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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Who We Are
Non classifié
466
Piano & claviers
Piano, Voix
443
Piano seul
280
Piano, Voix et Guitare
154
Piano Facile
83
Accompagnement Piano
49
Instruments en Do
23
Orgue
17
1 Piano, 4 mains
12
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano grosses notes
1
Orgue, Trompette (duo)
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
37
Guitare
30
Basse electrique
7
2 Guitares (duo)
3
Ligne De Mélodie, (Paroles) et Accords
3
Guitare (partie séparée)
2
Ukulele
2
Piano, Guitare (duo)
1
3 Guitares (trio)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
279
Chorale 3 parties
57
Chorale 2 parties
21
Voix Tenor, Piano
20
Chorale TTBB
17
Chorale Unison
14
Chorale SSAA
12
Voix Alto, Piano
11
Voix Soprano, Piano
10
Voix Tenor
6
Voix duo, Piano
4
Voix haute
4
Chorale SSATTB
2
Voix Mezzo-Soprano, Piano
1
Voix Soprano
1
Chorale
1
Voix Baryton, Piano
1
Voix basse, Piano
1
Voix duo
1
Voix seule
1
+ 15 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
41
Quatuor de Saxophones: 4 saxophones
35
Flûte traversière
26
Flûte, Hautbois, Clarinette, Basson
26
Saxophone Alto
24
Flûte traversière et Piano
23
Saxophone (partie séparée)
23
Hautbois (partie séparée)
22
2 Saxophones (duo)
21
Clarinette
20
Saxophone Alto et Piano
19
Hautbois, Piano (duo)
19
Clarinette et Piano
18
Saxophone Tenor et Piano
17
Quintette de Saxophone: 5 saxophones
16
Saxophone Baryton, Piano
14
Saxophone Soprano et Piano
14
Quatuor de Clarinettes: 4 clarinettes
14
Saxophone, Clarinette (duo)
12
Saxophone Tenor
12
2 Flûtes traversières (duo)
12
2 Hautbois (duo)
8
Clarinette, Violon (duo)
8
2 Clarinettes (duo)
7
Quatuor de Flûtes : 4 flûtes
7
Flûte et Guitare
5
Ensemble de Clarinettes
5
Cor anglais, Piano
5
Hautbois
4
Hautbois, Clarinette (duo)
4
Saxophone Baryton
4
Saxophone Soprano
4
Hautbois, Basson (duo)
4
Flûte à Bec
4
Flûte, Violon
4
Flûte, Clarinette (duo)
4
Clarinette, Guitare (duo)
4
Hautbois, Flûte
4
Clarinette et Alto
4
Quatuor de Flûtes à bec
4
Ensemble de Flûtes
3
Clarinette (partie séparée)
3
Flûte, Trompette (duo)
3
Flûte à bec Soprano, Piano
3
Flûte, Violoncelle
3
Clarinette, Trompette (duo)
3
Flûte, Alto (duo)
3
Clarinette Basse, Piano
3
Quintette de Flûte : 5 flûtes
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Saxophone (duo)
2
3 Clarinettes (trio)
2
Hautbois, Guitare (duo)
1
Flûte, Hautbois, Basson
1
Clarinette, Harpe (duo)
1
Trio de Flûtes: 3 flûtes
1
Clarinette Basse
1
Ensemble de saxophones
1
Flûte, Clarinette, Piano (trio)
1
Cor Anglais
1
5 Flûtes à bec
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Alto, Piano
1
Flute, harpe et violon
1
Cor anglais et Harpe (duo)
1
Saxophone et Orgue
1
Flute (partie séparée)
1
Clarinette, Trombone (duo)
1
Flûte à bec Soprano
1
Flûte à bec Tenor
1
+ 66 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Trombone
21
Tuba
20
Trompette
19
Cor
18
Trompette, Piano
17
Cor et Piano
14
Tuba et Piano
13
Trombone et Piano
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
2 Trompettes (duo)
9
Trombone (partie séparée)
9
Trompette, Saxophone (duo)
8
Trompette (partie séparée)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Cor anglais, Piano
5
Quatuor de Cuivres
5
Trompette, Trombone (duo)
4
Trio de Cuivres
4
Ensemble de Trompettes
3
Cor (partie séparée)
3
Euphonium, Piano (duo)
3
2 Trombones (duo)
3
Quatuor de cuivres: 4 trombones
2
2 Euphoniums et 2 Tubas
2
Tuba (partie séparée)
2
4 Tubas
1
2 Tubas (duo)
1
Euphonium
1
Cor Anglais
1
Ensemble de Cors
1
2 Cors Anglais Et Pianoforte
1
Cor anglais et Harpe (duo)
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
81
Violon
37
Violon et Piano
37
Violoncelle
32
Violoncelle, Piano
27
Alto seul
27
Alto, Piano
25
Quintette à cordes: 2 violons, alto, violoncelle, basse
19
Violon, Violoncelle (duo)
18
2 Violons (duo)
16
2 Violoncelles (duo)
14
Harpe
13
Contre Basse
12
Contrebasse, Piano (duo)
12
2 Altos (duo)
11
Alto (partie séparée)
9
Violon, Alto (duo)
7
Trio à Cordes: violon, alto, violoncelle
6
4 Violoncelles
6
Harpe, Voix
6
Violon (partie séparée)
4
Quatuor à cordes: 4 violons
4
Alto, Violoncelle (duo)
4
Contrebasse (partie séparée)
3
Trio à Cordes: 3 violoncelles
3
Piano Trio: Violon, Alto, Piano
3
Trio à cordes: 3 violins
3
Quatuor à cordes : 4 altos
3
Violoncelle , Guitare (duo)
3
2 Harpes (duo)
2
Trio à cordes: 3 altos
2
Harpe, Flûte (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à Cordes: 2 violons, alto
1
4 Contrebasses
1
Violon, Guitare (duo)
1
Alto et Harpe
1
Violon, Clarinette, Piano (trio)
1
2 Violoncelles, Piano
1
Harpe, Violon (duo)
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
106
Orchestre
47
Orchestre à Cordes
23
Ensemble de cuivres
21
Cloches
18
Orchestre de chambre
12
Ensemble Jazz
11
Jazz combo
8
Ensemble de Percussions
5
Batterie
4
Marimba
3
Fanfare
3
Percussion (partie séparée)
2
Orchestre, Violon
1
Piano et Orchestre
1
2 Marimbas
1
Xylophone, Piano
1
Batterie (partie séparée)
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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SheetMusicPlus
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Vous avez sélectionné:
Who We Are
Chorale SATB
Partitions à imprimer
279 partitions trouvées
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FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
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Chorale SATB
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FACILE
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Pub...
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Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99
Though We Are Many (Official Hymn for the International Eucharistic Congress 2012 )
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Chorale SATB
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DÉBUTANT
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Musique Sacrée
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Bernard Sexton
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Though We Are Many
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Trinity Music Press
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1449758 Composed by Bernard Sexton. Celtic,Christian,Irish,Praise & Worship. 7 pages. Trinity Music ...
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Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1449758 Composed by Bernard Sexton. Celtic,Christian,Irish,Praise & Worship. 7 pages. Trinity Music Press #1029517. Published by Trinity Music Press (A0.1449758). Official hymn commissioned for the International Eucharistic Congress 2012 and sung during the opening Mass for the Papal visit to Thailand in 2019 . Suitable for general use or as a communion song.Full score for assembly/ choir (SATB)/ keyboard and C woodwind with simplified guitar chords.Though We Are Many(Bernard Sexton)Though we are many, we are one body,We who come to share this living bread;Cup of salvation, shared among all nations,Nourishing us now and evermore.We gather in this placeRound the table of the Lord.Christ’s presence is revealedIn our communion and his Living Word.Now our communion recallsChrist’s death and resurrection.This living sacrificeIs our salvation now and evermore.And through this shared EucharistWe are the living Church.We witness to Christ’s loveHis living body active in our world.This bread unites the baptisedWho are called to this great feast.The feast, a sign of God's love,A great communion with the saints above.And when we leave here todayWith hearts renewed in joy,So nourished, we will embraceThe challenge now to live the Christian call.As Patrick prophet of oldTrod the path we tread today,So we proclaim the Good NewsAnd share the living message with joy.
$1.99
All Are After Money So 'Tis Money After All
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Chorale SATB
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J
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All Are After Money So 'Tis Mo
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.11027 Composed by J. Calvin Bushey. Occupations, Physicians, Lawyers, Wealth, Politicians, Avarice. Les...
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Piano and voice (solo and SATB chorus) - SKU: LV.11027 Composed by J. Calvin Bushey. Occupations, Physicians, Lawyers, Wealth, Politicians, Avarice. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11027). All Are After Money So 'Tis Money After All. Words by J.L. Orr. Music by J. Calvin Bushey. Published 1878 by Willis Woodward & Co., 842 & 844 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Occupations, Physicians, Lawyers, Wealth, Politicians, Avarice. First line reads There are men of all professions whom we meet with ev'ry day.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
The House We Build
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Lukas C Jaeger
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The House We Build
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Lukas C Jaeger
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1292341 By Lukas C Jaeger. By Lukas C Jaeger. 21st Century,Contemporary,New Age. 22 pages. Lukas C Jaeger...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1292341 By Lukas C Jaeger. By Lukas C Jaeger. 21st Century,Contemporary,New Age. 22 pages. Lukas C Jaeger #882681. Published by Lukas C Jaeger (A0.1292341). As a creator, something I value above all else is the ability to do so with others. There’s a beauty found where minds meet that no one person can achieve alone.   So, in search of that beauty, before I even started to work on this piece, I met with the students of Waukesha North High School at the end of their 2023 school year. And we talked. We talked about how life was going. The good and bad. The ups and downs. Things lost. Things found… They shared some laughs and even some tears… The conversations we had were unexpectedly poignant and stuck with me throughout the writing process.   School is a time of great change in our lives and often we are so focused on “getting through†that we don’t really stop to appreciate it until later. This piece celebrates that part of the process. The way we build onto ourselves- acknowledging and accepting that our experiences we have during this time, both good and bad, are crucial to our identity and our ability to move forward in life. They are the cornerstones of who we are and who we become… Inspired by these experiences we shared, I wrote this text. It’s about building a house. The “house†being our self.
$3.00
Who Hath Believed Our Report? - a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Who Hath Believed Our Report?
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1143171 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1143171 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #743532. Published by Kevin G. Pace (A0.1143171). A sacred hymn based on Isaiah Chapter 53. Music by Kevin G. Pace. Text by Mark R. Fotheringham. Text: Who hath believ-ed our report? He hath no beauty to desire. A man of sorrows, known to grieve, He was rejected by His own. Surely he bore our griefs and sorrows, Though seemed He smitten of God. Â But He was wounded, sorely used, For our iniquities was bruised. To bring us peace, chastised was He, And with His stripes, all healed are we. All we like sheep have gone astray, All men are turned to their own way. Â He was oppressed, afflicted sore. Yet all these things He meekly bore. Just as a lamb, He silent stayed As justice failed, no balance weighed. Who shall declare His generation? For all our sins was He slain. Â He was a man of truth and peace, Offering all, our souls to ease. And in return, His seed He'll see Turning to God with constancy. Justice and mercy now abide, His blessings with saints He'll divide.
$1.99
We Are Golden
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Mika
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Clare Wyatt
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We Are Golden
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Clare Wyatt
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.914000 By Mika. By Mika. Arranged by Clare Wyatt. A Cappella,Dance,Pop. Octavo. 15 pages. Clare Wyatt #4812691. ...
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Choral Choir (SATB) - Level 4 - SKU: A0.914000 By Mika. By Mika. Arranged by Clare Wyatt. A Cappella,Dance,Pop. Octavo. 15 pages. Clare Wyatt #4812691. Published by Clare Wyatt (A0.914000). We Are Golden is the opening song from Mika's 2009 album, The Boy Who Knew Too Much. This catchy and upbeat collegiate-style a cappella arrangement is suitable for intermediate to advanced groups. The score challenges range but includes optional easier adjustments. Vocal percussion should be used in performance where possible!
$4.00
We Stand on Their Shoulders
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Chorale SATB
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INTERMÉDIAIRE
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Kyle Pederson
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We Stand on Their Shoulders
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir, treble trio, and piano - Medium - SKU: MQ.1.3624-E Composed by Kyle Pederson. 17 pages. Galaxy Music Corporation - Digital #1.3624-E. Publis...
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SATB choir, treble trio, and piano - Medium - SKU: MQ.1.3624-E Composed by Kyle Pederson. 17 pages. Galaxy Music Corporation - Digital #1.3624-E. Published by Galaxy Music Corporation - Digital (MQ.1.3624-E). English.This powerful new Charles Anthony Silvestri text honors the work and sacrifice of those who have fought for social justice. It speaks to the pain and promise of the Civil Rights movement, and more broadly to all people who are struggling with oppression and whose voices have not always been heard or honored. This gospel/pop fusion piece is offered as an anthem of hope and empowerment, reminding both singers and audience that others do not have the right to define us, to take away our power, or to make us hide. As we stand on the shoulders of those who have gone before us we are invited to look around, celebrate the beautiful diversity we see, take pride in who we are, and work for justice.
$3.15
Do You Hear How Many You Are?
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1027467 Composed by Keane Southard. Contemporary. Octavo. 8 pages. Spindrift Pages #546435. Published by Spindri...
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Choral Choir (SATB) - Level 4 - SKU: A0.1027467 Composed by Keane Southard. Contemporary. Octavo. 8 pages. Spindrift Pages #546435. Published by Spindrift Pages (A0.1027467). Do You Hear How Many You Are? for SATB choir was written in April and May of 2010. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes -Winner, 2010 Ars Nova Singers Colorado Composers Competition (Professional Division) -1st Prize, Warren County Summer Music School's Promising Young Composers Competition, 2014 Premiered June 3, 2011 in Boulder, CO by the Ars Nova Singers, Thomas Morgan-conductor PROJECT : ENCOREâ„¢ has found this work to be of exceptional merit. Its panel of internationally known conductors has selected this work for inclusion in its catalog of recommended choral music. Website: keanesouthard.instantencore.com.
$2.25
In Whom All Things (Downloadable) from Two Pickthall Songs
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Chorale SATB
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INTERMÉDIAIRE
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Matthew Emery
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Love, in whom all things nest
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In Whom All Things
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir unaccompanied - Medium - SKU: MQ.1.3534-E Composed by Matthew Emery. Instrument part. 6 pages. Duration 2 minutes, 30 seconds. Galaxy Music C...
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SATB choir unaccompanied - Medium - SKU: MQ.1.3534-E Composed by Matthew Emery. Instrument part. 6 pages. Duration 2 minutes, 30 seconds. Galaxy Music Corporation - Digital #1.3534-E. Published by Galaxy Music Corporation - Digital (MQ.1.3534-E). English.The second piece of Two Pickthall Songs' suggests that whatever is in our hearts may remain there so that we are never truly parted. The music has three main sections which correspond to the three main images of the poem: Love, in whom all things are; Love, in whom all things nest; and Love, in whom all things hide. The main melodic idea is sustained while the harmonies meander. This is to represent the notion that events in life can be unexpected; things change, and we must forge a new path. The opening line of the text, Love, in whom all things are, is repeated to act as a cleansing phrase to end the piece, and to return us to the idea that we can find love and compassion in everything. All we have to do is to look. Duration: 2:30.
$2.05
Who We Love
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Sam Smith
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Jacob Klingsten
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Who We Love
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Jacob Klingsten
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1349490 By Sam Smith. By Ed Sheeran, Fred Gibson, James Napier, Johnny McDaid, Samuel Frederick Sm...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1349490 By Sam Smith. By Ed Sheeran, Fred Gibson, James Napier, Johnny McDaid, Samuel Frederick Smith, and Steve Mac. Arranged by Jacob Klingsten. 21st Century,A Cappella,Contemporary,Singer/Songwriter. 16 pages. Jacob Klingsten #934182. Published by Jacob Klingsten (A0.1349490). Who We Love by Sam Smith is a moving ballad that has beautiful harmonic integrity. This arrangement is for average- to larger-sized SATB a cappella groups, and sits at a intermediate-advanced difficulty for high school/collegiate groups. This arrangement is similarly for the a cappella group looking to explore cluster chords while fulfilling a slow, but moving ballad slot for your song set. While there isn’t a vocal percussionist part in the score, there is a slight amount of body percussion involved in the second verse, which can be replaced by a vocal percussionist if desired.This arrangement features incredible harmonies, including many cluster chords that sound full and rich; these cluster chords are often met with two- and occasionally three-part splits within each voice part, which makes it crucial for each part to be solid. If your group does not have enough members to satisfy the three-part splits, one of the notes can be omitted for a similar sounding product. Additionally, there are two solo opportunities featured, each with the exact same range. If only one solo is desired, the soloist can simply follow the melody. Finally, this arrangement also has a unique ending -- instead of ending on the four (IV) chord, like in the original recording, the final progression resolves to the tonic with a tear-jerking minor four (iv) to one (I). Additional Details: Key: B major 16 Pages Length: 2m 50s Ranges: Solos 1/2: F#3-G#5 Soprano: C#4-D#5 Alto: A#3-F#4 Tenor: F#3-C#4 Bass: F#2-F#3 (optional notes between B1 and E#2) If you would like the score changed to fit your ensemble's needs, the practice tracks to this piece once purchased, or if you are looking to have a new arrangement commissioned for your ensemble, please let Jacob Klingsten, the arranger, know at jacobkarranging@gmail.com. He will change the score to your needs (within reason) and provide practice tracks at no additional charge to your purchase, and he typically charges $50-75 per commissioned arrangement. Jacob would love to work with you and your ensemble!
$2.49
I Remember the Hour When Sadly We Parted. Song and Chorus
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Chorale SATB
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B
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I Remember the Hour When Sadly
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.3918 Composed by B. Frank Walters. Courtship, Love, Soldiers, War, Farewells, Patriotism, Homecomings. ...
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Piano and voice (solo and SATB chorus) - SKU: LV.3918 Composed by B. Frank Walters. Courtship, Love, Soldiers, War, Farewells, Patriotism, Homecomings. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3918). I Remember the Hour When Sadly We Parted. Answer to Weeping, Sad, and Lonely. Song and Chorus. Words by Ednor Rossiter. Music Composed by B. Frank Walters. Published 1863 by Lee & Walker, No. 722 Chestnut Street in Philadelphia. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Courtship, Love, Soldiers, War, Farewells, Patriotism, Homecomings. First line reads I remember the hour when sadly we parted.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
We Parted by the River Side. Song & Chorus
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Chorale SATB
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Will S
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Will S
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We Parted by the River Side. S
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.3902 Composed by Will S. Hays. Couples, Waterfronts, Courtship, Love, Farewells, Sadness. Lester S. Lev...
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Piano and voice (solo and SATB chorus) - SKU: LV.3902 Composed by Will S. Hays. Couples, Waterfronts, Courtship, Love, Farewells, Sadness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3902). We Parted by the River Side. Song & Chorus. By Will S. Hays. Published 1866 by Oliver Ditson Company, 449 & 451 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Couples, Waterfronts, Courtship, Love, Farewells, Sadness. First line reads We parted by the river side, the moon looked down on you and me.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
We Parted By the River Side
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Chorale SATB
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the River Side
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Will S
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We Parted By the River Side
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.305 Composed by Will S. Hayes. Clothing & dress, Moonlight, Mountains, Bodies of water, Fences, Couples...
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Piano and voice (solo and SATB chorus) - SKU: LV.305 Composed by Will S. Hayes. Clothing & dress, Moonlight, Mountains, Bodies of water, Fences, Couples, Farewells, Courtship, Love, Sadness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.305). We Parted By the River Side. Written & Composed by Will S. Hayes. Published 1867 by J.L. Peters & Bro. in St. Louis. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Clothing & dress, Moonlight, Mountains, Bodies of water, Fences, Couples, Farewells, Courtship, Love, Sadness. First line reads We parted by the riverside, the moon look'd down on you and me.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
We Parted By the River Side
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Chorale SATB
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the River Side
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Will S
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We Parted By the River Side
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.3900 Composed by Will S. Hayes. Waterfronts, Moonlight, Fences, Couples, Farewells, Courtship, Love, Sa...
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Piano and voice (solo and SATB chorus) - SKU: LV.3900 Composed by Will S. Hayes. Waterfronts, Moonlight, Fences, Couples, Farewells, Courtship, Love, Sadness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3900). We Parted By the River Side. Written & Composed by Will S. Hayes. Published 1866 by J.L. Peters, 200 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Waterfronts, Moonlight, Fences, Couples, Farewells, Courtship, Love, Sadness. First line reads We parted by the riverside, the moon looked down on you and me.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
We Have Parted
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Chorale SATB
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Lam
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We Have Parted
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.4632 Composed by Lam. French. Portraits, Farewells, Unrequited love, Grief. Lester S. Levy Collection. ...
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Piano and voice (solo and SATB chorus) - SKU: LV.4632 Composed by Lam. French. Portraits, Farewells, Unrequited love, Grief. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4632). Latest Popular Music. No. 3. We Have Parted. Words by J.M. Van Patten. Music Composed by Lam. French. Published 1870 by De Witt's Temple of Music in Springfield, Ills. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Portraits, Farewells, Unrequited love, Grief. First line reads We have parted and forever, I have bidden thee adieu.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
We Parted By the River Side
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Chorale SATB
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the River Side
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Will S
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We Parted By the River Side
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.306 Composed by Will S. Hayes. Clothing & dress, Moonlight, Mountains, Bodies of water, Fences, Couples...
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Piano and voice (solo and SATB chorus) - SKU: LV.306 Composed by Will S. Hayes. Clothing & dress, Moonlight, Mountains, Bodies of water, Fences, Couples, Farewells, Courtship, Love, Sadness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.306). We Parted By the River Side. Written & Composed by Will S. Hayes. Published 1866 by A.C. Peters & Bro. in Cincinnati. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Clothing & dress, Moonlight, Mountains, Bodies of water, Fences, Couples, Farewells, Courtship, Love, Sadness. First line reads We parted by the riverside, the moon look'd down on you and me.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
To Greece We Give Our Shining Blades, From Moore's Evenings in Greece
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Chorale SATB
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Henry Bishop
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To Greece We Give Our Shining
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (SATB chorus) - SKU: LV.2053 Composed by Henry Bishop. Farewells, Sailors, War, Prayer, Patriotism, Love. Lester S. Levy Collection. 3 p...
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Piano and voice (SATB chorus) - SKU: LV.2053 Composed by Henry Bishop. Farewells, Sailors, War, Prayer, Patriotism, Love. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2053). To Greece We Give Our Shining Blades, From Moore's Evenings in Greece. Composed by Henry R. Bishop. Published [n.d.] by A. Fiot, No. 196 Chesnut St. in Philadelphia. Composition of strophic with chorus with piano and voice (satb chorus) instrumentation. Subject headings for this piece include Farewells, Sailors, War, Prayer, Patriotism, Love. First line reads The sky is bright, the breeze is fair, and the main sail is flowing full and free.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
We Have A Friend
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Kevin Longley
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We Have A Friend
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Kevin Longley
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1019363 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 15 pages. Kevin Longley #6322995. ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1019363 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 15 pages. Kevin Longley #6322995. Published by Kevin Longley (A0.1019363). We Have A Friend, Church Anthem for Soloists, SATB and Piano composed in 2017. Inspiration Each year Fall and Winter bring an end to the growing season ushering in a dormant period within the seasonal cycle. Spring and Summer follow with new life and a time when we can again enjoy nature at its fullest. Our own lives mirror similar cycles; sometimes we are faced with events bringing us sadness and despair and other times peace and joy. In the end Jesus and God's great love are our Spring and Summer. This piece attempts to portray this contrast, comparing the seasons to our own lives and reminding us that in the end We Have A Friend who helps us. The Music The piece begins with soloists portraying the seasons of the year and how they relate to our lives. A transition then occurs where we're reminded that when we are down and out, and we need a helping hand, we have a friend in the Lord Jesus.
$1.99
If We Are The Body
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Chorale SATB
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INTERMÉDIAIRE
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Casting Crowns
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Brandon Haynes
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If We Are The Body
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Brandon Haynes
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.905717 By Casting Crowns. By Mark Hall. Arranged by Brandon Haynes. Christian,Gospel. Octavo. 11 pages. Brandon ...
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Choral Choir (SATB) - Level 3 - SKU: A0.905717 By Casting Crowns. By Mark Hall. Arranged by Brandon Haynes. Christian,Gospel. Octavo. 11 pages. Brandon Haynes #4609419. Published by Brandon Haynes (A0.905717). If We are the Body was a praise song written over a decade ago in the early 2000’s by Mark Hall and performed by renowned praise-band Casting Crowns. The song still holds great significance nearly 16 years later as it poses important questions of discipleship to those who associate themselves as Christians. The song asks; if we are the body of Christ, what are we doing to further his kingdom? It also candidly points out many faults in Christian behavior, which is an honest quality I love about this song. Youth groups and praise-bands often perform this song; however, I have arranged the accompaniment more solemnly to highlight the text in a more meditative manner so that it is also accessible for adult church choirs.
$2.50
Soon We Will Be Done (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Gospel Spirituel
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Kyle Pederson
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Soon We Will Be Done
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporati...
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SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.†The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goin’ home to live with God No more weeping and a-wailing (repeat) Goin’ home to live with God I want t’ meet my mother (repeat) Goin’ home to live with God I want t’ meet my Jesus (repeat) Goin’ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.†In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
$3.20
In Jesus' Name We Pray
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Chorale SATB
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Jay Althouse
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In Jesus' Name We Pray
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Hope Publishing - Digital
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SheetMusicPlus
Choral SATB Chorus - SKU: H1.C5742DP Composed by Jay Althouse. Piano Accompaniment. General Worship, Assurance, Christ's Presence, Confidence, Light, Lo...
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Choral SATB Chorus - SKU: H1.C5742DP Composed by Jay Althouse. Piano Accompaniment. General Worship, Assurance, Christ's Presence, Confidence, Light, Love, Prayer. Octavo. 7 pages. Hope Publishing - Digital #C5742DP. Published by Hope Publishing - Digital (H1.C5742DP). Jay Althouse. John 14:13 - John 14:14 - 1 John 5:14 - 1 John 5:15 - John 16:26 - Philippians 2:9 - Romans 14:11.Original Anthem This poignant ballad acknowledges that when we pray in Jesus' name, we are praying to God by way of his only Son who died so that we may live. The lyrics reminding us to seek God's grace through Jesus Christ are in the form of a prayer with each verse ending with in Jesus' name we pray, O Lord, in Jesus' name we pray. Featuring memorable melodies and easy part writing this is a beautiful pairing of lyrics and original music from Jay Althouse.
$2.95
We Are the Music Makers (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Eric Nelson
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We Are the Music Makers
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir (choir divisi) unaccompanied - Medium - SKU: MQ.1.3434-E Composed by Eric Nelson. Advanced/Collegiate. Secular, 21st century. Octavo. 10 page...
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SATB choir (choir divisi) unaccompanied - Medium - SKU: MQ.1.3434-E Composed by Eric Nelson. Advanced/Collegiate. Secular, 21st century. Octavo. 10 pages. Duration 5 minutes, 25 seconds. Galaxy Music Corporation - Digital #1.3434-E. Published by Galaxy Music Corporation - Digital (MQ.1.3434-E). English.This setting of the best-known poem by Arthur O’Shaughnessy (1844–1881) about the fate of being music makers is certain to resonate with choruses and audiences alike. Duration: 5:25We are the music-makers,And we are the dreamers of dreams,Wandering by lone sea-breakersAnd sitting by desolate streams;World losers and world forsakers,On whom the pale moon gleams:Yet we are the movers and shakersOf the world for ever, it seems.-Arthur O’Shaughnessy (1844–1881).
$2.65
We Are In Love
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Chorale SATB
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AVANCÉ
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Jazz
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Harry Connick Jr
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Kerry Marsh
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We Are In Love
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Kerry Marsh
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SheetMusicPlus
Rhythm Section SATB Chorus divisi,Voice - Level 5 - SKU: A0.1453748 Composed by Harry Connick Jr. Arranged by Kerry Marsh. Jazz. Vocal Jazz Ensemble. 66...
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Rhythm Section SATB Chorus divisi,Voice - Level 5 - SKU: A0.1453748 Composed by Harry Connick Jr. Arranged by Kerry Marsh. Jazz. Vocal Jazz Ensemble. 66 pages. Kerry Marsh #1032965. Published by Kerry Marsh (A0.1453748). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a much lower price than the standard flat-fee range ($60 to $75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the All Tracks Pack with SkyTracks Mixer (No Sheet Music) package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation)Step into the timeless swing of Harry Connick, Jr.'s We Are In Love with this dynamic arrangement for advanced SSATBaB vocal jazz ensemble. In this chart, vocalists often take on the role of the big band brass and winds, while a baritone soloist steps into Connick’s shoes to deliver this swinging love story. The ensemble shines in several key spots, taking the lead with bold and exciting harmonies.A vocal or instrumental improv section adds a layer of spontaneity, launching the tune into a new key with a powerful sendoff from the choir. The ensemble remains engaged with energetic backgrounds, building towards an exhilarating hybrid shout section/soli section. The arrangement culminates in a huge final chorus, bringing the chart to a rousing peak before winding down to a clever and subtle finish.Despite its swinging nature, the chart features a delightful contrast with sudden transitions to a straight-8th Afro-Cuban groove at the end of each chorus. This unique twist keeps both the singers and the audience on their toes, providing a fun and engaging listening experience.Perfect for vocal jazz directors looking to challenge their advanced ensembles, this arrangement offers a mix of technical prowess, stylistic variety, and performance excitement. Check out the Scoreflipper preview to see how this arrangement can bring your group to new heights and captivate your audience.
$49.99
We Are Convinced
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Chorale SATB
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Mark Hayes
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Mark Hayes
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We Are Convinced
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Hope Publishing - Digital
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SheetMusicPlus
Choral SATB Chorus - SKU: H1.C5955DP Composed by Mark Hayes. Arranged by Mark Hayes. Piano Accompaniment. General Worship, Faith. Octavo. 12 pages. Hope...
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Choral SATB Chorus - SKU: H1.C5955DP Composed by Mark Hayes. Arranged by Mark Hayes. Piano Accompaniment. General Worship, Faith. Octavo. 12 pages. Hope Publishing - Digital #C5955DP. Published by Hope Publishing - Digital (H1.C5955DP). Philippians 1:6.Original anthem With a text based in Philippians 1:6, this dynamic anthem by Mark Hayes is a bold statement of faith declaring We are convinced that our God, who began this good and mighty work in us, will see it through to the end until the day when Jesus comes again. Hayes combines syncopated rhythms, contemporary harmonies and easy-to-sing, memorable melodies to make this a powerful musical and worship statement from beginning to end.
$2.95
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Who We Are
