English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
1
Partitions
Numériques
12
Librairie
Musicale
22
Matériel
de Musique
1
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
37
PIANO & CLAVIERS
Piano seul
57
Piano, Voix et Guitare
4
Piano Facile
3
Instruments en Do
2
Orgue
2
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 4 mains
1
Accordéon
1
Instrumentations suivantes
Retracter
GUITARES
Ukulele
1
Guitare
1
VOIX
Chorale SATB
12
Chorale 2 parties
5
Chorale TTBB
4
Chorale 3 parties
3
Chorale SSAA
2
VENTS
Flûte, Hautbois, Clarinette, Basson
3
Quatuor de Saxophones: 4 saxophones
3
Clarinette
3
Saxophone Tenor
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Flûte traversière
2
Saxophone Alto
1
Flûte, Clarinette (duo)
1
2 Saxophones (duo)
1
Clarinette et Piano
1
Hautbois, Piano (duo)
1
Saxophone Soprano et Piano
1
2 Clarinettes (duo)
1
Saxophone Alto et Piano
1
2 Flûte à bec (duo)
1
2 Flûtes traversières (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette, Piano
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Quatuor de Cuivres
2
Trompette
2
2 Trombones (duo)
1
Trombone
1
Ensemble de Trombones
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Euphonium
1
Quatuor de cuivres: 4 cors
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
6
Harpe, Flûte (duo)
1
Violoncelle, Piano
1
Violoncelle
1
Trio à Cordes: violon, alto, violoncelle
1
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
37
Orchestre
9
Ensemble de cuivres
4
Orchestre à Cordes
4
Cloches
3
Orchestre de chambre
2
Ensemble Jazz
1
Quintette à Vent
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
The Return Journey
Chorale SATB
Partitions à imprimer
12 partitions trouvées
<
1
Return to Me: A Choral Service based on the Stations of the Cross (Choral Score)
Chorale SATB
SATB choir, piano, cello - Medium - Digital Download SKU: MQ.70-300-E Composed by T…
(+)
SATB choir, piano, cello - Medium - Digital Download SKU: MQ.70-300-E Composed by Taylor Scott Davis. Lent, Triduum/Three Days. 72 pages. MorningStar Music Publishers - Digital Sheet Music #70-300-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.70-300-E). English. Luke 23:32-38; John 19:1-3; John 19:15-17; Luke 23:26; Matthew 11:28-30; Luke 23:27-28; Isaiah 53:10-12; Luke 23:44-46; Luke 23:50-56.A major choral work with original texts by Terry York and original music by Taylor Davis, Return to Me, takes us on a journey through the traditional Stations of the Cross. The combination of familiar scripture texts set with powerful new images creates a deeply spiritual experience for Holy Week. Duration: Approximately 40 minutesAs a companion to this work, an optional daily devotion guide for the season of Lent will enhance the congregational experience by coordinating with the texts sung by the choir in the Holy Week worship service. Preview Pak includes a choral score and CD recording.The Choral score (70-300) does not include the Lenten Devotional Guide. The Lenten Devotional Guide must be purchased separately and is available in a hardcopy booklet (70-300B) or as a digital download/PDF file for your e-reader (file_70-300B-E). If the Lenten Devotional Guide is to be used as pew booklets, you only need to purchase the number of Lenten Devotional Guides you wish to have available to your congregation.If your church intends to reproduce the Lenten Devotional Guide in your church bulletin, church websites, social media (e.g., Facebook), or email, you may report usage as follows:• If your church is a member of CCLI or OneLicense.net, you can report there.• If you church is not a member of CCLI or OneLicense.net, you may purchase one of our Congregation Edition Digital Reproduction Licenses, which cover emailing and printing the edition. A PDF of the Congregation Edition is included with the license. The fee for organizations with 0-200 average church attendance is $50.00 and for more than 200 average attendance the fee is $75.00.
$8.50
7.74 €
#
Chorale SATB
#
Taylor Scott Davis
#
John 19:1-3
#
Return to Me: A Choral Service based on the Stations of the Cross
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Apollo 11 (Homecoming)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.510172 Composed by Glyn Le…
(+)
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.510172 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). 20th Century,R & B,Rock. Octavo. 11 pages. Glyn Lehmann #3542459. Published by Glyn Lehmann (A0.510172). The final song from SPACE RACE - a song-cycle celebrating the 50th anniversary of the moon landing on 20 July 1969. Other songs are Gagarin (Beyond Blue Sky), Space Race (To Every Question) and The Children of the World (July 1969). More information at https://glynlehmann.com/Space-RaceThe Apollo 11 mission was the culmination of years of dedication and experimentation in the attempt to land a man on the moon. This song traces the tense journey back home to Earth made by the Apollo 11 astronauts as they leave the moon's surface - ultimately returning as heroes. The subdued drama of the verses climaxes with the gospel-influenced triumph of the choruses.https://youtu.be/oAUjyzccdhMApollo 11 (Homecoming)Words by Phil Cummings, Music by Glyn LehmannVerse 1Time to leave Tranquillity BaseFor the finish line the end of the raceMoon-dusted suits, deep black skiesOn a dark horizon see Earth riseA cargo of rocks, soil and dustStrapped in the module, feel the thrustChorus 1 After days and days of being aloneThe astronauts were coming homeThey were coming home After days and days of being aloneThe astronauts were coming homeThey were coming home Verse 2The module falls, the angle is rightAnd the heat shield is burning brightInterludeRadio silence into the atmosphereNo voice of calm, no voices to hear Those that wait on the groundHold their breath, don’t make a soundThen from the silence a voice is clearCalling for the world to hearControl room erupts with shouts and cheersHigh in the sky the module appearsChorus 2This is the homecoming, this the homecomingThose brave men are coming, coming homeAfter days and days of being aloneThe astronauts were coming homeThey were coming home After days and days of being aloneThe astronauts were coming homeThey were coming home CodaHome, they were homeOur homeLyrics © 2018 Phil Cummings
$2.50
2.28 €
#
Chorale SATB
#
Glyn Lehmann
#
Apollo 11
#
Glyn Lehmann
#
SheetMusicPlus
Gagarin (Beyond Blue Sky)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.510169 Composed by Glyn Le…
(+)
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.510169 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). Contemporary. Octavo. 14 pages. Glyn Lehmann #3542449. Published by Glyn Lehmann (A0.510169). The opening song from the SPACE RACE song cycle, celebrating the 50th anniversary of the Apollo 11 moon landing, July 1969. Words by Phil Cummings, music by Glyn Lehmann. Other songs are Space Race (To Every Question), The Children of the World (July 1969) and Apollo 11 (Homecoming).In 1961 Russian cosmonaut Yuri Gagarin was the first human to enter space and orbit the Earth. The song ebbs and flows as the story of Gagarin's life unfolds; from humble beginnings to his historic journey into space. More information at songlibrary.net/Space-Racehttps://youtu.be/kV-xs9P9LiwGagarin (Beyond Blue Sky) words by Phil Cummings, music by Glyn LehmannBack in April nineteen sixty oneYuri Gagarin was the chosen oneTo climb through a cold silver doorAnd go where no one had gone beforeA farmer’s son, a humble man Childhood memories of dirt on his handsStanding and gazing at the starry skiesWorlds of wonder there behind his eyesThe first to fly beyond air The first to fly beyond blueTo drift in endless dark spaceThat surrounds me and youThe first to take a breathWhere none can ever breathe To live a dream, a powerful dreamAnd make a world believe… in endless possibilitiesAround the world humanity stoodAll waiting, wondering if he couldSurvive the flames of wild fireAs the rattling rocket roared higher and higherVostok soared beyond atmosphereGagarin shouted for the world to hearFor the first time in history A man saw fragile humanityChorusGagarin returned to EarthTo the water, the air, the dirt To a world that began to dreamTo work, to imagine, to schemeTo ponder, to study, to striveFor the conquest beyond blue skyVostok soared beyond the atmosphereGagarin shouted for the world to hearFor the first time in history A man saw fragile humanityIn vast darkness blacker than the nightA fragile planet bathed in lightThe land, the rivers and the seaEarth spins … precariouslyLyrics © 2018 Phil Cummings
$2.50
2.28 €
#
Chorale SATB
#
Glyn Lehmann
#
Gagarin
#
Glyn Lehmann
#
SheetMusicPlus
Gospel Songs: Come and Go with Me to That Land (Downloadable Piano/Choral Score)
Chorale SATB
SATB choir, piano - Moderately Easy - Digital Download SKU: MQ.8154-E Composed by G…
(+)
SATB choir, piano - Moderately Easy - Digital Download SKU: MQ.8154-E Composed by Gwyneth W. Walker. 16 pages. E. C. Schirmer Music Company - Digital #8154-E. Published by E. C. Schirmer Music Company - Digital (MQ.8154-E). English.This new arrangement focuses on several, specific aspects of the lyrics, and of the journey. Envisioning that one is walking to that land, the piano introduction, in a swing rhythm, is marked At a strolling tempo. When the chorus enters, there is a bounce to their step, with the staccato dots coming each time on the word with- Come and go with me to that land...This is a jaunty expedition. One sees one's parents waiting in that land. Loving friends are there as well. A bit of scat singing and finger snapping adds to the energy.A slower middle section, in blues style, affirms that They'll be no slavery in that land. Shackles are thrown to the ground, and freedom breaks forth. This leads to a quick and energetic return to the gospel song, with a final refrain of They'll be singing in that land, voices ringing in that land!This is very American music, in a gospel, blues, and folk style.
$2.85
2.6 €
#
Chorale SATB
#
Gwyneth W
#
Gospel Songs: Come and Go with Me to That Land
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Eleanor Rigby
Chorale SATB
SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1488650 By David Cook…
(+)
SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1488650 By David Cook. By John Lennon and Paul McCartney. Arranged by Kerry Marsh and Julia Dollison. A Cappella,Jazz,Pop. Vocal Jazz Ensemble. 13 pages. Kerry Marsh #1065498. Published by Kerry Marsh (A0.1488650). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a lower price than the standard flat-fee range for vocal jazz ensemble arrangements ($75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the “All Tracks Pack (With SkyTracks Mixer)“ package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation).Returning to the catalog after years out of print, this arrangement of Eleanor Rigby is an epic a cappella treatment that transforms the Beatles' classic into a dynamic vocal jazz journey. With an extended introduction that travels through several key centers, the piece features an intricate bass vocal part set against surprising modal harmonies above. This collaborative arrangement by Kerry Marsh and Julia Dollison employs a wealth of contemporary vocal jazz arranging devices and tonal colors, creating a captivating soundscape that challenges even skilled vocal jazz and pop groups.Originally written by Paul McCartney and released on The Beatles' *Revolver* album in 1966, Eleanor Rigby is renowned for its poignant lyrics and innovative use of classical instrumentation. The song explores themes of loneliness and isolation, which resonate with audiences to this day.This chart pushes the boundaries of traditional a cappella, offering a complex and emotive interpretation that leaves listeners truly astonished. Perfect for ensembles seeking a challenging and rewarding piece that showcases their technical prowess and emotional depth.
$49.99
45.52 €
#
Chorale SATB
#
David Cook
#
Eleanor Rigby
#
Kerry Marsh
#
SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson …
(+)
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
23.63 €
#
Chorale SATB
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson …
(+)
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
18.17 €
#
Chorale SATB
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
More Than Able
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1226445 By Elevation Worsh…
(+)
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1226445 By Elevation Worship. By Benjamin Fielding, Chandler Moore, Naomi Raine, and Steven Furtick. Arranged by Jeff Tincher. Christian,Contemporary,Praise & Worship,Religious,Sacred. Octavo. 30 pages. Jeff Tincher #822445. Published by Jeff Tincher (A0.1226445). This is one of the more beautifully constructed Christian song ever. The chord construction is amazing. The song takes you on a journey with several sections than returns back to the original set. In the original key from their live single. I wrote the vocal cadenzas by Chandler Moore as close to tempo as possible. This is will give the performance options to either perform as written or as cadenzas. Duration = 10:40. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$1.99
1.81 €
#
Chorale SATB
#
Elevation Worship
#
Jeff Tincher
#
More Than Able
#
Jeff Tincher
#
SheetMusicPlus
American Triptych: III. Mariner's Carol (Downloadable Piano/Choral Score)
Chorale SATB
SATB choir and piano 4-hands, or soprano saxophone, percussion (3 Players), harp, contraba…
(+)
SATB choir and piano 4-hands, or soprano saxophone, percussion (3 Players), harp, contrabass, and piano 4-hands - Moderately Difficult - Digital Download SKU: MQ.7928-E Composed by David Conte. 26 pages. E. C. Schirmer Music Company - Digital #7928-E. Published by E. C. Schirmer Music Company - Digital (MQ.7928-E). English.American Triptych presents aspects of spiritual experience as expressed by three North American poets: Americans E. E. Cummings and W. S. Merwin, and Canadian Bliss Carman. Commissioned by the Reading Choral Society, Reading, Pennsylvania, David DeVenney, conductor. The work received its premiere performance on November 13, 1999.The third movement, Mariner’s Carol, uses the metaphor of a sea journey to express a spiritual journey toward wholeness. A return to the minimalist rhythmic textures of the first movement creates a mood both calm and expectant. The chosen ensemble of instruments (harp, soprano saxophone, double bass, piano and percussion) gives the work a decidedly American character. This work can also be performed with piano four-hands alone, or with piano four-hands and any combination of the ensemble instruments, with the two pianists omitting any doublings as indicated by the cues. Duration: 8:00.
$3.25
2.96 €
#
Chorale SATB
#
David Conte
#
American Triptych: III. Mariner's Carol
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Homecoming Piano Solo Score
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.877804 Composed by …
(+)
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.877804 Composed by Deborah Johnson. Contemporary,Film/TV,New Age,Wedding. 29 pages. Deborah Johnson #33105. Published by Deborah Johnson (A0.877804). Homecoming piano solo score is a captivating and melodious piano solo presented at a medium intermediate level, featured in Deborah Johnson's Wayfarer’s Journey album. This composition, part of a collection that introduces new classically-inspired piano and instrumental solos, mirrors the style of Debussy and is ideal for special occasions. Homecoming piano solo score version includes 29 pages that includes the separate parts and cover. Parts include piano solo, vocal bkgs, synth bkgs and violin obligato. Piano solo includes guitar chords. The term Homecoming signifies the act of returning home and also represents events at high schools, colleges, or universities where alumni are invited. Originating from Middle English, homcomyng replaced hamcume, originating from ham (home) and cyme (arrival), with the first known use dating back to the 14th century. Homecoming encapsulates the emotional essence of returning home, offering a nostalgic and evocative musical experience. Embracing Debussy's style, this piece resonates with sentimental associations and serves as an exquisite choice for special occasions, echoing the sentiments of home and reunion. Spotify link for MP3 download: https://open.spotify.com/track/6kssnmwb9Up3E2L8f9L2KM Also available is the piano solo version and full book of all Wayfarer Journey piano solo versions. Siigned copies of CD at https://DJWorksMusic.com/wayfarers-journey/. Also check out the album video playlist at https://www.youtube.com/playlist?list=PLlpGSaEMhOmM2boU572TIUUV8x_yZxZhi (and subscribe!) Music composed by Deborah Johnson. Piano, Synth: Deborah Johnson; Vocals: Deborah & David Johnson; Violin Obligato: Sandy Mackinga; Engineer: Michael Ferenci at Ferenci Studios, Silverlake, CA.
$6.99
6.36 €
#
Chorale SATB
#
Deborah Johnson
#
Vocals: Deborah &
#
Homecoming Piano Solo Score
#
Deborah Johnson
#
SheetMusicPlus
An Angel's Canon
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1030203 Composed by Jonath…
(+)
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1030203 Composed by Jonathan P. Kochik. Arranged by Jonathan Kochik Music. Christmas,Sacred. Octavo. 12 pages. Jonathan Kochik Music #6644813. Published by Jonathan Kochik Music (A0.1030203). Returning to a more traditional sound, An Angel’s Canon sets the beloved hymn Angels We Have Heard On High interwoven throughout Pachelbel’s Canon in D with a surprising twist. Having both a SAB and SATB version (with optional descant), this musical journey back to the beginning will be a great addition to your program for any and all of your Christmas festivity needs! Rehearsal- and click-tracks available for virtual performances!
$7.50
6.83 €
#
Chorale SATB
#
Jonathan P
#
Jonathan Kochik Music
#
An Angel's Canon
#
Jonathan Kochik Music
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
