTERMÉDIAIRE
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 2 - Eighths
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Dots and Beams
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #47...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Eight Hymns of Isaac Watts
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Brian Joyce
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Eight Hymns of Isaac Watts
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Brian Joyce
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.836712 Composed by Brian Joyce. Christian,Sacred. Octavo. 21 pages. Brian Joyce #4325937. Published by Brian Joy...
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Choral Choir (SATB) - Level 3 - SKU: A0.836712 Composed by Brian Joyce. Christian,Sacred. Octavo. 21 pages. Brian Joyce #4325937. Published by Brian Joyce (A0.836712). If you ever need a break from the soundbyte theology found in so many contemporary Christian lyrics, why not revisit the words of Isaac Watts (1674-1748), who could stretch a single coherent thought across multiple verses of his hymns? Watts was a prolific writer on many subjects, including geography, astronomy, ethics, and psychology. His book on Logic became a standard university text, being used at Oxford for over 100 years. But his greatest desire was to assist Christians in the worship of God and it is his hymns for which he is best remembered today.These old words are here set to new music which represents a blending of three different traditions: First, and most obvious, is the rustic sound of early American shape-note singing. Second is the strong linearity of 13th century Ars Antiqua voice leading, in which each part was more or less independent. And third is my own fondness for mixed meters and sonorities built on fourths and seconds. Yet it all works somehow: these are actually very singable hymns once the choir has acclimated to the style. Most fall comfortably into a simple diatonic language and would present no jarring problems for the listener. Five of the hymns are for standard mixed voices (SATB); one is for men’s voices (TTB); one for women’s (SSA) and the last, a Doxology, is in six parts (SSATTB) with a florid threefold amen. There is admittedly a certain sameness about these settings; perhaps it’s best if they are not all sung in one go, cover to cover. Taken individually, however, there is no reason they couldn’t make for a refreshing change from the usual church anthem, and a group of three or four could easily find a place on a choral recital program.
$2.50
Michael Buble: Save The Last Dance For Me (arr. Mark Brymer) - choir (SATB: soprano, alto, tenor, bass)
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Chorale SATB
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INTERMÉDIAIRE
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Rock
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Michael Buble
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Virtualsheetmusic
Instantly printable sheet music by Michael Buble for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / pop,rock,standards
Instantly printable sheet music by Michael Buble for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / pop,rock,standards
$5.78
Strano il mio Destino for SATB + Piano (complete score + piano acc. + piano rehearsal + text and tra
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Chorale SATB
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FACILE
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Giorgia Todrani, Maurizio Fabr
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Marco Borsoi
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studio 95/96)
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Strano il mio Destino for SATB
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Marco Borsoi
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.904849 Composed by Giorgia Todrani, Maurizio Fabrizio. Arranged by Marco Borsoi. Jazz,Pop,World. Octavo. 21 page...
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Choral Choir (SATB) - Level 2 - SKU: A0.904849 Composed by Giorgia Todrani, Maurizio Fabrizio. Arranged by Marco Borsoi. Jazz,Pop,World. Octavo. 21 pages. Marco Borsoi #3512071. Published by Marco Borsoi (A0.904849). Strano il mio destino è un brano musicale della cantautrice italiana Giorgia, 3º classificato al Festival di Sanremo 1996. Il pezzo è contenuto nell'album Strano il mio destino (Live & studio 95/96). Autori del brano sono Giorgia e Maurizio Fabrizio. Questa armonizzazione originale per coro misto SATB e pianoforte, esalta ancor più le caratteristiche melodiche e armoniche del brano, rendendolo ancora più unico e magico. Il brano parla di una donna che riflette su una storia passata. Una storia che lei stessa ha voluto o dovuto chiudere, ma non certo senza rimpianti; Che donna sarò, se non sei con me e se ti amerò ancora e di più …. E pensa: Strano il mio destino che mi porta qui … ; un destino che la costringe, per qualche motivo, a riflettere sul suo passato, riportandola al momento in cui ha deciso di andarsene via in silenzio. Un destino che, ancora oggi, la sorprende a ripensare a quell’amore ma senza indicarle una nuova strada dove poter andare, perché, anche se tutto quell’amore, io l’ho spazzato via…, fa male non pensare a te. Nel ritornello, emerge una speranza (sottolineata dall’apertura della melodia): Io non ti perderò, oltre il tempo e le distanze andrò…; speranza che viene confermata nell’ultima strofa: È chiaro il mio destino … io ti raggiungerò, quando la ragazza capisce anche che non tutto dipende da lei: proverò a gridare e forse sentirai, la mia voce che ti chiama, se vuoi.. E la speranza, divenuta certezza, ritorna con la ripetizione, enfatizzata dallo slancio melodico, della frase conclusiva … per non lasciati più. --------------- Strano il mio Destino is a piece of music by the Italian singer-songwriter Giorgia, 3rd at the Sanremo Festival 1996. The piece is on the album Strano il mio destino (Live & studio 95/96). Authors of the song are Giorgia and Maurizio Fabrizio.This original harmonization for mixed SATB choir and piano, enhances even more the melodic and harmonic characteristics of the piece, making it even more unique and magical. The song is about a woman who reflects on a past story. A story that she herself wanted or had to close, but certainly not without regrets; What a woman I will be, if you are not with me and if I will love you more and more.... And she thinks: Strange is my fate, that brings me here…; a fate that compels her, for some reason, to reflect on her past, bringing her back to the moment in which she decided to leave away in silence. A destiny that, even today, surprises her to rethink about that love but without indicating a new way to go, because, even if all that love, I have swept it away ..., it hurts not to think about you. In the refrain, a hope emerges (underlined by the opening of the melody): I will not lose you, beyond time and distance I will go ...; hope that is confirmed in the last stanza: It is clear my destiny ... I will reach you, when the girl also understands that not everything depends on her: I will try to shout and maybe you will hear, my voice calling you, if you want . And hope, become certainty, returns with the repetition, emphasized by the melodic impetus, of the concluding sentence ... not to leave you, anymore.
$9.99
Three Joyous Songs, Choral Settings From Isaiah
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Dean H
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Sing, O Heavens
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Three Joyous Songs, Choral Set
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D H Hamill
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1012883 Composed by Dean H. Hamill. A Cappella,Contest,Festival,Jewish,Praise & Worship,Sacred. Octavo. 3...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1012883 Composed by Dean H. Hamill. A Cappella,Contest,Festival,Jewish,Praise & Worship,Sacred. Octavo. 34 pages. D H Hamill #6536703. Published by D H Hamill (A0.1012883). Many of the most beautiful passages of scripture appear in the Book of Isaiah. When set to beautiful music, they can be inspiring, uplifting, and fill both listeners and singers with hope. It is my wish that these brief choral works will engender those feelings in those who experience these in performance. Though each piece will stand on its own, together they create a powerful message lasting altogether approximately twelve minutes. PDF files and mp3s for each of the songs may be found separately on this site:  How Beautiful; Sing, O Heavens; And In That Day.  There you can listen to an mp3 of the individual songs.  The mp3 here includes excerpts from each song.  The composer may be contacted at dean.hamill@hushmail.com.
$5.95
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