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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
We Are The Voice
Non classifié
465
Piano & claviers
Piano, Voix
2 196
Piano, Voix et Guitare
815
Accompagnement Piano
60
Piano seul
57
Piano Facile
26
Instruments en Do
14
Piano grosses notes
5
Orgue
4
2 Pianos, 4 mains
2
Piano Trio: piano, violon, violoncelle
1
Orgue, Piano (duo)
1
1 Piano, 4 mains
1
+ 7 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
31
Guitare notes et tablatures
24
Guitare
9
Ukulele
1
Basse electrique
1
Voix
Chorale SATB
227
Voix duo, Piano
89
Chorale 2 parties
74
Chorale 3 parties
73
Voix duo
36
Chorale Unison
36
Voix Tenor, Piano
25
Voix Alto, Piano
23
Chorale SSAA
22
Voix Soprano, Piano
16
Chorale TTBB
15
Voix seule
15
Voix haute
11
Voix Tenor
7
Voix Baryton, Piano
6
Voix moyenne, Piano
5
Voix basse, Piano
4
Chorale
3
Voix Soprano
2
Voix Mezzo-Soprano, Piano
1
Chorale SSATTB
1
Voix basse
1
Voix, Guitare
1
Chorale SSAB, Piano
1
Pack Instrumental pour Chorale
1
+ 20 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Flûte traversière et Piano
9
Flûte, Hautbois, Clarinette, Basson
8
Clarinette
6
Quatuor de Saxophones: 4 saxophones
5
Saxophone Alto et Piano
5
2 Flûtes traversières (duo)
5
Flûte traversière
4
Saxophone (partie séparée)
4
Hautbois (partie séparée)
4
Quatuor de Flûtes : 4 flûtes
4
Quatuor de Clarinettes: 4 clarinettes
3
Quintette de Saxophone: 5 saxophones
3
Hautbois, Piano (duo)
3
Clarinette et Piano
3
Saxophone Tenor
3
Saxophone Alto
2
Saxophone Soprano et Piano
2
Saxophone Baryton, Piano
2
Saxophone Tenor et Piano
2
2 Saxophones (duo)
1
Hautbois, Basson (duo)
1
Ensemble de Flûtes
1
Clarinette, Basson (duo)
1
Ocarina
1
Ensemble de Clarinettes
1
2 Flûtes traversières, Harpe
1
Harmonica
1
Flûte, Violoncelle
1
Flute (partie séparée)
1
Flûte à bec Alto, Piano
1
Saxophone, Clarinette (duo)
1
2 Flûtes traversières, Piano
1
Flûte à bec Soprano
1
Flûte et Guitare
1
+ 30 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trompette (partie séparée)
4
Cor
4
Trombone et Piano
4
Trompette, Piano
3
Tuba
3
Trompette
2
Tuba et Piano
2
Trombone
2
Cor et Piano
2
2 Trompettes (duo)
1
2 Euphoniums et 2 Tubas
1
Ensemble de Cors
1
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 4 cors
1
3 Trompettes (trio)
1
Trombone (partie séparée)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
+ 14 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
17
Violon et Piano
9
Violoncelle, Piano
7
Violon
7
Harpe, Voix
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Alto, Piano
4
Contre Basse
3
Violoncelle
3
Trio à Cordes: 2 violons, violoncelle
3
2 Harpes (duo)
2
Contrebasse, Piano (duo)
2
Violon, Violoncelle (duo)
2
Alto seul
2
Violon, Alto (duo)
2
Alto (partie séparée)
2
Violon, Guitare (duo)
1
2 Violoncelles (duo)
1
4 Violoncelles
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
2 Violons (duo)
1
2 Violons, Piano
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
26
Orchestre d'harmonie
19
Orchestre
18
Orchestre à Cordes
10
Orchestre de chambre
9
Cloches
3
Piano et Orchestre
1
Fanfare
1
Jazz combo
1
Ensemble de Percussions
1
Vibraphone
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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CELTIQUE - IRISH - S…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
We Are The Voice
Chorale SATB
Partitions à imprimer
227 partitions trouvées
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The Sense of a Place Will Remain
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Chorale SATB
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Contemporain
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Paul Burnell
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The Sense of a Place Will Rema
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Paul Burnell
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835...
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Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95
The Story of a Leader
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Chorale SATB
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AVANCÉ
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Classique
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio ...
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Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
Tribute to the Trail of Tears
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Chorale SATB
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AVANCÉ
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Barron Brothers
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iyo he, iyo he
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Tribute to the Trail of Tears
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Barron Brothers
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SheetMusicPlus
Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 5 - Interactive Download SKU: A0.726326 Composed by Barron Brothers. This edition: ...
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Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 5 - Interactive Download SKU: A0.726326 Composed by Barron Brothers. This edition: Interactive Download. Folk,World. Octavo. 25 pages. Duration 281. Barron Brothers #6JvK5OaFLfcELYSz4fsbms. Published by Barron Brothers (A0.726326). Key: Ab major.**NJMEA Finalist Composition** Sun Tracks The track of the Sun across the sky leaves its shining, eternal message Illuminating, strengthening, warming... all of us who are here It shows us we are not alone. We are not alone. We are yet alive. And this fire, our fire shall not die! *- Atoni* Iyo he, iyo he; iyo he, iyo he; He, he, he, iyo he. - *Choctaw war dance* ...... Tribute to the Trail of Tears is an original SATB choir song commemorating my Choctaw heritage. When I wrote this song, I wanted to look at the Trail of Tears from the Choctaws' eyes. I did this by emphasizing the contrast between their anger with the shouting taken from a Choctaw war chant and hope with a Choctaw Sun Prayer (the sun is an important figure of hope in Choctaw spirituality), their English traditions forced upon them and their true Choctaw nature, and the betrayal of a government that was supposed to protect them. This song is designed to be slow and relaxed (~70bpm for the first part and ~85bpm for the piu mosso), with the bends representing relaxed glissandos in the voice. The last three chords are meant to be sensitive and should be taken very slowly. Keep in mind that this piece should not only be meaningful but convey the emotions to spread the Native awareness that is so direly needed in America.
$3.75
50 Easy Worship Anthems for SATB Choir - W/Chords (Book 1&2)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Various
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César Madeira
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50 Easy Worship Anthems for SA
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Sheet Music To Play Editions
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1383010 Composed by Various. Arranged by César Madeira. A Cappella,Multicultural,Praise & Worship,Reli...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1383010 Composed by Various. Arranged by César Madeira. A Cappella,Multicultural,Praise & Worship,Religious,Sacred,World. 88 pages. Sheet Music To Play Editions #967438. Published by Sheet Music To Play Editions (A0.1383010). 50 Easy Worship Anthems for SATB Choir. Full Score with Chords. Enjoy it!Song List - Book 1All Creatures of our god and king. All Hail The Power of Jesus’ Name. A mighty fortress is our God. Be Thou My Vision. Christ Is Risen Today. God will take care of you. Great Is Thy Faithfulness. He hideth my soul. His Eye Is On The Sparrow. How Great Thou Art. Lift Every Voice and Sing. March of Three Kings. My jesus I love thee. My Lord, What A Morning! O Come, O come, Emmanuel. O Little Town of Bethlehem. Rock of ages. Softly and Tenderly, Jesus Is Calling. Tell me the story of Jesus. Turn your eyes upon jesus. What a friend we have in jesus. When I survey the wondrous cross. When We All Get to Heaven. Whispering Hope. Wonderful Words of LifeSong List - Book 2Amazing grace. Are you washed in the blood? Christ arose! Christmas bells. Draw me nearer. Glory to his name. God rest ye merry, gentlemen. Hark! the heralt angels sing. Higher ground. How firm a foundation. I need thee every hour. Jesus loves the little children. Joyful, joyful, we adore thee. My faith looks up to thee. O holy night. Open my eyes, that I may see. Pass me not, o gentle savior. Revive us again. Safe in the arms of jesus. Stand up, stand up for jesus. Tell me old, old story. The solid rock. Trusting jesus. We gather together. We three kings of orient areFor Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
The Village
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Chorale SATB
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DÉBUTANT
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Wrabel
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David Jayden Anthony
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The Village
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d'Jam Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1501022 By Wrabel. By Andrew Jackson, Andrew Pearson, and Stephen Wrabel. Arranged by David Jayden A...
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Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1501022 By Wrabel. By Andrew Jackson, Andrew Pearson, and Stephen Wrabel. Arranged by David Jayden Anthony. Pop,Singer/Songwriter. 10 pages. D'Jam Music #1076976. Published by d'Jam Music (A0.1501022). A Powerful Anthem for LGBTQIA+ Pride and Inclusion Dive into the heart of resilience and authenticity with our SATB choral arrangement of The Village by Wrabel. This powerful and moving song has become an anthem for the LGBTQIA+ and queer communities, capturing the struggles, strength, and spirit of those who have faced adversity simply for being true to themselves.Why The Village Matters: The Village resonates deeply within the LGBTQIA+ community, offering a voice to those who feel misunderstood or marginalized. With lyrics that speak to the experience of feeling out of place in a world that doesn’t always understand, this song is a heartfelt reminder that there is a place—a village—for everyone. It's a celebration of diversity, acceptance, and the courage it takes to live openly and authentically. The song’s powerful message of self-acceptance and unity strikes a chord with listeners, making it a meaningful addition to pride concerts, LGBTQIA+ events, and any gathering that celebrates inclusion and equality.About the Arrangement: Our SATB choral arrangement of The Village captures the emotional depth and poignancy of Wrabel's original song while enhancing its harmonic richness through beautiful four-part vocal harmonies. The arrangement is designed to highlight the song’s heartfelt lyrics and dynamic melody, creating an unforgettable musical experience. This arrangement is perfect for choirs looking to make a bold statement about love, acceptance, and human rights, while showcasing their vocal talents in a deeply emotional performance.Perfect for Pride Concerts and Beyond: Including The Village in your repertoire is more than just a performance—it's a powerful statement of solidarity and support for the LGBTQIA+ community. Ideal for pride concerts, LGBTQIA+ awareness events, and other celebrations of diversity, this arrangement allows choirs to engage audiences with a message of hope and unity. It serves as a reminder that no matter how different we may feel, we are all part of a larger community—a village—that values love, acceptance, and equality.Key Features: Powerful lyrics that resonate with LGBTQIA+ and queer audiences Rich SATB harmonies that enhance the song’s emotional impact Ideal for pride concerts, LGBTQIA+ events, and diversity celebrations A meaningful addition to any choral program focusing on themes of acceptance and inclusivity By bringing The Village to your choir, you're not just performing a song—you're sharing a message of hope, love, and community that will resonate with all who hear it. Celebrate the power of music and the strength of the LGBTQIA+ community with this unforgettable SATB choral arrangement.We would love to see video (or hear audio) of performance or rehearsals! (david@davidja.com).
$4.50
It's Christmastime (or Hear the Bells Ring)
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Chorale SATB
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INTERMÉDIAIRE
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and large, Christmas music is
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Shaun Parry
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It's Christmastime
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MusicforMillions
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.935511 Composed by Shaun Parry. A Cappella,Christian,Christmas,Traditional. Octavo. 7 pages. MusicforMillions #...
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Choral Choir (Mixed) - Level 3 - SKU: A0.935511 Composed by Shaun Parry. A Cappella,Christian,Christmas,Traditional. Octavo. 7 pages. MusicforMillions #4994317. Published by MusicforMillions (A0.935511). Written in the style of classic Christmas carols with fun, memorable melody and lyrics, this new Christmas song will quickly become a part of everyone's caroling canon. By and large, Christmas music is either sacred or secular, about Jesus, Mary, the shepherds and angels or about presents and parties and Santa Claus. We live them both simultaneously. This carol represents that, with the first verse being a patter of excitement and the second more lyrical, focusing on the Advent of the Savior. Then, just as in life, they are sung together, complimenting each other. We end in unison with a glorious and memorable refrain Nativity mangers make friends out of strangers with peace on earth, good will to all men. * Bells/Chimes sound beautiful but it can also be performed with just piano and the voices singing the bell parts.* Perfect of school or church Christmas concerts or caroling. Also great for families around the fireplace or out Christmas caroling. * Written to be sung by two groups, however, there is a cut version (explained in print) that does not require splitting in two groups. It can be sung straight through without overlapping the verses. * Some harmony parts are indicated in the vocal line. Of course you can sing just the melody in unison all the way through, but there are ample opportunities to break out into fun 2,3 and (in some places) 4-part harmonies. Up to you. You can find me at @the_shaunparry or www.shaunparry.com
$3.99
THE GREAT HUMILITY OF CHRIST (SATB) – Philippians 2:5-11
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Chorale SATB
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INTERMÉDIAIRE
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Michael A
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THE GREAT HUMILITY OF CHRIST
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizio #3588423. Publ...
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Choral Choir (SATB) - Level 3 - SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizio #3588423. Published by M.A. Morizio (A0.926663). In chapter two of Paul's letter to the Philippians, Paul begins speaking to his readers about encouragement, comfort from love, participation in the Spirit, and godly affection and sympathy for one another. He says, we are to count others as more important than ourselves. He pleads, Complete my joy by doing these things. From this point, Paul breaks immediately into this other known 1st century Hymn to Christ (Verses 5-11), which I have called, The Great Humility of Christ. The hymn text is a beautiful exposition of the Gospel; Christ in the form of God, did not hold onto (grasp) His equality with God, but humbled Himself and took on the human form of a servant (slave) and poured Himself out for all of mankind. The anthem is composed for SATB (a cappella) choir in two stanzas, with a bridge section and a coda. The piece is scored in D minor, but weaves between D minor and G Major (representing the dual natures of Christ-fully God and fully man). After the first stanza, regarding Christ’s taking on human flesh, the unthinkable happens; Christ humbles Himself in holy obedience to be put to death, even a humiliating and repugnant death on a cross. Here in the anthem we find the musical bridge between the two stanzas with the sopranos holding onto a single note (high D) followed by a cascade of dissonant suspensions, one voice handing off to the other, finally resolving in a descending scale.The second stanza declares God’s having exalted Christ as a consequence of His sacrifice, giving Him a name that is above every name, that at the name of Jesus every knee shall bow, in heaven and on earth and under the earth. The final coda (in G Major) trumpets the pronouncement that; Every tongue will confess that Jesus Christ is Lord, to the glory of the Father.
$1.99
I Did Not See Temple Spires - an original hymn for SATB voices
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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I Did Not See Temple Spires -
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G....
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Choral Choir (SATB) - Level 4 - SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125371. Published by Kevin G. Pace (A0.701457). An original hymn with text by Kathryn Hales below.YouTube video: https://youtu.be/w68JlvntMjcI did not see the vision, Nor dream a prophet’s dream, I only saw the barren desert Stretch forth upon the scene. I was not there when Brigham’s cane Touched the virgin ground Naming the spot the Lord had shown Where a temple would be found. I did not hear the Lord’s own voice As over ocean waves I tossed, Nor spared the death of loved ones dear As the vast plains I crossed. I only felt the Holy Spirit Telling me the work was true, So I obeyed the prophetic words Until my trek was through. I helped dig the rocky soil Before the foundation was laid Then with shovel filled the gaping hole Before Johnston’s army stayed. I did not see the temple’s spires I only saw the walls, I only shaped the granite stones With hammer, chisel, maul. I coaxed oxen through the mud To move stones down a mountain side, I watched our leaders grow old in years, No temple finished before they died. Now soon I too will join them Though I’ve labored oh so long, I’ll not see the rising spires Or sing praises in Hosanna song. I’m just a common earthly man, A laborer in a cause so great, To generations yet unborn, I’m not one you’ll appreciate. Through the years I’ve toiled and sweat, Shared blood and grief and tears, Obeyed the prophet’s call to serve Listened in faith, not fear. Please do not take for granted As you walk through these carved doors, Or hear the echo of carpenters From stairs or roof or floors The love and work that went into Many years of toil and prayer, Feel our spirits in the halls As you enter there. Though the structure’s end I’ll not see, To others who this path may trod, Go forth with diligence and faith Till we finish the work of God.
$1.99
Saturnalia Song for voices, wind, brass and percussion
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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Saturnalia Song for voices, wi
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David Warin Solomons
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.576366 Composed by David Warin Solomons. 20th Century,Christmas,Classical,Contemporary,World. Octavo. 27 pages....
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Choral Choir (Mixed) - Level 4 - SKU: A0.576366 Composed by David Warin Solomons. 20th Century,Christmas,Classical,Contemporary,World. Octavo. 27 pages. David Warin Solomons #18013. Published by David Warin Solomons (A0.576366). A vivid and at times raucous celebration of Saturnalia, in Latin, for an ensemble of voices and instruments (including various percussion, woodwind and brass instruments). The sound sample is a sung performance by the composer with an electronic preview of the instruments. Further explanations: Song for Saturnalia - a raucous and fun romp - in whole tones (since there is scant evidence of the types of scales used in those days - whole tones just seem to work in this context). The Latin words make references to relatively modern times but the spirit of Saturnalia is timeless, after all. The pileum (also written pilleum) is the little cap that slave wore during Saturnalia to show they were free men and women on that day - they would point to their cap and say libertus sum (I am a free person) and omnes aequales sumus (we are all equal). The words (and translation - both by me) are as follows: Saturnalia Song Io Saturnalia! Hodie igitur dominus noster non es. [Hooray, it’s Saturnalia, so today you’re not our boss] Hodie omnes aequales sumus. Io! [Today we are all equal, hooray!] [spoof of USA Anthem] Salve O Frutici [Hi there, Bush] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] [spoof of UK Anthem] Salve O Campestri [Hi there, Blair] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] [spoof of German Anthem] Salve O Candelari [Hi there Brandt] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] Io Saturnalia, Io! [Hooray, it’s Saturnalia, hooray!] [Note on the invented names (used in the vocative in the song of course): Fruticius is based on the word frutex a bush - it’s also used to mean blockhead in Roman comedies, but I can’t help that!. Campestrius is based on campester - a plain or place of clear ground (Blair is the Celtic equivalent word - a forest clearing!) Candelarius is based on candela - a taper or candle - ie something burning hence Brandt (yes, I know he’s earlier than the other two politicians, but, hey, it’s all a bit of anachronistic fun!)].
$10.00
We Have Parted
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Chorale SATB
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Lam
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We Have Parted
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.4632 Composed by Lam. French. Portraits, Farewells, Unrequited love, Grief. Lester S. Levy Collection. ...
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Piano and voice (solo and SATB chorus) - SKU: LV.4632 Composed by Lam. French. Portraits, Farewells, Unrequited love, Grief. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4632). Latest Popular Music. No. 3. We Have Parted. Words by J.M. Van Patten. Music Composed by Lam. French. Published 1870 by De Witt's Temple of Music in Springfield, Ills. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Portraits, Farewells, Unrequited love, Grief. First line reads We have parted and forever, I have bidden thee adieu.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
We Are the Stars
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Donnalynn Grunewald
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We Are the Stars
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Donnalynn Grunewald
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1008188 Composed by Donnalynn Grunewald. A Cappella,Christian,Christmas,Sacred. Octavo. 9 pages. Donnalynn Grune...
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Choral Choir (SATB) - Level 4 - SKU: A0.1008188 Composed by Donnalynn Grunewald. A Cappella,Christian,Christmas,Sacred. Octavo. 9 pages. Donnalynn Grunewald #6472133. Published by Donnalynn Grunewald (A0.1008188). A chorus of mens' voices proclaim the theme We are the stars of the Bethl'em skies. The second and third verse introduce an echo Hush, ye creatures and let Him sleep. followed by, Come ye shepherds and gather 'round . Then a chorus of Allelulia rings out in an a cappella, contrapuntal section before a gentle ending.Performance note:( use the pronunciation Yay-zoo for Jesu in this piece.
$2.80
That We May Give Ourselves — SATB voices, organ
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Todd Marchand
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That We May Give Ourselves &md
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1472849 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1050479. Published ...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1472849 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1050479. Published by Con Spirito Music (A0.1472849). “That We May Give Ourselves” is a short anthem based on a traditional collect — a prayer comprising an invocation, petition, and conclusion — that appears in various Anglican prayer books. The invocation, “Eternal God and Father, by whose power we are created and by whose love we are redeemed” acknowledges the eternity, creative power, and redeeming love of God. The petition, “Guide and strengthen us by your Spirit, that we may give ourselves to your service, and live this day in love to one another, and live this day in love to you” asks for the aid of the Holy Spirit in service to God and recalls Jesus's words in the Gospel of Matthew, 22:37-39: “And [Jesus] said to him, ‘You shall love the Lord your God with all your heart and with all your soul and with all your mind. This is the great and first commandment. And a second is like it: You shall love your neighbor as yourself.’”The conclusion, “through Jesus Christ our Lord,” reflects the mediating role of Jesus Christ the Son, as expressed in I Timothy 2:5 (“For there is one God, and there is one mediator between God and men, the man Christ Jesus”) and Ephesians 2:18 (“For through him we both have access in one Spirit to the Father”).Appropriate at any time of year, this short anthem of dedication is an ideal offertory selection. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.00
The Song of the Stars for SATB (divisi) and timpani
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Martha Hill Duncan
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The Song of the Stars for SATB
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Martha Hill Duncan
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.969144 Composed by Martha Hill Duncan. A Cappella,Contemporary,Spiritual,World. Octavo. 14 pages. Martha ...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.969144 Composed by Martha Hill Duncan. A Cappella,Contemporary,Spiritual,World. Octavo. 14 pages. Martha Hill Duncan #5741901. Published by Martha Hill Duncan (A0.969144). The Song of the Stars from the Passamaquoddy on Campobello Island, New Brunswick for SSAA and timpani A lyrical, rhythmic and expressive acapella work with timpani accompaniment, begins with 4 voices and eventually builds to dramatic and glorious 11 voice harmonies at the climaxes.We are the stars which sing, We sing with our light;We are the birds of fire,We fly over the skyOur light is a voice.We make a road for spirits,For the spirits to pass over. Among us are three huntersWho chase a bear;There never was a timeWhen they were not huntingWe look down on the mountains. This is the Song of the Stars.
$2.25
Soon We Will Be Done (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Gospel Spirituel
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Kyle Pederson
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Soon We Will Be Done
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporati...
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SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.†The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goin’ home to live with God No more weeping and a-wailing (repeat) Goin’ home to live with God I want t’ meet my mother (repeat) Goin’ home to live with God I want t’ meet my Jesus (repeat) Goin’ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.†In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
$3.20
Carol of the Wise Men
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Chorale SATB
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FACILE
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Annie Routley
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Carol of the Wise Men
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Annie Routley
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.914719 Composed by Annie Routley. 20th Century,Christian,Christmas,Contemporary,Sacred. Octavo. 9 pages. Annie R...
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Choral Choir (SATB) - Level 2 - SKU: A0.914719 Composed by Annie Routley. 20th Century,Christian,Christmas,Contemporary,Sacred. Octavo. 9 pages. Annie Routley #4301147. Published by Annie Routley (A0.914719). This is the full score - piano accompaniment, drum and SATB choir. A choir score is available separately This carol is designed to be very easy to learn and perform. It needs to be accompanied by piano (simple part) and drum (no snare). A bodhran or cajon would work just as well. There is one minor-key tune for both the men and ladies to learn. (This works as a 4-part round later in the carol) · The men start, accompanied just by the piano ostinato. The drum doesn’t enter until bar 7, when the men finish their ‘drums drumming’ · While the ladies sing verse 2, the men sing ‘Drum, drum’ in consecutive 5ths. NB, the melody is slightly different at the end of the ladies’ verse, since the words ‘poor and lowly stable’ need the melody to come down rather than go up · Then the ladies sing the ‘Drum, drum’ 5ths whilst the men sing verse 3 · Everyone sings verse 4 in unison and joyously · Everyone then sings verse 4 twice in a round – basses, altos, tenors then sopranos · Everyone repeats the last line of verse 4 ‘The child we’ve waited for is born …’ together (the piano and drum cut out so that the voices are unaccompanied in bar 35 – and then resume for bar 36) · ‘O hear the angels singing’ (unaccompanied) – then a loud chord and drum on beat 3 of the last bar Enjoy! A high-definition video of the carol is available on YouTube – type in ‘Carol of the Wise Men – CMM Choir’ and select the picture with the choir ladies in white blouses and red scarves
$4.51
The Star-Spangled Banner
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Chorale SATB
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INTERMÉDIAIRE
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John Stafford Smith
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Shelton Ridge Love
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The Star-Spangled Banner
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Shelton Ridge Love
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.779348 Composed by John Stafford Smith. Arranged by Shelton Ridge Love. Folk,Holiday,Patriotic. Octavo. 14 pages...
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Choral Choir (SATB) - Level 3 - SKU: A0.779348 Composed by John Stafford Smith. Arranged by Shelton Ridge Love. Folk,Holiday,Patriotic. Octavo. 14 pages. Shelton Ridge Love #3096887. Published by Shelton Ridge Love (A0.779348). Arranged for SATB choir with piano duet (one piano, four hand) accompaniment, this majestic arrangement of The Star-Spangled Banner is perfect for every American patriotic concert or celebration. After a fanfare opening, the audience is invited to participate in the pledge to the flag and the first stanza. The choir then sings the lesser-known second stanza, concluding with a triumphant coda.At this time, the companion recording includes only digitized voices, so the lyrics for the entire arrangement are included below. (Lyrics by Francis Scott Key)America! America!God shed his grace on thee!O say, can you see, by the dawn's early light,What so proudly we hailed at the twilight's last gleaming?Whose broad stripes and bright stars, through the perilous fight,O'er the ramparts we watched were so gallantly streaming?And the rocket's red glare, the bombs bursting in air,Gave proof through the night that our flag was still there.O say, does that star-spangled banner yet waveO'er the land of the free and the home of the brave?O thus be it ever when free men shall standBetween their loved homes and the war's desolation!Blest with vict'ry and peace, may the head'n-rescued landPraise the pow'r that hath made and preserved us a nation!Then conquer we must when our cause it is just,And this be our motto: In God is our trust!And the star-spangled banner in triumph shall waveO'er the land of the free and the home of the brave!Ah! America!
$1.99
Beyond the Clouds. Song and Chorus
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Chorale SATB
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C
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C
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Beyond the Clouds. Song and Ch
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.565 Composed by C.A. White. Mothers & children, Families, Dreaming, Death, Drapery, Sadness. Lester S. ...
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Piano and voice (solo and SATB chorus) - SKU: LV.565 Composed by C.A. White. Mothers & children, Families, Dreaming, Death, Drapery, Sadness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.565). Beyond the Clouds. Song and Chorus. Words & Music By C.A. White. Published [n.d.] by White, Smith & Perry, 298 & 300 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Mothers & children, Families, Dreaming, Death, Drapery, Sadness. First line reads Mother, where is Minnie now, Minnie whom we loved so well.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Together As One
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Michael Thomas Coull
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Together As One
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MTC Publishing
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1269762 Composed by Michael Thomas Coull. 21st Century,Contemporary,Pop,Standards. 20 pages. MTC Publishi...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1269762 Composed by Michael Thomas Coull. 21st Century,Contemporary,Pop,Standards. 20 pages. MTC Publishing #862270. Published by MTC Publishing (A0.1269762). Together As One - Choral Composition for SATB and Piano by Michael Thomas CoullTogether As One is a song about singing in a choir and performing to an audience. Â It explores how singing gives us both sides of the emotional coin: Â from nervousness and even trepidation on one side, to great joy on the other. Â Â We all feel nervous before a performance, and even more so when we are actually standing in front of the audience. Â But then we are announced, the choir director raises their arms, the accompanist starts the introduction and we are all brought in and start singing. Â And at that moment we realize something, that when we all sing a great joy overtakes us, lifting us up to another world where our voices meld 'Together As One'. Â This original composition for SATB choir and piano accompaniment is an inspirational song that captures the mood and enjoyment of singing, and how singing effects us both individually and as a group. Â A song that your choir will love to sing with beautiful harmonies and a soaring descant part, and perfect to perform at any time of the year.Also available for SSAA, 2-Part and Unison.
$3.99
We Parted by the River Side. Song & Chorus
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Chorale SATB
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Will S
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Will S
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We Parted by the River Side. S
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.3902 Composed by Will S. Hays. Couples, Waterfronts, Courtship, Love, Farewells, Sadness. Lester S. Lev...
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Piano and voice (solo and SATB chorus) - SKU: LV.3902 Composed by Will S. Hays. Couples, Waterfronts, Courtship, Love, Farewells, Sadness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3902). We Parted by the River Side. Song & Chorus. By Will S. Hays. Published 1866 by Oliver Ditson Company, 449 & 451 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Couples, Waterfronts, Courtship, Love, Farewells, Sadness. First line reads We parted by the river side, the moon looked down on you and me.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
We Parted By the River Side
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Chorale SATB
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the River Side
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Will S
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We Parted By the River Side
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.305 Composed by Will S. Hayes. Clothing & dress, Moonlight, Mountains, Bodies of water, Fences, Couples...
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Piano and voice (solo and SATB chorus) - SKU: LV.305 Composed by Will S. Hayes. Clothing & dress, Moonlight, Mountains, Bodies of water, Fences, Couples, Farewells, Courtship, Love, Sadness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.305). We Parted By the River Side. Written & Composed by Will S. Hayes. Published 1867 by J.L. Peters & Bro. in St. Louis. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Clothing & dress, Moonlight, Mountains, Bodies of water, Fences, Couples, Farewells, Courtship, Love, Sadness. First line reads We parted by the riverside, the moon look'd down on you and me.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
We Parted By the River Side
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Chorale SATB
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the River Side
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Will S
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We Parted By the River Side
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.3900 Composed by Will S. Hayes. Waterfronts, Moonlight, Fences, Couples, Farewells, Courtship, Love, Sa...
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Piano and voice (solo and SATB chorus) - SKU: LV.3900 Composed by Will S. Hayes. Waterfronts, Moonlight, Fences, Couples, Farewells, Courtship, Love, Sadness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3900). We Parted By the River Side. Written & Composed by Will S. Hayes. Published 1866 by J.L. Peters, 200 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Waterfronts, Moonlight, Fences, Couples, Farewells, Courtship, Love, Sadness. First line reads We parted by the riverside, the moon looked down on you and me.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
We Parted By the River Side
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Chorale SATB
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the River Side
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Will S
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We Parted By the River Side
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.306 Composed by Will S. Hayes. Clothing & dress, Moonlight, Mountains, Bodies of water, Fences, Couples...
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Piano and voice (solo and SATB chorus) - SKU: LV.306 Composed by Will S. Hayes. Clothing & dress, Moonlight, Mountains, Bodies of water, Fences, Couples, Farewells, Courtship, Love, Sadness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.306). We Parted By the River Side. Written & Composed by Will S. Hayes. Published 1866 by A.C. Peters & Bro. in Cincinnati. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Clothing & dress, Moonlight, Mountains, Bodies of water, Fences, Couples, Farewells, Courtship, Love, Sadness. First line reads We parted by the riverside, the moon look'd down on you and me.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
I Remember the Hour When Sadly We Parted. Song and Chorus
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Chorale SATB
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B
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I Remember the Hour When Sadly
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.3918 Composed by B. Frank Walters. Courtship, Love, Soldiers, War, Farewells, Patriotism, Homecomings. ...
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Piano and voice (solo and SATB chorus) - SKU: LV.3918 Composed by B. Frank Walters. Courtship, Love, Soldiers, War, Farewells, Patriotism, Homecomings. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3918). I Remember the Hour When Sadly We Parted. Answer to Weeping, Sad, and Lonely. Song and Chorus. Words by Ednor Rossiter. Music Composed by B. Frank Walters. Published 1863 by Lee & Walker, No. 722 Chestnut Street in Philadelphia. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Courtship, Love, Soldiers, War, Farewells, Patriotism, Homecomings. First line reads I remember the hour when sadly we parted.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Through a Child's Eyes - an original hymn for SATB voices
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Through a Child's Eyes - an or
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701759 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. ...
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Choral Choir (SATB) - Level 4 - SKU: A0.701759 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3395631. Published by Kevin G. Pace (A0.701759). An original hymn with text by Kathryn W. Hales below.YouTube video: https://youtu.be/fxh5D3JYM_o When I see the world through a child’s eyes, I see mountains and bluebirds and bright butterflies; I feel sand through my toes when at the beach And the apples on the tree just out of reach. When I see the world through a child’s eyes, It’s easy to believe in a Heavenly Father so wise, That He created this earth and all its beauty untold; I still hope to see it that way when I’m old. When I see a family through the eyes of a child, I see a father who provides and a mother who smiles; I have brothers and sisters who are kind to me And we all play together in harmony. When I see a family through the eyes of a child, I can believe in Heavenly Parents, loving and mild, I can view each person as someone of worth And accept them as God’s family here on the earth. When I see others through the eyes of a child, I can learn compassion, to speak without guile; I can be teachable, forgiving, honest, and true, When I see the kind things others may do. It’s easy to believe in a God who is just, When I learn from others to show mercy and trust. I can learn patience while waiting a while, For God’s blessings to come to an obedient child. (Optional for the Christmas season) When I see Christmas through a child’s eyes, I feel laughter and magic and wondrous surprise; I love lights and music and cookies and songs, I want to serve others and never do wrong. It’s easy to believe when Baby Jesus was born Though ‘twas long ago on that Christmas morn, That Love had come down to redeem and glorify, When I see our Savior through a child’s eyes.
$1.99
To Greece We Give Our Shining Blades, From Moore's Evenings in Greece
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Chorale SATB
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Henry Bishop
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To Greece We Give Our Shining
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (SATB chorus) - SKU: LV.2053 Composed by Henry Bishop. Farewells, Sailors, War, Prayer, Patriotism, Love. Lester S. Levy Collection. 3 p...
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Piano and voice (SATB chorus) - SKU: LV.2053 Composed by Henry Bishop. Farewells, Sailors, War, Prayer, Patriotism, Love. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2053). To Greece We Give Our Shining Blades, From Moore's Evenings in Greece. Composed by Henry R. Bishop. Published [n.d.] by A. Fiot, No. 196 Chesnut St. in Philadelphia. Composition of strophic with chorus with piano and voice (satb chorus) instrumentation. Subject headings for this piece include Farewells, Sailors, War, Prayer, Patriotism, Love. First line reads The sky is bright, the breeze is fair, and the main sail is flowing full and free.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
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