Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
They are at rest
Non classifié
315
Piano & claviers
Piano seul
57
Piano, Voix et Guitare
11
Piano Facile
9
2 Pianos, 4 mains
8
Piano, Voix
6
Orgue
2
Instruments en Do
2
Piano Quatuor: piano, violon, alto, violoncelle
2
+ 3 instrumentations
Retracter
Guitares
Guitare
14
Guitare notes et tablatures
5
Ukulele
3
Basse electrique
1
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
Piano, Guitare (duo)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
22
Chorale 3 parties
3
Chorale TTBB
3
Chorale SSAA
2
Chorale Unison
2
Voix Tenor
1
Voix haute
1
Voix Tenor, Piano
1
+ 3 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Ensemble de saxophones
16
2 Saxophones (duo)
16
Flûte, Hautbois, Clarinette, Basson
13
Clarinette et Piano
13
2 Flûtes traversières (duo)
10
Ensemble de Clarinettes
9
Flûte traversière et Piano
9
Hautbois, Piano (duo)
9
2 Clarinettes (duo)
7
Saxophone Alto et Piano
7
Cor anglais, Piano
6
Saxophone Tenor et Piano
6
Quatuor de Clarinettes: 4 clarinettes
6
Hautbois (partie séparée)
4
Clarinette
4
Saxophone, Clarinette (duo)
4
Quintette de Flûte : 5 flûtes
4
Saxophone Soprano et Piano
4
Clarinette, Violon (duo)
3
Saxophone Alto
3
Clarinette, Trompette (duo)
3
Flûte traversière
3
Quatuor de Saxophones: 4 saxophones
3
Saxophone Baryton, Piano
3
Flûte, Clarinette (duo)
3
Clarinette et Alto
2
2 Hautbois (duo)
2
Flûte, Alto (duo)
2
Flûte à bec Soprano
2
Flute (partie séparée)
2
Hautbois, Flûte
2
Flûte, Clarinette, Piano (trio)
2
Ensemble de Flûtes
2
Flûte à bec Soprano, Piano
2
Flûte, Violon, Piano
1
Clarinette, Violoncelle (duo)
1
Saxophone
1
Flûte à bec Tenor
1
Hautbois, Violoncelle
1
Hautbois, Basson (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone (partie séparée)
1
Cor Anglais
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Hautbois, Clarinette (trio)
1
2 Clarinettes, Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Alto, Piano
1
Trio de Flûtes: 3 flûtes
1
Flûte, Saxophone (duo)
1
+ 47 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Ensemble de Trompettes
36
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Trompette
8
Trombone et Piano
7
Trompette, Piano
7
Ensemble de Trombones
6
Cor anglais, Piano
6
2 Trompettes (duo)
5
Trompette, Saxophone (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette, Trombone (duo)
3
Quatuor de cuivres: 4 trompettes
2
Tuba et Piano
2
Euphonium, Piano (duo)
2
Cor
2
2 Trombones (duo)
2
3 Trompettes (trio)
2
Cor et Piano
2
Tuba
1
Euphonium, Tuba (duo)
1
Cor Anglais
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres
1
Trombone
1
2 Cors, Piano
1
Bass Clef Instruments
1
2 Cors (duo)
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
24
Harpe
13
Violon, Violoncelle (duo)
11
Trio à Cordes: violon, alto, violoncelle
9
Violoncelle, Piano
8
2 Violons (duo)
8
Violon et Piano
7
Violon
6
Alto, Piano
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Ensemble de Violons
4
2 Harpes (duo)
4
Violon, Alto (duo)
4
Violoncelle
4
2 Violoncelles (duo)
4
Alto seul
3
Violoncelle, Contrebasse (duo)
2
Ensemble d'Altos
2
Contrebasse, Piano (duo)
2
Contre Basse
2
Alto et Harpe
1
Alto, Violoncelle (duo)
1
Ensemble de Violoncelles
1
2 Altos (duo)
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
46
Orchestre à Cordes
26
Orchestre
15
Jazz combo
6
Cloches
5
Ensemble de cuivres
5
Ensemble de Percussions
4
Orchestre de chambre
2
Xylophone, Piano
1
Batterie
1
Piano et Orchestre
1
Ensemble Jazz
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
3
Partitions Numériques
22
Librairie Musicale
37
Matériel de Musique
211
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
They are at rest
Chorale SATB
Partitions à imprimer
22 partitions trouvées
<
1
They are at rest
#
Chorale SATB
#
Classique
#
Edward Elgar
#
They are at rest
#
Oxford University Press Digital
#
SheetMusicPlus
SATB choir unaccompanied - Composed by Edward Elgar (1857-1934). Edited by John Rutter. Sheet music. Oxford Choral Classics Octavos. Octavo. 7 pages...
(+)
SATB choir unaccompanied - Composed by Edward Elgar (1857-1934). Edited by John Rutter. Sheet music. Oxford Choral Classics Octavos. Octavo. 7 pages. Oxford University Press Digital #9780193536883. Published by Oxford University Press Digital
ISBN 9780193536883.
For SATB unaccompanied. Described by Elgar as an elegy for unaccompanied chorus, this mournful, reverent setting was composed for a service commemorating Queen Victoria on the anniversary of her death. The text is by Cardinal John Henry Newman, whose poem The Dream of Gerontius was set by Elgar in one of his most enduringly popular works.
$3.25
That they may rest in peace (voice with piano acc.)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Hubert Parry
#
Brock Lupton (1948-)
#
That they may rest in peace
#
Brock Lupton
#
SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.942423 Composed by Hubert Parry (1848-1918). Arranged by Brock Lupton (1948-). Christian,Contemporary,Romantic ...
(+)
Choral Choir (Mixed) - Level 3 - SKU: A0.942423 Composed by Hubert Parry (1848-1918). Arranged by Brock Lupton (1948-). Christian,Contemporary,Romantic Period,Sacred. Octavo. 6 pages. Brock Lupton #4764195. Published by Brock Lupton (A0.942423). This setting is ideal for Remembrance Day: it is also suitable for a funeral or celebration of life. It is singable as a congregation hymn, as an anthem for unison voices, or as a vocal solo (range A below middle C to D a ninth above middle C). The text is by Canadian poet Frederick George Scott (1861-1944). The original title is Requiescant (Let them rest). The source is Christian Poetry in Canada (ed David A. Kent ed, Anglican Book Center and ECW Press, Toronto, Canada, 1993) page 54. Scott was a military chaplain during World War I. This poem was, in the poet’s own words, [b]egun while I was lying awake in a sleeping-bag under a tarpaulin at Brielen, near Ypres…. during the gas attack on April 22nd, 1915…. As I lay awake, I wondered what all our comrades who had passed over were doing now…. I finished the poem at a little village called Robec. As I wrote it, I could see through the window, my host, who was a carpenter, making a baby’s coffin. (http://www.canadianpoetry.ca/confederation/FGScott/collected_poems/notes.htm) I have made a few slight changes: awful has become awe-filled Dear Christ became O Christ, and the line A weary road these men have trod has been altered to A weary road these warriors trod. Both the music and the original text are in the public domain in Canada, where copyright expires 50 years after the death of the author or composer.A brass quintet arrangement compatible with the voice part is available separately.
$5.00
I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
#
Chorale SATB
#
INTERMÉDIAIRE
#
Dandelion Music Press
#
#
I Would Rock My Child to Sleep
#
Dandelion Music Press
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104497. Published by Dandelion Music Press (A0.891206). This tender lullaby is a touching memorial for an end of life commemoration of a parent or caregiver. Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infantIII. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Old Beggarman from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
#
Chorale SATB
#
INTERMÉDIAIRE
#
Traditional Irish
#
Laurie Betts Hughes
#
#
Old Beggarman from "Lost
#
Dandelion Music Press
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 26 pages...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 26 pages. Dandelion Music Press #3104495. Published by Dandelion Music Press (A0.891205). The first of three movements, here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project : Encore 2017Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved. I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WASet of three and single movements available for purchase.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Lost Songs of Ancient Ireland [SATB with Treble Descant]
#
Chorale SATB
#
INTERMÉDIAIRE
#
Celtique/Irlandais
#
Folklorique/Traditionel
#
Traditional Irish
#
Laurie Betts Hughes
#
#
Lost Songs of Ancient Ireland
#
Dandelion Music Press
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 61 pages...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 61 pages. Dandelion Music Press #3104111. Published by Dandelion Music Press (A0.891204). Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$6.25
Rock - a Roger Jones musical
#
Chorale SATB
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Roger Jones, Alison Fuggle
#
Annie Routley
#
Rock - a Roger Jones musical
#
Christian Music Ministries
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise &...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99
Treasures Unfold, a sacred hymn
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
holy Priesthood restored, they
#
Kevin G
#
Treasures Unfold, a sacred hym
#
Kevin G. Pace
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1244257 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spi...
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.1244257 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #839240. Published by Kevin G. Pace (A0.1244257). A stunning, sacred hymn with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:Treasures unfold on the cov’nant path,Blessings bestowed by The Lord,Unto the righteous reserved by the God they have servedThrough their faith in His glorious Word.Given the strength to endure is inheritance pureThrough their faith in His glorious Word.       Knowledge and pow'r are a blooming flow'rPlanted by those who obey.Nourished by service with care, and the waters of prayer,They may gather a blessed bouquet.All revelation is grown by the seeds that are sown'Til they harvest a blessed bouquet.             True joy and peace never came from ease,Rather by seeking the right,Humbly repenting of sin and returning againTo the Lord, to be cleansed in His sight.They shall know peace and rejoice at the sound of His voiceSaying they have been cleansed in His sight.   Living above with the ones they love,Sealed in the temple of God;This is a blessing assured in the latter-day worldWhen the covenant path they have trod.By holy Priesthood restored, they are sealed and adoredWhen the covenant path they have trod.
$1.99
No Place for the Savior of Men - SATB
#
Chorale SATB
#
INTERMÉDIAIRE
#
KATHLEEN HOLYOAK
#
KATHLEEN HOLYOAK
#
No Place for the Savior of Men
#
Kathleen Holyoak
#
SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 3 - SKU: A0.1512026 Composed by KATHLEEN HOLYOAK. Arranged by KATHLEEN HOLYOAK. Christian,Christmas,Contest,Fe...
(+)
Choral Choir,Choral (SATB Chorus) - Level 3 - SKU: A0.1512026 Composed by KATHLEEN HOLYOAK. Arranged by KATHLEEN HOLYOAK. Christian,Christmas,Contest,Festival,Holiday,Praise & Worship. 7 pages. Kathleen Holyoak #1087076. Published by Kathleen Holyoak (A0.1512026). This lovely Christmas title will touch your heart with lyrics by GARY CROXALL. Kathleen Holyoak and Gary Croxall teamed up with music and words that visually capture the image of Mary and Joseph as they are unable to find a single suitable place for Mary to birth the Lord. It appears they will fail to find any shelter at all, even though the beasts and birds and nature have places to rest. Desperate and rejected, they are inevitably driven to the most humble place imaginable for the birth of the creator of the universe, a stall housing beasts with a stone feeding trough or manger for a cradle. In essence, God must seek refuge among His beasts and not what you would expect for a king, let alone the King of kings! So, one place, an undesirable place is found in old Bethelehem.
$3.49
Master, the Tempest is Raging (SATB)
#
Chorale SATB
#
DÉBUTANT
#
Musique Sacrée
#
Mary Ann Baker, H
#
Garrett Breeze
#
Master, the Tempest is Raging
#
Lagom Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.723296 Composed by Mary Ann Baker, H.R. Palmer. Arranged by Garrett Breeze. Easter,Praise & Worship,Sacred,Spiri...
(+)
Choral Choir (SATB) - Level 1 - SKU: A0.723296 Composed by Mary Ann Baker, H.R. Palmer. Arranged by Garrett Breeze. Easter,Praise & Worship,Sacred,Spiritual. Octavo. 7 pages. Lagom Music #6093717. Published by Lagom Music (A0.723296). This arrangement by Garrett Breeze is easy to learn and fun to sing! The men and women sing the first and second verses respectively in unison, then come together on the third verse in familiar harmony. The piano part is full of movement, evoking the motion of the ocean as it ebbs and flows. An excited and accessible arrangement suitable for many different kinds of church services.Visit https://garrettbreeze.com to read my blog and discover new music!Check out my catalog of choral music at https://holidaychoirmusic.com!Subscribe to my YouTube channel at https://bit.ly/35HZC2d!Lyrics:Master the tempest is raging! The billows are tossing high! The sky is o'ershadowed with blackness. No shelter or help is nigh. Carest thou not that we perish? How canst thou lie asleep when each moment so madly is threat'ning a grave in the angry deep?Master with anguish of spirit I bow in my gried today. The depths of my sad heart are troubled. Oh, waken and save, I pray! Torrents of sin and of anguish sweep o'er my sinking soul, and I perish! I perish! dear Master. Oh hasten and take control!Master, the terror is over, the elements sweetly rest. Earth's sun in the calm lake is mirrored, and heaven's within my breast. Linger, o blessed Redeemer! Leave me alone no more, and with joy I shall make the blest harbor and rest on the blissful shore.The winds and the waves shall obey thy will: Peace, be still. Whether the wrath of the stormtossed sea or demons or men or whatever it be, no waters can swallow the ship where lies the Master of ocean and earth and skies. They all shall sweetly obey Thy will: Peace, be still. Peace, be still. They all shall sweetly obey Thy will: Peace, peace, be still.
$2.25
Concord Canticles (Downloadable)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Sheldon Curry
#
Concord Canticles
#
Aureole Editions - Digital
#
SheetMusicPlus
SATB choir and organ - Medium - SKU: MQ.AE152-E Composed by Sheldon Curry. Lessons and Carols. 21 pages. Aureole Editions - Digital #AE152-E. Published ...
(+)
SATB choir and organ - Medium - SKU: MQ.AE152-E Composed by Sheldon Curry. Lessons and Carols. 21 pages. Aureole Editions - Digital #AE152-E. Published by Aureole Editions - Digital (MQ.AE152-E). English.Commissioned by True Concord (Tucson, AZ) for their annual Christmas Lessons and Carols, these settings of the Magnificat and Nunc dimittis are powerful and effective. Melding an almost British sensibility with a contemporary musical language, they require an advanced ensemble and capable organist. We think you'll agree that the results are stunning.Notes from the Composer:Magnificat: Imagine you are a teenage Jewish girl a little over 2 thousand years ago. You have almost no power to affect any change in your life other than the biological ones that are happening to you daily. You've been feeling strange lately, nauseous in the mornings. You're soon to be married to an older man you barely know. Your cousin Elizabeth is pregnant and you are on your way to visit her. As you walk, you silently meditate on your current state of affairs, absentmindedly chanting a prayer you've heard since birth.Suddenly, a bright light and strange being appear, the being greets you and gives you the most bizarre news anyone has ever heard. After your initial shock, you can't help but praise God.Nunc dimittis: An old man is at the temple in Jerusalem. Year after year, day after day, hour after hour he has longed for deliverance from Roman oppression and the coming of Messiah. On this day, as he trudges along, he encounters a young girl, an older man and a baby. Not unusual, but something about the child catches his eye and draws him to the family. As he stands staring at the child, suddenly he knows. He knows! This is the One he has been waiting for. The long wait is over. The search is ended. He takes the baby from the mother and holds him close. He feels not elation as much as relief. He can now rest in peace.
$2.70
Diffusa est gratia - SATB choir
#
Chorale SATB
#
AVANCÉ
#
Musique Sacrée
#
Erik Spangler
#
Diffusa est gratia - SATB choi
#
Erik Spangler
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1082352 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 4 pages. E...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.1082352 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 4 pages. Erik Spangler #686504. Published by Erik Spangler (A0.1082352). Commissioned by Allen Buskirk for the Mount Calvary Choir, Baltimore, MD. “Diffusa est gratia / Senex puerum portabatâ€Â combines two liturgical texts associated with the feast of Candlemas. The first, “Diffusa est gratia is from Psalm 44:3 and ascribes to Mary a fullness of grace that is a common theme in Marian feasts. The second, Senex puerum portabat,†is more particularly relevant to the story of the infant Jesus and the ancient holy man Simeon found in today’s gospel. Singing two texts within one piece was common in Medieval music, where the interest lay on the juxtaposition of the texts and the interplay between them. Erik’s setting is influenced by both late Medieval and Renaissance choral styles. Each singer has long flowing lines that combine in duets, trios, and full quartet, yielding a variety of textures. Dissonant intervals are treated freely as was common in the late Medieval period before the tight control of the high Renaissance style. This expanded palette allows for more modern harmony that shifts in and out and resolves into consonant intervals at the end of phrases. Rhythmic syncopation and complexity were highly valued in the late Medieval style as they are again today; here they provide forward momentum. Together, these elements define a sensibility that is both ancient and new, influenced by practices of composers from the 14th and 15th centuries as well as more modern composers such as Moondog and Meredith Monk.
$6.00
A Song With No Tune / Inisheer
#
Chorale SATB
#
FACILE
#
Celtique/Irlandais
#
Folklorique/Traditionel
#
Alan Wagstaff
#
Alan Wagstaff
#
A Song With No Tune / Inisheer
#
Alan Wagstaff
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 2 - SKU: A0.507012 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octa...
(+)
Choral Choir (SATB divisi) - Level 2 - SKU: A0.507012 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 37 pages. Alan Wagstaff #117526. Published by Alan Wagstaff (A0.507012). This is a new Irish song about the magic of Irish music. It's arranged for choir (SSAATB), harp, piano, flute, and fiddle. Elements of O'Carolan's 'Inisheer' are woven into the melody. Lyric A Song With No Tune The stories they tell in the Town of Athlone, would gladden the heart of a man made of stone. I joined in with them freely, until it was Spring, then I was off, like a hawk on the wing - searching for fortune - and something to sing. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. The pipers are proud in Kildare and Athy; there's no better music found under the sky. But, one bright Summer's evening, I left them behind; put my feet to the road and I followed them blind - searching for fortune - and what I might find. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. The fiddlers are famous from Bantry to Cork. The rake of their reels would make the lame walk. But still, at the close of a fine Autumn day, I packed up my bags and I went on my way - searching for fortune but finding low pay. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. Far up the west coast, in Aran and Clare, there's harpers to bring you a magical aire. I listened, enthralled, till the Winter came on, then pulled up my boots - and soon I was gone - searching for fortune for still I had none. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. I rested, by chance, at the close of the day, by a small rounded hill, where I happened to stray. And there, as the drowsiness over me stole, I dreamed of a woman with eyes black as coal - And the fortune she held was the song of my soul. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. Alan Wagstaff.
$100.00
CLOUD DRIFTER
#
Chorale SATB
#
INTERMÉDIAIRE
#
Helen Porter
#
Helen Porter
#
CLOUD DRIFTER
#
Helen Porter
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1045171 By Helen Porter. By Helen Porter. Arranged by Helen Porter. Classical,Folk,Standards,Traditional. Octavo...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.1045171 By Helen Porter. By Helen Porter. Arranged by Helen Porter. Classical,Folk,Standards,Traditional. Octavo. 12 pages. Helen Porter #649745. Published by Helen Porter (A0.1045171). This composition is a SATB choral work with piano, violin and 'cello accompaniament. It would be suitable for any school or community choral group and could be sung at concerts and most public events. It is a smooth work with key-changes to keep it interesting and some contrasting expression. The level would be Intermediate to adult. It can be sung without the stringed instruments- they are for a more advanced group.
$2.00
Shelter in Place for SSAATB chorus and nature soundtrack
#
Chorale SATB
#
INTERMÉDIAIRE
#
Contemporain
#
Adrienne Inglis
#
Shelter in Place for SSAATB ch
#
Adrienne Inglis
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.953628 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 14 pages. Adrienne Inglis (ASCAP) #6405...
(+)
Choral Choir (SATB divisi) - Level 3 - SKU: A0.953628 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 14 pages. Adrienne Inglis (ASCAP) #6405671. Published by Adrienne Inglis (ASCAP) (A0.953628). Great for concerts about nature and the environment, pandemic life, creativity!Shelter in Place by Adrienne Inglis (ASCAP) for mixed SSAATB chorus with nature soundtrack created by Chris Clark-Johnsona setting of Shelter in Place, a poem by Kim Stafford Commissioned by Lewis & Clark College, Portland, Oregon, April 2021Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.Poet Kim Stafford grew up in Oregon, Iowa, Indiana, California, and Alaska, following his parents as they taught and traveled through the West. He is the author of a dozen books of poetry and prose, and the founding director of the Northwest Writing Institute at Lewis & Clark College, where he has taught since 1979. He holds a PhD in Medieval Literature from the University of Oregon, and has worked as a printer, photographer, oral historian, editor, and visiting writer at a host of colleges and schools, and offered writing workshops in Italy, Scotland, and Bhutan.Shelter in Place by Kim Stafford (used with permission)Long before pandemic prisoned us,the trees knew how to guard their placewith roots and shade.Moss found how to hug a stone for life.Every stream knows how to move in place,stay home and yet flow outward,sending bounty far.Now is our time to practice-now to sing from balconies,now send words of comfortby any courier,now to hoard lonesome generosity-and then to shine in all directions like stars.Program note: Shelter in Place (2021) by Adrienne Inglis, commissioned by Lewis & Clark College, Portland, Oregon, April 2021, sets former Oregon poet laureate Kim Stafford’s poem Shelter in Place (2020) for SSAATB mixed choir with Oregon nature soundtrack created by Chris Clark-Johnson, Lewis & C lark College class of 2021. Written during the coronavirus pandemic, the poem expresses how quarantine can serve as a conduit for healing, how words of comfort flow despite barriers, and how the paralysis of sheltering in place generates creative movement. The music and poem draw inspiration from ancient forest wisdom, shown musically with a pentatonic scale. The tight harmonies of Locrian mode bind moss to stone and stream to its own flow. Then vocal expression bursts forth with lush harmonies as singers serenade from balconies, sharing compassion through music. Returning to the pentatonic scale, we overcome obstacles and send generosity beyond our ancient and modern world into the celestial realm. The nature soundtrack features sounds of the Oregon forest, stream, and night sky.Acknowledgements: The composer warmly thanks Katherine FitzGibbon, Bailey Dean, Chris Clark-Johnson, Kim Stafford, and the Lewis & Clark College Community Chorale. Contact the composer to obtain the audio file of the nature soundtrack.Copyright © 2021 Adrienne Inglis | adrienne.inglis.com
$3.99
Manger Carol
#
Chorale SATB
#
DÉBUTANT
#
Musique Sacrée
#
Bernard Sexton
#
Manger Carol
#
Trinity Music Press
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 1 - SKU: A0.1286210 Composed by Bernard Sexton. Christian,Christmas,Contemporary,Praise & Worship. 9 pages. Trinity M...
(+)
Choral Choir,Choral (SATB) - Level 1 - SKU: A0.1286210 Composed by Bernard Sexton. Christian,Christmas,Contemporary,Praise & Worship. 9 pages. Trinity Music Press #877285. Published by Trinity Music Press (A0.1286210). A heartful scripture-based Christmas carol for SATB voices + piano accompaniment. The gentle introduction in the females voices is followed by various contrasting voicings which lead to the climatic final verse with a soaring descant.  In a cold and lonesome stable where Jesus was bornThe gentle mother, Mary, cradled her child that Christmas mornThough he lay within a manger, though his head rested on hayHe, the king, foretold by prophets, was born that wondrous day.Angels in the skies above him proclaimed their sweet song“All praise and honour to the Christ-childâ€, acclaimed the heavenly throng“Peace  on earth, goodwill to all men, glory to the new-born king,Jesus, saviour, our redeemer, glad tidings now we bring.â€Â Wise men from the East, they journeyed, they came from afarThey did the evil Herod’s bidding and followed the bright starOn they travelled to the stable where they kneeled and hommage paidGold and frankincense and myhrr, their gifts before him laid.Weary shepherds on the hillsides their flocks watched by nightAn angel then appeared before them, a blinding, fearsome sight“Do not fearâ€,the angel told them, “go to Bethlehem and see Born this night in David’s city, the Lord, Messiah, heâ€. Praise be to the the frightened shepherds who left flocks at nightAnd praise be to the travelling wise men who followed the bright lightPraise be to the heavenly angels, singing of the saviour’s  birthAnd praise be to our Lord, Jesus, who brought peace on earth. Â
$2.50
In the Bleak Midwinter
#
Chorale SATB
#
INTERMÉDIAIRE
#
Noël
#
Text: Christina Rosetti, Music
#
Tom Dwight
#
In the Bleak Midwinter
#
Tom Dwight
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.921648 Composed by Text: Christina Rosetti, Music: Gustav Holst. Arranged by Tom Dwight. Christian,Christmas,Sac...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.921648 Composed by Text: Christina Rosetti, Music: Gustav Holst. Arranged by Tom Dwight. Christian,Christmas,Sacred. Octavo. 4 pages. Tom Dwight #3675793. Published by Tom Dwight (A0.921648). In the Bleak Midwinter is a beautiful poem by Christina Rosetti and was later set to music by Gustav Holst. In this arrangement, I hope to capture not only the beauty of the words and melody but also the starkness and chill of its setting.It is written for SATB with a descant on verse 4. There are also two optional C instrument parts. I suggest that the instruments refrain from playing throughout - possibly playing together for the intro and again on verse 4. The rest of the piece they might rotate in and out.Similarly, with the choir, consider making at least one of the verses unison. Use your discretion.2018 Holiday Contest Entry
$1.99
Saturnalia Song for voices, wind, brass and percussion
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
David Warin Solomons
#
Saturnalia Song for voices, wi
#
David Warin Solomons
#
SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.576366 Composed by David Warin Solomons. 20th Century,Christmas,Classical,Contemporary,World. Octavo. 27 pages....
(+)
Choral Choir (Mixed) - Level 4 - SKU: A0.576366 Composed by David Warin Solomons. 20th Century,Christmas,Classical,Contemporary,World. Octavo. 27 pages. David Warin Solomons #18013. Published by David Warin Solomons (A0.576366). A vivid and at times raucous celebration of Saturnalia, in Latin, for an ensemble of voices and instruments (including various percussion, woodwind and brass instruments). The sound sample is a sung performance by the composer with an electronic preview of the instruments. Further explanations: Song for Saturnalia - a raucous and fun romp - in whole tones (since there is scant evidence of the types of scales used in those days - whole tones just seem to work in this context). The Latin words make references to relatively modern times but the spirit of Saturnalia is timeless, after all. The pileum (also written pilleum) is the little cap that slave wore during Saturnalia to show they were free men and women on that day - they would point to their cap and say libertus sum (I am a free person) and omnes aequales sumus (we are all equal). The words (and translation - both by me) are as follows: Saturnalia Song Io Saturnalia! Hodie igitur dominus noster non es. [Hooray, it’s Saturnalia, so today you’re not our boss] Hodie omnes aequales sumus. Io! [Today we are all equal, hooray!] [spoof of USA Anthem] Salve O Frutici [Hi there, Bush] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] [spoof of UK Anthem] Salve O Campestri [Hi there, Blair] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] [spoof of German Anthem] Salve O Candelari [Hi there Brandt] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] Io Saturnalia, Io! [Hooray, it’s Saturnalia, hooray!] [Note on the invented names (used in the vocative in the song of course): Fruticius is based on the word frutex a bush - it’s also used to mean blockhead in Roman comedies, but I can’t help that!. Campestrius is based on campester - a plain or place of clear ground (Blair is the Celtic equivalent word - a forest clearing!) Candelarius is based on candela - a taper or candle - ie something burning hence Brandt (yes, I know he’s earlier than the other two politicians, but, hey, it’s all a bit of anachronistic fun!)].
$10.00
A Timbered Choir
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
John Newell
#
A Timbered Choir
#
Abierto Music
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1094416 Composed by John Newell. Classical,Contemporary. Octavo. 52 pages. Abierto Music #698467. Publish...
(+)
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1094416 Composed by John Newell. Classical,Contemporary. Octavo. 52 pages. Abierto Music #698467. Published by Abierto Music (A0.1094416). This set of eight works for chorus are settings of poems by Wendell Berry: writer, farmer, environmental activist, cultural critic and one of the important voices of our time. The movements are: The Peace of Wild Things (SATB, piano); I Go Among Trees (SATB a cappella); The Wild Geese (SATB, piano); Swallows In Air (SSAA, piano); Slowly, Slowly They Return (SATB a cappella); The Frog With Lichened Back (Soprano solo or unison, piano); The Winter Wren Is Back (SATB, piano); On a Forest Path (SATB, piano). All of the movements are available separately as well. A complete audio demo file is included on the page of each movement. Audio practice files are available at choraltracks.com. More information on this and the composer's other choral works is available at: www.johnnewellmusic.com.
$7.50
Ar Lan y Môr
#
Chorale SATB
#
FACILE
#
Sylvia Miles
#
Sylvia Miles
#
Ar Lan y Môr
#
Sylvia Miles
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1229657 By Sylvia Miles. By Traditional Welsh. Arranged by Sylvia Miles. Celtic,Folk,Irish,Wedding. Octavo. 3 pa...
(+)
Choral Choir (SATB) - Level 2 - SKU: A0.1229657 By Sylvia Miles. By Traditional Welsh. Arranged by Sylvia Miles. Celtic,Folk,Irish,Wedding. Octavo. 3 pages. Sylvia Miles #825418. Published by Sylvia Miles (A0.1229657). Ar Lan y Môr is a popular tradtional Welsh folk song, and as with many folk songs, there are various versions. My personal preference is for this version; it paints a seashore picture that I can imagine, and I'm completely convinced by the romantic element!Musically speaking, I love the alternating 3 and 4 beat bars; they make me think of waves coming irregularly to the shore.Pronunciation notes: slight roll on all 'r' sounds; rye - 'ye' as in bye-bye; 'ch' as in loch, back of throat; 'll' is said H L - run them together 'hl'. Everything else is written phonetically.Translation: 1. Beside the sea grow red roses, and white lilies, and there lives my true love, sleeping all night and rising in the morning. 2. Down where the sea laps at the flat rock, we walked together, and spoke words of love; lilies grow there, and branches of rosemary.3. By the sea are blue pebbles, golden flowers, everything that's beautiful - and also my dearest sweetheart.
$2.50
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Stuart Brown
#
An Omani Dance Suite - COMPLET
#
Stuart Brown Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
They are at rest
