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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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AUTOHARPE
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
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MANDOLINE
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SAXOPHONE
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Non classifié
320
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7
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2
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1
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Chorale SATB
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9
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4
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3
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3
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3
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2
Voix Tenor
2
Voix duo
1
Voix basse, Piano
1
Voix basse
1
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VENTS
Quatuor de Saxophones: 4 saxophones
37
2 Saxophones (duo)
34
2 Flûtes traversières (duo)
27
Quatuor de Clarinettes: 4 clarinettes
22
2 Clarinettes (duo)
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Flûte, Hautbois, Clarinette, Basson
15
Flûte traversière et Piano
14
Quintette de Saxophone: 5 saxophones
13
3 Saxophones (trio)
13
Flûte, Clarinette (duo)
10
Saxophone Alto et Piano
10
Hautbois (partie séparée)
9
Clarinette
9
Clarinette et Piano
9
Quatuor de Flûtes : 4 flûtes
6
Saxophone, Clarinette (duo)
6
Hautbois, Piano (duo)
6
Quintette de Flûte : 5 flûtes
5
Clarinette, Trompette (duo)
5
Clarinette, Violon (duo)
5
3 Clarinettes (trio)
5
Saxophone Tenor
4
2 Flûte à bec (duo)
4
Saxophone Alto
4
Trio de Flûtes: 3 flûtes
4
2 Hautbois (duo)
4
Saxophone Baryton, Piano
4
Saxophone Soprano et Piano
4
Saxophone Tenor et Piano
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Hautbois, Basson (duo)
4
Clarinette et Alto
3
Quintette de Clarinettes: 5 clarinettes
3
Hautbois, Clarinette (duo)
3
Flûte traversière
3
Flûte, Hautbois, Clarinette (trio)
3
Quatuor de Flûtes à bec
3
Flûte, Alto (duo)
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Ensemble de saxophones
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Flûte, Violon
3
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3
Clarinette, Basson (duo)
2
Flûte à bec Alto, Piano
2
Clarinette Basse, Piano
2
Saxophone (partie séparée)
2
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2
Flûte à bec Alto
2
Cor anglais, Piano
2
Ensemble de Clarinettes
2
5 Flûtes à bec
2
Clarinette, Violoncelle (duo)
1
Flûte à bec Tenor
1
Flûte, Hautbois (duo)
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Violoncelle
1
Ensemble de Flûtes
1
Flûte à Bec
1
Flûte à bec Soprano, Piano
1
Harmonica
1
Hautbois, violon (duo)
1
Ensemble de Hautbois
1
3 Flûtes à bec (trio)
1
Flûte à bec Soprano
1
Flûte et Guitare
1
Flûte, Trompette (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
2 Trompettes (duo)
9
Trombone et Piano
8
2 Trombones (duo)
7
Quatuor de cuivres: 4 trombones
7
Trompette, Cor (duo)
6
Trompette, Trombone (duo)
5
Trompette, Saxophone (duo)
5
Cor et Piano
5
Trompette
5
Trompette, Piano
4
Quatuor de cuivres: 4 cors
4
2 Cors (duo)
4
3 Tubas (trio)
3
3 Trombones (trio)
3
Ensemble de Cors
3
3 Cors (trio)
3
Ensemble de Trombones
3
Tuba et Piano
2
Quatuor de Cuivres
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor anglais, Piano
2
Quatuor de cuivres: 4 trompettes
2
4 Tubas
2
2 Tubas (duo)
1
Ensemble de Tubas
1
Tuba et Orgue
1
Ensemble de Trompettes
1
Trombone, Cor (duo)
1
Euphonium, Tuba (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
47
Violon et Piano
17
2 Violons (duo)
16
Violon, Violoncelle (duo)
12
Trio à Cordes: violon, alto, violoncelle
9
Violon, Alto (duo)
9
Alto, Piano
8
Violon
7
Violoncelle
7
2 Violoncelles (duo)
6
Harpe
6
Violoncelle, Piano
5
2 Altos (duo)
4
Trio à cordes: 3 violins
3
Quatuor à cordes: 4 violons
3
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes : 4 altos
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Harpes (duo)
2
Trio à cordes: 3 altos
2
4 Violoncelles
2
Violon (partie séparée)
2
Alto, Violoncelle (duo)
2
Violoncelle (partie séparée)
1
Alto seul
1
Violoncelle, Contrebasse (duo)
1
Harpe, Violon (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
4 Contrebasses
1
Contre Basse
1
Alto (partie séparée)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
71
Orchestre à Cordes
25
Orchestre
18
Cloches
11
Ensemble de cuivres
9
Orchestre de chambre
5
Ensemble de Percussions
4
Ensemble Jazz
3
Jazz combo
2
Batterie
2
Piano et Orchestre
1
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AUTRES
Vous avez sélectionné:
The Last To Know
Chorale SATB
Partitions à imprimer
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IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation. Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and B♠Clarinet. The key signature of the anthem is B♠Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major). The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune.
$2.99
2.7 €
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Chorale SATB
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Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
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SheetMusicPlus
The Star-Spangled Banner
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.779348 Composed by John St…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.779348 Composed by John Stafford Smith. Arranged by Shelton Ridge Love. Folk,Holiday,Patriotic. Octavo. 14 pages. Shelton Ridge Love #3096887. Published by Shelton Ridge Love (A0.779348). Arranged for SATB choir with piano duet (one piano, four hand) accompaniment, this majestic arrangement of The Star-Spangled Banner is perfect for every American patriotic concert or celebration. After a fanfare opening, the audience is invited to participate in the pledge to the flag and the first stanza. The choir then sings the lesser-known second stanza, concluding with a triumphant coda.At this time, the companion recording includes only digitized voices, so the lyrics for the entire arrangement are included below. (Lyrics by Francis Scott Key)America! America!God shed his grace on thee!O say, can you see, by the dawn's early light,What so proudly we hailed at the twilight's last gleaming?Whose broad stripes and bright stars, through the perilous fight,O'er the ramparts we watched were so gallantly streaming?And the rocket's red glare, the bombs bursting in air,Gave proof through the night that our flag was still there.O say, does that star-spangled banner yet waveO'er the land of the free and the home of the brave?O thus be it ever when free men shall standBetween their loved homes and the war's desolation!Blest with vict'ry and peace, may the head'n-rescued landPraise the pow'r that hath made and preserved us a nation!Then conquer we must when our cause it is just,And this be our motto: In God is our trust!And the star-spangled banner in triumph shall waveO'er the land of the free and the home of the brave!Ah! America!
$1.99
1.8 €
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Chorale SATB
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John Stafford Smith
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Shelton Ridge Love
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The Star-Spangled Banner
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Shelton Ridge Love
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SheetMusicPlus
Out of the Depths
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.818179 Composed by Philip …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.818179 Composed by Philip Le Bas. Christian,Contemporary,Sacred,Spiritual. Octavo. 11 pages. Philip Le Bas #5770087. Published by Philip Le Bas (A0.818179). This setting of Psalm 130 (Out of the depths have I cried to you, O Lord) was written as a response to the covid-19 lockdown crisis. It is a prayer for help in the midst of difficulty and sin, waiting for God with hope in his compassion and forgiveness. Its tempo marking of soulful, but rhythmic highlights the character of the weary, bluesey theme in B flat minor and its falling chromatic accompaniment. However, there are signs of hope throughout the setting, and the last verse mixes its principal key of G major with the original rise and fall of the minor third interval (G to B flat). Hope is, after all, sure and certain, yet it is a trust in a God who is ultimately unseen and unknownable.Psalm 130: Out of the depths have I cried to you, O Lord, Lord, hear my voice,O let your ears be attentive to the voice of my supplications. If you, O Lord, should mark our iniquities, Lord, who could stand? But there is forgiveness with you, that you may be feared. I wait for the Lord, I wait for the Lord.My soul waits, and in his word I hope. My soul waits for the Lord more than those who watch for the morning, more than those who watch for the morning. O Israel, hope in the Lord, for with the Lord there is steadfast love and great power to redeem. The Lord will redeem you, O Israel, from all your iniquities.
$1.99
1.8 €
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Chorale SATB
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Philip Le Bas
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Out of the Depths
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Philip Le Bas
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SheetMusicPlus
For the Fallen (Choral suite - SATB, Piano)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1137248 Composed by John R…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1137248 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737448. Published by John Ross (A0.1137248). “For the Fallen†was written for Bec Beall and her choir “Lux Alba†and was premiered by them in 2019 at St Matthew’s Church, Albury, NSW, Australia. The words of this choral suite were written by the English poet Laurence Binyon in 1914, immediately after the Battle of Mons, where the British Expeditionary Force suffered a serious loss, soon after the start of World War I. The fourth verse (“They shall not grow old as we that are left grow oldâ€) has become known as the “Ode of Remembranceâ€, regularly recited at memorial services. This suite uses the words of the Ode for the first movement, with echoes of the bugle call “The Last Postâ€. The second movement, “They went with songs to the battle†portrays the soldiers as young men in fine fettle, physically and mentally fit for what lies ahead of them. The third movement, “As the stars that shall be bright as we are dust†compares the war dead to stars and constellations. They move “in marches upon the heavenly plainâ€. Will Longstaff’s painting “Menin Gate at Midnight†(reproduced on the cover of this score) movingly illustrates this concept, with ghostly soldiers marching by the Menin Gate at Ypres, Belgium. The work concludes with an alternate setting of the opening movement “They shall not grow oldâ€. A version of this suite with organ accompaniment is also available on this website.
$1.99
1.8 €
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Chorale SATB
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John Ross
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For the Fallen
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John Ross
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SheetMusicPlus
For the Fallen (Choral suite - SATB, Organ)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1137245 Composed by John R…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1137245 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737445. Published by John Ross (A0.1137245). “For the Fallen†was written for Bec Beall and her choir “Lux Alba†and was premiered by them in 2019 at St Matthew’s Church, Albury, NSW, Australia. The words of this choral suite were written by the English poet Laurence Binyon in 1914, immediately after the Battle of Mons, where the British Expeditionary Force suffered a serious loss, soon after the start of World War I. The fourth verse (“They shall not grow old as we that are left grow oldâ€) has become known as the “Ode of Remembranceâ€, regularly recited at memorial services. This suite uses the words of the Ode for the first movement, with echoes of the bugle call “The Last Postâ€. The second movement, “They went with songs to the battle†portrays the soldiers as young men in fine fettle, physically and mentally fit for what lies ahead of them. The third movement, “As the stars that shall be bright as we are dust†compares the war dead to stars and constellations. They move “in marches upon the heavenly plainâ€. Will Longstaff’s painting “Menin Gate at Midnight†(reproduced on the cover of this score) movingly illustrates this concept, with ghostly soldiers marching by the Menin Gate at Ypres, Belgium. The work concludes with an alternate setting of the opening movement “They shall not grow oldâ€. A version of this suite with piano accompaniment is also available on this website.
$1.99
1.8 €
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Chorale SATB
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John Ross
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For the Fallen
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John Ross
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SheetMusicPlus
As I Out Rode This Enderes Night (The Coventry Shepherds Carol)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.774721 Composed by Traditi…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.774721 Composed by Traditional. Arranged by Sandra Milliken. A Cappella,Christmas,Renaissance,Sacred. Octavo. 17 pages. Sandra Milliken #3691909. Published by Sandra Milliken (A0.774721). As I Out Rode This Enderes Night is a companion carol to the well-known and very popular Lully, Lullay, also known as the Coventry Carol. Both carols were part of the Pageant of the Shearmen and Tailors. The pageant was a mystery play regularly performed in the English city of Coventry from the early 15th Century until around the middle of the 16th Century. The Pageant also included a third carol beginning with the line Down from Heaven, from Heaven so High.The mystery plays of medieval Europe were traditionally created and performed by craft guilds based in the larger cities. These mystery plays focused on the representation of stories from the Bible, told in the local vernacular rather than in Latin. They told of subjects such as the Creation, the Nativity, the Passion and the Last Judgment.The Pageant of the Shearmen and Tailors depicted the Christmas story, covering events from the Annunciation through to the Massacre of the Innocents. Lully, Lullay refers to the latter event in which Herod ordered all male infants under the age of two, in Bethlehem, to be killed. As I Out Rode and Down from Heaven referred to the angel’s announcement, to shepherds in the fields near Bethlehem, concerning the birth of the Christ child and the subsequent visit by the shepherds to the manger, where they found the baby with Mary and Joseph.Today, the two shepherds’ songs are often combined into a single carol with the title As I Out Rode This Enderes Night or The Coventry Shepherds Carol.This new SATB-with-descant arrangement (the original was scored for treble, tenor and bass) incorporates an additional three verses, the lyrics of which are an adaptation of the dialogue from the pageant that came between the two songs of the shepherds.
$2.20
1.99 €
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Chorale SATB
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Traditional
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Sandra Milliken
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As I Out Rode This Enderes Night
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Sandra Milliken
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SheetMusicPlus
Sign the Pledge for Mothers Sake. Song & Chorus
Chorale SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.23510 Composed by…
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.23510 Composed by Mrs. E.A. Parkhurst. Fathers & children, Alcoholic beverages, Temperance, Intoxication, Death, Sadness, Distress, Families. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23510). Sign the Pledge for Mothers Sake. Song & Chorus. Words by Mrs. M.A. Kidder. Music by Mrs. E.A. Parkhurst. Published 1867 by Wm. A. Pond & Co., 547 & 865 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Fathers & children, Alcoholic beverages, Temperance, Intoxication, Death, Sadness, Distress, Families. First line reads Father, dear, I watch'd and waited, knowing you would come at last.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.41 €
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Chorale SATB
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Mrs
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Sign the Pledge for Mothers Sake. Song & Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Skye Boat Song (SATB choir and piano)
Chorale SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1319814 Composed by…
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1319814 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish. 10 pages. Colin Kirkpatrick Publications #908371. Published by Colin Kirkpatrick Publications (A0.1319814). This is one of the most well-known of all British folksongs and refers to real historical events. It has been used in film and television programs and known to almost everyone in Britain. Skye (also known as “The Isle of Skyeâ€) is the largest island of the Inner Hebrides. With an area of about 640 square miles, the island is about sixty miles long and lies close to the Scottish mainland.  The boat in the song (“Speed bonny boatâ€) refers to a small sailing ship that in 1746 “carried the lad who was born to be king†to the Isle of Skye. The lad in question was Prince Charles Edward Stuart known affectionately as “Bonnie Prince Charlie.†The song also refers to the Battle of Culloden of April 1746, the last ever battle on British soil, fought between the British Army and the army of Bonnie Prince Charlie.  In June 1746 and disguised as a maid-servant, Charles was secretly transported from the Hebridean island of Benbecula to the more southerly Isle of Skye. This is the event to which the song refers. The Skye Boat Song has its roots in a traditional Gaelic melody. The lyrics in this arrangement are the familiar ones written in the 1870s by Sir Harold Edwin Boulton. This is an easy SATB arrangement, with all vocal parts well within range and difficult leaps avoided. There are no divisi sections or solos, though can obviously create solos if you want. The keyboard part also avoids technical hurdles. Your singers will surely enjoy this joyful melody, with its contrasting verse and attractive counter-melodies. Vocal ranges are Soprano: D4 – D5; Alto: A3 (only once) – B4; Tenor: D3–D4; Bass: G2-B3.
$2.99
2.7 €
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Chorale SATB
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Traditional
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Colin Kirkpatrick
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The Skye Boat Song
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Colin Kirkpatrick Publications
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
79.48 €
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Chorale SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
THROUGH HIS NAME (SATB) – 1 John 2:12-14
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926666 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926666 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588437. Published by M.A. Morizio (A0.926666). In 1 John, we witness the Apostle (that Jesus loved) writing as the elder statesman of the faith in the last third of the 1st century. In chapter two, verse seven, John refers to the church as beloved and proceeds by telling them of a new commandment. He says (verses 9-11), Whoever loves his brother, abides in the light and there is no cause for stumbling. But whoever hates his brother is in the darkness, and does not know where he is going, because the darkness has blinded his eyes. From this text, John immediately segues into verses 12-14, to affirm for his followers that as far as they are concerned, there is no darkness in them for they are the children of the Light to whom he was earlier referring. John achieves this transition by employing yet another 1st century Hymn to Christ, which I have entitled, Through His Name. This anthem is an affirmation of the faith, first to the little children, then to the fathers, and then to the young men. What is very interesting is that the first stanza is written in the present tense (I am writing to you) but the second stanza, with very similar wording, is written in the past tense (I have written to you). It’s as if to say, you heard the Gospel message before, and you believed, and I am writing it to you again, so that you may continue to believe.
$1.99
1.8 €
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Chorale SATB
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Michael A
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THROUGH HIS NAME
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M.A. Morizio
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SheetMusicPlus
I Know That My Redeemer Lives for Mixed SATB Chorus and Organ or Piano
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.746049 Composed by 1738-17…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.746049 Composed by 1738-1799, 1858-1921, Music by Lewis D. Edwards, and Text by Samuel Medley. Arranged by Betsy Lee Bailey. Easter,Praise & Worship,Sacred. Octavo. 7 pages. Betsy Lee Bailey #4360061. Published by Betsy Lee Bailey (A0.746049). Beautiful and moving sacred hymn arrangement testifying of the Savior. Suitable for church choirs for many different sacred settings. The last verse includes the option for the Congregation to join in singing unison as the soprano section or a soprano soloist sings an obligato. May use Organ accompaniment or just piano, or both simultaneously.
$1.99
1.8 €
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Chorale SATB
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1738-1799, 1858-1921, Music by Lewis D
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Betsy Lee Bailey
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I Know That My Redeemer Lives for Mixed SATB Chorus and Organ or Piano
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Betsy Lee Bailey
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SheetMusicPlus
The Last Rose of Summer
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.935526 Composed by Traditi…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.935526 Composed by Traditional. Arranged by Alejandro Ignacio Luiso. Celtic,Folk,Holiday,Standards. Octavo. 6 pages. Alejandro Luiso #6203763. Published by Alejandro Luiso (A0.935526). This song is one of the most well known songs in the folk and traditional irish repertoire, and this new arrangement shares the lead melody between every part, giving every voice in the choir the chance to showcase their skills and expressive range.
$5.99
5.41 €
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Chorale SATB
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Traditional
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Alejandro Ignacio Luiso
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The Last Rose of Summer
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Alejandro Luiso
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SheetMusicPlus
There is Only One, a sacred hymn
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1102947 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1102947 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #706274. Published by Kevin G. Pace (A0.1102947). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: When life seems unsure, with no lasting cure, Questions come about turning faith to doubt. When you feel alone, and no care is shown, When it’s hard to stand, take God’s steady hand. Take his hand! Take his hand when life’s not what was planned. Take his hand; He’ll lend his strength—He can. Just take his hand. Oh, take his hand. When in dark despair, when no one is there, When belief is small and all trust is stalled, When cast down with shame, hear his holy Name. When life’s filled with fear, know He’s very near. He is near! He is near and to Him you are dear. He is near and He will dry your tears. Oh, He is near. Know He is near. When sore trials come, when shade covers sun, When all hope is past and belief won’t last, When God’s arm is bare and His voice seems rare, There is only One. Know that He will come. He will come! He will come when senses feel so numb. He will come when blessings seem undone. Oh, He will come. Know He will come. Take his hand! When it’s hard to stand, oh take his hand, for He is near! When life’s filled with fear, know He is near, and He will come! There is only One. Oh, He will come. There is only One and He will come.
$1.99
1.8 €
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Chorale SATB
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Kevin G
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There is Only One, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Is This Love At Last
Chorale SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.8184 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.8184 Composed by Rudolf Friml. Love, Seasons, Spring. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8184). Is This Love At Last. The Book and Lyrics by Otto Hauerbach. The Music by Rudolf Friml. Published 1913 by G. Schirmer, 3 East 43d St. in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Love, Seasons, Spring. First line reads Feelings all unknown, what can they be?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.41 €
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Chorale SATB
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Rudolf Friml
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Is This Love At Last
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Lorem Ipsum [mixed choir]
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.596519 Composed by …
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.596519 Composed by Juan MarÃa Solare. 20th Century,A Cappella,Contemporary,Latin,Multicultural,World. 14 pages. Juan Maria Solare #3485699. Published by Juan Maria Solare (A0.596519). Juan MarÃa Solare Lorem ipsum for choir a cappella SATB Audio: https://soundcloud.com/juan-maria-solare/lorem-ipsum-choir-northern-spirit-solare Video: https://www.youtube.com/watch?v=4uyp8F6qTqw Lorem ipsum dolor sit amet, consectetur adipiscing elit, incididunt ut labore et dolore magna umbra. Nulla sed leo. Nullam sed purus. Nulla vitae diam sapien. Nulla gravida pretium magna. Tellus, ventus et ignis. Verbum sapientes defendit.   The Lorem ipsum is a text in pseudo-Latin, loosely inspired in a writing of Cicero[1] and that since the XVI century is used in publishing as filler text. Today it is used with a similar function, in electronic documents or web design. There are several versions of this text (of variable length), all them used to begin in the same way (Lorem ipsum … elit) but goon in different fashions. Therefore, I also invented part of the text, taking care of the metric, structural parallelisms and some hidden allusion to popular music (Tellus, ventus et ignis is Earth, Wind and Fire). The last sentence has even some sense: Verbum sapientes defendit means that the word defends to those who know. In the coda, since it is vocally much more practical to finish in m than in t, I changed the last word: dolor sit ipsum, what carries the existentialist message that pain is oneself.  Musically, the form is a rondo, with an obsessive refrain (based on the sentence we are commenting) which reappears without modifications.  This piece was composed in Bremen (Germany) on 18, 19 and 20 May 2015 (as if from a handbook: one day the text, the following day the music and on the third one big adjustements and the definitive precisions). Lorem ipsum is dedicated to Gonzalo MartÃn SaldÃvar. Premiere by the chamber choir Northern Spirit, conducted by Jaret Choolun, tenth year anniversary concert1 (19th November 2016) at the kleiner Saal of Die Glocke, Bremen, Germany. (https://www.northernspirit.de/kammerchor-bremen/jubilaeumskonzert-in-der-glocke/)First performance in Latin America: Coro Estable Municipal de Tandil, conducted by Annele Moroder, during the opening concert of the Third Argentine Choral Congress and the First Latin American Choral Congress (Choral Art and Identity) on May 24, 2018 (at 8:15 PM) at the Tandil Museum of Fine Arts, Argentina (https://www.youtube.com/watch?v=4uyp8F6qTqw). Juan MarÃa Solare [1] de Finnibus Bonorum et Malorum (On the Ends of Good and Evil), sections 1.10.32 and 1.10.33, written in the year 45 before Christ. This book -a treatise on ethic theory- was very popular during the Renaissance.
$5.00
4.52 €
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Chorale SATB
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Juan MarÃa Solare
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Lorem Ipsum [mixed choir]
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Juan Maria Solare
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SheetMusicPlus
PLANET ORIGAMI (an original, futuristic comedy stage musical)
Chorale SATB
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.999349 Composed by Dennis…
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.999349 Composed by Dennis A. Westgate. Children,Contemporary,Musical/Show,World. Octavo. 73 pages. Tyne Music #5888377. Published by Tyne Music (A0.999349). PLANET ORIGAMI : Is my latest play in the TYNE ONSTAGE series of family orientated musicals and takes the audience ‘Out of this World’ to a strange little planet in a far distant galaxy on a small barren rocky planet called BEEZEDON. This is a place entirely inhabited by a race of androids, who after some catastrophic event, were the only machines immune from the ensuing radiation which destroyed every living life form and fauna. Before leaving for a safer haven, the emigrating intelligencia built a new colony of these ‘droids and programmed them to make their planet beautiful again by carpeting it with new flowers, when it was deemed ‘safe.’ The droids had carried out this programme diligently for the next thousand years. However no one had thought through the consequence of instigating such a rigid programme and when their preliminary attempts ended in failure and the fauna died,these clever machines found a perfect solution by refering to their data banks and manufacturing replicas from synthesised plastic. Once the programme was completed and with no more space left, the ‘droids instantly ‘restored' themselves and began creating their world all over again. This is where my story begins:- ‘Melody Mayflower’, Is a newly appointed Earth’s Ambassador and a representative of the Commission for Harmony and Concilliation, an organisation which has been extending its borders throughout the Milky Way Galaxy. Our own star system has become a recent member and Melody is one of their many Goodwill Ambassadors. Although she doesn’t know it, she has been selected for the onerous task of convincing the Droid Nation that their programme is now obselete, as Beezedon is now free of contamination, therefore ready for re-planting with organic material.
$37.00
33.42 €
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Chorale SATB
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Dennis A
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PLANET ORIGAMI
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Tyne Music
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SheetMusicPlus
Bring a Torch, Jeanette, Isabella - SATB and piano
Chorale SATB
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801673 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801673 Composed by French Carol - unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Multicultural,Sacred,World. Score. 11 pages. Connie Boss #6403321. Published by Connie Boss (A0.801673). This lovely French carol is about two women that found out that Jesus was born and that he was very special. They went around the town to let everyone know. They made food for Mary and Joseph. They warned others to be very quiet as to not awaken Jesus if he was sleeping. This is in SATB parts with piano accompaniment. It has a unique intro and the last verse has SATB taking turns. cdboss@cvalley.netBring a Torch Jeanette, Isabella French Carol Arranged by Connie Boss  Bring a torch Bring a torch Bring a torch Bring a torch Jeanette, Isabella.  Bring a torch, Jeanette, Isabella! Bring a torch, to the stable call Christ is born, tell the folk of the village Jesus is born and Mary's calling. Ah![a] Ah! Beautiful is the Mother! Ah! Ah! Beautiful is her Child  Who is knocking on the door? Who is it, knocking like that? Open up, we've arranged on a platter Lovely cakes that we have brought here Knock! Knock! Open the door for us! Knock! Knock! Let us celebrate!  It is wrong when the Child is sleeping, It is wrong to speak so loud. Silence, now as you gather around Him Lest your noise should waken Jesus. Hush! Hush! See how He slumbers; Hush! Hush! See how He's fast asleep!  Softly now unto the stable, Softly for a moment come! Look and see how charming is Jesus, Look at Him there,] His cheeks are rosy! Hush! Hush! See how the Child is sleeping; Hush! Hush! See how He smiles in His dreams  Â
$5.00
4.52 €
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Chorale SATB
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French Carol - unknown
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Connie Boss
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Bring a Torch, Jeanette, Isabella - SATB and piano
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Connie Boss
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SheetMusicPlus
Prepare the Way, O Zion (SATB)
Chorale SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.719715 Composed by Swedish…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.719715 Composed by Swedish Folk Melody. Arranged by Curtis Hanson. A Cappella,Christian,Christmas,Sacred. Octavo. 8 pages. Curtis Hanson #3580543. Published by Curtis Hanson (A0.719715). Prepare the Way, O Zion is a well known Swedish Advent carol, here arranged for SATB voices and optional congregation. The first and last verses are mostly unison singing with the congregation invited to join in. The second verse is a simple two part canon, while the third verse is a straight four-part chorale, optionally a capella, with slightly different harmonization from the traditional carol. The text is an adaptation using a composite of a translation of the original Swedish along with variations of other commonly heard settings. This arrangement would work well for a modest choir looking for a new Advent anthem with minimal challenges.
$2.00
1.81 €
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Chorale SATB
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Swedish Folk Melody
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Curtis Hanson
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Prepare the Way, O Zion
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Curtis Hanson
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SheetMusicPlus
The Seven Last Days Of Christ (Tenebrae Service) (SATB version)
Chorale SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.616162 Composed by …
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.616162 Composed by Stephen DeCesare. Christian,Lent,Praise & Worship,Sacred,Spiritual. 78 pages. Exultet Music #6622047. Published by Exultet Music (A0.616162). This Tenebrae service follows in detail every day that Jesus spent before being nailed to the cross starting with Palm Sunday and ending with Good Friday. Scored for SATB, Kids choir, Soloists, Bb-Trumpet (optional), and Piano accompaniment. Script, parts and score included. Accessible and appropriate for any church setting. Many songs have accompaniment tracks which are available on this site. Song List (which are also all available separately on this site: Sing Hosanna, Cast Out The Buyers, Lord, Go To Dark Gethsemane, Abide With Me, This Day Was Made By The Lord, Taste And See, Gethsemane, My Song Is Love Unknown and Were You There).
$25.00
22.58 €
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Chorale SATB
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The Lord, Taste And See, Gethsemane, My Song Is Love Unknown and Were You There)
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Stephen DeCesare
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The Seven Last Days Of Christ
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Exultet Music
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SheetMusicPlus
Drei Equale / Three Equali
Chorale SATB
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.882467 Composed by Ludwi…
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.882467 Composed by Ludwig van Beethoven. Arranged by Matthijs van der Moolen. Christian,Classical,Contemporary,Romantic Period. Octavo. 18 pages. Matthijs van der Moolen #566711. Published by Matthijs van der Moolen (A0.882467). These ‘Three Equali’ are amongst the few pieces that were written for trombone ensemble by a well- known composer, and therefor they are very important pieces for the trombone repertoire. This particular edition is different from the ones that most trombone players know. First of all, it contains a score for male choir. And secondly, it is transposed a major second down. The reason for this is that the original version is too high for the male voices. The version for male choir was added to the first and the last movement by Ignaz Seyfried, a friend of Beethoven. To make the words fit to the music, he had to be quite free with interpreting the rhythmical structure that Beethoven composed. It is debatable if the vocal and instrumental version should be performed all together or alternating with each other. According to the notes about Beethoven’s funeral (where the first and last movement were performed), the voices and instruments were alternating during this performance. The second movement was performed on a later moment, but the link between the instrumental version (with text by Frans Grillparzer) was not made. I have taken the freedom to put these two together in this score, and transposed it one major second down to make it fit smoothly in between the other two movements. The first and last movement also contained a text in Latin, but since the second movement was only available in German, I also used the German texts for the other movements.
$19.99
18.06 €
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Chorale SATB
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Ludwig van Beethoven
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Matthijs van der Moolen
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Drei Equale / Three Equali
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Matthijs van der Moolen
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SheetMusicPlus
For Wisdom is Better than Jewels
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1008087 Composed by…
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1008087 Composed by Connie Pwll Walck Tyler. Christian,Contemporary,Jewish,Sacred. Octavo. 48 pages. Connie Tyler #4765403. Published by Connie Tyler (A0.1008087). What is Wisdom?In Proverbs 8:5-11 she says,Learn prudence, acquire intelligence, …take my instruction instead of silver,and knowledge rather than choice gold,for Wisdom is better than jewels. This suite of three songs is appropriate for use in a Christian or Jewish religious service or a secular concert. It includes a short audience participation possibility at the end of the last song. All are written for flute, piano, ethnic drum, SATB plus a high soprano part that can be a soloist. The drum part is written out, but could be improvised. The first song, Hear My Call, is short (1:49) and could be used as a call to worship in a religious service. The second song, God Created Me, (4:36) is an anthem of praise using the wonderful words of the creation of Wisdom in Proverbs 8:22-36 with a descant of the creation story in the book of Ben Sira 24:3, found in the Apocrypha. The tenors and basses sing the comparison of Wisdom with the trees of Israel, also found in Ben Sira, all in praise of Wisdom. The third song, Choose Life, (1:16) includes a chant that can be sung by the congregation or audience along with the choir. This could be used as the final hymn in a religious service. All three songs can be used separately or together. At the end of the score you will find a copy of the congregational chant which can be copied and placed in an Order of Service or Program. Purchase includes the right to make eight photocopies. For additional copies please purchase another score from sheetmusicplus.com. The recording is electronically produced and therefore has choral oohs without words. All three songs are on the recording, and at the end there is a flute rendering of the chant.. This is not intended to stand alone, but to be sung, as directed, with the last part of the choir song, Choose Life.
$20.00
18.07 €
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Chorale SATB
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Connie Pwll Walck Tyler
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For Wisdom is Better than Jewels
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Connie Tyler
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SheetMusicPlus
Nearer My God To Thee (SATB)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1082854 By Stephen DeCesar…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1082854 By Stephen DeCesare. By Lowell Mason. Arranged by Stephen DeCesare. Film/TV,Praise & Worship,Sacred,Standards,Traditional. Octavo. 7 pages. Exultet Music #687060. Published by Exultet Music (A0.1082854). The 19th century Christian hymn which is well known as the alleged last song the band on RMS Titanic played before the ship sank has been freshly arranged for SATB with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$3.99
3.6 €
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Chorale SATB
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Stephen DeCesare
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Stephen DeCesare
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Nearer My God To Thee
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Exultet Music
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SheetMusicPlus
Go to the Child
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1380835 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1380835 Composed by Samantha Jellett. Advent,Christmas,Holiday. 6 pages. Samantha Jellett #965614. Published by Samantha Jellett (A0.1380835). This SATB a capella setting of a beautiful poem by Imtiaz Darker was composed for the BBC Carol Competition 2019. It is suitable for both professional and amateur/community choirs. The theme is a universal one of new birth, making it suitable for many occasions as well as Christmas. The text is as follows:Rise and go on a bitter nightWhen hope lies frozen in the ground,Hushed and hidden out of sightNo living thing for miles around.Even though the tears of the earthHave turned to crystal, rise.Take the road that leads to a birth,An infant calls and the heart replies.See in the eyes a blazing star,A spark of something newly born,Feet already walking on air,Holding a lifeline in the palm.When at last you see the faceAnd feel on your cheek the baby's breath;When you have known the graceOf a beginning, being blessed.Look up at the hungry bowl of the skyAnd empty your pockets to fill it,See where the water is risingAnd lift your hands to still it.Turn to a world that is still unbornAnd raise your voice to sing it,Go to the child who is not your ownAnd open your heart to save it.See in the eyes a blazing star,A spark of something newly born,Feet already walking on air,Holding a lifeline in the palm.
$1.99
1.8 €
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Chorale SATB
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Samantha Jellett
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Go to the Child
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Samantha Jellett
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SheetMusicPlus
The Mystery (Downloadable)
Chorale SATB
SATB choir and Piano - Medium - Digital Download SKU: MQ.8804-E Composed by Stephen…
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SATB choir and Piano - Medium - Digital Download SKU: MQ.8804-E Composed by Stephen Chatman. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #8804-E. Published by E. C. Schirmer Music Company - Digital (MQ.8804-E). English.Sara Teasdale’s poem, The Mystery, depicts deep lasting love - “Your eyes drink of me†and “We have long been loversâ€. It also raises a question - “Can I ever know you / Or you know me?†Stephen Chatman’s expressive setting begins with a unison melody, supported by modulating harmonies in the piano accompaniment, and evolves toward four-part voices. The middle section, featuring rising vocal lines in imitative counterpoint, precedes a return to the initial melody. One of a set of six of Teasdale's love songs.
$2.65
2.39 €
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Chorale SATB
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Stephen Chatman
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The Mystery
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Angel, Blow that Trumpet
Chorale SATB
Choral Choir,Choral,SATB Chorus - Digital Download SKU: A0.1436603 Composed by Ken …
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Choral Choir,Choral,SATB Chorus - Digital Download SKU: A0.1436603 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 20 pages. Artist of Note, Inc. #1016714. Published by Artist of Note, Inc. (A0.1436603). Angel, Blow that TrumpetWords & Music by Ken Litton (ASCAP)SATB Piano, opt. String Bass, Clarinet, Trumpet & TromboneMany choirs/ensembles haven't done many trumpet-feature songs in the last decade or so. But, since the trumpet figures so prominently in the Bible why not try one?! And, since both the anthems and contemporary worship songs of today tend to neglect the second coming of Christ here’s an offering from the spiritual/anthem/jazz confluence.Angel, Blow that Trumpet is based on I Corinthians 13:50-57 and I Thessalonians 4:13-18. The style? Well, let’s call it “Natalie Sleeth meets New Orleans jazz!”You’re almost sure to find the voicing very approachable, yet thrilling for SATB (TTNN and SSA also available).The accompaniment is a dixie-land styling originally conceived for piano, string bass/fretless electric bass/standard bass guitar (it would be fun to have someone do it on the “big bass viol”), Bb clarinet, trombone and Bb trumpet. These parts are included with the choral score.Above all, it's fairly easy to learn and fun to sing!The clarinet and trombone parts a lot of fun and the trumpet part features an easily playable/adaptable ending that really nails the piece (actually the lower version is really nice). It turns out that they are really best for good, legit players just as written in a swing style.And, though I know that you have more than enough skill to get all of this from the score, the audio file in mp3 format (3:32) will also available separately.All this from the places you go for the best in downloadable resources:Sheet Music Directsheetmusicdirect.comSheet Music Plussheetmusicplus.comAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$1.99
1.8 €
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Chorale SATB
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Ken Litton
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Ken Litton
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Angel, Blow that Trumpet
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Artist of Note, Inc.
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SheetMusicPlus
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