Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
We Are the Choir
Sheetmusicplus
Non classifié
390
Piano & claviers
Piano, Voix et Guitare
31
Piano, Voix
25
Piano seul
18
Accompagnement Piano
15
Instruments en Do
11
Piano Facile
6
Orgue
5
2 Pianos, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
Piano (partie séparée)
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
3
Guitare
3
Guitare notes et tablatures
1
Voix
Chorale SATB
897
Chorale 3 parties
271
Chorale 2 parties
229
Chorale Unison
136
Chorale TTBB
77
Chorale SSAA
57
Chorale
9
Chorale SSATTB
2
Voix seule
1
Chorale SSAB, Piano
1
Chorale SSATB
1
+ 6 instrumentations
Retracter
Vents
Ensemble de Flûtes
19
Ensemble de Clarinettes
16
Quatuor de Clarinettes: 4 clarinettes
8
Flûte, Hautbois, Clarinette, Basson
8
Ensemble de saxophones
6
Quatuor de Flûtes : 4 flûtes
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Quatuor de Saxophones: 4 saxophones
4
Ensemble à vent
2
Flûte traversière et Piano
2
Saxophone Alto et Piano
1
Saxophone Soprano et Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Violon, Piano
1
Clarinette et Piano
1
Saxophone Alto
1
Flûte, Clarinette, Piano (trio)
1
2 Flûtes traversières (duo)
1
Cor Anglais
1
Hautbois (partie séparée)
1
Harmonica
1
Saxophone Baryton, Piano
1
3 Clarinettes (trio)
1
Saxophone (partie séparée)
1
2 Saxophones (duo)
1
Saxophone et Orgue
1
Saxophone Tenor et Piano
1
Clarinette, Harpe (duo)
1
+ 23 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trompette, Trombone (duo)
2
Ensemble de Trombones
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor et Piano
1
2 Tubas (duo)
1
Quatuor de Cuivres
1
Trombone et Piano
1
Euphonium, Piano (duo)
1
Cor Anglais
1
Cor
1
Tuba et Orgue
1
2 Trombones (duo)
1
Tuba
1
Trompette, Piano
1
+ 11 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
6
Violoncelle
4
Violon
2
Alto seul
2
Alto, Piano
1
4 Violoncelles
1
2 Violons (duo)
1
Violoncelle, Piano
1
Violon et Piano
1
Trio à Cordes: violon, alto, violoncelle
1
+ 5 instrumentations
Retracter
Orchestre & Percussions
Cloches
53
Orchestre d'harmonie
46
Orchestre
24
Orchestre à Cordes
9
Ensemble de cuivres
7
Orchestre de chambre
7
Ensemble Jazz
3
Jazz combo
2
Vibraphone
1
Ensemble de Percussions
1
Instrumentation Flexible
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
6
Partitions Numériques
897
Librairie Musicale
0
Matériel de Musique
6
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
We Are the Choir
SheetMusicPlus
Partitions à imprimer
897 partitions trouvées
<
1
26
51
....
876
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
#
Chorale SATB
#
FACILE
#
Michael A
#
FOR IF WE DIED WITH HIM
#
M.A. Morizio
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Pub...
(+)
Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99
Lorem Ipsum [mixed choir]
#
Chorale SATB
#
INTERMÉDIAIRE
#
Juan MarÃa Solare
#
Lorem Ipsum [mixed choir]
#
Juan Maria Solare
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.596519 Composed by Juan MarÃa Solare. 20th Century,A Cappella,Contemporary,Latin,Multicultural,World. ...
(+)
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.596519 Composed by Juan MarÃa Solare. 20th Century,A Cappella,Contemporary,Latin,Multicultural,World. 14 pages. Juan Maria Solare #3485699. Published by Juan Maria Solare (A0.596519). Juan MarÃa Solare Lorem ipsum for choir a cappella SATB Audio: https://soundcloud.com/juan-maria-solare/lorem-ipsum-choir-northern-spirit-solare Video: https://www.youtube.com/watch?v=4uyp8F6qTqw Lorem ipsum dolor sit amet, consectetur adipiscing elit, incididunt ut labore et dolore magna umbra. Nulla sed leo. Nullam sed purus. Nulla vitae diam sapien. Nulla gravida pretium magna. Tellus, ventus et ignis. Verbum sapientes defendit.   The Lorem ipsum is a text in pseudo-Latin, loosely inspired in a writing of Cicero[1] and that since the XVI century is used in publishing as filler text. Today it is used with a similar function, in electronic documents or web design. There are several versions of this text (of variable length), all them used to begin in the same way (Lorem ipsum … elit) but goon in different fashions. Therefore, I also invented part of the text, taking care of the metric, structural parallelisms and some hidden allusion to popular music (Tellus, ventus et ignis is Earth, Wind and Fire). The last sentence has even some sense: Verbum sapientes defendit means that the word defends to those who know. In the coda, since it is vocally much more practical to finish in m than in t, I changed the last word: dolor sit ipsum, what carries the existentialist message that pain is oneself.  Musically, the form is a rondo, with an obsessive refrain (based on the sentence we are commenting) which reappears without modifications.  This piece was composed in Bremen (Germany) on 18, 19 and 20 May 2015 (as if from a handbook: one day the text, the following day the music and on the third one big adjustements and the definitive precisions). Lorem ipsum is dedicated to Gonzalo MartÃn SaldÃvar. Premiere by the chamber choir Northern Spirit, conducted by Jaret Choolun, tenth year anniversary concert1 (19th November 2016) at the kleiner Saal of Die Glocke, Bremen, Germany. (https://www.northernspirit.de/kammerchor-bremen/jubilaeumskonzert-in-der-glocke/)First performance in Latin America: Coro Estable Municipal de Tandil, conducted by Annele Moroder, during the opening concert of the Third Argentine Choral Congress and the First Latin American Choral Congress (Choral Art and Identity) on May 24, 2018 (at 8:15 PM) at the Tandil Museum of Fine Arts, Argentina (https://www.youtube.com/watch?v=4uyp8F6qTqw). Juan MarÃa Solare [1] de Finnibus Bonorum et Malorum (On the Ends of Good and Evil), sections 1.10.32 and 1.10.33, written in the year 45 before Christ. This book -a treatise on ethic theory- was very popular during the Renaissance.
$5.00
The Sense of a Place Will Remain
#
Chorale SATB
#
Contemporain
#
Paul Burnell
#
The Sense of a Place Will Rema
#
Paul Burnell
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835...
(+)
Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95
When I Survey the Wondrous Cross
#
Chorale SATB
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Isaac Watts / Lowell Mason
#
Robert Myers
#
When I Survey the Wondrous Cro
#
WheatMyer Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pag...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.
$2.50
The Village
#
Chorale SATB
#
DÉBUTANT
#
Wrabel
#
David Jayden Anthony
#
The Village
#
d'Jam Music
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1501022 By Wrabel. By Andrew Jackson, Andrew Pearson, and Stephen Wrabel. Arranged by David Jayden A...
(+)
Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1501022 By Wrabel. By Andrew Jackson, Andrew Pearson, and Stephen Wrabel. Arranged by David Jayden Anthony. Pop,Singer/Songwriter. 10 pages. D'Jam Music #1076976. Published by d'Jam Music (A0.1501022). A Powerful Anthem for LGBTQIA+ Pride and Inclusion Dive into the heart of resilience and authenticity with our SATB choral arrangement of The Village by Wrabel. This powerful and moving song has become an anthem for the LGBTQIA+ and queer communities, capturing the struggles, strength, and spirit of those who have faced adversity simply for being true to themselves.Why The Village Matters: The Village resonates deeply within the LGBTQIA+ community, offering a voice to those who feel misunderstood or marginalized. With lyrics that speak to the experience of feeling out of place in a world that doesn’t always understand, this song is a heartfelt reminder that there is a place—a village—for everyone. It's a celebration of diversity, acceptance, and the courage it takes to live openly and authentically. The song’s powerful message of self-acceptance and unity strikes a chord with listeners, making it a meaningful addition to pride concerts, LGBTQIA+ events, and any gathering that celebrates inclusion and equality.About the Arrangement: Our SATB choral arrangement of The Village captures the emotional depth and poignancy of Wrabel's original song while enhancing its harmonic richness through beautiful four-part vocal harmonies. The arrangement is designed to highlight the song’s heartfelt lyrics and dynamic melody, creating an unforgettable musical experience. This arrangement is perfect for choirs looking to make a bold statement about love, acceptance, and human rights, while showcasing their vocal talents in a deeply emotional performance.Perfect for Pride Concerts and Beyond: Including The Village in your repertoire is more than just a performance—it's a powerful statement of solidarity and support for the LGBTQIA+ community. Ideal for pride concerts, LGBTQIA+ awareness events, and other celebrations of diversity, this arrangement allows choirs to engage audiences with a message of hope and unity. It serves as a reminder that no matter how different we may feel, we are all part of a larger community—a village—that values love, acceptance, and equality.Key Features: Powerful lyrics that resonate with LGBTQIA+ and queer audiences Rich SATB harmonies that enhance the song’s emotional impact Ideal for pride concerts, LGBTQIA+ events, and diversity celebrations A meaningful addition to any choral program focusing on themes of acceptance and inclusivity By bringing The Village to your choir, you're not just performing a song—you're sharing a message of hope, love, and community that will resonate with all who hear it. Celebrate the power of music and the strength of the LGBTQIA+ community with this unforgettable SATB choral arrangement.We would love to see video (or hear audio) of performance or rehearsals! (david@davidja.com).
$4.50
Beyond The Sea
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Charles Tenet
#
Tobi Crawford
#
Beyond The Sea
#
Tobi Crawford
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
(+)
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
50 Easy Worship Anthems for SATB Choir - W/Chords (Book 1&2)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Various
#
César Madeira
#
50 Easy Worship Anthems for SA
#
Sheet Music To Play Editions
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1383010 Composed by Various. Arranged by César Madeira. A Cappella,Multicultural,Praise & Worship,Reli...
(+)
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1383010 Composed by Various. Arranged by César Madeira. A Cappella,Multicultural,Praise & Worship,Religious,Sacred,World. 88 pages. Sheet Music To Play Editions #967438. Published by Sheet Music To Play Editions (A0.1383010). 50 Easy Worship Anthems for SATB Choir. Full Score with Chords. Enjoy it!Song List - Book 1All Creatures of our god and king. All Hail The Power of Jesus’ Name. A mighty fortress is our God. Be Thou My Vision. Christ Is Risen Today. God will take care of you. Great Is Thy Faithfulness. He hideth my soul. His Eye Is On The Sparrow. How Great Thou Art. Lift Every Voice and Sing. March of Three Kings. My jesus I love thee. My Lord, What A Morning! O Come, O come, Emmanuel. O Little Town of Bethlehem. Rock of ages. Softly and Tenderly, Jesus Is Calling. Tell me the story of Jesus. Turn your eyes upon jesus. What a friend we have in jesus. When I survey the wondrous cross. When We All Get to Heaven. Whispering Hope. Wonderful Words of LifeSong List - Book 2Amazing grace. Are you washed in the blood? Christ arose! Christmas bells. Draw me nearer. Glory to his name. God rest ye merry, gentlemen. Hark! the heralt angels sing. Higher ground. How firm a foundation. I need thee every hour. Jesus loves the little children. Joyful, joyful, we adore thee. My faith looks up to thee. O holy night. Open my eyes, that I may see. Pass me not, o gentle savior. Revive us again. Safe in the arms of jesus. Stand up, stand up for jesus. Tell me old, old story. The solid rock. Trusting jesus. We gather together. We three kings of orient areFor Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Tribute to the Trail of Tears
#
Chorale SATB
#
AVANCÉ
#
Barron Brothers
#
iyo he, iyo he
#
Tribute to the Trail of Tears
#
Barron Brothers
#
SheetMusicPlus
Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 5 - Interactive Download SKU: A0.726326 Composed by Barron Brothers. This edition: ...
(+)
Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 5 - Interactive Download SKU: A0.726326 Composed by Barron Brothers. This edition: Interactive Download. Folk,World. Octavo. 25 pages. Duration 281. Barron Brothers #6JvK5OaFLfcELYSz4fsbms. Published by Barron Brothers (A0.726326). Key: Ab major.**NJMEA Finalist Composition** Sun Tracks The track of the Sun across the sky leaves its shining, eternal message Illuminating, strengthening, warming... all of us who are here It shows us we are not alone. We are not alone. We are yet alive. And this fire, our fire shall not die! *- Atoni* Iyo he, iyo he; iyo he, iyo he; He, he, he, iyo he. - *Choctaw war dance* ...... Tribute to the Trail of Tears is an original SATB choir song commemorating my Choctaw heritage. When I wrote this song, I wanted to look at the Trail of Tears from the Choctaws' eyes. I did this by emphasizing the contrast between their anger with the shouting taken from a Choctaw war chant and hope with a Choctaw Sun Prayer (the sun is an important figure of hope in Choctaw spirituality), their English traditions forced upon them and their true Choctaw nature, and the betrayal of a government that was supposed to protect them. This song is designed to be slow and relaxed (~70bpm for the first part and ~85bpm for the piu mosso), with the bends representing relaxed glissandos in the voice. The last three chords are meant to be sensitive and should be taken very slowly. Keep in mind that this piece should not only be meaningful but convey the emotions to spread the Native awareness that is so direly needed in America.
$3.75
PLATINUM FANFARE & PROCESSIONAL
#
Chorale SATB
#
AVANCÉ
#
Musique Sacrée
#
Alan Edgar
#
PLATINUM FANFARE & PROCESS
#
Alan Edgar Ted Moon
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.903819 Composed by Alan Edgar. 20th Century,Concert,Holiday,Patriotic. Octavo. 29 pages. Alan Edgar Ted M...
(+)
Choral Choir (SATB divisi) - Level 5 - SKU: A0.903819 Composed by Alan Edgar. 20th Century,Concert,Holiday,Patriotic. Octavo. 29 pages. Alan Edgar Ted Moon #6825999. Published by Alan Edgar Ted Moon (A0.903819). PLATINUM FANFARE & PROCESSIONAL Choir SSATB, flute, oboe, clarinet, 2 bassoons. OR SSATB OR woodwind quartet. May thy hand be strengthened as thy right hand is exalted. Thy justice and judgement are the signs and wonder of thy reign. Trumpets are sounding to honour thee. Thy kindness, patience, service and smile known throughout the world. Alleluia. For Elizabeth II's Platinum Jubilee. It is designed to be suitable for any large indoor space, using whole-tone mode except in the pavan, to reduce clashes of harmony caused by echoes. We hear fanfares and a more flowing and dignified processional pavan. The words were inspired by a Handel coronation anthem, which used words by Ethan the Ezrahite from Psalm 89, but we looked at other psalms and added some words of our own. 3 minutes.
$8.00
We Are the Music Makers
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Lyndell Leatherman
#
We Are the Music Makers
#
Leatherman Music Services
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.829315 Composed by Lyndell Leatherman. Contemporary. Octavo. 15 pages. Leatherman Music Services #5731123. Publi...
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.829315 Composed by Lyndell Leatherman. Contemporary. Octavo. 15 pages. Leatherman Music Services #5731123. Published by Leatherman Music Services (A0.829315). I am aware that nearly every choral publisher already has a setting of O'Shaughnessy's classic Ode–perhaps better known as We Are the Music Makers-in their catalog. But I promise you than this one is much different from any other setting out there. I'll leave it up to you to determine if it's better :-) Suitable for good high school choirs, college choirs, and community choruses.
$1.99
The Story of a Leader
#
Chorale SATB
#
AVANCÉ
#
Classique
#
Igor Korneitchouk
#
The Story of a Leader
#
Studio at the Post
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio ...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
We Are The Choir SATB
#
Chorale SATB
#
FACILE
#
Contemporain
#
Darren Ballingall
#
We Are The Choir SATB
#
Darren Ballingall
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.927733 Composed by Darren Ballingall. Contemporary. Octavo. 12 pages. Darren Ballingall #6525515. Published by D...
(+)
Choral Choir (SATB) - Level 2 - SKU: A0.927733 Composed by Darren Ballingall. Contemporary. Octavo. 12 pages. Darren Ballingall #6525515. Published by Darren Ballingall (A0.927733). A fun song to introduce the choir (or chorus) to the audience. Full of jokes, it lets each section introduce itself and then later, combine those four parts together.
$5.00
THE GREAT HUMILITY OF CHRIST (SATB) – Philippians 2:5-11
#
Chorale SATB
#
INTERMÉDIAIRE
#
Michael A
#
THE GREAT HUMILITY OF CHRIST
#
M.A. Morizio
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizio #3588423. Publ...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizio #3588423. Published by M.A. Morizio (A0.926663). In chapter two of Paul's letter to the Philippians, Paul begins speaking to his readers about encouragement, comfort from love, participation in the Spirit, and godly affection and sympathy for one another. He says, we are to count others as more important than ourselves. He pleads, Complete my joy by doing these things. From this point, Paul breaks immediately into this other known 1st century Hymn to Christ (Verses 5-11), which I have called, The Great Humility of Christ. The hymn text is a beautiful exposition of the Gospel; Christ in the form of God, did not hold onto (grasp) His equality with God, but humbled Himself and took on the human form of a servant (slave) and poured Himself out for all of mankind. The anthem is composed for SATB (a cappella) choir in two stanzas, with a bridge section and a coda. The piece is scored in D minor, but weaves between D minor and G Major (representing the dual natures of Christ-fully God and fully man). After the first stanza, regarding Christ’s taking on human flesh, the unthinkable happens; Christ humbles Himself in holy obedience to be put to death, even a humiliating and repugnant death on a cross. Here in the anthem we find the musical bridge between the two stanzas with the sopranos holding onto a single note (high D) followed by a cascade of dissonant suspensions, one voice handing off to the other, finally resolving in a descending scale.The second stanza declares God’s having exalted Christ as a consequence of His sacrifice, giving Him a name that is above every name, that at the name of Jesus every knee shall bow, in heaven and on earth and under the earth. The final coda (in G Major) trumpets the pronouncement that; Every tongue will confess that Jesus Christ is Lord, to the glory of the Father.
$1.99
It's Christmastime (or Hear the Bells Ring)
#
Chorale SATB
#
INTERMÉDIAIRE
#
and large, Christmas music is
#
Shaun Parry
#
It's Christmastime
#
MusicforMillions
#
SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.935511 Composed by Shaun Parry. A Cappella,Christian,Christmas,Traditional. Octavo. 7 pages. MusicforMillions #...
(+)
Choral Choir (Mixed) - Level 3 - SKU: A0.935511 Composed by Shaun Parry. A Cappella,Christian,Christmas,Traditional. Octavo. 7 pages. MusicforMillions #4994317. Published by MusicforMillions (A0.935511). Written in the style of classic Christmas carols with fun, memorable melody and lyrics, this new Christmas song will quickly become a part of everyone's caroling canon. By and large, Christmas music is either sacred or secular, about Jesus, Mary, the shepherds and angels or about presents and parties and Santa Claus. We live them both simultaneously. This carol represents that, with the first verse being a patter of excitement and the second more lyrical, focusing on the Advent of the Savior. Then, just as in life, they are sung together, complimenting each other. We end in unison with a glorious and memorable refrain Nativity mangers make friends out of strangers with peace on earth, good will to all men. * Bells/Chimes sound beautiful but it can also be performed with just piano and the voices singing the bell parts.* Perfect of school or church Christmas concerts or caroling. Also great for families around the fireplace or out Christmas caroling. * Written to be sung by two groups, however, there is a cut version (explained in print) that does not require splitting in two groups. It can be sung straight through without overlapping the verses. * Some harmony parts are indicated in the vocal line. Of course you can sing just the melody in unison all the way through, but there are ample opportunities to break out into fun 2,3 and (in some places) 4-part harmonies. Up to you. You can find me at @the_shaunparry or www.shaunparry.com
$3.99
All Together Now
#
Chorale SATB
#
Lloyd Larson
#
All Together Now
#
Lorenz Publishing - Digital Sheet Music
#
SheetMusicPlus
SATB choir, Piano (With Optional Handbell 3-5 octaves, Congregation, Percussion, Brass Quintet) - SKU: LX.45-1180L Flexible Hymn Arrangements for Con...
(+)
SATB choir, Piano (With Optional Handbell 3-5 octaves, Congregation, Percussion, Brass Quintet) - SKU: LX.45-1180L Flexible Hymn Arrangements for Congregational Worship. Arranged by Lloyd Larson. Choral Collection. Christmas, General, Thanksgiving. 40 pages. Lorenz Publishing - Digital Sheet Music #e45/1180L. Published by Lorenz Publishing - Digital Sheet Music (LX.45-1180L). ISBN 9780787715694.Unite your choir and congregation in song with this easily prepared anthem collection and creative congregation resource! Each title is comprised of an introduction, standard four-part hymn stanzas, and a unison final stanza for both choir and congregation with a soaring descant. With a fully supportive keyboard accompaniment, you also have the option to enhance the presentation of these anthems with whatever combination of handbells, brass, and percussion best fits the needs of your musicians.
Song List
: Angels We Have Heard On High Come, Ye Thankful People, Come Hark! The Herald Angels Sing Joy To The World! O Come, All Ye Faithful O Worship the King We Praise You, O God
$9.95
25 Easy Worship Anthems for SATB Choir - W/Chords (Book 2)
#
Chorale SATB
#
FACILE
#
Musique Sacrée
#
Various
#
César Madeira
#
25 Easy Worship Anthems for SA
#
Sheet Music To Play Editions
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1323136 Composed by Various. Arranged by César Madeira. A Cappella,Praise & Worship,Religious,Sacred,T...
(+)
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1323136 Composed by Various. Arranged by César Madeira. A Cappella,Praise & Worship,Religious,Sacred,Traditional. 43 pages. Sheet Music To Play Editions #911403. Published by Sheet Music To Play Editions (A0.1323136). 25 Easy Worship Anthems for SATB Choir. Full Score with Chords. Enjoy it!Song List:Amazing grace. Are you washed in the blood? Christ arose! Christmas bells. Draw me nearer. Glory to his name. God rest ye merry, gentlemen. Hark! the heralt angels sing. Higher ground. How firm a foundation. I need thee every hour. Jesus loves the little children. Joyful, joyful, we adore thee. My faith looks up to thee. O holy night. Open my eyes, that I may see. Pass me not, o gentle savior. Revive us again. Safe in the arms of jesus. Stand up, stand up for jesus. Tell me old, old story. The solid rock. Trusting jesus. We gather together. We three kings of orient areFor Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
You Are Not Alone (SATB divisi)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Contemporain
#
D
#
You Are Not Alone
#
D. M. Gardner Music
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.799645 Composed by D. M. Gardner. Contemporary. Octavo. 9 pages. D. M. Gardner Music #51883. Published by...
(+)
Choral Choir (SATB divisi) - Level 3 - SKU: A0.799645 Composed by D. M. Gardner. Contemporary. Octavo. 9 pages. D. M. Gardner Music #51883. Published by D. M. Gardner Music (A0.799645). Worse than any fear is being alone when experiencing it. But in love, there is an awareness that transcends scientific explanation. ...A connection so strong that it permeates seemingly impossible barriers. So, when we know someone we love is afraid, we long to comfort them in any way we can. We hope and pray that even in their hour of greatest difficulty or isolation, we can somehow reach out to them...If only to say, My Love, you are not alone.The male and female voices of the choir tell the story from their own points of view, but gradually emerge together in each other's comforting presence. From moments of despair to the final moments of peace, the rich warmth of the 8-part chorus beautifully reveals the tenderness of love and the power of hope and peace it can provide.Approx. 5'18 in length.To learn more about the composer, please visit https://www.dmgardner.com
$1.99
THE LITTLE MERMAID (a new & original music album)
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Dennis A
#
THE LITTLE MERMAID
#
Tyne Music
#
SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.999340 Composed by Dennis A. Westgate. Children,Contemporary,Musical/Show,World. Octavo. 56 pages. Tyne Music #...
(+)
Choral Choir (Mixed) - Level 4 - SKU: A0.999340 Composed by Dennis A. Westgate. Children,Contemporary,Musical/Show,World. Octavo. 56 pages. Tyne Music #5827907. Published by Tyne Music (A0.999340). THE LITTLE MERMAID is the 3rd in this series of 'Bespoke Music Albums' (https://www.tynemusic.com) I wrote by request for my friends Charlotte & Donna, the Producer/Directors of 'We Are Theatre.(http://www.wearetheatre.co.uk) - Each songbook was composed from their own libretto and based on well known classical children's stories. Each of the songs are based around the story and main characters. (The Little Mermaid is my album of new & original songs, ready made for you to add your own libretto)
$14.00
Songs of Worship for Choir, Sacred Choral Music
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Kevin G
#
Songs of Worship for Choir, Sa
#
Kevin G. Pace
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1379267 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sac...
(+)
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1379267 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 158 pages. Kevin G. Pace #963943. Published by Kevin G. Pace (A0.1379267). Songs of Worship for Choir is a collection of 19 sacred choral compositions with piano accompaniment. 17 of these are for SATB, one for SAA, and one for TTBB. Music composed by Kevin G. Pace. Text by Mary Ann W. Snowball.This music could be used by any Christian choir. Though written from the perspective of the Church of Jesus Christ of Latter-day Saints, the themes in many of these compositions are non-specific to any single creed,praising God and His Son, Jesus Christ, with unique fervor and beauty appropriate for any congregation.Titles:If I Had Knelt at CalvaryFather, Dear FatherTarry a Little LongerOfferingsWith Open ArmsWho Is This God?Dear Holy Father Spare These Thy Children, TTBBWhy Did the Savior Die For Me?Psalm of Mercy Let All Creation Praise His Coming May We Be One Awake and Arise No Other Gift Until the Perfect Day I Was Not There Saving Love Awake, My Soul in Christ For Such a Time as This, SSA.
$18.99
The House We Build
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
New Age
#
Contemporain
#
Lukas C Jaeger
#
The House We Build
#
Lukas C Jaeger
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1292341 By Lukas C Jaeger. By Lukas C Jaeger. 21st Century,Contemporary,New Age. 22 pages. Lukas C Jaeger...
(+)
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1292341 By Lukas C Jaeger. By Lukas C Jaeger. 21st Century,Contemporary,New Age. 22 pages. Lukas C Jaeger #882681. Published by Lukas C Jaeger (A0.1292341). As a creator, something I value above all else is the ability to do so with others. There’s a beauty found where minds meet that no one person can achieve alone.   So, in search of that beauty, before I even started to work on this piece, I met with the students of Waukesha North High School at the end of their 2023 school year. And we talked. We talked about how life was going. The good and bad. The ups and downs. Things lost. Things found… They shared some laughs and even some tears… The conversations we had were unexpectedly poignant and stuck with me throughout the writing process.   School is a time of great change in our lives and often we are so focused on “getting through†that we don’t really stop to appreciate it until later. This piece celebrates that part of the process. The way we build onto ourselves- acknowledging and accepting that our experiences we have during this time, both good and bad, are crucial to our identity and our ability to move forward in life. They are the cornerstones of who we are and who we become… Inspired by these experiences we shared, I wrote this text. It’s about building a house. The “house†being our self.
$3.00
Loaves and Fishes, sacred music for SATB choir
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Kevin G
#
Loaves and Fishes, sacred musi
#
Kevin G. Pace
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1261183 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.1261183 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 12 pages. Kevin G. Pace #854253. Published by Kevin G. Pace (A0.1261183). A beautiful, dramatic choral composition portraying the miracle of Jesus in feeding the 5000.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:Jesus lifted up his eyes while sitting on a mount.There a multitude had come, where thousands was the count.Jesus asked of Philip then, “Whence shall we buy some bread?â€Feeding hungry souls was such a way the Master led.One small lad had barley loaves, just five that day were found.And small fishes, only two, were set upon the ground.“Bring them hither,†Jesus said, then blessed and brake the loaves.These became like manna there, this miracle to show.Jesus asked disciples close to share the scanty feast.Each did eat, not sparingly, ‘til all were filled and pleased.Then He called disciples there to gather what remained;Twelve full baskets still were left, all through the Savior’s Name.Jesus also fills our lives when we might have a lack.Needing aid we lend our best, then He gives as we act.Listening to all we pledge He takes each offering,Always giving more to us than what we humbly bring.Chorus:Granting needs and pure desires is what our Savior seeks.As He fills our daily cups, we aid his heartfelt plea.He will ever honor us by giving what we lack.This, this precious miracle, is what He gives us back.
$1.99
The Beatitudes, 24 Sacred Songs Celebrating The Beatitudes Through Music and Narration
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
the end of the Sermon a recipi
#
Kevin G
#
The Beatitudes, 24 Sacred Song
#
Kevin G. Pace
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1076393 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 194 ...
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.1076393 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 194 pages. Kevin G. Pace #680550. Published by Kevin G. Pace (A0.1076393). Have you ever wondered how to have a really happy life? In Matthew 5-7 in The New Testament and in 3 Nephi 12-14 in The Book of Mormon, Another Testament of Jesus Christ, our Savior teaches us the way to contentment and happy living through The Beatitudes. These gems of Christian living were taught by Jesus as the initial part of the most well-known of his teachings called The Sermon on the Mount. The word “beatitude†comes from the Latin “beatitudo†meaning “blessedness.†Each of the eight beatitudes in this book consists of two phrases: the condition and the result. Together, these illustrate a set of ideals focusing on love and humility, echoing the highest of Jesus’ teachings on spirituality and compassion. Each also promises a future reward, and the themes appear to escalate from beginning to advancing levels of responsibility and spirituality as the Sermon progresses. By the end of the Sermon a recipient would have earned the reward to stand ceremonially in the presence of God, and to ultimately gain the greatest reward of living with Him in heaven. The purpose of this book is to praise our Lord through song and text, rejoicing in the gifts we receive from Him as we do as He suggests. Please enjoy this collection of original solos, SATB choral renditions, and a duet, along with a short text explaining each beatitude in the order our Savior spoke them so many years ago as part of the greatest sermon ever given, our Lord’s Sermon on the Mount! It was a joy to prepare them for you. Happy Living!
$10.95
Blessed Are the Persecuted, sacred music for SATB choir
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Kevin G
#
Blessed Are the Persecuted, sa
#
Kevin G. Pace
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1049529 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 10 p...
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.1049529 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 10 pages. Kevin G. Pace #653889. Published by Kevin G. Pace (A0.1049529). Sacred music for SATB choir composed by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Blessed are the persecuted for the righteous’ sake. When afflicted and despised, God’s pure name they take. Accusations may befall from enemies who err. Those who triumph (conquer) faithfully gather heaven’s care. Blessed are the persecuted, criticized, and torn, Who have modeled charity when their souls are worn. They will be rewarded with pure heavn’ly love on high. Theirs will be the blessing of being sanctified. Persecution was the path our Savior, Jesus, walked. As we follow Him we’ll find (see) joy will be unlocked. Blessed are the persecuted—they’ve a promised place As they tread a thorny path searching for God’s face. Blessed are the righteous ones who follow in His trail; Even with condemning, they see beyond the veil. Persecution was the path our Savior, Jesus, walked. As we follow Him we’ll find (see) joy will be unlocked.
$1.99
Soon We Will Be Done (Downloadable)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Gospel Spirituel
#
Kyle Pederson
#
Soon We Will Be Done
#
Galaxy Music Corporation - Digital
#
SheetMusicPlus
SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporati...
(+)
SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.†The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goin’ home to live with God No more weeping and a-wailing (repeat) Goin’ home to live with God I want t’ meet my mother (repeat) Goin’ home to live with God I want t’ meet my Jesus (repeat) Goin’ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.†In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
$3.20
<
1
26
51
....
876
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
We Are the Choir
