Partitions Numériques de Why I'm Here pour Chorale SATB

Partitions numériques Accès après achat

Expédition postale Téléchargement

TRI ET FILTRES

Tri et filtres :

avec audio

avec vidéo

avec play-along

Non classifié 14

PIANO & CLAVIERS

Piano grosses notes 32 Orgue 28 Piano seul 14 Piano, Voix et Guitare 13 Piano, Voix 8

Piano Facile 4 Instruments en Do 3 2 Pianos, 8 mains 1

Instrumentations suivantes

Retracter

GUITARES

Basse electrique 2 Guitare 1 2 Guitares (duo) 1 Ligne De Mélodie, (Paroles) et Accords 1 Guitare notes et tablatures 1

VOIX

Chorale SATB 5 Chorale TTBB 2 Chorale Unison 1

VENTS

Hautbois (partie séparée) 2 Clarinette 2 Flute (partie séparée) 2 Clarinette, Violon (duo) 1 Saxophone Tenor 1

3 Saxophones (trio) 1 Flûte, Violon 1 Saxophone Tenor et Piano 1

Instrumentations suivantes

Retracter

CUIVRES

Trompette 2 Cor 1 Tuba 1

CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 4 Violon 2 Trio à Cordes: violon, alto, violoncelle 1 Contre Basse 1 Alto seul 1

Trio à Cordes: 2 violons, violoncelle 1 Violon, Violoncelle (duo) 1

Instrumentations suivantes

Retracter

PERCUSSIONS & ORCHESTRES

Orchestre 3 Ensemble de Percussions 2 Ensemble Jazz 2 Orchestre à Cordes 2 Orchestre d'harmonie 1

Fanfare 1

Instrumentations suivantes

Retracter

AUTRES

Vous avez sélectionné:

Why I'm Here

Chorale SATB

Partitions à imprimer

5 partitions trouvées

That's Why I'm Here

Chorale SATB

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1400739 By James Ta…(+)

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1400739 By James Taylor. By James Taylor. Arranged by Gareth Treseder. 20th Century,A Cappella,Folk,Pop,Rock. 14 pages. Gareth Treseder #983942. Published by Gareth Treseder (A0.1400739). James Taylor's superb That's Why I'm Here, released on his album of the same name in 1985, has been reimagined for SATB.

$2.50 2.29 € #Chorale SATB #James Taylor #Gareth Treseder #That's Why I'm Here #Gareth Treseder #SheetMusicPlus

Why I'm Here

Chorale SATB

Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1410771…(+)

Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1410771 By Pj Morton. By Paul Morton Jr and Samara Joy Mclendon. Arranged by John Allison. A Cappella,Film/TV,Pop,Spiritual. 3 pages. John Allison #993157. Published by John Allison (A0.1410771). This version of the song from the movie 'Shirley' is for a capella mixed choir. It includes a soprano solo and occasional divisi in all parts. The inspirational text is suitable for performance in both sacred and secular contexts.Please visit John's words and music at johnandrewallison.wordpress.com for more choral and big band scores.

$1.99 1.82 € #Chorale SATB #Pj Morton #John Allison #Why I'm Here #John Allison #SheetMusicPlus

Beyond The Sea

Chorale SATB

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Comp…(+)

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense â€“ like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head â€“ I was at the end of a 4 year period of separation from my parents owing to the fact that Iâ€™m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll.Â One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing â€œBeyond the Seaâ€ over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasnâ€™t seen Finding Nemo?) but the lyrics didnâ€™t mean what I thought they meantâ€¦ Theyâ€™re NOT about the ocean, they are about my dad!!! Well, kind ofâ€¦ I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them.Â Somewhere beyond the seaSheâ€™s there watching for meâ€¦Itâ€™s far beyond the starsItâ€™s near beyond the moonÂ And the lyrics end with them meeting, â€œWeâ€™ll meet beyond the shore, weâ€™ll kiss just like before,â€ and the song ends with: â€œand never again Iâ€™ll go sailing.â€ Itâ€™s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan.Â Performance Suggestions:Â The improvisation solo in the middle should be free of any traditional â€œscat syllablesâ€ and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tearsâ€¦). All solo sections do not have to be sung as written â€“ soloists can take liberties with the melody as the spirit moves.

$10.00 9.16 € #Chorale SATB #Charles Tenet #Tobi Crawford #Beyond The Sea #Tobi Crawford #SheetMusicPlus

PLATFORM NINE an original stage musical

Chorale SATB

Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.999345 Composed by Dennis…(+)

Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.999345 Composed by Dennis A. Westgate. Contemporary,Graduation,Musical/Show,World. Octavo. 134 pages. Tyne Music #5866269. Published by Tyne Music (A0.999345). PLATFORM NINE : One of my full length â€˜feel goodâ€™ family plays in the TYNE ONSTAGE series of original musicals. With Drama, Comedy and Song & Dance routines, they offer a new source of material to any Producer, Director or Teacher in the Performing Arts looking for original stories with great songs, covering a wide range of musical styles. Platform Nine is a 1 set musical and could be performed in any area, indoor or outdoor, with a minimal set-build. This is an â€˜all-singing and dancingâ€™ 2 hour+ show requiring very good dancers & singers.Each album title includes the Piano & Vocal Score along with the full Libretto.For full information please see my website:- https://www.tynemusic.com/platform-nineP.S. Sorry, but there are no band parts or orchestral scores as the costs involved would have made these musicals too expensive. So the price is reflective of this and leaves each of the numbers open to interpretation by your M.D. or Arranger Iâ€™ve uploaded a rough demo clip of * seven of the songs. SONG TITLES 1) Four in the Morning 2) Those Early Morning Blues * 3) Engine Driver * 4) Take a Train * 5) Platform Nine * 6) Start All Over Again * 7) Wanna Bet! 8) The Big Race 9) Sigh me a Sigh10) Why?11) Lonely Words *12) A Woman Is! *13) The Palais de Danse14) The Locomotion Rock15) A Face in the Crowd16) Take a Train (reprise)

$87.00 79.71 € #Chorale SATB #Dennis A #PLATFORM NINE an original stage musical #Tyne Music #SheetMusicPlus

Three Latin Elegies to Lesbia

Chorale SATB

Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Cen…(+)

Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian. Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time. Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says: Lesbia keeps insulting me in front of her husband: thisfills the fatuous idiot with delight. Mule, doyou perceive nothing? If she shut up and ignored me that’dshow healthy indifference;… In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her. Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian. Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time. Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says: Lesbia keeps insulting me in front of her husband: thisfills the fatuous idiot with delight. Mule, doyou perceive nothing? If she shut up and ignored me that’dshow healthy indifference;… In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her. Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.

$4.99 4.57 € #Chorale SATB #Mark D #Three Latin Elegies to Lesbia #Mark Templeton Choral Music #SheetMusicPlus