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TRI ET FILTRES
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Piano, Voix et Guitare
103
Accompagnement Piano
68
Piano Trio: piano, violon, violoncelle
32
Orgue
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2 Pianos, 4 mains
13
Piano Quatuor: piano, violon, alto, violoncelle
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Piano Quatuor: piano, 2 violons, violoncelle
6
Piano (partie séparée)
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1 Piano, 6 mains
3
Piano grosses notes
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2 Pianos, 8 mains
1
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GUITARES
Guitare
92
Guitare notes et tablatures
75
Ligne De Mélodie, (Paroles) et Accords
38
Guitare (partie séparée)
19
Basse electrique
17
Ukulele
9
2 Guitares (duo)
7
Basse électrique (partie séparée)
7
4 Guitares (Quatuor)
4
Paroles et Accords
3
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2
3 Guitares (trio)
2
Ensemble de guitares
2
Dulcimer
2
Mandoline
1
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VOIX
Chorale SATB
144
Chorale 2 parties
117
Chorale Unison
57
Chorale 3 parties
55
Voix Soprano, Piano
43
Chorale SSAA
23
Chorale TTBB
18
Voix duo, Piano
11
Voix Alto, Piano
10
Voix Tenor, Piano
9
Voix duo
3
Voix Tenor
2
Chorale SSAB, Piano
2
Voix seule
1
Voix moyenne, Piano
1
Chorale SSATB
1
Voix haute
1
Instrumentations suivantes
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VENTS
Clarinette
144
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
126
Flûte traversière et Piano
117
Saxophone (partie séparée)
116
Flûte traversière
106
Clarinette et Piano
98
Quintette de Saxophone: 5 saxophones
93
Hautbois, Piano (duo)
88
2 Saxophones (duo)
80
Saxophone Alto
79
Quatuor de Saxophones: 4 saxophones
76
Saxophone Alto et Piano
73
Flûte, Hautbois, Clarinette, Basson
72
Quatuor de Clarinettes: 4 clarinettes
63
Hautbois (partie séparée)
57
2 Flûtes traversières (duo)
49
Saxophone Tenor et Piano
43
2 Clarinettes (duo)
42
Hautbois
40
Saxophone Soprano et Piano
30
Saxophone Tenor
29
Flûte, Clarinette (duo)
26
Saxophone Baryton, Piano
24
Ensemble de Clarinettes
23
2 Flûte à bec (duo)
22
2 Hautbois (duo)
22
Quatuor de Flûtes : 4 flûtes
21
Quintette de Clarinettes: 5 clarinettes
19
Saxophone, Clarinette (duo)
18
Clarinette Basse, Piano
17
Flûte, Clarinette et Basson
15
Cor Anglais
15
Saxophone Soprano
15
Cor anglais, Piano
15
Hautbois, Clarinette (duo)
14
Flute (partie séparée)
14
3 Clarinettes (trio)
13
Saxophone Baryton
13
Clarinette, Trompette (duo)
12
Clarinette (partie séparée)
11
Flûte à bec Soprano
11
Ensemble de Flûtes
11
Clarinette, Violon (duo)
11
3 Saxophones (trio)
11
Ensemble de saxophones
10
Saxophone
10
Trio de Flûtes: 3 flûtes
8
Quintette de Flûte : 5 flûtes
8
Hautbois, Basson (duo)
7
Flûte à Bec
7
Flûte, Alto (duo)
7
Clarinette et Alto
6
Flûte, Violon, Piano
6
Clarinette Basse
6
Clarinette, Basson (duo)
5
Quatuor de Flûtes à bec
5
Flûte, Violon
4
Flûte, Violoncelle
4
Flûte, Hautbois, Basson
4
Hautbois, Violoncelle
4
Clarinette, Violoncelle (duo)
4
Flûte à bec Tenor
3
Flûte, Saxophone (duo)
3
Hautbois, Flûte
3
5 Flûtes à bec
3
Ensemble De Flûte à bec
3
2 Clarinettes, Piano
3
Flûte à bec Soprano, Piano
2
Flûte, Violon et Violoncelle
2
Hautbois, Basson et Piano
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Hautbois (duo)
2
Flûte à bec Alto
2
Flûte, Trompette (duo)
2
2 Flûtes traversières, Piano
2
Flûte à bec Alto, Piano
2
Hautbois, Clarinette et Piano (Trio)
1
2 Hautbois, Piano
1
Flûte à Bec, Piano
1
Clarinette, Harpe (duo)
1
Piccolo, Piano
1
Flûte et Guitare
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Clarinette, Piano (trio)
1
4 Hautbois
1
Ensemble à vent
1
Saxophone et Guitare
1
2 Saxophones, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
119
Trompette
108
Trompette, Piano
88
Quatuor de Cuivres : 2 trompettes, trombone, tuba
87
Cor
81
Trombone
78
Cor et Piano
76
Tuba
69
Trombone et Piano
58
Tuba et Piano
34
Trompette (partie séparée)
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
32
Trombone (partie séparée)
29
Trompette, Trombone (duo)
28
2 Trompettes (duo)
22
2 Trombones (duo)
20
Cor (partie séparée)
18
Cor Anglais
15
2 Cors (duo)
15
Cor anglais, Piano
15
Quatuor de Cuivres
14
Tuba et Orgue
12
2 Tubas (duo)
11
Trompette, Saxophone (duo)
10
Tuba (partie séparée)
10
Euphonium, Piano (duo)
9
Ensemble de Trombones
7
Quatuor de cuivres: 4 cors
6
Euphonium
6
Trompette, Cor (duo)
6
Ensemble de Trompettes
5
Trombone, Cor (duo)
4
Quatuor de cuivres: 4 trombones
4
3 Trombones (trio)
3
Cor, Tuba (duo)
2
Trombone basse et Piano
2
Trompette, Euphonium (duo)
1
3 Trompettes (trio)
1
Euphonium, Tuba (duo)
1
Cor, Violoncelle (duo)
1
Trompette, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
3 Euphoniums
1
Trombone basse
1
4 Tubas
1
Ensemble de Cors
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
162
Violon
154
Violon et Piano
132
Alto, Piano
110
Violoncelle, Piano
97
Alto seul
91
Violoncelle
77
Violoncelle (partie séparée)
65
Contre Basse
61
Violon, Violoncelle (duo)
54
Trio à Cordes: violon, alto, violoncelle
54
2 Violons (duo)
51
Quintette à cordes: 2 violons, alto, violoncelle, basse
41
Contrebasse, Piano (duo)
36
Trio à Cordes: 2 violons, violoncelle
30
Violon, Alto (duo)
29
2 Violoncelles (duo)
26
2 Altos (duo)
25
Harpe
18
Alto (partie séparée)
13
2 Contrebasses (duo)
12
Contrebasse (partie séparée)
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Ensemble de Violons
4
Violon (partie séparée)
4
Ensemble d'Altos
4
Piano Trio: Violon, Alto, Piano
4
Alto, Violoncelle (duo)
4
Trio à Cordes: 3 violoncelles
3
2 Harpes (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
2 Altos, Piano
2
Violoncelle, Contrebasse (duo)
2
2 Violoncelles, Piano
2
Violon, Guitare (duo)
2
4 Contrebasses
1
4 Violoncelles
1
Violoncelle, Orchestre
1
Alto et Basson
1
Violoncelle , Guitare (duo)
1
2 Violons, Piano
1
Trio à cordes: 3 violins
1
Harpe, Voix
1
Trio à Cordes: 2 violons, alto
1
Violon, Violoncelle, Clarinette
1
Violon, Basson (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
287
Orchestre à Cordes
113
Orchestre
67
Fanfare
65
Ensemble de cuivres
47
Ensemble Jazz
43
Batterie (partie séparée)
37
Orchestre de chambre
27
Marimba
17
Ensemble de Percussions
14
Xylophone
14
Xylophone, Piano
12
Jazz combo
12
Cloches
11
Batterie
11
Percussion (partie séparée)
10
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Ensemble d'École
3
Percussion
1
Piano et Orchestre
1
2 Marimbas
1
Instrumentations suivantes
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AUTRES
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Praise Yah and Long Live the King (Cast) from "The Kings" - ACT 2:Song 1
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.784827 Composed by McCorkl…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.784827 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkle Music and eBook Publications #11745. Published by DF McCorkle Music and eBook Publications (A0.784827). ACT TWO: Song 1. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 5:1-3 - Then came all the tribes of Israel to David unto Hebron, and spoke, saying: 'Behold, we are thy bone and thy flesh. 2 In times past, when Saul was king over us, it was you that did lead out and bring in Israel; and Yahweh said to you: ‘You shall feed My people Israel, and you shall be prince over Israel.’ 3 So all the elders of Israel came to the king to Hebron; and king David made a covenant with them in Hebron before Yahweh; and they anointed David king over Israel.] The second act opens in the Hebron as DAVID unites the clans and in a grand celebration DAVID is crowned as king over Israel and Judah to the shouts of [Praise God and Long Live the King – Ensemble]. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.76 €
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Chorale SATB
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McCorkle, Dennis F
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Praise Yah and Long Live the King
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Shosholoza (South African)
Chorale SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1273068 By Public Domain. …
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1273068 By Public Domain. By Public Domain. Arranged by Noemi Bretas. Country,Folk,Historic,Pop,Traditional. Octavo. 15 pages. Marcelo Borba #865257. Published by Marcelo Borba (A0.1273068). Arrangement for 4 voices choir. Shosholoza is a popular South African folk song that has a rich history and cultural significance. The origins of the song can be traced back to the late 1800s and early 1900s, during the time of the South African gold and diamond mining boom.The word Shosholoza is believed to have been derived from the Ndebele and Zulu languages and translates roughly to go forward or make way for the next person. It was initially a call used by train drivers and mine workers to synchronize their movements while pushing and pulling railway cars or working in the mines.The song's lyrics and melody evolved over time through oral tradition, passed down among the workers as a form of communication, motivation, and solidarity. The rhythm and repetitive chanting helped the workers maintain a sense of unity and cooperation during physically demanding and often harsh conditions.During the era of racial segregation and oppression in South Africa, Shosholoza became an anthem of resilience and hope for the black South African population. It symbolized their spirit of endurance and unity in the face of adversity, and it came to be associated with the struggle against apartheid.With time, Shosholoza gained popularity beyond the confines of the mines and railway yards. It became a well-known folk song, performed by choirs, musicians, and cultural groups across South Africa and around the world. It embodies the spirit of ubuntu (the belief in the interconnectedness of all humanity) and has been used as a symbol of South African identity and pride.In modern times, Shosholoza continues to be celebrated as a cherished piece of South African musical heritage. It is often performed during sporting events, cultural festivals, and gatherings as a way to celebrate unity, strength, and resilience.Overall, Shosholoza remains a powerful reminder of South Africa's history, the struggles its people endured, and the enduring spirit of hope and solidarity that transcends adversity.
$1.99
1.84 €
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Chorale SATB
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Public Domain
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Noemi Bretas
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Shosholoza
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Marcelo Borba
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SheetMusicPlus
Due South (Complete Collection) (Downloadable)
Chorale SATB
SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.7.0720-E…
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SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.7.0720-E Composed by Stephen Chatman. Instrument parts. 36 pages. Galaxy Music Corporation - Digital #7.0720-E. Published by Galaxy Music Corporation - Digital (MQ.7.0720-E). English.Due South is one in a series of four choral suites that explore the cultural and natural wonders of various regions of North America. Stephen Chatman’s choral settings are broad in scope and tone; the tone painting evokes the stunning landscapes and their diverse communities. Both his original texts and those of poet Tara Wohlberg capture the enchanted worlds of North, South, East, and West.1. Arise is the short opening of this suite of five pieces, and is set to glorious homophonic music with rising motives in the lower voices.2. What's Cookin'? takes its sweet time tantalizing the listener with all the menu items of a truly Southern feast. Music, set to a slow tempo in swing eighths, makes the recitation tempting, if not downright sultry.3. Bugs is a soundscape of insects and their songs. Precise vocal effects make this challenging but also whimsical, and the result is pure fun.4. Love, O Love recalls an old-fashioned love letter in which the writer compares the beloved to the moon and the sun and pledges eternal love. The music begins with lush chords sung together, moves to an over-arching soprano line with gentle undulations in the lower parts, and finishes with the choir singing together again, Love shines on you, my only one.5. A perfectly apt finale to this choral suite, Kentucky Derby begins with a nod to My Old Kentucky Home, and then it's off to the races, literally. The text of the suite is declaimed rapidly in patter-song format, almost as if the chorus is calling race as it progresses. A tour de force, and truly, ..a wild ride!
$4.50
4.15 €
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Chorale SATB
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Stephen Chatman
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Due South
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Winter Suite: Songs Without Words ...With Words
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1477296 Compos…
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1477296 Composed by Felix Mendelssohn (1809-1847). Arranged by Laurie de Leonne. 19th Century,Classical,Holiday,Romantic Period. 60 pages. Dandelion Music Press #1054717. Published by Dandelion Music Press (A0.1477296). Community, collegiate, and high school choirs alike can perform this previously unsung Romantic-Era piano work by Felix Mendelssohn Songs Without Words Op. 19. 16'30 total performance time. Moderate/Easy difficulty, Intermediate/Advanced piano part. Can also be practiced or performed with a recording of the original Mendelssohn work as an accompaniment track. This new yet historical winter cantata features 6 new secular texts on varying themes of winter: 1. Winter Comes Again-- the changing of seasons from autumn to winter, evoking themes of Thanksgiving2. The Wind-- blustery winter storms, vividly described3. Let's Go Sledding-- lighthearted and enthusiastic zeal for winter play4. So Long Ago-- hearing family stories by the fireside5. Your Brother Called-- a frantic family member relays news of a flight delay6. In Wintertime-- deep and silent winter weather, looking toward springtimeMovements 1-3: https://youtu.be/ckogojxzsEM?si=lmD7kycUKrvBnQC6Movements 4-6: https://youtu.be/3QMQrETUg-Q?si=u-d7-iDCyVWIkCNQ.
$12.99
11.99 €
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Chorale SATB
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Felix Mendelssohn
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Laurie de Leonne
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Winter Suite: Songs Without Words ...With Words
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Dandelion Music Press
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SheetMusicPlus
Eugenio de Ligniville - Stabat Mater à tre voci in Canone - First Part (canons 1-10)
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.828748 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.828748 Composed by Eugenio de Ligniville. Arranged by Guido Menestrina. Baroque. Octavo. 12 pages. Guido Menestrina #2069709. Published by Guido Menestrina (A0.828748). Dedicato à S.A.R. Pietro Leopoldo Principe Reale d'Ungheria, e di Boemia Arciduca d'Austria Granduca di Toscana & & & (1767) Trascrizione a cura di Guido Menestrina Eugenio de Ligniville (o De Lignyville), spirito libero e inquieto, appassionato ed esperto di musica, agronomia ed esperimenti scientifici, fu «Sovrintendente alla musica della Real Camera e Cappella», il dipartimento musicale della Corte fiorentina, ma anche... Generale delle Poste. Fu proprio a Firenze che negli anni '60 del 1700 produsse le sue migliori composizioni, viste con rispetto, pare, anche dal giovane Mozart, che ne avrebbe in parte riutilizzate qualche decennio più tardi. Qui si propone la prima parte del suo Stabat Mater (i canoni da 1 a 10), sempre per tre voci, ma sempre diverse: tre soprani, tre contralti, soprano tenore e basso, ecc... Follow the score on youtube: https://youtu.be/EA_7gs4q3_s.
$7.99
7.37 €
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Chorale SATB
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Eugenio de Ligniville
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Guido Menestrina
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Eugenio de Ligniville - Stabat Mater à tre voci in Canone - First Part
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Guido Menestrina
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SheetMusicPlus
Hard Times Come Again No More
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1444628 Compos…
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Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1444628 Composed by Stephen Foster. Arranged by Thomas Degan. 19th Century,A Cappella,Early Music,Folk,Patriotic. 2 pages. Thomas Degan #1024522. Published by Thomas Degan (A0.1444628). Hard Times Come Again No More (sometimes, Hard Times) is an American parlor song written by Stephen Foster. It was published in New York City by Firth, Pond & Co. in 1854 as Foster's Melodies No. 28. Well-known and popular in its day,[1] both in the United States and Europe,[2][3] the song asks the fortunate to consider the plight of the less fortunate and includes one of Foster's favorite images: a pale drooping maiden.Released seven years before the American Civil War, it gained great popularity during that conflict as an expression of suffering and hardship, to the point that a satirical version about soldiers' food became widely circulated as well, Hard Tack Come Again No More.-Wikipedia.
$1.99
1.84 €
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Chorale SATB
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Stephen Foster
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Thomas Degan
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Co
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Hard Times Come Again No More
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Thomas Degan
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SheetMusicPlus
Cantata No. 1 Psalm 139 The Lord Has Known Me
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1441952 By Kev…
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Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1441952 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. 21st Century,Contemporary,Religious,Spiritual. 38 pages. Kevin Longley #1021944. Published by Kevin Longley (A0.1441952). The InspirationIn 2023 I decided to review a piece I had composed in 1990 to honor a friend I was singing with in a choral group at that time; Charles Munion. He never heard the piece as I felt the classical contemporary style would be a bit much for his ears! Beyond that I don't have allot of recollection as to the inspiration or what my thoughts were at the time of the composition. In regards to the revision, I added additional music to the third movement in order to balance out the movements and reworked some of the choral voicing.The MusicWritten in a contemporary classical style it follows the classic structure of 3 movements: First movement – brisk, loud forceful in nature Second movement – slow and lyrical Third movement – light and quick but with a forceful ending While in a contemporary style, at heart it maintains tonal centers throughout. While there is a few brief moments where I can here a little Bartok, as a whole I would say this piece is unique in regards to its style.
$1.99
1.84 €
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Chorale SATB
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Kevin Longley
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Kevin Longley
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Charles Munion
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Cantata No. 1 Psalm 139 The Lord Has Known Me
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Kevin Longley
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SheetMusicPlus
A Sacred Place: 1. Welcome to the House of the Lord (Downloadable Organ/Choral Score)
Chorale SATB
SATB choir, organ or optional string orchestra (4-4-3-2-1) - Moderately Easy - Digital Dow…
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SATB choir, organ or optional string orchestra (4-4-3-2-1) - Moderately Easy - Digital Download SKU: MQ.7460-E Composed by Gwyneth W. Walker. 12 pages. E. C. Schirmer Music Company - Digital #7460-E. Published by E. C. Schirmer Music Company - Digital (MQ.7460-E). English.Welcome to the House of the Lord starts with the outer elements, coming into the church. Welcome light, welcome beauty, welcome wonder. The focus then turns inward, to the personal gifts of healing and comfort. And, as we welcome the many aspects of faith, we realize that, one blessing at a time, we are welcoming God!
$2.25
2.08 €
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Chorale SATB
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Gwyneth W
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A Sacred Place: 1. Welcome to the House of the Lord
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Sometimes I feel like a Motherless Child - Traditional Negro Spiritual
Chorale SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.866169 Composed by Negro S…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.866169 Composed by Negro Spiritual. Arranged by Mario M. Pearson. Gospel,Sacred,Spiritual. Octavo. 6 pages. Empee music #3628331. Published by empee music (A0.866169). An accessible arrangement for SATB choir and up to two soloists. The demo recording features two soloists singing in a Gospel style while the choir provides background harmonies and also has a chance to ring out the text sometimes I feel like a motherless child!.
$2.50
2.31 €
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Chorale SATB
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Negro Spiritual
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Mario M
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Sometimes I feel like a Motherless Child - Traditional Negro Spiritual
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empee music
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SheetMusicPlus
IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation. Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and B♠Clarinet. The key signature of the anthem is B♠Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major). The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune.
$2.99
2.76 €
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Chorale SATB
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Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
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SheetMusicPlus
Joseph, Thou Son of David (Matthew 1 : 20-21) : SSAATB or SSATB Choir Acapella
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.741923 Composed by M. Ryan Taylor. 2…
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Choral Choir (SATB) - Digital Download SKU: A0.741923 Composed by M. Ryan Taylor. 20th Century,A Cappella,Christian,Christmas,Contemporary,Sacred. Octavo. 6 pages. Vocal Works #484783. Published by Vocal Works (A0.741923). It is difficult to find Christmas music that focuses on the role of Joseph, Christ’s foster father. That is one of the reasons I chose to set this text, it is a part of the story that is often left out. The other reason is that this it contains one of the first New Testament prophecies concerning Christ, the revelation that Jesus will save his people from their sins. That seems to be what Joseph needed to know at the time. Joseph was perhaps the third convert, after Mary and Martha. Demo: https://mryantaylor.bandcamp.com/track/joseph-thou-son-of-david-demo . . . Joseph, thou son of David, fear not to take unto thee Mary thy wife: for that which is conceived in her is of the Holy Ghost. And she shall bring forth a son, and thou shalt call his name JESUS: for he shall save his people from their sins.
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1.84 €
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Chorale SATB
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M
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Joseph, Thou Son of David
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Vocal Works
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SheetMusicPlus
The Seven Joys of Christmas: 1. The Joy of Love: This is the truth (Downloadable Choral Score)
Chorale SATB
SATB choir, with optional piano, harp, or orchestra - Digital Download SKU: MQ.8732-E
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SATB choir, with optional piano, harp, or orchestra - Digital Download SKU: MQ.8732-E Composed by Kirke F. Mechem. Christmas. 7 pages. E. C. Schirmer Music Company - Digital #8732-E. Published by E. C. Schirmer Music Company - Digital (MQ.8732-E). Kirke Mechem composed the Seven Joys of Christmas for the Chamber Singers of the San Francisco College for Women. He set out with the goal of setting lesser-known, but none the less attractive, carols from different countries in order to paint different aspects of joy for the Christmastide. He employed the number Seven because it is considered a magical number (as it is applies to mystery in the liturgy). The final carol, God bless the master of this house, is an amusing combination of all the carols in the composition, in addition to other well-known Christmastide melodies. In certain passages, two, three, even four different carols are being performed at the same time!
$2.25
2.08 €
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Chorale SATB
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Kirke F
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The Seven Joys of Christmas: 1. The Joy of Love: This is the truth
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
GYMNOPEDIE 1 by Satie - A Cappella choir SSATB
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.924900 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.924900 Composed by Erik Satie. Arranged by Barry Gerald Webb. 20th Century,A Cappella,Instructional,Wedding. Octavo. 3 pages. Barry G Webb #6078101. Published by Barry G Webb (A0.924900). This arrangement of the original piano composition enables a choir to sing a song without words, a vocalise. The choir can concentrate on singing chords in time together, whilst experiencing the subtlety of Satie‘s haunting eternal melody. The soprano melody can be a solo or a few singers or as many as are available. The rest of the sopranos sing the harmony.
$1.99
1.84 €
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Chorale SATB
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Erik Satie
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Barry Gerald Webb
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GYMNOPEDIE 1 by Satie - A Cappella choir SSATB
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Barry G Webb
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SheetMusicPlus
BEHOLD HE IS COMING (SATB) – Revelation 1:7
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926664 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizio #3588427. Published by M.A. Morizio (A0.926664). The Apostle John’s visions in Revelation are nothing less than astounding to all readers. However, little is it known that another Hymn to Christ is neatly tucked into the very first seven verses of this last book of the Bible. John begins his Revelation (verses 1-3) with a prelude, introducing Jesus Christ and the apocalypse (revelation) that was made to him via the angel sent to describe all the things about which he was to write. He says, Blessed is the one who reads aloud the words of this prophecy, and blessed are those who hear, and keep what is written in it, for the time is near. After this short prelude, John delivers an epistolary opening (a greeting identifying the author and recipients), then pronounces a blessing upon the recipients-verses 4-6. After both the prelude and the opening, John immediately proceeds to another known Hymn to Christ, in verse 7, which I have called, Behold He Is Coming. When presented with the text in Revelation 1:7, I immediately thought, Where is the Gospel, the good news, in this piece? After several minutes of meditating on the text, I realized the Gospel message was right there in front of me-in the very last line: Yes, so be it [Lord], so be it, [Amen!] There will be peace! All will be known. Every single person will understand, at that point. The end, is the ushering in of a new beginning. The piece is scored in G minor for SATB with flute and Bâ™ clarinet accompaniment. In the opening phrase, we hear the clarinet on a sustained high (concert) G, which crescendos into a quick, descending sixteenth note pattern. There is urgency! The flute joins the clarinet in a duet to complete the introduction to the anthem. Then, the choir begins their haunting chant, Behold, He is coming with the clouds. Every eye will see Him, even those who pierced Him. Every eye will see Him and all the tribes of the earth will mourn over Him . Alas, there is peace! The two instruments dissolve into an a cappella four-part chorale where the choir creates the agreement between the text and the music, modulating to the relative major (Bâ™)-all is reconciled in a final Amen!
$1.99
1.84 €
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Chorale SATB
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Michael A
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BEHOLD HE IS COMING
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M.A. Morizio
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SheetMusicPlus
Two Sacred Quartettes. 1. Softly Now the Light of Day. 2. Come Holy Spiri
Chorale SATB
Piano and voice (SATB chorus) - Digital Download SKU: LV.4540 Composed by Ellery C.…
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Piano and voice (SATB chorus) - Digital Download SKU: LV.4540 Composed by Ellery C. Crittenden. Prayer, Religion. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4540). Two Sacred Quartettes. 1. Softly Now the Light of Day. 2. Come Holy Spiri. Composed by the late Ellery C. Crittenden, Formerly Organist and Choir-Master of Christ Church, Rochester, New York. Published 1872 by Wm. A. Pond & Co., 547 Broadway in New York. Composition of strophic with piano and voice (satb chorus) First line of (1) Softly now the light of day fades upon my sight away First line of (2) Come, Holy Spirit, heavenly Dove instrumentation. Subject headings for this piece include Prayer, Religion. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.53 €
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Chorale SATB
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Ellery C
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Two Sacred Quartettes. 1. Softly Now the Light of Day. 2. Come Holy Spiri
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
THE ICON OF THE INVISIBLE GOD (SATB) – Colossians 1:15-20
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926661 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399. Published by M.A. Morizio (A0.926661). In the first chapter of Paul’s letter to the Colossians, we discover the next known Hymn to Christ right after his introductory passages, beginning at the 15th verse. Paul opens this letter with a blessing, then immediately flows to one of the 1st century hymns, which I have called, The Icon of the Invisible God. The lyrics of this hymn are declarative, bold and illuminating as to whom the Christ figure is-the icon, the very image of the invisible God, the firstborn of all creation. The text makes it abundantly clear that Jesus is the authority; that He was there before all things, that He created all things, and that through Him all things hold together. This anthem is composed for SATB choir with Pipe Organ accompaniment. The meter is set to 6/8 time, with a rhythm tempo of Totally Alive; which is one actual definition of the word Holy. The anthem starts at a good clip (♪=100). The key is G Major, with an incidental and occasional flatted 5th (Dâ™) as a surprise-landing befitting to the text presented, as if to say, This is so amazing, how can it be? The flatted 5th gives the piece it's own identity and causes the listener to stand up and take notice whenever it occurs. When the hymn's lyrics glide into the all-important resolution, having made peace through the blood of the cross, the song retards and lands on a surprising musical cadence, the sixth chord (E Major). In this piece, the pipe organ is boldly featured as it supports and under girds the musical line, occasionally trumpeting its own victorious motifs and adding some contrapuntal elements, such as this duplet motif, in the pedal line. The final lyrics about Christ having reconciled everything to Himself, whether things on the earth or in the heavens, finish the piece with a great, ‘High-Church’ choral ending.
$1.99
1.84 €
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Chorale SATB
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Michael A
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THE ICON OF THE INVISIBLE GOD
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M.A. Morizio
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SheetMusicPlus
Old Time Religion Medley
Chorale SATB
Choir Sacred (SATB choir) - Grade 4 - Digital Download Arranged by Mark Hayes. Choral…
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Choir Sacred (SATB choir) - Grade 4 - Digital Download Arranged by Mark Hayes. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Form: Medley. All Saints Day; Ascension; Baptism; Sacred; Spiritual; Spring. Choral Octavo. 15 pages. Jubilate Music Group - Digital #00- 11452. Published by Jubilate Music Group - Digital
English. Deuteronomy 34:1-12, Psalm 35:1-14, Matthew 22:1-14, Philippians 4: 1-9.<br> <br> Pull out all the stops with this incredible top-selling medley by Mark Hayes! Fast paced and fun, it features Old Time Religion, Standin' in the Need of Prayer, Down by the Riverside and Do, Lord. Mark's colorful harmonic writing has tremendous impact, yet is balanced by plenty of unison and 2-part writing. The swinging accompaniment is equally suited to performance by piano alone or with instrumental ensemble. For All Saints', Ascension, Baptism and general occasions, church and school choirs. Suggested scriptures: Deuteronomy 34: 1-12, Psalm 35: 1-14, Matthew 22: 1-14, Philippians 4: 1-9.
$1.95
1.8 €
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Chorale SATB
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Mark Hayes
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Choral Octavo
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Old Time Religion Medley
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Jubilate Music Group - Digital
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SheetMusicPlus
Still, Still, Still - SATB
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.721066 Composed by Traditi…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.721066 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert,Sacred. Octavo. 4 pages. Music-Scores.com #3877947. Published by Music-Scores.com (A0.721066). Still, Still, Still is a lovely Austrian carol. It is a lullaby and must be played as though rocking a cradle. The words of the carol refer to falling snow, the hushed world sleeping, and dreaming of joyous days to come.This arrangement is for SATB choir and may be accompanied or unaccompanied.Playing time about 1 minute, 45 seconds.4 pages.Arranged by Anne Christopherson at https://www.music-scores.com
$5.95
5.49 €
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Chorale SATB
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Traditional
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Still, Still, Still - SATB
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Music-Scores.com
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SheetMusicPlus
I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandeli…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104497. Published by Dandelion Music Press (A0.891206). This tender lullaby is a touching memorial for an end of life commemoration of a parent or caregiver. Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infantIII. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.94 €
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Chorale SATB
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Dandelion Music Press
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I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Dandelion Music Press
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SheetMusicPlus
Lost Songs of Ancient Ireland [SATB with Treble Descant]
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891204 Composed by Traditi…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 61 pages. Dandelion Music Press #3104111. Published by Dandelion Music Press (A0.891204). Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$6.25
5.77 €
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Chorale SATB
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Traditional Irish
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Laurie Betts Hughes
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Lost Songs of Ancient Ireland [SATB with Treble Descant]
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Dandelion Music Press
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SheetMusicPlus
Old Beggarman from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891205 Composed by Traditi…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 26 pages. Dandelion Music Press #3104495. Published by Dandelion Music Press (A0.891205). The first of three movements, here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project : Encore 2017Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved. I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WASet of three and single movements available for purchase.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.94 €
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Chorale SATB
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Traditional Irish
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Laurie Betts Hughes
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Old Beggarman from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Dandelion Music Press
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SheetMusicPlus
Brisbane Ladies (Augathella Station)
Chorale SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.774722 Composed by Traditi…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.774722 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 16 pages. Sandra Milliken #3863763. Published by Sandra Milliken (A0.774722). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon. Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port.Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20
2.03 €
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Chorale SATB
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Traditional
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Sandra Milliken
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Brisbane Ladies
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Sandra Milliken
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SheetMusicPlus
I Will Be With You
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.782529 Composed by Tyler Merideth. C…
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Choral Choir (SATB) - Digital Download SKU: A0.782529 Composed by Tyler Merideth. Christian,Contemporary,Graduation,Sacred. Octavo. 7 pages. Tyler Merideth #4642055. Published by Tyler Merideth (A0.782529). This setting of Isaiah 43: 1-2 has a very special meaning to me. The first time I encountered this text in a piece of choral music was with the very first Youth Choir I directed. It was because of the great experience directing that choir I realized that my true calling was in music education. These words have always been on my heart and I knew one day I wanted to set it to music myself. During that time in my life I was very passionate about TaizeÌ worship music. This philosophy of worship is where a simple text is repeated numerous times with a possible descant appearing. The idea is that you allow God to speak to you in those repetitions rather than taking powerful texts for granted. I gently borrowed this concept as a starting point for this composition. Please feel free to stop by my website and check out other compositions at: tylermerideth.com June 24, 2019
$3.99
3.68 €
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Chorale SATB
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Tyler Merideth
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I Will Be With You
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Tyler Merideth
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