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Vous avez sélectionné:
Who's That Girl?
Chorale SATB
Partitions à imprimer
4 partitions trouvées
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Medallion Girls for Choir from Science Fiction Opera Libertaria
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Sabrina Pena Young
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Medallion Girls for Choir from
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Sabrina Peña Young
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.976936 Composed by Sabrina Pena Young. Broadway,Film/TV,Halloween,Musical/Show,Opera. 6 pages. Sabrina Pe...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.976936 Composed by Sabrina Pena Young. Broadway,Film/TV,Halloween,Musical/Show,Opera. 6 pages. Sabrina Peña Young #3430823. Published by Sabrina Peña Young (A0.976936). Dramatic science fiction inspired choral work from groundbreaking post-apocalyptic 21st century animated opera Libertaria. Quirky and partially inspired by Dr. Who, this choral work is a fun musical theater piece for choir. The Medallion Girls are part of a futuristic genetic experiment meant to perfect humanity after a radiation permanently mutated humans. Truly a unique work. Award-winning composer and TED Talk Speaker. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerLIBERTARIA: THE VIRTUAL OPERAhttps://virtualopera.wordpress.com/ ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon. One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.comWHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLESBetween the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$7.99
Kate E. Ducat's Vocal Beauties. The Little Maid I Lost, Long Ago
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Chorale SATB
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K
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K
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Kate E. Ducat's Vocal Beauties
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.745 Composed by K. E. Ducat. Death, Girls, Marriage, Love, Sadness. Lester S. Levy Collection. 4 pages....
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Piano and voice (solo and SATB chorus) - SKU: LV.745 Composed by K. E. Ducat. Death, Girls, Marriage, Love, Sadness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.745). Kate E. Ducat's Vocal Beauties. The Little Maid I Lost, Long Ago. By K.E. Ducat. Published 1857 by Higgins, Brothers in Chicago. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Death, Girls, Marriage, Love, Sadness. First line reads There's a little field that looks down the blue Long Island sound.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Five Lyrics of Robert Herrick - Roger Quilter
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Chorale SATB
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FACILE
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and by
Ye do lie,
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Roger Quilter
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Five Lyrics of Robert Herrick
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Forsyth Brothers Ltd
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1171401 Composed by Roger Quilter. 20th Century,Classical. Octavo. 24 pages. Forsyth Brothers Ltd #771738. Publi...
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Choral Choir (SATB) - Level 2 - SKU: A0.1171401 Composed by Roger Quilter. 20th Century,Classical. Octavo. 24 pages. Forsyth Brothers Ltd #771738. Published by Forsyth Brothers Ltd (A0.1171401). A delightful early opus from one of the most individual English songwriters of the Twentieth Century, Roger Quilter (1877-1953). The texts are taken from the works of Seventeenth Century English poet Robert Herrick (ca 1591-1674) whose lyrics Quilter also set to music in his Opus 8 song-cycle To Julia (1905). The Opus 7 settings are dedicated to Quilter's friend Percy Grainger.FIVE LYRICS OF ROBERT HERRICK (SATB & Piano): Cupid A Dirge Morning Song To Electra To Violets  CupidLove, like a beggar came to meWith hose and doublet torn;His shirt bedangling from his knee,With hat and shoes outworn. He asked an alms; I gave him bread,And meat too for his need,Of which, when he had fully fed,He wished me all good speed.Away he went, but as he turned,In faith I know not how,He touched me so, as that I burnedAnd am tormented now. Love’s silent flames and fires obscureThen crept into my heart;And though I saw no bow, I’m sureHis finger was the dart. A DirgeHere she lies, in bed of spice,Fair as Eve in ParadiseFor her beauty was suchPoets could not praise too much.Virgins come, and in a ringHer supremest requiem sing.Then depart but see ye treadLightly, lightly o’er the dead.Morning Song Let's now take our time,While we're in our prime,And old, old age is afar off:For the evil, evil daysWill come on apace,Before we can be aware of. To ElectraI dare not ask a kiss;I dare not beg a smile;Lest, having that or this,I might grow proud the while. No, no, the utmost shareOf my desire shall beOnly to kiss the airThat lately kissèd thee. To VioletsWelcome, maids of honour!You do bringIn the SpringAnd wait upon her She has virgins manyFresh and fair;Yet you areMore sweet than anyY'are the maiden posiesAnd so graced,To be placed'Fore damask roses.Yet though thus respectedBy and byYe do lie,Poor girls, neglected.
$9.99
Orphan Girl
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Chorale SATB
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INTERMÉDIAIRE
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Celtique/Irlandais
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Brendan Graham
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Orphan Girl
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Seolta Music Limited
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1396298 Composed by Brendan Graham. Arranged by arranged for solo and SATB choir by Desmond Earley. Celti...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1396298 Composed by Brendan Graham. Arranged by arranged for solo and SATB choir by Desmond Earley. Celtic,Irish. 11 pages. Seolta Music Limited #979669. Published by Seolta Music Limited (A0.1396298). Arranged for solo female voice, SATB choir and piano, this is a song of hope, the hope of a girl to escape the workhouse during the Irish Famine years and to travel to make a new life in Australia. At the time the British Crown was encouraging girls to emigrate as a means to redress the gender balance in the colonies – there were simply too many men and not enough women. Over four thousand young women took this journey between 1848 and 1850. The composer Brendan Graham expressed his own hope that this song might have significance for the descendants of those girls, many of whom were present at the song’s first performance in 2012 at the Irish Famine Commemoration in Sydney.
$2.75
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