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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The tune can
Sheetmusicplus
Non classifié
1 751
Piano & claviers
Piano seul
685
Orgue
224
Piano Facile
213
Piano, Voix
185
Piano, Voix et Guitare
147
Instruments en Do
120
Accompagnement Piano
45
2 Pianos, 4 mains
32
1 Piano, 4 mains
20
Piano Trio: piano, violon, violoncelle
8
Piano (partie séparée)
7
Accordéon
5
Piano grosses notes
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Trompette (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
1 Piano, 6 mains
1
Orgue, Piano (duo)
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
135
Guitare
86
Ukulele
42
Ligne De Mélodie, (Paroles) et Accords
26
Mandoline
24
Dulcimer
19
Banjo
16
Guitare (partie séparée)
15
4 Guitares (Quatuor)
14
3 Guitares (trio)
10
2 Guitares (duo)
10
Basse electrique
8
Paroles et Accords
3
Mandoline, Guitare (duo)
2
2 Dulcimers (duo)
1
Guitare, Violon, Violoncelle (trio)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
569
Chorale 3 parties
143
Chorale 2 parties
98
Chorale Unison
82
Chorale TTBB
56
Chorale SSAA
26
Voix Alto, Piano
14
Voix duo, Piano
11
Voix haute
9
Voix seule
7
Voix moyenne, Piano
5
Voix duo
4
Voix Soprano, Piano
4
Voix basse, Piano
2
Voix Tenor
1
Chorale
1
Voix Baryton, Piano
1
Chorale SSATTB
1
Voix Tenor, Piano
1
+ 14 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
86
Flûte traversière et Piano
77
Quatuor de Clarinettes: 4 clarinettes
74
Quatuor de Saxophones: 4 saxophones
62
Clarinette et Piano
60
2 Clarinettes (duo)
59
Clarinette
59
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
58
Flûte traversière
57
Saxophone Alto et Piano
55
Hautbois, Piano (duo)
53
2 Saxophones (duo)
46
Flûte, Hautbois, Clarinette, Basson
45
Quintette de Saxophone: 5 saxophones
41
2 Flûte à bec (duo)
41
Saxophone (partie séparée)
40
Quatuor de Flûtes : 4 flûtes
38
Flûte, Clarinette (duo)
38
Saxophone Tenor
33
Saxophone Alto
31
Saxophone Tenor et Piano
29
Ensemble de Clarinettes
26
Hautbois (partie séparée)
23
Ensemble de saxophones
22
3 Saxophones (trio)
21
Ensemble de Flûtes
20
Flûte et Guitare
20
Trio de Flûtes: 3 flûtes
19
Flûte à bec Soprano
19
3 Clarinettes (trio)
19
Clarinette, Basson (duo)
11
Flûte, Violon et Violoncelle
11
Flûte à Bec
11
2 Hautbois (duo)
11
Flûte, Violon
11
Quintette de Clarinettes: 5 clarinettes
10
Flûte, Violoncelle
9
Saxophone, Clarinette (duo)
9
Hautbois, Basson (duo)
9
Saxophone Soprano et Piano
8
Flute (partie séparée)
8
Quatuor de Flûtes à bec
8
Harmonica
7
Flûte, Trombone (duo)
7
Flûte à bec Alto
7
Quintette de Flûte : 5 flûtes
6
Clarinette, Violoncelle (duo)
6
Hautbois, Flûte
6
Clarinette, Violon (duo)
6
Cor anglais, Piano
5
Ocarina
5
Clarinette, Trompette (duo)
5
Saxophone Baryton, Piano
5
Hautbois, Clarinette (duo)
5
Flûte irlandaise
5
Flûte, Saxophone (duo)
4
Flûte, Alto (duo)
4
Clarinette et Alto
3
Flûte à bec Alto, Piano
3
Flûte, Trompette (duo)
3
Clarinette, Guitare (duo)
3
Hautbois, Violoncelle
3
Saxophone et Guitare
3
Clarinette (partie séparée)
3
Flute, Cor (duo)
2
Clarinette, Tuba
2
Flûte à bec Soprano, Piano
2
Flûte, Basson et Piano
2
Flûte, Clarinette, Piano (trio)
2
Clarinette Basse, Piano
2
Flûte, Violon, Piano
2
3 Flûtes à bec (trio)
2
Clarinette, Trombone (duo)
2
Clarinette, Contrebasse (duo)
2
Saxophone, Violon (duo)
2
Flûte, Hautbois (duo)
2
Hautbois, Trompette (duo)
1
Flûte et Trio à cordes
1
Clarinette, trompette et piano
1
Hautbois et alto (duo)
1
Flûte à bec Tenor
1
Flûte, Harpe et Violoncelle
1
Hautbois
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violon, Violoncelle et Piano
1
Cor anglais, Guitare (duo)
1
2 Flûtes traversières, Piano
1
Hautbois, Guitare (duo)
1
Cor Anglais
1
2 Clarinettes, Piano
1
5 Flûtes à bec
1
Hautbois, trombone (duo)
1
Saxophone
1
Ensemble De Flûte à bec
1
2 Saxophones, Piano
1
Flûte, Violoncelle, Guitare
1
Flûte, Alto et Piano
1
Flute, harpe et violon
1
Flûte à bec Soprano, Basse continue
1
Flûte, Hautbois, Basson
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, violon (duo)
1
2 Flûtes traversières, Harpe
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
+ 100 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
135
Quatuor de Cuivres : 2 trompettes, trombone, tuba
79
Trompette
62
Cor et Piano
39
Trompette, Piano
37
Trombone et Piano
35
Trombone
32
2 Trombones (duo)
32
Quatuor de Cuivres
32
Trompette (partie séparée)
31
Trombone (partie séparée)
29
Cor
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
2 Cors (duo)
14
2 Trompettes (duo)
13
Trompette, Trombone (duo)
10
Ensemble de Trombones
8
Quatuor de cuivres: 4 cors
8
Trompette, Saxophone (duo)
8
Cor (partie séparée)
8
Tuba et Piano
8
Tuba (partie séparée)
7
Quatuor de cuivres: 4 trombones
7
2 Euphoniums (duo)
6
Tuba
6
Cor anglais, Piano
5
2 Tubas (duo)
5
Ensemble de Trompettes
5
2 Euphoniums et 2 Tubas
5
Trio de Cuivres
4
4 Tubas
3
Euphonium, Piano (duo)
3
3 Trompettes (trio)
3
Trompette, violon (duo)
3
Trombone, Orgue
2
Quatuor de cuivres: 4 trompettes
2
Trompette, Violoncelle (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
Trompette, Tuba (duo)
2
Tuba et Orgue
1
Trombone et orchestre
1
Euphonium, Tuba (duo)
1
Cor anglais, Guitare (duo)
1
Trompette, Cor (duo)
1
Cor, Violoncelle (duo)
1
Ensemble de Cors
1
Cor Anglais
1
Clarinette, Cor (duo)
1
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
Trombone basse et Piano
1
+ 46 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
246
Violon et Piano
145
Harpe
128
Violon
121
Violon, Violoncelle (duo)
53
2 Violons (duo)
52
Alto, Piano
49
Violoncelle
49
Violoncelle, Piano
47
Trio à Cordes: violon, alto, violoncelle
37
Trio à Cordes: 2 violons, violoncelle
33
Violon (partie séparée)
24
2 Violoncelles (duo)
20
Violon, Alto (duo)
20
Alto seul
19
Contrebasse (partie séparée)
15
Alto (partie séparée)
12
2 Altos (duo)
11
Alto, Violoncelle (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
2 Harpes (duo)
7
Contre Basse
7
Violon, Guitare (duo)
6
Violoncelle (partie séparée)
6
Harpe, Voix
5
Contrebasse, Piano (duo)
5
2 Contrebasses (duo)
5
Ensemble d'Altos
4
Ensemble de Violons
4
Violoncelle, Contrebasse (duo)
4
Trio à Cordes: 3 violoncelles
3
4 Violoncelles
3
Autoharp
3
Harpe, Violon (duo)
3
Harpe, Flûte (duo)
2
Quatuor à cordes : 4 altos
2
Alto, Guitare (duo)
2
Flûte, Contrebasse (duo)
2
Violon, Basson (duo)
2
Violon, Orgue
2
Quatuor à cordes: 4 violons
2
Piano Trio: Violon, Alto, Piano
2
Trio à cordes: 3 violins
2
Trio à Cordes: 2 violons, alto
1
2 Violoncelles, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto et Basson
1
3 Harpes
1
4 Contrebasses
1
Trio à cordes: 3 altos
1
Violoncelle , Guitare (duo)
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
562
Cloches
299
Orchestre à Cordes
165
Ensemble Jazz
129
Fanfare
91
Orchestre
88
Ensemble de cuivres
76
Jazz combo
59
Orchestre de chambre
40
Ensemble de Percussions
26
Batterie
13
Batterie (partie séparée)
8
Ensemble d'École
5
Marimba
3
Percussion (partie séparée)
3
3 Marimbas
2
Instrumentation Flexible
1
Xylophone
1
Percussion
1
Quintette de Cuivres: autres combinaisons
1
Vibraphone
1
2 Xylophones
1
Piano et Orchestre
1
+ 18 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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The tune can
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551
The Story of a Leader
#
Chorale SATB
#
AVANCÉ
#
Classique
#
Igor Korneitchouk
#
The Story of a Leader
#
Studio at the Post
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio ...
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Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
Beyond The Sea
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Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Charles Tenet
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Tobi Crawford
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Beyond The Sea
#
Tobi Crawford
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
Brisbane Ladies (Augathella Station)
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Chorale SATB
#
DÉBUTANT
#
Traditional
#
Sandra Milliken
#
Brisbane Ladies
#
Sandra Milliken
#
SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.774722 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 16 pages. Sandra Milliken #3863...
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Choral Choir (SATB) - Level 1 - SKU: A0.774722 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 16 pages. Sandra Milliken #3863763. Published by Sandra Milliken (A0.774722). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon. Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port.Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20
When I Survey the Wondrous Cross
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pag...
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Choral Choir (SATB) - Level 3 - SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.
$2.50
The King of Glory
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Chorale SATB
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Musique Sacrée
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Austin C Lovelace
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The King of Glory
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Chorister's Guild - Digital
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SheetMusicPlus
SATB chorus - SKU: C7.CGA198 Composed by Austin C Lovelace. Advent, Palm Sunday. With Unison, Congregation. Sacred Anthem. Octavo. 8 pages. Chorister's ...
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SATB chorus - SKU: C7.CGA198 Composed by Austin C Lovelace. Advent, Palm Sunday. With Unison, Congregation. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA198. Published by Chorister's Guild - Digital (C7.CGA198). UPC: 749193004128.Here we have a practical setting of the familiar hymn tune TRURO that combines children's and adult choirs. The text is based on Psalm 24 and is equally suitable for use during the Advent season or on Palm Sunday when nearly all children's choirs participate in the worship service. Further, it is written so that all ages of choirs could participate. The hymn tune is punctuated by the powerful dialogue from the Psalm: 'Who is the King of Glory' The Lord of hosts, He is the King of Glory!' This ties very well the Psalm ideas to Weissel's paraphrase, and then the closing stanza concludes with a personal response EUR to open the portals of one's heart. Another feature of the anthem s that the entire congregation can join in the singing at the appropriate places by either singing directly from the hymnal or by printing the words in a bulletin (permission is granted). The work can, of course, be used as an anthem, or as an elaborated congregational hymn in addition to another 'anthem' for the day.
$1.95
Whiter Than the Snow
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Chorale SATB
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FACILE
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Text: Eden Reeder Latta
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Ken Litton
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Whiter Than the Snow
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1490010 Composed by Text: Eden Reeder Latta (1839 - 1915) Tune: Henry Southwick Perkins (1833 -1914....
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1490010 Composed by Text: Eden Reeder Latta (1839 - 1915) Tune: Henry Southwick Perkins (1833 -1914. Arranged by Ken Litton. Christian,Lent,Religious,Sacred. 11 pages. Artist of Note, Inc. #1066874. Published by Artist of Note, Inc. (A0.1490010). Whiter Than the Snow/Eden Reeder Latta - Henry Southwick Perkins BLESSED BE THE FOUNTAIN arr. Ken Litton (ASCAP)As an SBC music missionary active in Brazil I quickly discovered the hymns missionaries had taken with them as the work gained impetus from the 1890s when the Bagbys arrived to build on the foundation laid by early pioneers like Solomon Ginsburg. I found myself leading those hymns from the nearly 100 year old Cantor Cristão (Christian Singer) in the strongly attended evening services at the Igreja Batista Rio Doce (Sweet River Baptist Church) in Recife, with people literally leaning in through the windows from outside to sing along. Just a normal p.m. attendance or... curiosity about the missionary leading? No, certainly it was the message of the gospel in these great hymns and in the Brazilians’ creative work as well. I mainly remember holding that small print hymnal in one hand and leading with the other (shaking badly) and singing in Portuguese!From that kind of congregational participation I vividly remember the hymn Blessed be the Fountain by Eden Reeder Latta (1839 - 1915) and Henry Southwick Perkins (1833 -1914) with it’s energetic dotted eighth and sixteenth rhythm figures and text of confession based on Zechariah 13:1. That text was very important in the lives of disciples in Brazil and in my own heart. Here I have used only the verses of the text and tune, simply smoothing out the rhythm and adjusting the lyric to more modern usage (yet preserving the devotional pronouns Thee, Thy and Thine).The tune BLESSED BE THE FOUNTAIN is altered in rhythm, tempo and one descending interval from the original. The arrangement is by me, having built the intro, interlude and key change as well as the ending from the material that constituted the refrain in the origina. As a bridge and additional textual/musical impulse into the key change and final verse I’ve interpolated the refrain from the well-known gospel hymn Whiter than Snow (FISCHER) by James Nicholson and William G. Fischer.The voices include a wide variety of unison, two-part and four-part passages that are well within the capability of the average church choir. The accompaniment difficulty level is about as minimal as it can be I hope, while still reflecting support for the voices, a measure of variety as well as some real independence.I certainly think choirs of some ability and their dedicated accompanists will enjoyWhiter Than the Snow as much as I have in developing it.
$2.99
Eternal Father, Strong to Save (The United States Navy Hymn)
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Chorale SATB
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FACILE
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Music by John B
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James F
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Eternal Father, Strong to Save
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Military Bible Association
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1465877 Composed by Music by John B. Dykes and Words by William Whiting and Mary Hamilton. Arranged ...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1465877 Composed by Music by John B. Dykes and Words by William Whiting and Mary Hamilton. Arranged by James F. Linzey. Chamber,Classical,Patriotic,Religious,Sacred. 4 pages. Military Bible Association #1044474. Published by Military Bible Association (A0.1465877). History of the United States Navy and the Navy HymnOn August 26, 1775, the General Assembly of Rhode Island passed a resolution to create the Continental Fleet, to be funded by the Continental Congress in Philadelphia. But on October 3, 1775, Congress rejected it. On October 13, 1775, the Continental Congress changed courses and established the Continental Navy. This was the birth of the United States Navy. The Continental Navy obtained and armed two civilian vessels, the Andrew Doria and the Cabot. The first United States Navy ship was the USS Alfred, which was commissioned by Captain Dudley Saltonstall on December 3, 1775. John Adams served as the first Chairman of the Naval Committee, but in 1776 the Continental Congress appointed Commodore Esek Hopkins to be the Navy’s first Commander. After the Revolutionary War, the government abolished the Continental Navy. But 11 years later, Congress passed the Naval Act of 1794, which created the United States Navy. The Navy was involved in the Revolutionary War (1775 – 1776), the War of 1812 (1812 – 1815), the Civil World (1861 – 1865), the Mexican-American War (1846 – 1848), the Spanish-American War (1898), World War I (1914 – 1918), World War II (1939 – 1945), the Korean conflict, the Vietnam conflict (1964 – 1975), the war on terrorism through various military operations around the world (1987 – 2021) ), Operation Earnest Will (1987 – 1988), Operation Praying Mantis in the Persian Gulf (1988), Operation Urgent Fury at the invasion of Grenada (1983), Operation Desert Shield (1990 – 1991) and Operation Desert Storm (1991) which comprised the Gulf War, Operation Deliberate Force which was the invasion of Bosnia and Herzegovina (1995), Operation Allied Force which was the attack on Yugoslavia (1999), Operation Desert Fox which was the bombing of Iraq (1998), Operation Southern Watch which was the aerial patrolling of Iraq (1992 – 2003), Operation Enduring Freedom at the invasion of Afghanistan (2001 – 2021), and Operation Iraqi Freedom at the invasion of Iraq (2003 – 2011). The Navy emerged from World War II as the most powerful Navy in the world.In 1860, William Whiting of Winchester, England, wrote a poem titled “Eternal Father, Strong to Save” for one of his students, who was preparing to sail for the United States. The poem alludes to Psalm 107 and is a prayer for God’s protection from seafaring danger. In 1861, Rev. John Bacchus Dykes, an Anglican clergyman, composed the tune “Melita,” in 88 88 88 iambic meter, to accompany the hymn. “Melita” is the archaic name of Malta, which is an ancient seafaring nation. It was the site of the shipwreck that involved the Apostle Paul, as described in the Acts of the Apostles, chapters 27–28. In 1814, Malta became the Crown Colony of the United Kingdom, but in 1964 it gained independence and joined the British Commonwealth. The hymn has long been used by Navy and civilian chaplains during chapel services at sea, in navy and civilian maritime contexts. The Royal Navy, navies of the British Commonwealth, and the United States Navy adopted the hymn in the late 19th century as “The Navy Hymn.” Many verses have been written to Melita. James F. Linzey selected the four verses by Whiting (verses 1-3) and Hamilton (verse 4), which are the verses traditionally used in the Armed Forces Hymnal. James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
$1.99
The King Shall Come
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Gilbert M
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The King Shall Come
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Sacred Music Press
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SheetMusicPlus
SATB choir - Intermediate SKU: LO.10-2059S Composed by Gilbert M. Martin. Choral. Sacred Anthem, Advent. Octavo. Sacred Music Press #10/2059S. Published ...
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SATB choir - Intermediate SKU: LO.10-2059S Composed by Gilbert M. Martin. Choral. Sacred Anthem, Advent. Octavo. Sacred Music Press #10/2059S. Published by Sacred Music Press (LO.10-2059S). UPC: 000308049282.The opening segment of the composer's cantata, The King Shall Come(65/1887S), is this spirited setting of the early American hymn tune, MORNING SONG. The substantial organ accompaniment powers the choral forces on to their blazing come quickly, come quickly, King Of Kings!.
Song List
: The King Shall Come
$2.75
O Dulcis Virgo Mater (anthem for Holy Week) — SATB voices
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Chorale SATB
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INTERMÉDIAIRE
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Edward Fitzhugh
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Todd Marchand
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O Dulcis Virgo Mater
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Con Spirito Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1215082 Composed by Edward Fitzhugh. Arranged by Todd Marchand. Christian,Lent,Sacred. Octavo. 4 pages. Con Spir...
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Choral Choir (SATB) - Level 3 - SKU: A0.1215082 Composed by Edward Fitzhugh. Arranged by Todd Marchand. Christian,Lent,Sacred. Octavo. 4 pages. Con Spirito Music #811946. Published by Con Spirito Music (A0.1215082). O dulcis Virgo Mater (O sweet Virgin mother) is a petition to Mary, the mother of Jesus, that we might know her pain as witness to the passion of her son and thereby understand his pain, his sacrifice, and his love for us. Especially fitting for Holy Week, the text by Rev. Fr. Edward Fitzhugh, an Anglican priest in the Episcopal Diocese of Fort Worth, Texas (ACNA) pleads:O dulcis Virgo Mater, Maria sanctissima: Adiuva nos ad dolorem tuum sentire. (O sweet Virgin Mother, Mary most holy: help us to feel your pain.) Through your tears we will know his pain; through your woe we will know his love. Adiuva! Adiuva! Adiuva nos sciamus. (Help us know.)O dulcis Virgo Mater, Maria sanctissima: Adiuva nos ad dolorem tuum sentire. For a mother to see her son betrayed, scourged, and hung— Adiuva! Adiuva! Adiuva! Adiuva nos sciamus.O dulcis Virgo Mater, Maria sanctissima: Adiuva nos ad dolorem tuum sentire. To know your boundless sorrow is to truly know our Savior. Adiuva! Adiuva! Adiuva nos sciamus. Adiuva! Adiuva! Adiuva nos sciamus. Amen.The tune, also by Fitzhugh, is arranged for unaccompanied SATB voices by Todd Marchand.Text and tune ©2023 Edward Fitzhugh. This arrangement ©2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved by the respective copyright holders. For more original, sacred, patriotic, and folk music for instruments and voices, visit www.conspiritomusic.com
$2.00
Serving for Thee (The United States Marine Corps Hymn)
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Chorale SATB
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DÉBUTANT
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the 1970s, the Marines were se
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James F
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Serving for Thee
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Military Bible Association
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1465866 Composed by James F. Linzey and Lowell Mason. 21st Century,Chamber,Patriotic,Religious,Sacre...
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Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1465866 Composed by James F. Linzey and Lowell Mason. 21st Century,Chamber,Patriotic,Religious,Sacred. 4 pages. Military Bible Association #1044463. Published by Military Bible Association (A0.1465866). The History of the United States Marine Corps and the Marine Corps HymnOn November 10, 1775, the Second Continental Congress passed a resolution to establish the Continental Marines. is marked the formation of the United States Marine Corps. The Marine Corps was provided two battalions with a fleet. But the Treaty of Paris in April 1783 ended the Marine Corps along with the Revolutionary War. It was later permanently re-established on July 11, 1798. Since then the United States Marine Corps has been involved in the War of 1812, defending Washington in Bladensburg, Maryland, fighting for Andrew Jackson against the British in New Orleans, and fighting in the Mexican War (1846-1848) in which US Marines fought all the way to the Halls of Montezuma, Mexico City. The Marines served in the Civil War (1861-1865), the Spanish-American War (1898), the Philippine Insurrection (1899-1902), the Boxer Rebellion in China (1900), and World War I. The Marines were later involved in World War II, the Korean conflict beginning in 1950, and the Vietnam conflict, beginning in 1965. By the 1970s, the Marines were securing NATO, and later were involved in Operation Desert Shield and Operation Desert Storm (1990s), Somalia (1992), Operation Enduring Freedom (2001), the Global War on Terrorism and Operation Iraqi Freedom (2002), and in various conflicts since then. Since the inception of the Marine Corps in 1775,about 70,000 Marines have been killed in action. James Linzey served as a chaplain for the Marines in training at Fort Lee, Virginia, and as a contract chaplain at the Airman-Marine Memorial Chapel at MCAS Miramar from 2016-2019. While at Miramar, he gave leadership seminars to the Marines on the Battle of Midway. He is one of ten children of World War II hero, the late Navy Captain Stanford E. Linzey, Jr., CHC, USN (Ret.), who survived the sinking of the USS Yorktown (CV-5) in the Battle of Midway as a sailor, and later served with the Marines in Okinawa as a chaplain. Since the Marine Corps is part of the Department of the Navy, it has used the Navy hymn in chapel services. What is called “The Marine’s Hymn” cannot be sung in chapel services, because it is not a song of praise. As a fighting march, its author called it a hymn in name only. So, in commemoration of the United States Marine Corps, hymn writer James F. Linzey wrote the United States Marine Corps Hymn, “Serving for Thee.” He set it to the tune of Bethany, which was written by Lowell Mason in 1841. James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
$1.99
Star in the East - SATB Ensemble
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Chorale SATB
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INTERMÉDIAIRE
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American Folk Hymn
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Mark R Lewis
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Star in the East - SATB Ensemb
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Mark R Lewis
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1045083 Composed by American Folk Hymn. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Sacred,Traditional. Oct...
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Choral Choir (SATB) - Level 3 - SKU: A0.1045083 Composed by American Folk Hymn. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Sacred,Traditional. Octavo. 41 pages. Mark R Lewis #649647. Published by Mark R Lewis (A0.1045083). The tune for Star in the East first appears in print in The Southern Harmony collection, but is well attested as an American Folk Hymn. The lyrics are partially anonymous but most published versions include verses that seem to have been added by the arranger of that version. This Epiphany song has similar themes to We Three Kings but is definitely a refreshing change from that well known tune. This fun arrangement by Mark R Lewis is for Baritone soloist, SATB choir, a woodwind instrument, and bass instrument. Included is sheet music for C, Bb, and Eb instruments and a bass line which can be played by many different bass instruments depending on what the group has available. The instrumentalists can transpose their parts to different octaves for ease of playing if necessary. The Baritone soloist should be a well experienced intermediate singer and the bass line is very active at times, but the choir and woodwind parts should be performable by most intermediate groups. Also available for Baritone Solo w/ TTB ensemble, which is showcased in the sound samples included here. Vocal Range: f minor Baritone solo - 1 1/2 octaves (Bb2 to F4) Soprano -
$1.99
I'll Be There
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Chorale SATB
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INTERMÉDIAIRE
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Jess Glynne
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Aneesa Chaudhry
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I'll Be There
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Aneesa Chaudhry
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1304013 By Jess Glynne. By Jess Glynne. Arranged by Aneesa Chaudhry. Barbershop,Pop. 12 pages. Aneesa Cha...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1304013 By Jess Glynne. By Jess Glynne. Arranged by Aneesa Chaudhry. Barbershop,Pop. 12 pages. Aneesa Chaudhry #893605. Published by Aneesa Chaudhry (A0.1304013). This arrangement is for 5 voices and piano accompaniment.The tune can be sung by anyone who can sing it comfortably.The choir is divided into SATB.Individual voice parts (mp3 files) can be purchased from aneesa@aneesachaudhry.com.
$1.99
The Little Child (SATB version)
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Chorale SATB
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INTERMÉDIAIRE
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Robert A
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The Little Child
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Robert A. Howard
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1088814 Composed by Robert A. Howard. 21st Century,Christmas,Classical,Folk,Sacred. 8 pages. Robert A. Ho...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1088814 Composed by Robert A. Howard. 21st Century,Christmas,Classical,Folk,Sacred. 8 pages. Robert A. Howard #693026. Published by Robert A. Howard (A0.1088814). This piece is an original arrangement based on the wistful English folk melody 'Barbara Allen'. It takes the form of a 7-verse Epiphany carol, with introduction and coda, setting a poem by Laurie Twinam. Verse 1 gives the option for a single solo voice. Otherwise vocal lines, for SATB choir, retain the folk tune contour throughout, with fairly simple harmonies and a canon. Around this, the piano accompaniment weaves a set of characterful variations, as a commentary on each differing verse, which is always linked by a 2-bar 'turnaround'. The work explores aspects of both major and minor tonality, as well as modality (with the characteristic flattened seventh), thus working within and around the given folk idiom. This piece is appropriate for virtually any standard and size of SATB choir, including school, student, community, church and cathedral choirs. The accompaniment can be on piano, or for organ if slightly adapted by the player. The solo/unison and 2-part SA versions of this piece, as well as the solo piano version (Variations on 'Barbara Allen') by the same composer, are also available via Sheet Music Plus. Duration: 4 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$5.99
Magnificat and Nunc Dimittis (men's voices double choir) (Canticula Ursae Minoris)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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Magnificat and Nunc Dimittis
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David Warin Solomons
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.575587 Composed by David Warin Solomons. Christian,Contemporary,Sacred. Octavo. 15 pages. David Warin Solomons ...
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Choral Choir (Mixed) - Level 4 - SKU: A0.575587 Composed by David Warin Solomons. Christian,Contemporary,Sacred. Octavo. 15 pages. David Warin Solomons #2026217. Published by David Warin Solomons (A0.575587). Version for double choir men's voices (ATB-ATB) This setting of the Magnificat and Nunc Dimittis (called Canticula Ursae Minoris - songs of a little bear) is based on my oratorio in which I set a chapter of Winnie the Pooh (Now we are six - The Expotition to the North Pole). The tunes are and light and playful but the complexity makes it suited to a Cathedral or Church setting. The oratorio itself (The Poohratorio, composed in 1977) has not yet been published here due to copyright on the works of A A Milne, but the melodies are entirely mine. You may be able to guess some of the characters whose leitmotifs in the oratorio are used in this setting. In particular, the lesser doxology (Glory be to the Father) makes great use the theme of Eeyore, the complaining donkey. The sound sample is performed by Matthew Curtis of choraltracks.com.
$2.99
Magnificat and Nunc Dimittis (mixed voices double choir) (Canticula Ursae Minoris)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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Magnificat and Nunc Dimittis
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David Warin Solomons
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.575588 Composed by David Warin Solomons. Christian,Contemporary,Sacred. Octavo. 14 pages. David Warin Solomons ...
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Choral Choir (Mixed) - Level 4 - SKU: A0.575588 Composed by David Warin Solomons. Christian,Contemporary,Sacred. Octavo. 14 pages. David Warin Solomons #2026219. Published by David Warin Solomons (A0.575588). Version for double choir (mixed voices) SAT-SAT This setting of the Magnificat and Nunc Dimittis (called Canticula Ursae Minoris - songs of a little bear) is based on my oratorio in which I set a chapter of Winnie the Pooh (Now we are six - The Expotition to the North Pole). The tunes are and light and playful but the complexity makes it suited to a Cathedral or Church setting. The oratorio itself (The Poohratorio, composed in 1977) has not yet been published here due to copyright on the works of A A Milne, but the melodies are entirely mine. You may be able to guess some of the characters whose leitmotifs in the oratorio are used in this setting. In particular, the lesser doxology (Glory be to the Father) makes great use the theme of Eeyore, the complaining donkey. The sound sample is performed by Matthew Curtis of choraltracks.com.
$2.99
Eternal Father, Strong to Save (The Navy Hymn)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Reverend John Bacchus Dykes
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Scott S
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Eternal Father, Strong to Save
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1407705 Composed by Reverend John Bacchus Dykes. Arranged by Scott S. Stewart. 19th Century,A...
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Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1407705 Composed by Reverend John Bacchus Dykes. Arranged by Scott S. Stewart. 19th Century,A Cappella,Christian,Praise & Worship,Sacred. 6 pages. Scott S. Stewart #990321. Published by Scott S. Stewart (A0.1407705). “Eternal Father, Strong to Saveâ€, (The Navy Hymn) penned by Anglican Churchman and poet William Whiting in 1860, was inspired by Psalm 107, which describes the power and dangers of the sea.  The tune, Melita, was composed by clergyman John Bacchus Dykes in 1861. Poet and musician came together to give to us the hymn we know today, “Eternal Father, Strong to Saveâ€.  This hymn, popularized by the Royal Navy and the United States Navy in the 19th century, has since been adopted by other armed services for official use.  Today it stands as one of the most famous hymns in Christendom.  This arrangement is scored for 4-part SATB ensemble (with minor divisi) to be performed a cappella.  It uses only the text of Whiting’s original poem.  Performance time: 3.30+-.
$2.99
Let All Things Praise the Lord
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Chorale SATB
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INTERMÉDIAIRE
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Charles Wesley-AMSTERDAM, Foun
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Ken Litton
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Let All Things Praise the Lord
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1416727 Composed by Charles Wesley-AMSTERDAM, Foundry Collection, 1742. Arranged by Ken Litton. Chri...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1416727 Composed by Charles Wesley-AMSTERDAM, Foundry Collection, 1742. Arranged by Ken Litton. Christian,Contest,Festival,Religious,Sacred,Traditional. 45 pages. Artist of Note, Inc. #998390. Published by Artist of Note, Inc. (A0.1416727). Praise the Lord Who Reigns AboveCharles Wesley-AMSTERDAM, Foundry Collection, 1742SATB Choir, Organ/Keyboard, Opt. Brass & PercussionLooking for something just a bit different/reduced from the concertato form, and even easier to learn to kick off the choir season?Based on Praise the Lord Who Reigns Above this arrangement, entitled Let All Things Praise the Lord is faithful to the original including a stanza omitted in most hymnals that speaks of the choir as a battle-worthy leadership unit in worship.The text, based on Psalm 150 by English pastor Charles Wesley, was originally published in his brother, John Wesley’s Founder Collection of 1742 in conjunction the tune AMSTERDAM (which carried annotations and adaptations from a German tune). Immediately following the choir, brass, percussion and organ/keyboard fanfare, opportunity is given to the congregation to participate in the liturgy. The middle section is original music that wings the emotion/meaning of the text to a more meditative stream and back again—via a reprise of the opening fanfare—to the rousing finale with a creative descant that appears not only in Soprano/Tenor, but also (for a change) in Alto and Bass. And, with a little attention from the conductor and choir the congregation can stay in it until the final release!Included are parts for: Choir, Organ/Keyboard, Bb Trumpets, F Horn, Trombones, Bass Trombone/Tuba and Percussion: Mallets/Tympani (2 players) as well as alternate parts for Baritone B.C., Baritone T.C., Eb Alto Saxophone, Bb Tenor Saxophone and Eb Baritone Saxophone.Available where you go for the best in downloadable resources, including:Sheet Music DirectSheet Music PlusComing soon!And via your local music dealer.Also…check out other titles from Artist of Note, Inc. and East of the Altar!Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard!
$1.99
Those Were The Days
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Chorale SATB
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INTERMÉDIAIRE
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Mary Rice Hopkins
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Aneesa Chaudhry
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Those Were The Days
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Aneesa Chaudhry
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SheetMusicPlus
Choral Choir,Choral (4-Part) - Level 3 - SKU: A0.1304015 By Mary Rice Hopkins. By Gene Raskin. Arranged by Aneesa Chaudhry. Barbershop,Pop. 9 pages. Ane...
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Choral Choir,Choral (4-Part) - Level 3 - SKU: A0.1304015 By Mary Rice Hopkins. By Gene Raskin. Arranged by Aneesa Chaudhry. Barbershop,Pop. 9 pages. Aneesa Chaudhry #893607. Published by Aneesa Chaudhry (A0.1304015). For 4 part choir + piano accompanimentOverall this is an SATB setting.The tune can be sung by anyone who can sing it comfortably, but sits within the alto range.The soprano part can be sung by the high treble voices.The tenor/bass part can be sung by any low voice, but typically by tenor 1 and 2, baritone or bass.
$1.99
The Christ Child's Lullaby — SATB voices and organ
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Chorale SATB
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FACILE
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Hebridean folk melody
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Todd Marchand
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The Christ Child's Lullaby &md
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1490482 Composed by Hebridean folk melody. Arranged by Todd Marchand. Christian,Christmas,Folk,Sacre...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1490482 Composed by Hebridean folk melody. Arranged by Todd Marchand. Christian,Christmas,Folk,Sacred,Traditional. 5 pages. Con Spirito Music #1067324. Published by Con Spirito Music (A0.1490482). “The Christ Child's Lullaby” is an English translation of the Scots Gaelic “Tàladh Chrìosda,” a Christmas carol adapted and popularized in the 20th century from a longer work written in 1855 by Catholic priest Ranald Rankin for his parishioners at Fort William in the Scottish Highlands.Rankin’s hymn, representing a lullaby for the Christ Child by the Virgin mother Mary, was intended for performance at Midnight Mass (the first mass of Christmas) and is still sung then at churches in the Outer Hebrides of Scotland today. Titled “Tàladh ar Slànaigheir” (“The Lullaby of our Savior”) and containing 29 verses, it is altogether a lullaby, a retelling of elements of the Nativity story, and an explication of the nature and work of Christ. The English text of “The Christ Child’s Lullaby” (containing three verses and alleluias) is one of many translations, adaptations, and variants of the original Scots Gaelic text. The tune, too, is one of many variants of a traditional Hebridean folk melody. It has been further adapted and newly harmonized in this medium-easy arrangement for SATB choir and organ, featuring solo soprano on verse 1, sopranos-altos in open harmonies on verse 2, and full SATB in rich harmonies on verse 3 and the concluding “Alleluias.”Voices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.99
Rolling In The Deep
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Chorale SATB
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INTERMÉDIAIRE
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Adele
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Aneesa Chaudhry
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Rolling In The Deep
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Aneesa Chaudhry
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1296496 By Adele. By Adele Adkins and Paul Epworth. Arranged by Aneesa Chaudhry. Barbershop,Pop. 23 pages...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1296496 By Adele. By Adele Adkins and Paul Epworth. Arranged by Aneesa Chaudhry. Barbershop,Pop. 23 pages. Aneesa Chaudhry #886681. Published by Aneesa Chaudhry (A0.1296496). Five part song with piano accompaniment is divided into the following:The tune can be sung by anyone who can sing it comfortablySATB choir Individual voice parts (mp3 files) can be purchased from aneesa@aneesachaudhry.com.
$1.99
Christ Is Made the Sure Foundation (Downloadable Choral Score)
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Chorale SATB
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FACILE
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Jeremy J
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Christ Is Made the Sure Founda
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir and organ, with optional congregation, treble choir, 2 trumpets, and timpani - Moderately Easy - SKU: MQ.60-7040-E Composed by Jeremy J. Bank...
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SATB choir and organ, with optional congregation, treble choir, 2 trumpets, and timpani - Moderately Easy - SKU: MQ.60-7040-E Composed by Jeremy J. Bankson. Christ the King, Reformation. Score & instrument parts. 10 pages. MorningStar Music Publishers - Digital Sheet Music #60-7040-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-7040-E). English.This concertato could also be used as a festive anthem for SATB and optional treble choir, since congregational participation is not essential. The tune WESTMINSTER ABBEY is scored for two trumpets, timpani, and organ. There is a short introduction made of melodic material not in the hymn tune (which is also used in between the phrases of stanza two and for interludes between verses). Stanza one begins in unison and finishes in four parts. Stanza two is unison treble (which can be children's choir or just soprano and alto voices). The introduction is heard again with trumpet fanfares as an interlude before the third stanza. Stanza three gives the melody to the first trumpet while the choir creatively harmonizes around it. A final interlude leads into the fourth stanza for unison with descant and trumpet fanfares.Instrumental Parts include: Trumpets I and II in C and B-flat, Timpani.
$2.65
IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M...
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Choral Choir (SATB) - Level 3 - SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation. Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and B♠Clarinet. The key signature of the anthem is B♠Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major). The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune.
$2.99
Lay Down Your Weary Tune
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Bob Dylan
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Michael D
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Lay Down Your Weary Tune
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Michael D. McClish
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.940831 Composed by Bob Dylan. Arranged by Michael D. McClish. Contemporary. Octavo. 8 pages. Michael D. McClish ...
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Choral Choir (SATB) - Level 3 - SKU: A0.940831 Composed by Bob Dylan. Arranged by Michael D. McClish. Contemporary. Octavo. 8 pages. Michael D. McClish #4982655. Published by Michael D. McClish (A0.940831). Yes! A choral arrangement of a Bob Dylan Song! This is an SATB+piano arrangement of one of Bob Dylan's perhaps lesser known folk tunes, but one of his most plaintive and heartfelt songs. With Dylan's exquisite sense of analogy, he paints a heartfelt portrait of Americana. The difficulty level would be intermediate. This is an excellent example of homophonic choral writing in an authentic American style, emphasizing characteristics of American folk songs, connection to nature and humanity. This would be an excellent show stopper, end of concert, or other appropriate place in a program. For students, this builds choral tone, has solo, unison, two, three, and full choral singing, and a small solo. The theme builds community, and respect and love for nature and humanity. This has simple warm harmonies that exemplify American folk music, yet with a modern touch. I guarantee you will love this piece and it will find it's place in your permanent library. Perfect For Earth Day or general service in a church setting, the text is general, fits almost any church service. This will be alongside such standards as The River Is Wide,Down To The River To Pray and others. I feel very confident you will love this piece. The music clip is page 6, the most complex verse. Below is a link to hear the entire arrangement.
$2.00
Lay Down Your Weary Tune
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Chorale SATB
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Contemporain
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Bob Dylan
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Michael D
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Lay Down Your Weary Tune
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Michael D. McClish
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.940832 Composed by Bob Dylan. Arranged by Michael D. McClish. Contemporary. Octavo. 8 pages. Michael D. McClish #4982737. ...
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Choral Choir (SATB) - SKU: A0.940832 Composed by Bob Dylan. Arranged by Michael D. McClish. Contemporary. Octavo. 8 pages. Michael D. McClish #4982737. Published by Michael D. McClish (A0.940832). Yes! A choral arrangement of a Bob Dylan Song! This is an SATB+piano arrangement of one of Bob Dylan's perhaps lesser known folk tunes, but one of his most plaintive and heartfelt songs. With Dylan's exquisite sense of analogy, he paints a heartfelt portrait of Americana. The difficulty level would be intermediate. This is an excellent example of homophonic choral writing in an authentic American style, emphasizing characteristics of American folk songs, connection to nature and humanity. This would be an excellent show stopper, end of concert, or other appropriate place in a program. For students, this builds choral tone, has solo, unison, two, three, and full choral singing, and a small solo. The theme builds community, and respect and love for nature and humanity. This has simple warm harmonies that exemplify American folk music, yet with a modern touch. I guarantee you will love this piece and it will find it's place in your permanent library. Perfect For Earth Day or general service in a church setting, the text is general, fits almost any church service. This will be alongside such standards as The River Is Wide,Down To The River To Pray and others. I feel very confident you will love this piece. The music clip is page 6, the most complex verse. Below is a You Tube link to hear the entire arrangement.
$2.00
Lord of the Dance
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Chorale SATB
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Musique Sacrée
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Sydney Carter
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John Rutter
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Lord of the Dance
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SheetMusicPlus
Choral SATB choir with optional descant - Digital Download Composed by Sydney Carter. Arranged by John Rutter. Hymntune, Hymn Arrangements, Lent, Children,...
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Choral SATB choir with optional descant - Digital Download Composed by Sydney Carter. Arranged by John Rutter. Hymntune, Hymn Arrangements, Lent, Children, Life of Christ, Redemption. Octavo. 12 pages. Duration 12 minutes. Hope Publishing - Digital #C5166DP. Published by Hope Publishing - Digital
Matthew 4:21 - Matthew 11:16 - Matthew 11:17 - Matthew 11:18 - Matthew 11:19 - Mark 1:19 - Eccesiastes 3:4.
Beloved hymn tune With sensitivity and flair, John Rutter has created the consummate arrangement of this Sydney Carter classic! In his music, John perfectly balances the suspenseful sweep and full range of emotions that the text exhibits. At times it is playful and dance-like, and at other times the mood grows dark, gloomy, and dramatic. Beautifully orchestrated, this Shaker melody takes on a new character that is vivid, colorful, and accessible to every choir. A top-seller now in SAB.
$3.45
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