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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Who March
Non classifié
262
Piano & claviers
Piano seul
1 157
Piano, Voix
69
Piano Facile
51
Orgue
31
Piano, Voix et Guitare
20
1 Piano, 4 mains
14
Instruments en Do
5
2 Pianos, 4 mains
3
Accompagnement Piano
2
Piano Trio: piano, violon, violoncelle
1
Accordéon
1
Fake Book
1
+ 7 instrumentations
Retracter
Guitares
Guitare
11
Guitare notes et tablatures
8
2 Guitares (duo)
3
Basse électrique (partie séparée)
2
Ukulele
2
Mandoline, Guitare (duo)
1
Paroles et Accords
1
3 Guitares (trio)
1
Basse electrique
1
Guitare, Violon, Violoncelle (trio)
1
Mandoline
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
39
Chorale 3 parties
9
Chorale 2 parties
5
Chorale TTBB
3
Chorale SSAA
2
Voix Mezzo-Soprano, Piano
2
Voix duo, Piano
1
Chorale Unison
1
Voix seule
1
Voix haute
1
+ 5 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
35
2 Saxophones (duo)
32
Quatuor de Saxophones: 4 saxophones
31
Clarinette et Piano
28
Saxophone Alto et Piano
28
Flûte traversière et Piano
24
Flûte, Hautbois, Clarinette, Basson
22
3 Saxophones (trio)
22
Quintette de Saxophone: 5 saxophones
21
Saxophone Soprano et Piano
19
Hautbois, Piano (duo)
16
Quatuor de Clarinettes: 4 clarinettes
16
Flûte traversière
13
2 Clarinettes (duo)
11
2 Flûte à bec (duo)
10
Saxophone Alto
10
Saxophone Tenor et Piano
9
Clarinette
8
Saxophone (partie séparée)
8
Cor anglais, Piano
8
2 Flûtes traversières (duo)
8
3 Flûtes à bec (trio)
7
Flûte, Clarinette (duo)
7
Saxophone Baryton, Piano
7
Clarinette, Basson (duo)
7
3 Clarinettes (trio)
6
Quatuor de Flûtes : 4 flûtes
6
Quintette de Clarinettes: 5 clarinettes
6
Saxophone Tenor
6
Hautbois, Clarinette, Basson (trio d'anches)
5
Quintette de Flûte : 5 flûtes
5
Ensemble de Clarinettes
4
Saxophone Soprano
4
Flute (partie séparée)
4
Trio de Flûtes: 3 flûtes
4
5 Flûtes à bec
4
Flûte à bec Alto
4
Quatuor de Flûtes à bec
4
Flûte à Bec
3
Saxophone, Clarinette (duo)
3
Hautbois (partie séparée)
3
Ensemble de Flûtes
2
Clarinette, Violon (duo)
2
Saxophone Baryton
2
Hautbois
2
Hautbois, Flûte
2
Flûte irlandaise
2
Clarinette (partie séparée)
2
Flûte à Bec, Piano
1
Flûte, Trompette (duo)
1
Flûte, Clarinette, Piano (trio)
1
Cor Anglais
1
2 Hautbois (duo)
1
Flûte, Violon
1
Flûte, Alto (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Soprano
1
Clarinette et Alto
1
Hautbois, Clarinette (duo)
1
Clarinette, Harpe (duo)
1
Clarinette Basse, Piano
1
Saxophone
1
+ 57 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
58
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Trompette, Piano
17
Trompette
14
Trombone et Piano
11
Cor et Piano
10
Quatuor de cuivres: 4 trombones
10
Quatuor de cuivres: 4 trompettes
10
Quatuor de cuivres: 4 cors
8
Cor anglais, Piano
8
Ensemble de Trompettes
7
Trompette (partie séparée)
7
Trombone
5
Ensemble de Cors
5
Trombone (partie séparée)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Euphonium, Piano (duo)
4
Cor
4
4 Tubas
4
Tuba et Piano
3
Quatuor de Cuivres
3
2 Trompettes (duo)
3
Tuba
3
Euphonium
2
2 Cors (duo)
2
Trompette, Saxophone (duo)
2
Trompette, Trombone (duo)
2
2 Trombones (duo)
2
3 Tubas (trio)
1
Trompette, Cor (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Ensemble de Tubas
1
Tuba (partie séparée)
1
Cor Anglais
1
2 Tubas (duo)
1
Trombone, Cor (duo)
1
Ensemble de Trombones
1
Trompette, Harpe
1
Trombone basse
1
Cor et Harpe
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
41
Violon et Piano
26
Violoncelle, Piano
21
Alto, Piano
19
Violon
19
Violoncelle
12
Violon, Violoncelle (duo)
10
Quatuor à cordes : 4 altos
10
Violon, Alto (duo)
8
Quatuor à cordes: 4 violons
7
4 Violoncelles
7
2 Violons (duo)
7
Alto, Violoncelle (duo)
7
Trio à Cordes: violon, alto, violoncelle
6
2 Altos (duo)
6
Trio à Cordes: 3 violoncelles
6
Trio à cordes: 3 altos
6
Alto seul
6
Trio à cordes: 3 violins
5
Harpe
4
2 Violoncelles (duo)
4
Alto, Guitare (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Contre Basse
3
Alto (partie séparée)
3
Violon (partie séparée)
2
Violon, Guitare (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Contrebasse, Piano (duo)
1
Harpe, Violon (duo)
1
Violoncelle (partie séparée)
1
Harpe, Flûte (duo)
1
Violoncelle , Guitare (duo)
1
Alto et Harpe
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
224
Fanfare
124
Orchestre
27
Orchestre à Cordes
16
Jazz combo
7
Orchestre de chambre
6
Ensemble de cuivres
6
Batterie (partie séparée)
5
Ensemble Jazz
5
Ensemble de Percussions
3
Marimba
1
Percussion
1
Cloches
1
Xylophone (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
Batterie
1
Percussion (partie séparée)
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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SheetMusicPlus
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Vous avez sélectionné:
Who March
Chorale SATB
Partitions à imprimer
39 partitions trouvées
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26
We Are Marching on to Glory
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Chorale SATB
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Musique Sacrée
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Richard Nathan Shorten
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We Are Marching on to Glory
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Shorten Studio Utah
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.980852 Composed by Richard Nathan Shorten. Christian,Praise & Worship,Sacred. Octavo. 7 pages. Shorten Studio Utah #357059...
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Choral Choir (SATB) - SKU: A0.980852 Composed by Richard Nathan Shorten. Christian,Praise & Worship,Sacred. Octavo. 7 pages. Shorten Studio Utah #3570593. Published by Shorten Studio Utah (A0.980852). SATB with piano. 2 min. + 30 sec. Lyrics by John M. Chamberlain, 1844-1928, with some changes and additions by the composer as noted in the sheet music. A very rousing piece, like a march, spurring us on to walk toward heaven. Even though the lyrics have been toned down by the composer, this song mentions work required to reach heaven so it is not for Christians who believe in a living faith without works.
$1.99
Where Can I Find Jesus? - a sacred hymn, revised March 2024
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Where Can I Find Jesus? - a sa
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1394977 Composed by Kevin G. Pace (ASCAP), Kristi L. Kent. Christian,Praise & Worship,Religious,Sacred,Sp...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1394977 Composed by Kevin G. Pace (ASCAP), Kristi L. Kent. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #978464. Published by Kevin G. Pace (A0.1394977). A delightful, sacred hymn with music by Kevin G. Pace and text by Kristi Lords Kent.  Revised March 2024.Text:Where can I find Jesus? Humbly now I pray, Can He truly love me?  Even when I stray? I need someone to show me Where to go from here. How to shed this heartache and How to calm my fears. Chorus: The Light of the World, the true Prince of Peace, My Friend and my Emmanuel Who said, Come follow me.†I listen to His counsel, I fall to my knees, yes I feel my Savior's love, Reaching out to me.Jesus, I remember cov'nants made with Thee.Thou art my Redeemer, Thou wilt help me see. I need to be obedient. Thankful I would be. Loved by the Good Shepherd, My Rock and my King.
$1.99
樂觀主義進行曲; Optimistic Marching Song
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Chorale SATB
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FACILE
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Johnson K Gao
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樂觀主義é
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Johnson Gao
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - SKU: A0.1007037 Composed by Johnson K Gao. Contemporary,Holiday,Patriotic,Spiritual. Octavo. 7 pages. Johnson Gao #6063...
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Choral Choir (Mixed) - Level 2 - SKU: A0.1007037 Composed by Johnson K Gao. Contemporary,Holiday,Patriotic,Spiritual. Octavo. 7 pages. Johnson Gao #6063921. Published by Johnson Gao (A0.1007037). The novel coronavirus ravages the world. The united fighting by people of multi-countries have been achieving remarkable results. Only those who could withstand the cruel and ruthless natural selection, the health of the offspring of mankind can be raised up to the next higher level.æ–°å† ç—…æ¯’è‚†è™å…¨çƒã€‚å„國人民共åŒæŠ—擊已顯æˆå°±ã€‚唯有經得起那殘酷無情的自然é¸æ“‡,人類後代的å¥åº·æ‰èƒ½æ›´ä¸Šä¸€å±¤æ¨“。
$1.99
The Firemen's Marching Song. A Walk Around
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Chorale SATB
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The Firemen's Marching Song. A
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.11626 Firefighters, Pride, Jenny Lind, Rescues, Love, Spouses, Time, Singing. Lester S. Levy Collection...
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Piano and voice (solo and SATB chorus) - SKU: LV.11626 Firefighters, Pride, Jenny Lind, Rescues, Love, Spouses, Time, Singing. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11626). The Firemen's Marching Song. A Walk Around. by Quails. Published 1865 by Root & Cady, 67 Washington St. in Chicago. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Firefighters, Pride, Jenny Lind, Rescues, Love, Spouses, Time, Singing. First line reads When conflagration fierce and wild is raging here in town.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
The Longest Day
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Chorale SATB
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FACILE
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Paul Anka
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Sylvia Miles
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The Longest Day
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Sylvia Miles
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1135078 By Paul Anka. By Paul Anka. Arranged by Sylvia Miles. 20th Century,Film/TV,Historic,March,Multicultural,...
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Choral Choir (SATB) - Level 2 - SKU: A0.1135078 By Paul Anka. By Paul Anka. Arranged by Sylvia Miles. 20th Century,Film/TV,Historic,March,Multicultural,World. Octavo. 9 pages. Sylvia Miles #735119. Published by Sylvia Miles (A0.1135078). The Longest Day, from the film of the same name, commemorates the events of D-Day, 6th June 1944. The courage of those fighting men is legendary. I arranged this for my French choir. Based in Normandy, this has special poignance for local people, who owe their freedom to those warriors, and for whom these are their fields, their beaches. Annual commemoration events here in Normandy are extraordinarily moving, and happen in every town down to the smallest village, often attended by families of the men who fought on that day. (We sang it in French, of course - Le Jour le Plus Long - let me know if anyone wants this arrangement with the French words.) If you don't have enough singers to split the parts, sing the upper note.
$4.99
O God of Love, Give Peace Again — SATB voices, keyboard
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Chorale SATB
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FACILE
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Musique Sacrée
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Todd Marchand
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O God of Love, Give Peace Agai
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1451982 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1031298. Published ...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1451982 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1031298. Published by Con Spirito Music (A0.1451982). Written by Henry Williams Baker (1821-1877) and titled “The Lord Shall Give His People the Blessing of Peace,” the text of “O God of Love, Give Peace Again” was published in the 1861 edition of the landmark English hymnal, Hymns Ancient and Modern. Baker, who is perhaps best remembered for his hymn “The King of Love My Shepherd Is,” was chairman of the committee that prepared that hymnal. Because war is a constant in the world, Baker's text is always relevant. Stanza 1 is an entreaty that God would “make wars throughout the world to cease.” Stanza 2 asks that God recall his “works of old,” for only by God's hand can peace be given again. Stanza 3 extends this thought by asking “Whom shall we trust but thee, O Lord? Where rest but on thy faithful word?” and noting that “none ever called on Thee in vain.” A fourth verse, omitted in some hymnals, ends on the hopeful note that as saints and angels are bound “in holy love,” so we might also be bound to them and to one another in love and peace. In this original setting of Baker’s text, stanza 1 is sung by unison voices, stanza 2 by unison women, stanza 3 by unison men, and stanza 4 in parts following a recapitulation of the introduction and a modulation to the relative major key. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$2.00
Countless Stars; Endless Roads (Chinese lyrics)
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Chorale SATB
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INTERMÉDIAIRE
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Johnson K
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Countless Stars; Endless Roads
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Johnson Gao
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.1006999 Composed by Johnson K. Gao. Contemporary,Holiday,World. Octavo. 1 pages. Johnson Gao #3467614. Publishe...
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Choral Choir (Mixed) - Level 3 - SKU: A0.1006999 Composed by Johnson K. Gao. Contemporary,Holiday,World. Octavo. 1 pages. Johnson Gao #3467614. Published by Johnson Gao (A0.1006999). 說來奇怪。 有時當我清晨醒來,我的大腦會自動產生æŸç¨®æ—‹å¾‹ã€‚ 這是我在 2018 å¹´ 3 月 1 æ—¥ä¸Šåˆ 5 點 30 分錄製的一段經éŽæ練的五å¥æ—‹å¾‹ã€‚ 第二天更早 3 月 2 日凌晨 2 點,æˆ‘çµ¦éŸ³æ¨‚æ·»åŠ äº†ä¸€äº›ä¸æ–‡æŒè©ž,å½¢æˆäº† 一首完整的æŒæ›²,我想作為一張特殊的生日賀å¡çµ¦æˆ‘çš„é•·å阿爾文, 他的生日是 3 月 3 æ—¥, ä»–ç¾åœ¨çœŸå·§åœ¨æ„› 爾è˜å·¡å³¶æ—…éŠã€‚ 我希望這首æŒçš„æ„義能é©åˆä»–的處境。 It is strange. Sometimes when I wake up in the early morning, my brain will automatically produce certain kind of melody. This is a refined piece of five lines melody that I recorded on the March 1, 2018 at 5:30am. The next day even more early at 2:00 am on March 2, I added some Chinese lyrics to the music to form a complete song, which I would like to give as a special birthday card to my eldest son Alvin, whose birthday is March 3, and he is now just on a tour along the Ireland. I hope that the meaning of the song can fit to his situation. ç‰ˆæ¬Šæ‰€æœ‰ã€‚æœ¬æŒ æ›² å… è¨± éž åˆ© 潤 複 制 。但任何想è¦å°‡æ¤æŒæ›²ç”¨æ–¼ç›ˆåˆ©æˆ–商æ¥ç”¨é€”çš„äººå£«å¿…é ˆäº‹å…ˆèˆ‡æŒæ›²ä½œè€… è¯ç¹«ã€‚ jkxgao@gmail.com All rights reserved. Copying of the song is permitted for none profit purpose. Anyone who wants to use this song for profit or commercial purpose must contact the songwriter in advance at: jkxgao@gmail.com
$1.99
Even In The Quietest Moments
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Chorale SATB
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AVANCÉ
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Supertramp
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Kirstie Smith
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it just flowed out of me
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Even In The Quietest Moments
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Kirstie Smith
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1490292 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Kirstie Smith. 20th Cent...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1490292 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Kirstie Smith. 20th Century,Contest,Festival,Folk,Rock,Spiritual. 17 pages. Kirstie Smith #1067132. Published by Kirstie Smith (A0.1490292). A wholly unique choral arrangement of Supertramp's 'Even In the Quietest Moments', from the album of the same name.A beautiful song lovingly crafted for SATB divisi and piano, featuring advanced vocal techniques and improvisational elements with an uplifting Gospel style coda. Composer Roger Hodgson stated on his Facebook page [24 March 2020] Even in the Quietest Moments was written during a very powerful time of Spiritual searching and discovery for me. I used to spend time alone in nature, camping, and one night while playing my guitar and looking up at the stars, the song came to me; it just flowed out of me. It’s a love song to God but it could also be to a woman. I’ve left it ambiguous so that people can take it how they wish. Basically, it’s just about a guy who’s searching. I’m a seeker. I think I’ll always be a seeker. The change of wording from 'Come on, let the sun' to 'The morning sun' is deliberate, based on singing wrong words to the album track as a child!
$3.25
Pomp and Circumstance No.1 - SATB and Piano
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Chorale SATB
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FACILE
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Classique
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Edward Elgar
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César Madeira
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Pomp and Circumstance No.1 - S
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Sheet Music To Play Editions
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1179215 Composed by Edward Elgar. Arranged by César Madeira. Children,Film/TV,March,Multicultural,Romantic Pe...
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Choral Choir (SATB) - Level 2 - SKU: A0.1179215 Composed by Edward Elgar. Arranged by César Madeira. Children,Film/TV,March,Multicultural,Romantic Period,World. Octavo. 6 pages. Sheet Music To Play Editions #779188. Published by Sheet Music To Play Editions (A0.1179215). Pomp and Circumstance (Military March No.1 in D major). Arrangement for SATB and Piano. With Full Score. Enjoy it!Sir Edward William Elgar (1857 - 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$2.99
#WeToo
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Chorale SATB
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INTERMÉDIAIRE
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Publish...
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Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99
Have, Have Ye No Regard? — Good Friday anthem for baritone, SATB, organ
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Chorale SATB
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INTERMÉDIAIRE
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Todd Marchand
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Have, Have Ye No Regard? &mdas
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1381069 Composed by Todd Marchand. Christian,Easter,Lent,Sacred. 4 pages. Con Spirito Music #965787. Publ...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1381069 Composed by Todd Marchand. Christian,Easter,Lent,Sacred. 4 pages. Con Spirito Music #965787. Published by Con Spirito Music (A0.1381069). An allusion to Lamentations 1:12 (Is it nothing to you, all ye that pass by? Behold, and see if there be any sorrow like unto my sorrow....), Have, Have Ye No Regard is a setting for solo baritone, SATB voices, and organ of Robert Herrick's (1591-1674) poem, His Saviour's Words, Going to the Cross:Have, have ye no regard, all ye Who pass this way, to pity Me, Who am a man of misery? A man both bruis'd and broke, and one Who suffers not here for Mine own, But for My friends' transgression! Ah, Sion's daughters, do not fear The Cross, the Cords, the Nails, the Spear, The Myrrh, the Gall, the Vinegar, For Christ, your loving Saviour, hath Drunk up the wine of God's fierce wrath; Only there's left a little froth, Less for to taste than for to show What bitter cups had been your due, Had he not drank them up for you.©Copyright 2024 Todd Marchand / Con Spirito Music. All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
Moonlight Sonata by Beethoven for Choral and Piano
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Chorale SATB
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1150939 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,March,Romantic Period,We...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1150939 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,March,Romantic Period,Wedding. 23 pages. Woods Only, Arrangements #751125. Published by Woods Only, Arrangements (A0.1150939). This arrangement adapted for choir SATB and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$9.99
Lord Jesus, Think on Me — SATB voices, organ
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Chorale SATB
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INTERMÉDIAIRE
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Todd Marchand
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Lord Jesus, Think on Me &mdash
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1359972 Composed by Todd Marchand. Christian,Lent,Sacred. 4 pages. Con Spirito Music #944462. Published b...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1359972 Composed by Todd Marchand. Christian,Lent,Sacred. 4 pages. Con Spirito Music #944462. Published by Con Spirito Music (A0.1359972). “Lord Jesus, Think on Me†is a translation and free paraphrase of a 5th-century poem by Synesius of Cyrene (ca. 375-414), Bishop of Ptolemais in north Africa and contemporary of Augustine, Bishop of Hippo (354-430). Synesius was a public servant and statesman, a neo-Platonic philosopher and poet. In 410, he was popularly chosen as Bishop of Ptolemais, a position he reluctantly accepted, as his views on certain beliefs of the church, including the soul's creation, a literal resurrection, and the end of the world (eschatos) were unorthodox. In the last of 10 odes Synesius authored, he describes himself bowing humbly in the presence of Christ. In the 1930s, a literal prose translation of the ode was made by the Anglican cleric Harold Costley-White:Be mindful, Christ Son of Godwho rules on high, of thy servant,sinful of heart, who wrote these words.And grant to me release from passions breeding death,which are inborn in my unclean soul.But give me to behold, Saviour Jesus,thy divine brightness, wherein appearingI shall sing a song,to the healer of souls,to the healer of limbs,with the great Fatherand the Holy Spirit.Amen. The text of this setting for SATB voices and organ selects verses from a free paraphrase of that ode, crafted by the Anglican priest and scholar, Allen William Chatfield (1808-1896) and published in his Songs and Hymns of Earliest Greek Christian Poets (1876):Lord Jesus, think on me and purge away my sin; from earthborn passions set me free, and make me pure within. Lord Jesus, think on me, nor let me go astray; through dark-ness and perplexity point Thou the heav'nly way.Lord Jesus, think on me amid the battle's strife; in all my pain and misery be Thou my Health and Life.Lord Jesus, think on me with many a care oppressed; let me Thy loving servant be and taste Thy promised rest.Lord Jesus, think on me that I may sing above to Fa-ther, Spirit, and to Thee the strains of praise and love.The incipit of each verse, “Lord Jesus, think on [remember] me, recalls the words of the penitent thief to Jesus at their crucifixion, and the petitions for guidance, forgiveness, and succor make this a fitting anthem for the penitential season of Lent. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, holiday, and patriotic music for instruments and voices, visit www.conspiritomusic.com
$2.00
Softly the Night is Sleeping — SATB voices, organ, solo instrument
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Chorale SATB
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FACILE
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Todd Marchand
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Hartford, Connecticut
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Softly the Night is Sleeping &
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1318475 Composed by Todd Marchand. Christian,Christmas,Sacred. 10 pages. Con Spirito Music #907143. Publi...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1318475 Composed by Todd Marchand. Christian,Christmas,Sacred. 10 pages. Con Spirito Music #907143. Published by Con Spirito Music (A0.1318475). “Softly the Night is Sleeping†is a Nativity poem by the Rev. Edward Abiel Washburn (1819-1881), a noted American Episcopal clergyman who studied at both Harvard and Yale, and who served parishes in Newburyport, Massachusetts; Hartford, Connecticut; Philadelphia, Pennsylvania; and New York City. A noted preacher, he also translated Latin hymns as well as authoring a number of his own poems.In three verses, Washburn’s poem recalls the Bethlehem hillside where shepherds watched their flocks by night, the virgin mother Mary, the infant Jesus in the manger, the heavenly host singing “Gloria,†the bright star shining above, the arrival of the Magi, and more. Each unison verse, which may be assigned as written or at the director’s discretion, is followed by a chorus with full SATB voices singing “Glory to God! Peace on the earth, good will to men.†Includes parts for solo C instrument (oboe, flute, violin) or solo Bb clarinet.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
I Am The Way
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Kevin Longley
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I Am The Way
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Kevin Longley
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1019362 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 10 pages. Kevin Longley #6322993. ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1019362 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 10 pages. Kevin Longley #6322993. Published by Kevin Longley (A0.1019362). I Am The Way, Church Anthem for Tenor Solo, SATB and Piano composed in March 2017. Inspiration Each of us, throughout our lives, are faced with choices where the path forward is unclear. Where the decision maybe a crossroad for our lives. Who can guide us? Who should we turn to? Jesus said I Am The Way? The Music A rousing church anthem that begins with the Tenor Soloist searching for answers. Presented with a difficult choice he asks Jesus what should I do now?, who will be my guide?. The choir responds with I Am The Way, offering the response in a polyphonic round, so to speak. Once completed, the opening melody returns sung by the choir followed by a repeat of the chorus. A C section is then introduced, in a minor key, reminding us to follow the Light as Darkness can deceive. The Tenor soloist returns with the opening melody, now with minimal accompaniment, giving a retrospective feeling to the music. The anthem closes with a repeat of the chorus followed by the Tenor soloist giving the piece a finality.
$1.99
A Soldier's Carol (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Noël
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Musique Sacrée
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Ronald Perera
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A Soldier's Carol
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir unaccompanied - Medium - SKU: MQ.8320-E Composed by Ronald Perera. Advanced/Collegiate. Secular, Christmas, Christmas-Sacred. Octavo. 14 page...
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SATB choir unaccompanied - Medium - SKU: MQ.8320-E Composed by Ronald Perera. Advanced/Collegiate. Secular, Christmas, Christmas-Sacred. Octavo. 14 pages. Duration 4 minutes, 40 seconds. E. C. Schirmer Music Company - Digital #8320-E. Published by E. C. Schirmer Music Company - Digital (MQ.8320-E). This setting of the well known Christmas poem 'I Heard the Bells on Christmas Day' restores some of the language that is commonly left out of most hymnals. This setting restores some of the anguish associated with the Civil War and allows for a tension not often associated with this text. A powerful setting. The title of the original Longfellow poem is 'Christmas Bells.' Charles Appleton Longfellow was the eldest son of the famous poet Henry Wadsworth Longfellow and Fannie Elizabeth Appleton, who lived in Cambridge, Massachusetts. In March of 1863, with the Civil War then in its third year, nineteen year old Charley ran away to Washington to join the Union Army. He presented himself for enlistment to the commander of Battery A of the 1st Massachusetts Artillery, who knew the boy. The officer contacted Henry who reluctantly gave his permission for the boy to enlist. Charley proved himself such an exceptional soldier that he was soon offered a commission as a Second Lieutenant of Artillery. He first saw action at the Battle of Chancellorsville. In June he was briefly invalided home following a bout of typhoid fever and malaria, rejoining his unit in August. Then in November, during the Battle of New Hope Church, Charley was shot through the left shoulder, the bullet just grazing his spine. He narrowly avoided being paralyzed. Henry received word of Charley’s wounding on December 1, and he and a younger son went immediately to Washington, where Charley was in hospital, and brought him home to Cambridge. It was while nursing his son in his slow recovery that Henry Wadsworth Longfellow composed this poem during Christmas, 1863. -Ronald PereraDuration: 4:40.
$2.85
Three Evening Canticles — SATB voices, organ
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Chorale SATB
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INTERMÉDIAIRE
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Todd Marchand
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Three Evening Canticles &mdash
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1349231 Composed by Todd Marchand. Christian,Sacred,Traditional. 16 pages. Con Spirito Music #933976. Pub...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1349231 Composed by Todd Marchand. Christian,Sacred,Traditional. 16 pages. Con Spirito Music #933976. Published by Con Spirito Music (A0.1349231). Three Evening Canticles were written as part of a setting of choral evensong for Church of the Holy Apostles - Anglican, Fort Worth, Texas. Metrical, mostly homophonic, and conservative in technical challenges and ranges, these canticles are accessible for small choirs and those of moderate ability, yet musically satisfying for large and accomplished groups. Phos Hilaron (“O Gladsome Lightâ€) is one of the earliest known Christian hymns (ca. 3rd-4th century) recorded outside of the Bible. Intended to be sung at the kindling of lights in the evening, it is sometimes known as the “lamp-lighting hymn†and has been adopted by some Anglican bodies as an optional invitatory canticle immediately preceding the psalm(s) appointed for the day.Magnificat (The Song of Mary) is a scriptural canticle based on an account in the Gospel of Luke (1:46-55). Mary, the expectant mother of Jesus, visits her cousin  Elizabeth, the expectant mother of John the Baptist, who will prophetically proclaim the coming of the Messiah. Elizabeth praises Mary for her faith and subjection to God’s will, and Mary responds, “My soul doth magnify the Lord ... for he that is mighty hath magnified me ... and his mercy is on them that fear him throughout all generations.†The Magnificat is said or sung immediately after the first lesson (scripture reading) in the service of evening prayer. Nunc Dimittis (The Song of Simeon) is also a scriptural canticle taken from Luke (2:29-32).  Simeon, a devout Jew, had been promised by the Holy Spirit that he would not die until he had seen the Messiah. When Mary and Joseph bring the infant Jesus to the Temple in Jerusalem for the ceremony of redemption of the firstborn son, Simeon takes the child into his arms and says “Lord, now lettest thou thy servant depart in peace ... for mine eyes have seen thy salvation.†The Nunc Dimittis is said or sung after the second lesson in evening prayer.Texts for these settings are from The Book of Common Prayer (2019), Traditional Language Edition, according to the use of the Anglican Church in North America, and they are largely the texts of the 1662 Book of Common Prayer of the Church of England.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$3.00
Ride On! Ride On in Majesty! — SATB voices, organ
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Chorale SATB
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INTERMÉDIAIRE
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English ballad
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Todd Marchand
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Ride On! Ride On in Majesty! &
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1367409 Composed by English ballad. Arranged by Todd Marchand. Christian,Easter,Lent,Sacred. 5 pages. Con...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1367409 Composed by English ballad. Arranged by Todd Marchand. Christian,Easter,Lent,Sacred. 5 pages. Con Spirito Music #951781. Published by Con Spirito Music (A0.1367409). Perhaps the most often-sung processional hymn on Palm Sunday, “Ride On, Ride On in Majesty†was written in 1820 by Anglican cleric, poet, and scholar Henry Hart Milman (1791-1868) and first  published in Reginald Heber’s Hymns Written and Adapted to the Weekly Church Service of the Year (1827). The hymn references Jesus’ entry into Jerusalem prior to his Passion, as recorded in Matthew 21:1-11.Writing for the Hymnology Archive of The Hymn Society in the US and Canada, editor Chris Fenner notes in his analysis of the text that:“This hymn ... is much less a narrative or paraphrase of the triumphal entry (Matt. 21, Mk. 11, Lk. 19, Jn. 12) than it is a forward-looking hymn pointing from the palms to the cross to [Jesus’] ascended position on the throne. The triumphal entry itself is a fulfillment of Zechariah 9:9 (‘Behold, your king is coming to you . . . humble and mounted on a donkey’). The recurring opening line is possibly an allusion to Psalm 45:4 (‘in thy majesty ride prosperously’). “Some hymnological commentators connect this hymn with the idea of the great reversal in Philippians 2:5-12, where we find the Christ who humbled himself in a crucified death, later to be exalted, name above all names, to which every knee will bow. As Canadian hymn scholar Stanley Osborne observed, this hymn’s poetic strength is in its exploration of that duality:'Objective, robust, confident, and stirring, it possesses that peculiar combination of tragedy and victory which draws the singer into the very centre of the drama. It is this which gives the hymn its power and its challenge.'In this arrangement for SATB voices and organ, Milman’s text is set to the 15th-century English ballad, “Deo Gratias†(aka The Agincourt Carol), with the refrain Ride on in majesty!†following each verse.©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
God Rest Ye Merry, Gentlemen (Cornish folk tune) — SATB voices, clarinet, piano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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the 19th century, the carol wa
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Cornish folk tune
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Todd Marchand
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God Rest Ye Merry, Gentlemen
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1323225 Composed by Cornish folk tune. Arranged by Todd Marchand. Advent,Christmas,Folk,Holiday,Sacred. 1...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1323225 Composed by Cornish folk tune. Arranged by Todd Marchand. Advent,Christmas,Folk,Holiday,Sacred. 10 pages. Con Spirito Music #911489. Published by Con Spirito Music (A0.1323225). “God Rest Ye Merry, Gentlemen†is an English traditional carol dating, perhaps, to the 16th or 17th century. A manuscript, ca. 1650, contains a version with the first line, “Sit you merry gentlemen†and the refrain, “O tidings of comfort and joy.†The earliest known printed edition of the carol is a London broadsheet dated 1760, in which the first line is the familiar “God rest ye merry, gentlemen.†By the 19th century, the carol was well-known, with Charles Dickens referencing it in his 1843 novella, A Christmas Carol.The phrase “God rest you merry†in the first line is an archaic idiom meaning “God grant you peace and happiness.†William Shakespeare used the phrase “rest you merry†in his plays, “As You Like It†and “Romeo and Juliet,†both from the 1590s; but Dickens recorded the phrase as “God bless you, merry gentlemen†in A Christmas Carol.The tune adapted for use in this arrangement was at the time of its notation a wordless, nameless melody noted in 1905 by folk song collector E. Quintrell from the singing of a Mr. Boaden in Cornwall, England. The tune was sent to Lucy Broadwood, editor of the Journal of the Folk-Song Society, who decided that it fit the ballad, “The Maid in Bedlam,†and published the tune and text together. Gustav Holst later arranged the tune as Song without Words ‘I'll Love My Love’†in his Second Suite in F for Military Band, Op. 28, No. 2 (1911) and again as “I Love My Love†in his 6 Choral Folksongs, Op. 36 (1916). Set in F minor (Dorian), the tune brings a contemplative tone to the text, with the high point of the refrain being the subdominant Bb major chord on the word “joy.†The rich, dark timbre of solo clarinet (part included) on introduction, interludes, and ending adds to this tone. SATB voices (with some divisi on soprano and tenor), piano, Bb clarinet©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
That We May Give Ourselves — SATB voices, organ
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Todd Marchand
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That We May Give Ourselves &md
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1472849 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1050479. Published ...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1472849 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1050479. Published by Con Spirito Music (A0.1472849). “That We May Give Ourselves” is a short anthem based on a traditional collect — a prayer comprising an invocation, petition, and conclusion — that appears in various Anglican prayer books. The invocation, “Eternal God and Father, by whose power we are created and by whose love we are redeemed” acknowledges the eternity, creative power, and redeeming love of God. The petition, “Guide and strengthen us by your Spirit, that we may give ourselves to your service, and live this day in love to one another, and live this day in love to you” asks for the aid of the Holy Spirit in service to God and recalls Jesus's words in the Gospel of Matthew, 22:37-39: “And [Jesus] said to him, ‘You shall love the Lord your God with all your heart and with all your soul and with all your mind. This is the great and first commandment. And a second is like it: You shall love your neighbor as yourself.’”The conclusion, “through Jesus Christ our Lord,” reflects the mediating role of Jesus Christ the Son, as expressed in I Timothy 2:5 (“For there is one God, and there is one mediator between God and men, the man Christ Jesus”) and Ephesians 2:18 (“For through him we both have access in one Spirit to the Father”).Appropriate at any time of year, this short anthem of dedication is an ideal offertory selection. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.00
Serving for Thee (The United States Marine Corps Hymn)
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Chorale SATB
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DÉBUTANT
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the 1970s, the Marines were se
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James F
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Serving for Thee
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Military Bible Association
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1465866 Composed by James F. Linzey and Lowell Mason. 21st Century,Chamber,Patriotic,Religious,Sacre...
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Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1465866 Composed by James F. Linzey and Lowell Mason. 21st Century,Chamber,Patriotic,Religious,Sacred. 4 pages. Military Bible Association #1044463. Published by Military Bible Association (A0.1465866). The History of the United States Marine Corps and the Marine Corps HymnOn November 10, 1775, the Second Continental Congress passed a resolution to establish the Continental Marines. is marked the formation of the United States Marine Corps. The Marine Corps was provided two battalions with a fleet. But the Treaty of Paris in April 1783 ended the Marine Corps along with the Revolutionary War. It was later permanently re-established on July 11, 1798. Since then the United States Marine Corps has been involved in the War of 1812, defending Washington in Bladensburg, Maryland, fighting for Andrew Jackson against the British in New Orleans, and fighting in the Mexican War (1846-1848) in which US Marines fought all the way to the Halls of Montezuma, Mexico City. The Marines served in the Civil War (1861-1865), the Spanish-American War (1898), the Philippine Insurrection (1899-1902), the Boxer Rebellion in China (1900), and World War I. The Marines were later involved in World War II, the Korean conflict beginning in 1950, and the Vietnam conflict, beginning in 1965. By the 1970s, the Marines were securing NATO, and later were involved in Operation Desert Shield and Operation Desert Storm (1990s), Somalia (1992), Operation Enduring Freedom (2001), the Global War on Terrorism and Operation Iraqi Freedom (2002), and in various conflicts since then. Since the inception of the Marine Corps in 1775,about 70,000 Marines have been killed in action. James Linzey served as a chaplain for the Marines in training at Fort Lee, Virginia, and as a contract chaplain at the Airman-Marine Memorial Chapel at MCAS Miramar from 2016-2019. While at Miramar, he gave leadership seminars to the Marines on the Battle of Midway. He is one of ten children of World War II hero, the late Navy Captain Stanford E. Linzey, Jr., CHC, USN (Ret.), who survived the sinking of the USS Yorktown (CV-5) in the Battle of Midway as a sailor, and later served with the Marines in Okinawa as a chaplain. Since the Marine Corps is part of the Department of the Navy, it has used the Navy hymn in chapel services. What is called “The Marine’s Hymn” cannot be sung in chapel services, because it is not a song of praise. As a fighting march, its author called it a hymn in name only. So, in commemoration of the United States Marine Corps, hymn writer James F. Linzey wrote the United States Marine Corps Hymn, “Serving for Thee.” He set it to the tune of Bethany, which was written by Lowell Mason in 1841. James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
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Die Krähe from “Winterreise” op 89. Arr. for SATB and Piano and Winds ad.lib Vocal Score
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Franz Schubert
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Edward Berden
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Die Krähe from “Win
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Edward Berden
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1365987 Composed by Franz Schubert. Arranged by Edward Berden. Classical,Romantic Period. 9 pages. Edward...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1365987 Composed by Franz Schubert. Arranged by Edward Berden. Classical,Romantic Period. 9 pages. Edward Berden #950330. Published by Edward Berden (A0.1365987). Schubert wrote Winterreise in 1827, about a year before his death.The texts are poems by Wilhelm Müller who died in the year that Schubert wrote Winterreise.Schubert found the first twelve poems under the title Wanderlieder von Wilhelm Müller. Die Winterreise in 12 Liedern in an almanack (Urania. Taschenbuch auf das Jahr 1823) published in Leipzig in 1823. It was after he set these, in February 1827, that he discovered the full series of poems in Müller's book of 1824, Poems from the posthumous papers of a travelling horn-player, dedicated to the composer Carl Maria von Weber, as a pledge of his friendship and admiration. Weber died in 1826. On 4 March 1827, Schubert invited a group of friends to his lodgings intending to sing the first group of songs, but he was out when they arrived, and the event was postponed until later in the year, when the full performance was given.This arrangement is made for SATB and can be sung with the original accompaniment by Schubert but there is also a set of parts for Wind-instruments. (English Horn, 2 Clarinets in Bb, Bassoon, French HornI hope you enjoy it.Edward Berden.
$2.20
Schubert, Gute Nacht from Winterreise. Arranged for SATB and Piano with Wind-Instruments ad lib. Voc
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Franz Schubert
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Edward Berden
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Schubert, Gute Nacht from Wint
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Edward Berden
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1016697 Composed by Franz Schubert. Arranged by Edward Berden. Romantic Period. Octavo. 16 pages. Edward Berden ...
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Choral Choir (SATB) - Level 4 - SKU: A0.1016697 Composed by Franz Schubert. Arranged by Edward Berden. Romantic Period. Octavo. 16 pages. Edward Berden #5771085. Published by Edward Berden (A0.1016697). Schubert wrote Winterreise in 1827, about a year before his death. The text are poems by Wilhelm Müller who died in the year that Schubert wrote Winterreise. Schubert found the first twelve poems under the title Wanderlieder von Wilhelm Müller. Die Winterreise. In 12 Liedern in an almanack (Urania. Taschenbuch auf das Jahr 1823) published in Leipzig in 1823. It was after he set these, in February 1827, that he discovered the full series of poems in Müller's book of 1824, Poems from the posthumous papers of a travelling horn-player, dedicated to the composer Carl Maria von Weber, as a pledge of his friendship and admiration. Weber died in 1826. On 4 March 1827, Schubert invited a group of friends to his lodgings intending to sing the first group of songs, but he was out when they arrived, and the event was postponed until later in the year, when the full performance was given. This arrangement is made for SATB and can be sung with the original accompaniment by Schubert but there is also a set of parts for Wind-instruments. (English Horn, 2 Clarinets in Bb, Bassoon, French Horn I hope you enjoy it. Edward Berden
$2.20
The Star-Spangled Banner
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Chorale SATB
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INTERMÉDIAIRE
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utilizing this tune to the mov
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John Stafford Smith
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Thomas Coker
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The Star-Spangled Banner
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Thomas Rembert Coker Jr
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.933611 Composed by John Stafford Smith. Arranged by Thomas Coker. Folk,Patriotic. Octavo. 4 pages. Thomas Rember...
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Choral Choir (SATB) - Level 3 - SKU: A0.933611 Composed by John Stafford Smith. Arranged by Thomas Coker. Folk,Patriotic. Octavo. 4 pages. Thomas Rembert Coker Jr #3503513. Published by Thomas Rembert Coker Jr (A0.933611). In 2009 when Sanctuary Choir of South Main Baptist Church in Houston where I served as Music Minister was scheduled to sing the National Anthem for the Houston Astros baseball game, I carefully examined the several arrangements in our library and other resources. Finding nothing which met the simple, straight-forward criteria I was searching for, we created this simple arrangement. Since its addition to the music library it has proven very useful on numerous occasions for a variety of groups. About the National Anthem:The lyrics for The Star-Spangled Banner were written on September 14, 1814 from a British ship in the Baltimore Harbor where attorney Francis Scott Key had waited anxiously through the night as the twenty-five hour bombing of Ft. McHenry progressed. He had been sent to negotiate the release of an American civilian and then was held on board the ship. At the dawn’s early light when the flag could still be seen indicating the British had not taken the fort, he jotted down this poem which on March 3, 1931 finally became the National Anthem of the United States. Interestingly, it was Robert Ripley who in November of 1929 drew a panel in his syndicated cartoon, Ripley’s Believe It or Not stating Believe It or Not, America has no national anthem. With the encouragement of John Philip Sousa, President Herbert Hoover signed into law the adoption of The Star-Spangled Banner to rectify this situation. According to the Smithsonian, the melody, written by John Stafford Smith, was originally titled Anacreon in Heaven. Anacreon was an ancient Greek poet known for his love of wine and love. The song had become the constitutional song of a London gentlemen’s club called the Anacreontic Society. Could this explain the wide range of the melody? By utilizing this tune to the moving text, this once merry drinking song took on a bold new and powerful meaning. Thomas Coker, August 27, 2015
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