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ACCORDEON
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AUTRES INST…
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CHANT - CHO…
CHARANGO
CITHARE
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CLARINETTE
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CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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PARTITIONS …
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
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PIANO & CLAVIERS
Piano seul
140
Piano Trio: piano, violon, violoncelle
131
Piano Quatuor: piano, violon, alto, violoncelle
45
Piano Facile
43
Instruments en Do
40
Piano Quintette: piano, 2 violons, alto, violoncelle
38
Piano Quatuor: piano, 2 violons, violoncelle
34
Piano, Voix et Guitare
22
Accompagnement Piano
12
2 Pianos, 4 mains
11
Orgue
8
1 Piano, 4 mains
6
Piano, Voix
5
Clavecin
4
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Orgue, Trompette (duo)
1
2 Accordéons
1
Orgue, Piano (duo)
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
58
Guitare
36
2 Guitares (duo)
18
Piano, Guitare (duo)
9
4 Guitares (Quatuor)
6
Ligne De Mélodie, (Paroles) et Accords
4
Mandoline
3
Guitare, Violon, Violoncelle (trio)
2
3 Guitares (trio)
1
Basse electrique
1
Instrumentations suivantes
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VOIX
Chorale SATB
17
Voix haute
4
Chorale Unison
3
Voix seule
3
Chorale 3 parties
3
Voix moyenne, Piano
2
Chorale TTBB
1
Voix duo
1
Chorale 2 parties
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
78
3 Flûtes à bec (trio)
75
Flûte, Violon
75
Clarinette, Violon (duo)
61
Flûte, Violon et Violoncelle
51
Clarinette et Piano
50
Flûte et Guitare
48
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
38
Hautbois, violon (duo)
38
Saxophone Alto et Piano
37
Saxophone, Violon (duo)
33
2 Flûtes traversières (duo)
32
Saxophone Soprano et Piano
31
Saxophone Tenor et Piano
31
Flûte, Hautbois, Clarinette, Basson
29
Quatuor de Clarinettes: 4 clarinettes
26
Quatuor de Saxophones: 4 saxophones
23
Hautbois, Piano (duo)
21
Quintette de Saxophone: 5 saxophones
21
Quatuor de Flûtes à bec
18
Flûte traversière
17
Clarinette
17
2 Clarinettes (duo)
13
Ensemble de saxophones
12
2 Saxophones (duo)
12
3 Clarinettes (trio)
12
Trio de Flûtes: 3 flûtes
11
Flûte, Violon, Piano
11
3 Saxophones (trio)
11
Flûte, Hautbois, Clarinette (trio)
10
Ensemble de Clarinettes
10
Flûte et Trio à cordes
9
Saxophone Baryton, Piano
8
Flûte, Clarinette (duo)
6
Cor anglais, Piano
6
Quintette de Flûte : 5 flûtes
6
Flûte, Hautbois, Violon
5
Saxophone Alto
5
Clarinette Basse, Piano
5
Hautbois (partie séparée)
5
Quatuor de Flûtes : 4 flûtes
5
Flûte, Hautbois, Basson
4
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
4
Flûte, Violoncelle, Piano (trio)
4
Hautbois
4
Ensemble de Flûtes
4
Quintette de Clarinettes: 5 clarinettes
4
Clarinette, Guitare (duo)
4
Flûte, Violon, Violoncelle et Piano
4
Flûte, Violoncelle, Guitare
3
Ensemble De Flûte à bec
3
Clarinette (partie séparée)
3
Hautbois, Harpe
3
Clarinette, Harpe (duo)
3
Flûte, Violoncelle
3
2 Flûte à bec (duo)
3
Hautbois, Violin, Alto et Violoncelle (Quatuor)
3
Hautbois, Basson (duo)
3
Saxophone et Harpe
2
Flûte, Clarinette, Violon (trio)
2
Flute, harpe et violon
2
Saxophone (partie séparée)
2
Piccolo, Piano
2
Clarinette, Basson (duo)
2
4 Hautbois
2
5 Flûtes à bec
2
Flûte, Clarinette et Basson
2
Flûte à bec, Guitare (duo)
1
2 Clarinettes, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Violon, Piano
1
2 Flûtes traversières, Piano
1
Ensemble de Hautbois
1
Flûte et Quatuor à Cordes
1
Flûte à bec Alto
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Soprano, Piano
1
Flûte, Violon, Guitare
1
Clarinette et Alto
1
2 Hautbois (duo)
1
Clarinette, Violoncelle (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à Bec
1
Flûte à bec Soprano
1
Cor anglais et Harpe (duo)
1
Saxophone Tenor
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Alto (duo)
1
Instrumentations suivantes
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CUIVRES
Trompette, violon (duo)
34
Trompette, Piano
33
Trompette
23
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Trombone et Piano
18
Euphonium, Piano (duo)
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Cor et Piano
13
Trombone, Violon (duo)
12
Trombone
10
Cor
7
2 Trompettes (duo)
7
Tuba
7
Ensemble de Trombones
6
Tuba et Piano
6
Cor anglais, Piano
6
Trompette (partie séparée)
6
Ensemble de Trompettes
5
2 Cors (duo)
4
Quatuor de cuivres: 4 trombones
3
3 Trombones (trio)
2
Cor (partie séparée)
2
Trombone (partie séparée)
2
Trompette, Trombone (duo)
2
Ensemble de Cors
2
2 Trombones (duo)
2
3 Tubas (trio)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette, Cor (duo)
1
Tuba (partie séparée)
1
Cor anglais et Harpe (duo)
1
Quatuor de cuivres: 4 cors
1
3 Cors (trio)
1
Quatuor de cuivres: 4 trompettes
1
Cor et Harpe
1
Trompette, Harpe
1
Euphonium
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1849
Violon et Piano
956
Violon
637
Violon, Violoncelle (duo)
548
Trio à Cordes: violon, alto, violoncelle
500
2 Violons (duo)
443
Violon, Alto (duo)
297
Trio à Cordes: 2 violons, violoncelle
190
Violon (partie séparée)
120
Quintette à cordes: 2 violons, alto, violoncelle, basse
107
Trio à cordes: 3 violins
92
Quatuor à cordes: 4 violons
72
Violon, Guitare (duo)
67
Alto, Piano
58
2 Violons, Piano
54
Trio à Cordes: 2 violons, alto
38
Violon, Basson (duo)
36
Piano Trio: Violon, Alto, Piano
35
Violoncelle, Piano
35
Harpe, Violon (duo)
32
Violoncelle, Contrebasse (duo)
29
Violoncelle
25
2 Violoncelles (duo)
22
Violon, Orgue
18
Quintette à cordes: 2 violons, 2 altos, violoncelle
17
4 Violoncelles
15
Quintette à cordes : 2 violons, alto et 2 violoncelles
14
Ensemble de Violons
14
Harpe
14
Alto (partie séparée)
13
Alto seul
12
2 Altos (duo)
12
Trio à cordes
11
Contrebasse, Piano (duo)
11
Violon, Basse continue
8
Contre Basse
8
Harpe, Flûte (duo)
7
Alto, Violoncelle (duo)
6
Violoncelle , Guitare (duo)
6
Alto, Guitare (duo)
5
Harpe, Violon, Violoncelle
5
Violoncelle, Orchestre
4
Ensemble d'Altos
4
Violon, Clarinette, Piano (trio)
3
Violon, Violoncelle, Clarinette
3
Violon, Tuba (duo)
2
Trio à Cordes: 3 violoncelles
2
Violoncelle (partie séparée)
2
Contrebasse (partie séparée)
1
Flûte, Contrebasse (duo)
1
2 Altos, Piano
1
Harpe, Trombone (duo)
1
Violon, Contrebasse (duo)
1
Alto et Harpe
1
Violoncelle, Basse continue
1
Harpe, Violoncelle (duo)
1
2 Violons et Basse continue
1
Trio à cordes: 3 altos
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
282
Orchestre de chambre
195
Orchestre
91
Orchestre, Violon
19
Orchestre d'harmonie
17
Ensemble de cuivres
9
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
7
Ensemble Jazz
4
Vibraphone (partie séparée)
3
Vibraphone
1
Cloches
1
Percussion (partie séparée)
1
Marimba
1
Instrumentations suivantes
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AUTRES
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Violin Baroque
Chorale SATB
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Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson …
(+)
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
23.38 €
#
Chorale SATB
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson …
(+)
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
17.98 €
#
Chorale SATB
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Hallelujah for Violin and vocal NEW, moderately easy chords that sound GLORIOUS.
Chorale SATB
Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.980065 Composed by Adam L…
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Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.980065 Composed by Adam L. Molella. Baroque,Christmas,Concert,Contemporary,Easter. Octavo. 1 pages. Adam L. Molella #2917423. Published by Adam L. Molella (A0.980065). GLORIOUS new Hallelujah hymn, totally original and moderately easy to play, fifth chords on adjacent strings mean sounding great without any strain. Vocal part is optional, can be from a violin solo to a Christmas Carol.
$3.00
2.7 €
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Chorale SATB
#
Adam L
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Hallelujah for Violin and vocal NEW, moderately easy chords that sound GLORIOUS.
#
Adam L. Molella
#
SheetMusicPlus
Fugue (from Sonata No. 1 in G minor for solo violin, BWV 1001)
Chorale SATB
Composed by Johann Sebastian Bach (1685-1750). Arranged by Cesar Alejandro Carrillo. A…
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Cesar Alejandro Carrillo. A Cappella, Baroque. 16 pages. Cesar Alejandro Carrillo #878588. Published by Cesar Alejandro Carrillo
$5.00
4.51 €
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Chorale SATB
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Johann Sebastian Bach
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Cesar Alejandro Carrillo
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Fugue
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Cesar Alejandro Carrillo
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SheetMusicPlus
GLORIA RV 589 - Antonio VIVALDI - for Full Orchestra - Arr. Marc Garetto / Optionnal Organ and Choir
Chorale SATB
Composed by Antonio Vivaldi (1678-1741). Arranged by Marc GARETTO. Baroque Period, Christi…
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Composed by Antonio Vivaldi (1678-1741). Arranged by Marc GARETTO. Baroque Period, Christian, Christmas, Fairy Tales, Wedding. Score, Set of Parts. 64 pages. Published by Marc GARETTO - Harmonie Editions (S0.144183). - Score,Set of Parts - Baroque Period,Christian,Christmas,Fairy Tales,Wedding - Marc GARETTO - Harmonie Editions
One of the most famous music by Antonio Vivaldi, now arranged for modern Full Orchestra. Strings Wind Brass and Percussion with Optionnal Choir and Organ (included) Piccolo / Flute 1 / Flute 2 / Oboe / Clarinet 1 / Clarinet 2 / Bassoon Horn 1and2 / Trumpet 1 / Trumpet 2and3 / Trombone 1and2 / Tuba / Timpani Violin 1 / Violin 2 / Viola / Cello / DoubleBass Optionnal : Piano/Church Organ or Choir SATB (ou optionnal Brass if Choir)
$68.00
61.28 €
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Chorale SATB
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Antonio Vivaldi
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Marc GARETTO
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GLORIA RV 589 - Antonio VIVALDI - for Full Orchestra - Arr. Marc Garetto / Optionnal Organ and Choir
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Marc GARETTO - Harmonie Editions
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SheetMusicPlus
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovann…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contemporary,Sacred. Octavo. 44 pages. Guido Menestrina #368381. Published by Guido Menestrina (A0.828704). Anthem which was performed in King Henry the Seventh's Chappel at the Funeral of the most Noble & Victorious Prince John Duke of Marlborough By Giovanni Bononcini (1670-1747) transcribed by Guido Menestrina Il padre, Giovanni Maria Bononcini (Buononcini) (1642-1678), era stato violinista e compositore: attivo alla corte di Modena, aveva scritto un trattato, Musico prattico, pubblicato nel 1673. Il fratello minore di Giovanni, Antonio Maria, fu anch'egli musicista. Proprio dal padre Giovanni ricevette la prima educazione musicale; quando questi morì, nel 1678, divenne studente di Giovanni Paolo Colonna a Bologna, dove vennero eseguiti i suoi primi lavori. Proprio grazie al Colonna entrò a far parte dell'Accademia dei Filarmonici in veste di compositore. Nel 1685 aveva già preparato e pubblicato le sue prime opere. Ottenne nel 1688 il posto di musicista presso la basilica di San Petronio, e più tardi divenne maestro di cappella nella chiesa di San Giovanni in Monte. Sempre a Bologna fece la conoscenza del librettista Silvio Stampiglia, assieme al quale, tra il 1692 e il 1696, produrrà cinque opere. A partire dal 1692 si recò a Milano, Roma (dove fu apprezzato e sostenuto da Filippo II Colonna e dalla sua consorte Olimpia Pamphilj) e Venezia; infine, dal 1698 al 1711 si stabilì a Vienna, dove godette i favori degli imperatori Leopoldo I e Giuseppe I. Di passaggio a Berlino nel 1702, incontrò Georg Friedrich Händel, di quindici anni più giovane di lui, di cui riconobbe il talento precoce: lo avrebbe rincontrato alcuni anni più tardi. Dal 1714 al 1719 fu di nuovo a Roma, al servizio di Johann Wenzel, Conte di Gallas, Ambasciatore dell'Imperatore d'Austria a Roma, molto noto per il suo amore per la musica. Al Conte di Gallas, Bononcini dedicò la Favola Pastorale Erminia, rappresentata al Teatro della Pace nella Stagione del Carnevale del 1719. Il dramma musicale ebbe grandissimo successo sia per la musica, sia per gli interpreti, fra cui si segnalarono Domenico Gizzi (1687-1758), Musico Soprano della Real Cappella di Napoli ed il celebre contralto napoletano Francesco Vitale. Sempre nella Stagione del Carnevale 1719 al Teatro della Pace, Bononcini rappresentò il dramma per musica L'Etearco, dal librettista Silvio Stampiglia dedicato alla Contessa Ernestina di Gallas, moglie dell'Ambasciatore austriaco. Anche in questo dramma per musica Domenico Gizzi e Francesco Vitale fecero apprezzare tutte le spezie più ricercate del virtuosismo canoro. Poi, dal 1720 si stabilì a Londra, sotto la protezione del John Churchill, I duca di Marlborough. Qui si esibì anche al violoncello in numerosi concerti, molto apprezzati dall'aristocrazia inglese. Divenne membro della prestigiosa Royal Academy of Music.[senza fonte] Il pubblico londinese era, all'epoca, totalmente ignorante dell'opera italiana, e Händel stava muovendo i primi passi della sua prestigiosa carriera. Fra i due compositori si accese un forte spirito di competizione, sia che collaborassero alla realizzazione della medesima impresa (i tre atti dell'opera Muzio Scevola furono composti il primo da Filippo Amadi, il secondo da Bononcini, il terzo da Händel, al fine di soddisfare tutti e tre gli artisti), sia che, più spesso, si impegnassero in produzioni rivali. Le opere di maggior successo di Bononcini in quegli anni furono Astarto (1720), Crispo (1722), Griselda (1722), che si rivelò un vero e proprio trionfo, Erminia (1723), Calfurnia (1724). A favore dell'italiano era anche una certa ostilità verso Händel dovuta alle sue origini tedesche e alla contemporanea presenza sul trono inglese della poco amata dinastia di Hannover. Ma nel 1727-1728 scoppiò uno scandalo che compromise il successo di Bononcini e lo costrinse a lasciare Londra: il compositore Antonio Lotti accusò il madrigale di Bononcini In una siepe ombrosa di essere un plagio di un brano dei suoi Duetti, terzetti e madrigali. Fuggito a Parigi nel 1733, a causa di speculazion.
$9.99
9 €
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Chorale SATB
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Giovanni Bononcini
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Giovanni Bononcini, Giovanni Battista Bononcini
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Guido Menestrina
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Giovanni Bononcini - Anthem
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Guido Menestrina
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SheetMusicPlus
Jesu, Joy of Man's Desiring
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.816682 Composed by Johann …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.816682 Composed by Johann Sebastian Bach. Arranged by Guy Bunce. Baroque,Christian. Octavo. 8 pages. Enigma Music #4610307. Published by Enigma Music (A0.816682). A simple arrangement for Organ, Violin or Oboe, and Choir of this famous Bach piece. The edition has changed the time signature from simple to compound to aid with reading.The purchase include a separate part for the Violin/Oboe.
$1.99
1.79 €
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Chorale SATB
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Johann Sebastian Bach
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Guy Bunce
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Jesu, Joy of Man's Desiring
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Enigma Music
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SheetMusicPlus
Canon in Minor
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1028777 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1028777 Composed by Johann Pachelbel. Arranged by Colby A. Aguilar. Baroque,Contemporary. 68 pages. Colby Aguilar #3928165. Published by Colby Aguilar (A0.1028777). Here is a wonderful of arrangement of Johann Pachelbel's Canon in D, but in minor. Various minor keys, that is. There are four key changes throughout the duration of the song, and is composed of 11 parts.With the parts, the choir will have to stagger breathe throughout the piece. The violin that's an octave up, put that back down the octave, and change the harp to a piano, or violin and cello respectively. Sorry for the inconvenience, but now that I've learnt more about the harp, I'm making a proper, separate composition. Due to the level of intensity, I advise against beginner students, but may be played with as a starting or finale experienced personnel- these are just suggestions, of course, though. The piece is also very lengthy- at a time approximate of 10 minutes, and so should be performed as a starting or finale piece, but again, at your disposal. As are the dynamics, make the piece your own.
$20.99
18.92 €
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Chorale SATB
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Johann Pachelbel
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Colby A
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Canon in Minor
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Colby Aguilar
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SheetMusicPlus
Ave Maria
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1438879 Compos…
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1438879 Composed by Guilio Caccini. Arranged by Sarit Aloni. Baroque,Lent,Religious,Renaissance,Sacred. 12 pages. Sarit Aloni #1018956. Published by Sarit Aloni (A0.1438879). Ave MariaMusic by Vladimir VavilovAttributed (probably by the composer himself) to Gulio CacciniArr. by Sarit AloniSATB, Soprano solo, Violin, Cello, PianoMay 2024.
$4.00
3.6 €
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Chorale SATB
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Guilio Caccini
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Sarit Aloni
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Ave Maria
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Sarit Aloni
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SheetMusicPlus
G. Fr. Handel: DIXIT DOMINUS
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.887072 Compo…
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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.887072 Composed by George Frideric Handel. Arranged by Marilena Zlatanou. Baroque,Praise & Worship. 419 pages. Marilena Zlatanou #3426785. Published by Marilena Zlatanou (A0.887072). G. Gr. Handel: DIXIT DOMINUS. Transposed to G (orig. B). Conductor's score, vocal, score, choir score and parts in one long pdf file.The original key is uninvitingly high for singers and my transposition of a minor third down has proved to be very successful indeed both for choir members and for audiences. I have had to make a few adjustments in the violin parts of the first movement by assigning the violas a few places, a solution that has worked seamlessly.Please visit website www.zlatanou.net for more information on the arranger who is a member of the Norwegian copyright org., TONO.
$40.00
36.05 €
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Chorale SATB
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George Frideric Handel
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Marilena Zlatanou
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G. Fr. Handel: DIXIT DOMINUS
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Marilena Zlatanou
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SheetMusicPlus
Alleluia For Unto Us A Child is Born CHORAL setting
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.848401 Composed by Johann …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.848401 Composed by Johann Sebastian Bach. Arranged by Gene Roberson. Baroque,Christmas,Classical,Sacred. Octavo. 4 pages. Gene Roberson #18183. Published by Gene Roberson (A0.848401). This is the CHORAL setting that matches Gene Roberson's Organ and Brass arrangement of Alleluia For Unto Us a Child is Born. From J.S. Bach's Birthday cantata. Perfect for your Christmas services and concerts. Organ - Violin Cue is included in the score. Use the Letter markings for score management. They match the organ and brass score which is available at SheetmusicPlus Digital downloads.
$1.99
1.79 €
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Chorale SATB
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Johann Sebastian Bach
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Gene Roberson
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Alleluia For Unto Us A Child is Born CHORAL setting
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Gene Roberson
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SheetMusicPlus
As With Gladness Men of Old | Hark! the Herald Angels Sing : SATB Choir and Piano with optional Viol
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.741904 Composed by Felix Bartholdy M…
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Choral Choir (SATB) - Digital Download SKU: A0.741904 Composed by Felix Bartholdy Mendelssohn. Arranged by M. Ryan Taylor. Baroque,Christian,Christmas,Romantic Period,Sacred. Octavo. 10 pages. Vocal Works #483987. Published by Vocal Works (A0.741904). An abridged version of the hymn As With Gladness Men of Old to the tune of Hark! the Herald Angels Sing (these words are also included in the score). The arrangement pairs Mendelssohn's tune with an original 18th Century-style counterpoint. Optional parts for violin and cello are included with the score. Demo accompaniment at https://mryantaylor.bandcamp.com/track/as-with-gladness-men-of-old-accompaniment.
$2.99
2.69 €
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Chorale SATB
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Felix Bartholdy Mendelssohn
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M
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As With Gladness Men of Old | Hark! the Herald Angels Sing : SATB Choir and Piano with optional Viol
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Vocal Works
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SheetMusicPlus
In the Beginning
Chorale SATB
Choral Choir (Mixed) - Digital Download SKU: A0.969509 Composed by Zachary Damm. Ba…
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Choral Choir (Mixed) - Digital Download SKU: A0.969509 Composed by Zachary Damm. Baroque,Christian,Classical,Renaissance,Sacred. Octavo. 34 pages. Digital Print Publishing #13945. Published by Digital Print Publishing (A0.969509). An orchestral interpretation of Genesis 1 and the first four verses of chapter 2, it combines men and women's vocal parts, piccolo, flute, oboe, clarinet, bassoon, organ, piano, horn, trumpet, trombone, tuba, two violin parts, viola, cello, and contrabass (with optional dulcimer, tubular bell, and timpani percussion). Each of the seven days of creation is treated as a separate movement and is distinguished by three-measure rests preceding each day except the first as a representation of the evening and the morning..
$7.00
6.31 €
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Chorale SATB
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Zachary Damm
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In the Beginning
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Digital Print Publishing
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SheetMusicPlus
Tenebrae factae sunt
Chorale SATB
Mixed choir a cappella - Digital Download SKU: S9.Q19313 Liber usualis. Comp…
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Mixed choir a cappella - Digital Download SKU: S9.Q19313 Liber usualis. Composed by Davide Perez. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q19313. Published by Schott Music - Digital (S9.Q19313). Davide Perez (1711-1782), who was known to his contemporaries above all as a composer of operas, wrote this skilful late baroque passiontide motet setting of the well-known words from the story of Christ’s Passion. The composer Enjott Schneider was inspired by this composition to write his work “Tenebrae†for soprano, violin and organ (ED 9668). We suggest that a concert performance might feature “Tenebrae†together with this motet by Davide Perez, performed by a choir a cappella.
$2.99
2.69 €
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Chorale SATB
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Davide Perez
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Tenebrae factae sunt
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Schott Music - Digital
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SheetMusicPlus
Beda Muck - Litaniae Lauretanae
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828707 Composed by Beda Mu…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828707 Composed by Beda Muck. Arranged by Guido Menestrina. Baroque,Sacred. Octavo. 74 pages. Guido Menestrina #419819. Published by Guido Menestrina (A0.828707). By Czech composer Beda Muck (+ 1709), for 2 horns, 2 violins, organ (viola da gamba) and 4 voices choir (CATB), transcribed by Guido Menestrina; includes full score and single parts.
$12.99
11.71 €
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Chorale SATB
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Czech composer Beda Muck
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Beda Muck
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Guido Menestrina
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Beda Muck - Litaniae Lauretanae
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Guido Menestrina
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SheetMusicPlus
For Unto Us A Child Is Born
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.582539 Composed by George …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.582539 Composed by George Fridiric Handel. Arranged by Jeff Tincher. Baroque,Christmas,Sacred. Octavo. 33 pages. Jeff Tincher #3258149. Published by Jeff Tincher (A0.582539). This is a choral (SATB) arrangement of one of George Fridiric Handel's songs from his famous Messiah oratorio. The song is normally performed during Christmas but can be performed anytime.The piano part contains a combination of the Harpsichord, Violins 1 & 2, and Violas parts. Duration=4:16. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$1.99
1.79 €
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Chorale SATB
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George Fridiric Handel
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Jeff Tincher
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2, and Violas parts
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For Unto Us A Child Is Born
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Jeff Tincher
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SheetMusicPlus
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