Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Timbre
Non classifié
189
Piano & claviers
Piano seul
21
Orgue
13
Piano Facile
11
Piano, Voix et Guitare
6
Piano, Voix
2
Instruments en Do
1
Orgue, Trompette (duo)
1
2 Pianos, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
1 Piano, 4 mains
1
Accordéon
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare
8
Guitare notes et tablatures
5
Mandoline
1
4 Guitares (Quatuor)
1
Voix
Chorale SATB
16
Chorale 3 parties
6
Chorale Unison
4
Chorale TTBB
4
Chorale SSAA
3
Chorale 2 parties
2
Voix Tenor
1
Voix haute
1
Voix duo, Piano
1
Voix basse, Piano
1
Chorale SSAATTBB
1
+ 6 instrumentations
Retracter
Vents
Quatuor de Flûtes : 4 flûtes
41
Flûte, Hautbois, Clarinette, Basson
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
27
Trio de Flûtes: 3 flûtes
19
Quatuor de Saxophones: 4 saxophones
15
2 Flûtes traversières (duo)
14
Flûte traversière et Piano
13
Quatuor de Clarinettes: 4 clarinettes
12
Quintette de Saxophone: 5 saxophones
11
Saxophone Alto
10
3 Clarinettes (trio)
7
Quintette de Clarinettes: 5 clarinettes
6
Clarinette et Piano
6
2 Clarinettes (duo)
6
Hautbois, Piano (duo)
5
Quintette de Flûte : 5 flûtes
5
Saxophone Alto et Piano
5
Hautbois, Basson (duo)
4
Hautbois, Violoncelle
4
Clarinette, Basson (duo)
4
2 Saxophones (duo)
4
Clarinette
3
Hautbois (partie séparée)
3
Ensemble de Clarinettes
3
Ensemble de Flûtes
3
2 Hautbois (duo)
3
Flûte, Violoncelle
3
3 Saxophones (trio)
2
Saxophone (partie séparée)
2
Hautbois
2
Clarinette Basse, Piano
2
Flûte traversière
2
Clarinette, Violoncelle (duo)
2
Saxophone Tenor et Piano
2
Saxophone Soprano
1
Flûte et Guitare
1
Flûte, Hautbois, Basson
1
Saxophone et Guitare
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone Soprano et Piano
1
Hautbois, Clarinette (duo)
1
+ 36 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trombone (partie séparée)
6
Trompette (partie séparée)
5
Cor, Violoncelle (duo)
4
Cor et Basson (duo)
4
Trompette, Violoncelle (duo)
4
Trompette
3
Trompette, Piano
3
Cor et Piano
3
Trombone
3
Cor
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Tuba
2
Quatuor de Cuivres
1
Trompette, Tuba (duo)
1
2 Cors (duo)
1
2 Trompettes (duo)
1
Ensemble de Trompettes
1
Ensemble de Trombones
1
Trombone, Tuba (duo)
1
Trombone et Piano
1
Quatuor de cuivres: 4 trombones
1
2 Trombones (duo)
1
Quatuor de cuivres: 4 cors
1
Tuba et Piano
1
+ 21 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
26
Alto, Piano
9
Violoncelle, Piano
5
Violon (partie séparée)
4
Harpe
4
Violon et Piano
4
Violon
3
Trio à Cordes: violon, alto, violoncelle
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violoncelle
2
Violon, Violoncelle (duo)
2
Violon, Basson (duo)
2
2 Violons (duo)
2
Violon, Clarinette, Piano (trio)
1
Violoncelle (partie séparée)
1
Alto, Violoncelle (duo)
1
Contrebasse (partie séparée)
1
Harpe, Flûte (duo)
1
2 Violoncelles (duo)
1
Alto et Basson
1
Alto seul
1
Alto (partie séparée)
1
Violon, Alto (duo)
1
2 Altos (duo)
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
250
Orchestre
24
Ensemble Jazz
19
Orchestre à Cordes
14
Ensemble de cuivres
12
Cloches
7
Ensemble de Percussions
3
Orchestre de chambre
2
Vibraphone
2
Bodhran
1
2 Xylophones
1
Batterie
1
Fanfare
1
+ 8 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
3
Partitions Numériques
16
Librairie Musicale
38
Matériel de Musique
2 938
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Timbre
Chorale SATB
Partitions à imprimer
16 partitions trouvées
<
1
Sexy Boy
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Air
#
Alexandra Louise Uitdenbogerd
#
Sexy Boy
#
Alexandra L. Uitdenbogerd
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1012493 By Air. By Jean-Beoit Dunckel and Nicolas Godin. Arranged by Alexandra Louise Uitdenbogerd. A Cap...
(+)
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1012493 By Air. By Jean-Beoit Dunckel and Nicolas Godin. Arranged by Alexandra Louise Uitdenbogerd. A Cappella. Octavo. 9 pages. Alexandra L. Uitdenbogerd #4332661. Published by Alexandra L. Uitdenbogerd (A0.1012493). A very full and lush a cappella arrangement of Air's Sexy Boy, written for SSAAATTBarB ensemble. Ideal for college or university choirs that want to perform something a little risqué. For best effect performers should be a little flexible in their use of vocal timbre to simulate the electronic sounds of the original song.
$2.99
Life On Mars
#
Chorale SATB
#
AVANCÉ
#
Rock
#
David Bowie
#
Austin Ralphson
#
Life On Mars
#
Austin Ralphson
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.563645 By David Bowie. By David Bowie. Arranged by Austin Ralphson. Pop,Rock. Octavo. 13 pages. Austin Ralphson ...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.563645 By David Bowie. By David Bowie. Arranged by Austin Ralphson. Pop,Rock. Octavo. 13 pages. Austin Ralphson #4354801. Published by Austin Ralphson (A0.563645). This arrangement of the David Bowie classic from 1971 will bring a suitably vibrant, emotion-filled element to any programme, serving as a fitting tribute to a hugely influential and popular musician. It works well in pretty much any concert due to its popularity and the variations in dynamics, timbre, texture and, or course, the incredibly unpredictable harmonies. I have kept much of the piano accompaniment the same as David Bowie composed. There is some lovely interplay between the vocal parts which explores the original text a little further, leading to a huge, impressive ending. An essential addition to any programme, this arrangement is a great crowd-pleaser!
$2.49
God Rest Ye Merry, Gentlemen (Cornish folk tune) — SATB voices, clarinet, piano
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
the 19th century, the carol wa
#
Cornish folk tune
#
Todd Marchand
#
God Rest Ye Merry, Gentlemen
#
Con Spirito Music
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1323225 Composed by Cornish folk tune. Arranged by Todd Marchand. Advent,Christmas,Folk,Holiday,Sacred. 1...
(+)
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1323225 Composed by Cornish folk tune. Arranged by Todd Marchand. Advent,Christmas,Folk,Holiday,Sacred. 10 pages. Con Spirito Music #911489. Published by Con Spirito Music (A0.1323225). “God Rest Ye Merry, Gentlemen†is an English traditional carol dating, perhaps, to the 16th or 17th century. A manuscript, ca. 1650, contains a version with the first line, “Sit you merry gentlemen†and the refrain, “O tidings of comfort and joy.†The earliest known printed edition of the carol is a London broadsheet dated 1760, in which the first line is the familiar “God rest ye merry, gentlemen.†By the 19th century, the carol was well-known, with Charles Dickens referencing it in his 1843 novella, A Christmas Carol.The phrase “God rest you merry†in the first line is an archaic idiom meaning “God grant you peace and happiness.†William Shakespeare used the phrase “rest you merry†in his plays, “As You Like It†and “Romeo and Juliet,†both from the 1590s; but Dickens recorded the phrase as “God bless you, merry gentlemen†in A Christmas Carol.The tune adapted for use in this arrangement was at the time of its notation a wordless, nameless melody noted in 1905 by folk song collector E. Quintrell from the singing of a Mr. Boaden in Cornwall, England. The tune was sent to Lucy Broadwood, editor of the Journal of the Folk-Song Society, who decided that it fit the ballad, “The Maid in Bedlam,†and published the tune and text together. Gustav Holst later arranged the tune as Song without Words ‘I'll Love My Love’†in his Second Suite in F for Military Band, Op. 28, No. 2 (1911) and again as “I Love My Love†in his 6 Choral Folksongs, Op. 36 (1916). Set in F minor (Dorian), the tune brings a contemplative tone to the text, with the high point of the refrain being the subdominant Bb major chord on the word “joy.†The rich, dark timbre of solo clarinet (part included) on introduction, interludes, and ending adds to this tone. SATB voices (with some divisi on soprano and tenor), piano, Bb clarinet©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
Have Mercy, O Lord (Downloadable)
#
Chorale SATB
#
FACILE
#
Hal H
#
Have Mercy, O Lord
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
SATB choir, optional keyboard - Moderately Easy - SKU: MQ.50-9086-E Composed by Hal H. Hopson and Jacques (Jacob) Arcadelt. Ash Wednesday. 5 pages. Morn...
(+)
SATB choir, optional keyboard - Moderately Easy - SKU: MQ.50-9086-E Composed by Hal H. Hopson and Jacques (Jacob) Arcadelt. Ash Wednesday. 5 pages. MorningStar Music Publishers - Digital Sheet Music #50-9086-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-9086-E). Popular 16th century Ave Maria setting given new text from Psalm 51. Homophonic textures, elegant timbre, comfortable ranges throughout. Proven choral classic.
$2.15
Sonderbare Bezauberung
#
Chorale SATB
#
AVANCÉ
#
Thierry Pecou
#
Sonderbare Bezauberung
#
Schott Music - Digital
#
SheetMusicPlus
Mixed choir (SATB) and piano - difficult - SKU: S9.Q46513 For mixed choir (SATB) and piano. Composed by Thierry Pecou. This edition: choral score...
(+)
Mixed choir (SATB) and piano - difficult - SKU: S9.Q46513 For mixed choir (SATB) and piano. Composed by Thierry Pecou. This edition: choral score. Schott Chamber Choir. Downloadable, Choral score. Duration 10 minutes. Schott Music - Digital #Q46513. Published by Schott Music - Digital (S9.Q46513). German.This piece is a morning tune [Morgenlied], for which I have set an excerpt from The Lord Chandos Letter by Hugo von Hofmannsthal. I imagine the melodic vocal line alongside the resonant piano timbre to reflect the poet’s indescribable feelings for the magic of reality and his fascination with the inability of language to define the essence of things. I could not resist forging a connection between the description of von Hofmannsthal’s experience of infinity and the dream journey of a shaman. Thierry Pécou.
$11.99
With Dancing Banners, Tuneful Bells - Score
#
Chorale SATB
#
Musique Sacrée
#
John D Horman
#
With Dancing Banners, Tuneful
#
Chorister's Guild - Digital
#
SheetMusicPlus
SATB chorus, Unison chorus - SKU: C7.CGA955 Composed by John D Horman. General. Combined Choirs. With Keyboard, congregation, flute or violin, and opt. ...
(+)
SATB chorus, Unison chorus - SKU: C7.CGA955 Composed by John D Horman. General. Combined Choirs. With Keyboard, congregation, flute or violin, and opt. 1 octave handbells. Sacred Anthem. Octavo. 24 pages. Chorister's Guild - Digital #CGA955. Published by Chorister's Guild - Digital (C7.CGA955). UPC: 749193008324.This gentle, thoughtful arrangement of the traditional carol provides an excellent opportunity for children and congregations to learn the beautiful and sometimes less familiar hymn tune for this carol, CRADLE SONG. Both younger and older elementary choirs participate in the anthem, each singing a stanza alone and then combining together with the congregation on the final stanza. The rich, dark timbre of the cello or oboe brings a warm, soothing flavor to the ensemble of singers and organ accompaniment. Other C treble instruments may be substituted for cello or oboe.
$2.00
Feast of Heaven
#
Chorale SATB
#
Musique Sacrée
#
Ruth Elaine Schram
#
Feast of Heaven
#
Laurel Press
#
SheetMusicPlus
SATB choir with optional Flute (With Optional Flute) - SKU: LX.10-2762LA Composed by Ruth Elaine Schram. Sacred Anthem, General, Communion. Octavo. 8 pa...
(+)
SATB choir with optional Flute (With Optional Flute) - SKU: LX.10-2762LA Composed by Ruth Elaine Schram. Sacred Anthem, General, Communion. Octavo. 8 pages. Laurel Press #e10/2762LA. Published by Laurel Press (LX.10-2762LA). UPC: 000308061697.The mood surrounding communion is one of contemplative grace, and this lovely selection mirrors and enhances that atmosphere. The optional Flute part adds a peaceful timbre to the unobtrusive accompaniment and distinctive melody.
$2.40
In The Stone
#
Chorale SATB
#
AVANCÉ
#
Soul/R&B
#
Earth Wind and Fire
#
Tim Brent
#
In The Stone
#
Tim Brent Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.877203 By Earth Wind and Fire. By Allee Willis, David Babyface Foster, and Maurice White. Arranged by Tim Brent....
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.877203 By Earth Wind and Fire. By Allee Willis, David Babyface Foster, and Maurice White. Arranged by Tim Brent. R & B. Octavo. 31 pages. Tim Brent Music #3686531. Published by Tim Brent Music (A0.877203). Recorded by Earth, Wind & Fire, Arranged by Tim Brent for the Western Michigan University Gold Company 30th Anniversary (Dr. Steve Zegree, director) Vocal Jazz SSATTB arrangement with rhythm section and optional 4-piece horns (Trumpet, Trombone, Alto Sax, Tenor Sax).This arrangement of In the Stone was inspired by the original Earth, Wind and Fire recording. It makes a perfect opener or closer for a program. There are many opportunities to feature soloists throughout the piece. The price is high because it's a FLAT FEE per ensemble/organization, not a per copy fee. Please only make copies as needed for your ensemble/organization.I like to stay in touch with the people who program my music so please drop me a line and say hello info@timbrent.com
$65.00
Laudate Dominum in sanctis eius (Canali)
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Floriano Canali
#
Aristotle A
#
Laudate Dominum in sanctis eiu
#
CantemusDomino.Net
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1003353 Composed by Floriano Canali. Arranged by Aristotle A. Esguerra. Christian,Classical,Renaissance,Sacred,W...
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.1003353 Composed by Floriano Canali. Arranged by Aristotle A. Esguerra. Christian,Classical,Renaissance,Sacred,World. Octavo. 2 pages. CantemusDomino.Net #3535817. Published by CantemusDomino.Net (A0.1003353). A setting of Psalm 150 for SATB choir by Floriano Canali (c.1550–c.1630).Total length: ~2:45Key: F majorMode: Mode VIRange requirements (middle C = C4):· Cantus [Soprano]: D4–D5· Altus [Alto]: F3–A4· Tenor: D3–F4· Bassus [Bass]: F2–C4Pages: 2 8.5x11 sheetsSystems per page: 4Accompaniment: noneEnglish Translation (Douay-Rheims 1609):Praise ye the Lord in his holy places: praise ye him in the firmament of his power.Praise ye him for his mighty acts: praise ye him according to the multitude of his greatness.Praise him with sound of trumpet: praise him with psaltery and harp.Praise him with timbrel and choir: praise him with strings and organs.Praise him on high sounding cymbals: praise him on cymbals of joy: let every spirit praise the Lord.Possible uses: Liturgical prelude; postcommunion psalm of praise
$3.00
Bach Little Fugue in G Minor for Double Reed Choir BWV 578
#
Chorale SATB
#
AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Stephanie Daige
#
Bach Little Fugue in G Minor f
#
Stephanie Daige
#
SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Steph...
(+)
Choral Choir (Mixed) - Level 5 - SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Stephanie Daige #3377603. Published by Stephanie Daige (A0.796870). This little fugue is one of Bach's most famous and beloved organ works. Re-imagined for double reed choir, it is a challenging and fun setting for this fugue. The different instruments take turns entering with the subject of the fugue, and interplay back and forth with the other instruments. The timbres of the different instruments adds a whole new textural dimension to this already fascinating work by J.S. Bach. I considered the need to breathe for each of these wind instruments, which obviously wasn't an issue for the original version intended for organ. This piece would be appropriate for advanced high school students, college students, or professionals. It would do well in a chamber music concert, in a church, or between acts of a larger ensemble concert, perhaps in another location of the auditorium while a (quiet!) set change is taking place. It would also work well as prelude or lobby music. The duration is just over three minutes (or longer if you prefer to take it slower). Each measure is numbered individually for convenience during rehearsals. I hope you will enjoy performing this piece as much as I have enjoyed arranging it! There are also versions of this piece available for wind and brass quintets. Please check out my other arrangements at: http://www.sheetmusicplus.com/publishers/stephanie-daige/6875
$17.99
O Little Town
#
Chorale SATB
#
Musique Sacrée
#
Penny Rodriguez
#
O Little Town
#
Laurel Press
#
SheetMusicPlus
SATB choir - SKU: LX.10-2683LA Composed by Penny Rodriguez. Sacred Anthem, Christmas. Octavo. 8 pages. Laurel Press #e10/2683LA. Published by Laurel Pre...
(+)
SATB choir - SKU: LX.10-2683LA Composed by Penny Rodriguez. Sacred Anthem, Christmas. Octavo. 8 pages. Laurel Press #e10/2683LA. Published by Laurel Press (LX.10-2683LA). UPC: 000308056402.After an optional introduction in a free, improvisational style, the dusky deep timbres of an original melody for O Little Town of Bethlehem led by a rich alto solo make palpable the darkness of that long-ago holy night.
$2.40
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Chorale SATB
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
Shine! shine! shine! from A Song of Joys (Downloadable)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Stephen Chatman
#
Shine! shine! shine! from A So
#
Galaxy Music Corporation - Digital
#
SheetMusicPlus
SATB choir and Piano - Medium - SKU: MQ.7.0726-E Composed by Stephen Chatman. Secular, 21st century. Instrument parts. 7 pages. Duration 2 minutes, 45 s...
(+)
SATB choir and Piano - Medium - SKU: MQ.7.0726-E Composed by Stephen Chatman. Secular, 21st century. Instrument parts. 7 pages. Duration 2 minutes, 45 seconds. Galaxy Music Corporation - Digital #7.0726-E. Published by Galaxy Music Corporation - Digital (MQ.7.0726-E). English.An arrangement of the second movement of Stephen Chatman's A Song of Joys. The piano accompaniment replicates pitches within an extensive set of Chinese bao gongs featured in the original version. Walt Whitman's text evokes the “great sun!†and feelings of warmth and love: “While we bask, we two together.†The number, two, is the primary concept of the song—two lovers, two timbres (voice and piano), two pairs of flowing contrapuntal vocal lines, two additional contrapuntal “gong†parts, two formal sections, harmonic dissonance versus resolution, tutti versus a cappella, and two climactic cadences. Duration: 2:45.
$2.25
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Chorale SATB
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
We plough the fields, and scatter
#
Chorale SATB
#
Musique Sacrée
#
John Rutter
#
We plough the fields, and scat
#
Oxford University Press Digital
#
SheetMusicPlus
SATB chorus and piano or harp - The Cambridge Singers Hymn Series. Arranged by John Rutter. Sheet music. The Cambridge Singers Hymn Series. Octavo. ...
(+)
SATB chorus and piano or harp - The Cambridge Singers Hymn Series. Arranged by John Rutter. Sheet music. The Cambridge Singers Hymn Series. Octavo. 8 pages. Oxford University Press Digital #9780193541917. Published by Oxford University Press Digital
ISBN 9780193541917.
For SATB and piano or harp. In his setting of this German hymn, Rutter keeps the voices largely in rhythmic unison, skilfully bringing variety through changes of timbre and dynamic. The piece is part of a collection of hymn arrangements recorded by the Cambridge Singers, directed by John Rutter, on the Collegium CD Sing, ye heavens (COLCD 126).
$3.25
True Colors (SATB)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Rock
#
Cyndi Lauper, Glee Cast Feat
#
Tim Brent
#
True Colors
#
Tim Brent Music
#
SheetMusicPlus
SATB - Intermediate - Digital Download By Cyndi Lauper, Glee Cast Featuring Jenna Ushkowitz, Phil Collins. Arranged by Tim Brent. Octavo. 18 pages. P...
(+)
SATB - Intermediate - Digital Download By Cyndi Lauper, Glee Cast Featuring Jenna Ushkowitz, Phil Collins. Arranged by Tim Brent. Octavo. 18 pages. Published by Tim Brent Music
Perfect for your classical or jazz/pop ensemble, this piece is accompanied by piano and the vocal textures support some wonderful solo moments, as well as allowing independence between all voice parts. There are some unique and interesting harmonic and textural moments that will resonate with your ensemble and your audiences, and really make the message of the piece meaningful.
I always like to know who the groups are that are performing my work so please send me a quick email and let me know about your group! info@timbrent.com
$2.65
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale