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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Used To Get High
Chorale SATB
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Prayer to the Motherworld
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.999884 Composed by William…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.999884 Composed by William P. Gorton. 20th Century,Sacred,Spiritual. Octavo. 8 pages. William P. Gorton #6116587. Published by William P. Gorton (A0.999884). Prayer to the Motherworld, with text by Gerard Manley Hopkins, is a mystical supplication that invokes a divine essence that brings a sense of unity, peace, and security. Allusions to the world of nature tie the spiritual and natural worlds together in a lovely supplication. This haunting anthem, with a beautiful, arpeggiated accompaniment leading to a colorful climax would be appropriate for any good high school choir through more advanced choirs. Appropriate for either concert or church use. Can also be used as a solo.
$2.95
2.73 €
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Chorale SATB
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William P
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Prayer to the Motherworld
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William P. Gorton
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SheetMusicPlus
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
27.72 €
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Chorale SATB
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Stuart Brown
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An Omani Dance Suite - COMPLETE BUNDLE
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Stuart Brown Music
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SheetMusicPlus
Tightrope
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.839873 By Janelle M…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.839873 By Janelle Monae. By Antwan Patton, Charles Joseph, Janelle Robinson, and Nathaniel Irvin. Arranged by Christopher Alexander. Pop. 16 pages. Christopher Alexander #6064977. Published by Christopher Alexander (A0.839873). The drive of this song will definitely want you to get up and dance!  This Janelle Monáe dance hit is a must-have for your school show choir.  Could be used as an opener or closer to make a bold declaration of not being brought down by other's lies and deceits.  Then, baby, whether I'm high or low, you gotta tip on the tightrope.Full score parts also available: Tenor Sax, 3 Trumpets, Trombone, Piano, Synthesizer, Bass Guitar, Drum SetAvailable at: https://www.sheetmusicplus.com/title/tightrope-full-score-and-parts-digital-sheet-music/21866424.
$2.50
2.31 €
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Chorale SATB
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Janelle Monae
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Christopher Alexander
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Tightrope
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Christopher Alexander
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SheetMusicPlus
The House We Build
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1292341 By Lukas C …
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1292341 By Lukas C Jaeger. By Lukas C Jaeger. 21st Century,Contemporary,New Age. 22 pages. Lukas C Jaeger #882681. Published by Lukas C Jaeger (A0.1292341). As a creator, something I value above all else is the ability to do so with others. There’s a beauty found where minds meet that no one person can achieve alone.   So, in search of that beauty, before I even started to work on this piece, I met with the students of Waukesha North High School at the end of their 2023 school year. And we talked. We talked about how life was going. The good and bad. The ups and downs. Things lost. Things found… They shared some laughs and even some tears… The conversations we had were unexpectedly poignant and stuck with me throughout the writing process.   School is a time of great change in our lives and often we are so focused on “getting through†that we don’t really stop to appreciate it until later. This piece celebrates that part of the process. The way we build onto ourselves- acknowledging and accepting that our experiences we have during this time, both good and bad, are crucial to our identity and our ability to move forward in life. They are the cornerstones of who we are and who we become… Inspired by these experiences we shared, I wrote this text. It’s about building a house. The “house†being our self.
$3.00
2.77 €
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Chorale SATB
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Lukas C Jaeger
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The House We Build
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Lukas C Jaeger
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SheetMusicPlus
The Story of a Leader
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor K…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
13.9 €
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Chorale SATB
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
Bad Case Of Loving You
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.796809 By Robert Palmer. B…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.796809 By Robert Palmer. By John Moon Martin. Arranged by Eric Hagmann. A Cappella. Octavo. 8 pages. Eric Hagmann #3692383. Published by Eric Hagmann (A0.796809). An SATB + Solo contemporary a cappella arrangement of Bad Case of Loving You by Robert Palmer. Released in 1978 by John Moon Martin and then covered the very next year by Robert Palmer, this driving-rock spin on the traditional blues form fits perfectly as a piece just for voices. Contains alternate lyrics which could be used by a female soloist. In the hands of a skilled vocal percussionist, the propulsive rhythm of Bad Case thumps alongside the bass; thus laying the groundwork for your soloist and setting the electric tone for the entire song. Rather than mimicking the guitar licks of the original piece, the supporting vocals fill the void between phrases and then pack a true punch when finally getting to the chorus that we all know and love. At the bridge, the bass has a moment to shine on the melody before handing it off to the altos to finish the section. This is followed directly by a unique departure from the original tune - a breakdown where all but one section drops out. Over a short time, each part layers themselves back into the texture, thus building to an exciting climax where the vocal percussionist resumes the original groove along with the full support of the rest of your singers.High energy and lots of fun, this arrangement is great for your high school or college ensemble! .
$2.25
2.08 €
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Chorale SATB
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Robert Palmer
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Eric Hagmann
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Bad Case Of Loving You
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Eric Hagmann
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SheetMusicPlus
For Wisdom is Better than Jewels
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1008087 Composed by…
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1008087 Composed by Connie Pwll Walck Tyler. Christian,Contemporary,Jewish,Sacred. Octavo. 48 pages. Connie Tyler #4765403. Published by Connie Tyler (A0.1008087). What is Wisdom?In Proverbs 8:5-11 she says,Learn prudence, acquire intelligence, …take my instruction instead of silver,and knowledge rather than choice gold,for Wisdom is better than jewels. This suite of three songs is appropriate for use in a Christian or Jewish religious service or a secular concert. It includes a short audience participation possibility at the end of the last song. All are written for flute, piano, ethnic drum, SATB plus a high soprano part that can be a soloist. The drum part is written out, but could be improvised. The first song, Hear My Call, is short (1:49) and could be used as a call to worship in a religious service. The second song, God Created Me, (4:36) is an anthem of praise using the wonderful words of the creation of Wisdom in Proverbs 8:22-36 with a descant of the creation story in the book of Ben Sira 24:3, found in the Apocrypha. The tenors and basses sing the comparison of Wisdom with the trees of Israel, also found in Ben Sira, all in praise of Wisdom. The third song, Choose Life, (1:16) includes a chant that can be sung by the congregation or audience along with the choir. This could be used as the final hymn in a religious service. All three songs can be used separately or together. At the end of the score you will find a copy of the congregational chant which can be copied and placed in an Order of Service or Program. Purchase includes the right to make eight photocopies. For additional copies please purchase another score from sheetmusicplus.com. The recording is electronically produced and therefore has choral oohs without words. All three songs are on the recording, and at the end there is a flute rendering of the chant.. This is not intended to stand alone, but to be sung, as directed, with the last part of the choir song, Choose Life.
$20.00
18.48 €
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Chorale SATB
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Connie Pwll Walck Tyler
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For Wisdom is Better than Jewels
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Connie Tyler
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SheetMusicPlus
Drei Equale / Three Equali
Chorale SATB
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.882467 Composed by Ludwi…
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.882467 Composed by Ludwig van Beethoven. Arranged by Matthijs van der Moolen. Christian,Classical,Contemporary,Romantic Period. Octavo. 18 pages. Matthijs van der Moolen #566711. Published by Matthijs van der Moolen (A0.882467). These ‘Three Equali’ are amongst the few pieces that were written for trombone ensemble by a well- known composer, and therefor they are very important pieces for the trombone repertoire. This particular edition is different from the ones that most trombone players know. First of all, it contains a score for male choir. And secondly, it is transposed a major second down. The reason for this is that the original version is too high for the male voices. The version for male choir was added to the first and the last movement by Ignaz Seyfried, a friend of Beethoven. To make the words fit to the music, he had to be quite free with interpreting the rhythmical structure that Beethoven composed. It is debatable if the vocal and instrumental version should be performed all together or alternating with each other. According to the notes about Beethoven’s funeral (where the first and last movement were performed), the voices and instruments were alternating during this performance. The second movement was performed on a later moment, but the link between the instrumental version (with text by Frans Grillparzer) was not made. I have taken the freedom to put these two together in this score, and transposed it one major second down to make it fit smoothly in between the other two movements. The first and last movement also contained a text in Latin, but since the second movement was only available in German, I also used the German texts for the other movements.
$19.99
18.47 €
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Chorale SATB
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Ludwig van Beethoven
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Matthijs van der Moolen
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Drei Equale / Three Equali
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Matthijs van der Moolen
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SheetMusicPlus
Ave Maria| Dona Nobis Pacem| A Plea for Peace
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1459494 Compos…
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Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1459494 Composed by Caccini. Arranged by arr. Mario Pearson. Christian,Classical,Early Music,Religious. 11 pages. Empee music #1038446. Published by empee music (A0.1459494). Caccini's beautiful musical piece gets a fresh arrangement with texts for Ave Maria, Dona Nobis Pacem, and a new text: A Plea for Peace. Text options can be used for the occasion requiring them. Scored for SATB choir with keyboard and flute accompaniment, it is an accessible arrangement, and the alternate texts reflect the need for peace in our world now more than ever.ALTERNATE TEXT 2 LYRICSPeace in our hearts,Peace in our cities.Peace when nations disagree. Let swords find their rest; weary hearts find sweat release. Let vengeance fade, and anger cool, In gentle hands, the seeds of peace we'll pull. From mountains high, To oceans floor, Let doves of peace forever soar. May understanding bridge the gap, And kindness fill each empty lap. Oh, grant us peace, our spirits mend, And hope, reborn, will know no end.
$3.50
3.23 €
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Chorale SATB
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Caccini
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arr
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Ave Maria| Dona Nobis Pacem| A Plea for Peace
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empee music
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SheetMusicPlus
In Heaven and on Earth for SATB chorus, flute, and pedal or lever harp or piano
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.953621 Composed by Adrienn…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Inglis (ASCAP) #4807817. Published by Adrienne Inglis (ASCAP) (A0.953621). One of the most powerful passages in scripture set to music! Good length for an anthem, interesting and idiomatic use of flute and harp, nice mix of beautiful melodic passages and crunchy bits!A Setting of Philippians 2:5-11 from New Revised Standard VersionFor SATB chorus, flute, and clà rsach (Scottish lever harp) or harp or pianoDuration approximately 5:00 The Letter of Paul to the Philippians 2:5-11 (NRSV)*Let the same mind be in you that was in Christ Jesus, who, though he was in the form of God, did not regard equality with God as something to be exploited, but emptied himself, taking the form of a slave, being born in human likeness. And being found in human form, he humbled himself and became obedient to the point of death - even death on a cross.Therefore God also highly exalted him and gave him the name that is above every name, so that at the name of Jesus every knee should bend, in heaven and on earth and under the earth, and every tongue should confess that Jesus Christ is Lord, to the glory of God the Father. *New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.Composed by Adrienne Inglis in 2014 and premiered in 2014 in Austin, Texas, by the Westminster Presbyterian Church Sanctuary Choir, In Heaven and on Earth for SATB chorus, flute, and clà rsach, draws inspiration from the tune Love is the Cause of my Mourning from The Caledonian Pocket Companion Book 1, p. 27. The piece opens with the tune altered to G mixolydian mode. As the word exploited appears, a sinister-sounding E flat enters the harmony. Open octaves between soprano and bass show the emptying, followed by a shift to E phrygian mode with the word slave. Several dissonances emerge as the narrative gets darker. The flute and clà rsach represent chaos or hell with an aleatoric interlude of extended techniques involving tongue rams, flutter tonguing, multiphonics, spoken syllables, and lever glissandi. The harp then joyfully proclaims the new tonality of G major in a fanfare to introduce the text of praise and exaltation. The original source tune returns harmonically restored to G major.
$3.99
3.69 €
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Chorale SATB
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Adrienne Inglis
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In Heaven and on Earth for SATB chorus, flute, and pedal or lever harp or piano
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Adrienne Inglis
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SheetMusicPlus
God Rest Ye Merry, Gentlemen (Cornish folk tune) — SATB voices, clarinet, piano
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1323225 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1323225 Composed by Cornish folk tune. Arranged by Todd Marchand. Advent,Christmas,Folk,Holiday,Sacred. 10 pages. Con Spirito Music #911489. Published by Con Spirito Music (A0.1323225). “God Rest Ye Merry, Gentlemen†is an English traditional carol dating, perhaps, to the 16th or 17th century. A manuscript, ca. 1650, contains a version with the first line, “Sit you merry gentlemen†and the refrain, “O tidings of comfort and joy.†The earliest known printed edition of the carol is a London broadsheet dated 1760, in which the first line is the familiar “God rest ye merry, gentlemen.†By the 19th century, the carol was well-known, with Charles Dickens referencing it in his 1843 novella, A Christmas Carol.The phrase “God rest you merry†in the first line is an archaic idiom meaning “God grant you peace and happiness.†William Shakespeare used the phrase “rest you merry†in his plays, “As You Like It†and “Romeo and Juliet,†both from the 1590s; but Dickens recorded the phrase as “God bless you, merry gentlemen†in A Christmas Carol.The tune adapted for use in this arrangement was at the time of its notation a wordless, nameless melody noted in 1905 by folk song collector E. Quintrell from the singing of a Mr. Boaden in Cornwall, England. The tune was sent to Lucy Broadwood, editor of the Journal of the Folk-Song Society, who decided that it fit the ballad, “The Maid in Bedlam,†and published the tune and text together. Gustav Holst later arranged the tune as Song without Words ‘I'll Love My Love’†in his Second Suite in F for Military Band, Op. 28, No. 2 (1911) and again as “I Love My Love†in his 6 Choral Folksongs, Op. 36 (1916). Set in F minor (Dorian), the tune brings a contemplative tone to the text, with the high point of the refrain being the subdominant Bb major chord on the word “joy.†The rich, dark timbre of solo clarinet (part included) on introduction, interludes, and ending adds to this tone. SATB voices (with some divisi on soprano and tenor), piano, Bb clarinet©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
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Chorale SATB
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the 19th century, the carol was well-known, with Charles Dickens referencing it in his 1843 novella,
A Christmas Carol
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Cornish folk tune
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Todd Marchand
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God Rest Ye Merry, Gentlemen
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Con Spirito Music
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SheetMusicPlus
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