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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
You and I
Non classifié
7 462
Piano & claviers
Piano, Voix et Guitare
5 416
Piano seul
4 763
Piano, Voix
2 712
Piano Facile
1 708
Instruments en Do
1 043
Orgue
440
Piano grosses notes
392
1 Piano, 4 mains
184
Accompagnement Piano
99
Accordéon
73
2 Pianos, 4 mains
67
Piano Trio: piano, violon, violoncelle
50
Piano (partie séparée)
31
Orgue, Piano (duo)
19
Piano Quatuor: piano, 2 violons, violoncelle
14
Clavier
13
Piano Quatuor: piano, violon, alto, violoncelle
13
Piano Quintette: piano, 2 violons, alto, violoncelle
10
Ligne De Mélodie, Piano
9
Orgue, Trompette (duo)
9
Clavecin
3
Ensemble d'Accordéons
2
2 Pianos, 8 mains
2
2 Accordéons
2
Accordéon, Voix
2
1 Piano, 6 mains
2
+ 21 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
1 773
Guitare notes et tablatures
1 727
Paroles et Accords
646
Guitare
568
Basse electrique
555
Ukulele
338
Piano, Guitare (duo)
143
2 Guitares (duo)
66
Guitare (partie séparée)
51
4 Guitares (Quatuor)
35
Mandoline
33
Banjo
25
Dulcimer
14
3 Guitares (trio)
12
Ensemble de guitares
9
Basse électrique (partie séparée)
5
Guitare, Violon, Violoncelle (trio)
2
Ensemble de Ukulélés
2
Mandoline, Guitare (duo)
2
2 Dulcimers (duo)
1
Ukulele Baryton
1
2 Ukuleles
1
+ 17 instrumentations
Retracter
Voix
Chorale SATB
1 983
Chorale 3 parties
895
Chorale 2 parties
683
Chorale TTBB
501
Chorale SSAA
307
Voix duo, Piano
196
Chorale Unison
178
Voix seule
108
Pack Instrumental pour Chorale
105
Voix Soprano, Piano
86
Voix Alto, Piano
72
Voix duo
67
Voix Baryton, Piano
67
Voix Tenor, Piano
53
Voix haute
50
Chorale
43
Voix Tenor
30
Voix Soprano
24
Voix moyenne, Piano
11
Voix basse, Piano
10
Chorale SSAATTBB
4
Chorale SSATB
3
Chorale SSAB, Piano
3
Chorale SATBB
2
Voix basse
2
Voix Mezzo-Soprano, Piano
2
Chorale SAATB A Cappella
1
Chorale SSAB a cappella
1
Soli, choeur mixte et accompagnement
1
Chorale SSATBB
1
Chorale SSATTB
1
Voix, Guitare
1
+ 27 instrumentations
Retracter
Vents
Flûte traversière et Piano
542
Clarinette et Piano
497
Saxophone (partie séparée)
489
Flûte traversière
461
Hautbois, Piano (duo)
451
Quatuor de Saxophones: 4 saxophones
426
Clarinette
405
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
404
Quintette de Saxophone: 5 saxophones
375
Saxophone Alto et Piano
374
Flûte, Hautbois, Clarinette, Basson
352
Saxophone Tenor et Piano
318
Saxophone Alto
296
Saxophone
295
Saxophone Tenor
259
2 Saxophones (duo)
231
2 Flûtes traversières (duo)
218
Hautbois (partie séparée)
199
Quatuor de Clarinettes: 4 clarinettes
193
Ensemble de saxophones
162
2 Clarinettes (duo)
161
Saxophone Soprano et Piano
131
Ensemble de Clarinettes
112
Flûte, Clarinette (duo)
84
Flûte et Guitare
82
Quatuor de Flûtes : 4 flûtes
82
Clarinette (partie séparée)
81
Ensemble de Flûtes
79
Saxophone Baryton, Piano
76
Flute (partie séparée)
70
2 Hautbois (duo)
66
3 Clarinettes (trio)
64
3 Saxophones (trio)
53
Trio de Flûtes: 3 flûtes
53
Quintette de Flûte : 5 flûtes
42
Hautbois, Basson (duo)
42
Flûte, Hautbois, Clarinette (trio)
41
Quintette de Clarinettes: 5 clarinettes
40
Hautbois
39
Flûte, Violon
38
Saxophone Soprano
36
Clarinette, Violon (duo)
35
Flûte à bec Soprano
32
Cor anglais, Piano
32
Flûte, Violoncelle
29
Flûte à Bec
28
Saxophone, Clarinette (duo)
27
Hautbois, Clarinette (duo)
27
Clarinette, Guitare (duo)
26
Flûte, Alto (duo)
23
Clarinette et Alto
22
2 Flûte à bec (duo)
22
Ocarina
21
Cor Anglais
21
Flûte à bec Alto
18
Flûte, Violon, Piano
17
Harmonica
17
Instruments en Mib
17
Flûte, Hautbois (duo)
15
Clarinette, Trompette (duo)
14
Clarinette, Harpe (duo)
14
Clarinette, Basson (duo)
14
Clarinette Basse, Piano
14
Hautbois, Flûte
13
Flûte, Clarinette et Basson
13
2 Clarinettes, Piano
12
Flûte, Clarinette, Piano (trio)
12
Hautbois, Clarinette, Basson (trio d'anches)
12
Saxophone Baryton
11
Flûte, Violoncelle, Piano (trio)
11
2 Flûtes traversières, Piano
11
Hautbois, Guitare (duo)
10
Quatuor de Flûtes à bec
10
Cor anglais, Guitare (duo)
9
Clarinette, Violoncelle (duo)
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
Flûte, Violon et Violoncelle
8
Flûte, Saxophone (duo)
8
Flûte à bec Tenor
7
Clarinette Basse
7
Flûte irlandaise
6
Flûte, Hautbois, Violon
6
Saxophone et Orgue
6
Flûte, Harpe et Violoncelle
6
Hautbois, Violoncelle
6
Flûte, Clarinette, Violon (trio)
6
5 Flûtes à bec
5
2 Saxophones, Piano
5
Ensemble De Flûte à bec
5
Saxophone et Guitare
5
Piccolo
5
Flûte, Trompette (duo)
4
Flute, harpe et violon
4
Flûte, Basson et Piano
4
Hautbois et alto (duo)
4
2 Hautbois, Piano
3
Flûte, Hautbois, Basson
3
Clarinette, Trombone (duo)
3
Flûte à bec Alto, Piano
3
Clarinette, Orgue
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Flûte à bec Soprano, Piano
3
Flûte et Trio à cordes
3
Hautbois, violon (duo)
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Alto et Piano
2
Saxophone et Harpe
2
2 Clarinettes, Basson
2
Flûte, trombone et piano
2
Hautbois, Basson et Piano
2
Flûte traversière, Orgue (duo)
2
Ensemble à vent
2
Cornemuse
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Trombone (duo)
1
Clarinette, Basson, Piano (trio)
1
Flûte à Bec, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Flûtes à bec, Piano
1
Flûte de Pan
1
Clarinette, trompette et piano
1
Hautbois, Harpe
1
Flûte et Quatuor à Cordes
1
2 Flûtes traversières, Harpe
1
Harmonica, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Piccolo, Piano
1
Flûte, Tuba (duo)
1
2 Cors Anglais Et Pianoforte
1
+ 125 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
551
Trompette
499
Trombone et Piano
350
Trombone
344
Trompette (partie séparée)
300
Quatuor de Cuivres : 2 trompettes, trombone, tuba
297
Trompette, Piano
280
Trombone (partie séparée)
246
Cor et Piano
167
Quatuor de Cuivres
163
Cor
158
Tuba et Piano
102
Tuba
101
Ensemble de Trompettes
97
Quatuor de Cuivres: 2 trompettes, Cor, trombone
90
2 Trombones (duo)
81
2 Trompettes (duo)
69
Ensemble de Trombones
64
Cor (partie séparée)
50
Quatuor de cuivres: 4 trombones
49
Trompette, Trombone (duo)
48
Euphonium
38
Bass Clef Instruments
37
Tuba (partie séparée)
36
2 Cors (duo)
35
Cor anglais, Piano
32
Euphonium, Piano (duo)
32
Cor Anglais
21
Trio de Cuivres
21
3 Trombones (trio)
17
2 Euphoniums et 2 Tubas
17
Instruments en Sib
16
Quatuor de cuivres: 4 cors
16
Trompette, Saxophone (duo)
15
Ensemble de Cors
15
Trombone, Tuba (duo)
15
2 Tubas (duo)
12
Cor anglais, Guitare (duo)
9
Trompette, Cor (duo)
8
2 Trompettes, Clavier (piano ou orgue)
7
3 Trompettes (trio)
6
Tuba et Orgue
5
Quatuor de cuivres: 4 trompettes
5
Trombone, Orgue
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
2 Cors, Piano
3
Trompette, Trombone, Piano
3
Trompette, Tuba (duo)
3
Trombone basse et Piano
2
Clarinette, Cor (duo)
2
4 Tubas
2
Euphonium, Tuba (duo)
2
Trombone basse
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Cors (trio)
2
Cor, Tuba (duo)
1
Trompette, Violoncelle (duo)
1
Cor et Basson (duo)
1
Instruments en Fa
1
Trompette, Basson (duo)
1
Trompette, Euphonium (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Trompette, Harpe
1
2 Euphoniums (duo)
1
Cor et Harpe
1
Cor, Violoncelle (duo)
1
Ensemble de Tubas
1
Cor et Orgue
1
2 Cors Anglais Et Pianoforte
1
+ 64 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 732
Violon
760
Violon et Piano
649
Violon, Violoncelle (duo)
540
Trio à Cordes: violon, alto, violoncelle
444
Alto, Piano
442
Violoncelle
439
Violoncelle, Piano
434
Harpe
378
Quintette à cordes: 2 violons, alto, violoncelle, basse
335
Alto seul
265
2 Violons (duo)
230
Violon, Alto (duo)
134
2 Violoncelles (duo)
134
2 Harpes (duo)
121
Contre Basse
107
2 Altos (duo)
105
Alto (partie séparée)
93
Contrebasse, Piano (duo)
92
Trio à Cordes: 2 violons, violoncelle
79
Violon (partie séparée)
74
Contrebasse (partie séparée)
71
Alto, Violoncelle (duo)
54
4 Violoncelles
48
Trio à cordes: 3 violins
39
Ensemble de Violons
29
Ensemble d'Altos
28
Violon, Guitare (duo)
27
Violoncelle, Contrebasse (duo)
23
2 Contrebasses (duo)
22
Quatuor à cordes: 4 violons
21
Harpe, Flûte (duo)
19
Trio à Cordes: 2 violons, alto
18
Violoncelle , Guitare (duo)
18
Harpe, Violon (duo)
18
Trio à Cordes: 3 violoncelles
17
Violoncelle (partie séparée)
17
Piano Trio: Violon, Alto, Piano
15
Harpe, Voix
12
Trio à cordes: 3 altos
12
Alto et Harpe
11
Quintette à cordes: 2 violons, 2 altos, violoncelle
11
Harpe, Violoncelle (duo)
9
2 Violons, Piano
9
Quatuor à cordes : 4 altos
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
4 Contrebasses
4
Harpe, Violon, Violoncelle
4
Violon, Basson (duo)
4
Alto, Guitare (duo)
4
Flûte, Contrebasse (duo)
4
2 Violoncelles, Piano
3
2 Altos, Piano
3
Violoncelle, Orgue
3
Trio à cordes
2
Violon, Tuba (duo)
2
Alto et Basson
2
Ensemble de Violoncelles
1
Harpe et mandoline
1
Alto, Orgue
1
Harpe, Trombone (duo)
1
Harpe et Piano
1
Violon, Violoncelle, Clarinette
1
+ 58 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 301
Orchestre à Cordes
675
Ensemble Jazz
630
Orchestre
512
Ensemble de cuivres
231
Batterie
212
Orchestre de chambre
161
Fanfare
149
Jazz combo
131
Cloches
124
Ensemble de Percussions
82
Percussion (partie séparée)
54
Marimba
52
Batterie (partie séparée)
48
Xylophone
19
Xylophone, Piano
11
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
10
Vibraphone
8
Percussion
8
Timbales (partie séparée)
7
3 Marimbas
5
Big band
4
2 Xylophones
3
Xylophone ou Marimba ou Vibraphone
3
Quintette de Cuivres: autres combinaisons
1
Caisse Claire
1
Ensemble d'École
1
Instrumentation Flexible
1
Marimba, Piano (duo)
1
Timbales
1
Voix et Orchestre
1
+ 26 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Crtitères actifs :
You and I
Chorale SATB
Partitions à imprimer
1 983 partitions trouvées
<
1
26
51
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1976
When You and I Were Young, Maggie. Song and Chorus
#
Chorale SATB
#
J
#
When You and I Were Young, Mag
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.4067 Composed by J.A. Butterfield. Aged persons, Time, Human life cycle, Love, Devotion, Youth, Nostalg...
(+)
Piano and voice (solo and SATB chorus) - SKU: LV.4067 Composed by J.A. Butterfield. Aged persons, Time, Human life cycle, Love, Devotion, Youth, Nostalgia. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4067). When You and I Were Young, Maggie. Song and Chorus. Words by George W. Johnson. Music by J.A. Butterfield. Published 1866 by J.A. Butterfield, 37 Crosby Opera House in Chicago. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Aged persons, Time, Human life cycle, Love, Devotion, Youth, Nostalgia. First line reads I wandered today to the hill, Maggie, to watch the scene below.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
When You and I Were Young, Maggie. Song and Chorus
#
Chorale SATB
#
J
#
When You and I Were Young, Mag
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.4068 Composed by J.A. Butterfield. Aged persons, Time, Human life cycle, Love, Devotion, Youth, Nostalg...
(+)
Piano and voice (solo and SATB chorus) - SKU: LV.4068 Composed by J.A. Butterfield. Aged persons, Time, Human life cycle, Love, Devotion, Youth, Nostalgia. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4068). When You and I Were Young, Maggie. Song and Chorus. Words by George W. Johnson. Music by J.A. Butterfield. Published 1866 by J.A. Butterfield, 22 West Wash. St. in Indianapolis. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Aged persons, Time, Human life cycle, Love, Devotion, Youth, Nostalgia. First line reads I wandered today to the hill, Maggie, to watch the scene below.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
When You And I Were Young Maggie. Song & Chorus
#
Chorale SATB
#
J
#
When You And I Were Young Magg
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.3905 Composed by J.A. Butterfield. Aged persons, Fences, Mills, Silhouettes, Spires, Dreaming, Nostalgi...
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Piano and voice (solo and SATB chorus) - SKU: LV.3905 Composed by J.A. Butterfield. Aged persons, Fences, Mills, Silhouettes, Spires, Dreaming, Nostalgia, Couples, Courtship, Love, Time, Youth, Human life cycle. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3905). When You And I Were Young Maggie. Song & Chorus. Music by J.A. Butterfield. Words by Geo. W. Johnson. Published 1866 by Oliver Ditson & Co., 451 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Aged persons, Fences, Mills, Silhouettes, Spires, Dreaming, Nostalgia, Couples, Courtship, Love, Time, Youth, Human life cycle. First line reads I wandered today to the hill, Maggie, to watch the scene below.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
When I Land
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Greg Bartholomew
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When I Land
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Burke & Bagley
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.787259 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Octavo. 10 pages. Burke & Bagley #4972...
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Choral Choir (SATB) - Level 4 - SKU: A0.787259 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Octavo. 10 pages. Burke & Bagley #49725. Published by Burke & Bagley (A0.787259). An Open World, When I Land and And the Wind are three settings of poems from Fletcher LaVallee Bartholomew's collection entitled And the Wind: Gnostic Poems 1945 - 1979. When I Land is duration ca. 5 minutes. Minneapolis native Fletcher Bartholomew spent most of his life in aviation, beginning with a childhood flight in a Curtis Robin in 1929. His work in aviation started with a job as an inspector in an aircraft factory. He went on to become a test pilot in World War II, serving at the South India Air Depot at Bangalore, India. He often spoke later of his experience on the ship to India and the people he met travelling around the subcontinent. He subsequently worked in aviation in Munich, Germany, and in Lima, Peru, before he concluded his career working in airport planning and management. Follow along in the score as you listen to a performance in this video: https://youtu.be/8ZmbFg3jI6s TEXT: I fly da Vinci's dream on wings of speed,With effortless delight I cleave the air, Free in the boundless realm of sky, I feed My soul with wonder, questions seeming fair. Why brought forth to wander on this earth? Why given this brief breath of life, To wonder at our enigmatic birth, To reach for stars, want reason for the strife. Yet, being here, why try to find a plan? Why waste time in thought before we go? Is not life enough for any man? How many have, as theirs, my answer, No. When I set foot again upon the land, And darkness gains upon the setting of the sun, I long to feel the welcome of your hand In mine, to rest, let Time its silly cycles run, Life's nights are all too few. No other hand, no other's look, no other one, Can bring that peace to mind or heart or soul, No peace. Although I know there's always fun In life, to reach that sublime goal, I must return to you.
$2.25
Maggie's Answer. Song and Chorus
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Chorale SATB
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J
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Maggie's Answer. Song and Chor
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.3946 Composed by J. A. Butterfield. Spouses, Time, Aged persons, Death, Youth. Lester S. Levy Collectio...
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Piano and voice (solo and SATB chorus) - SKU: LV.3946 Composed by J. A. Butterfield. Spouses, Time, Aged persons, Death, Youth. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3946). Maggie's Answer. Response to When You and I Were Young, Maggie. Song and Chorus. Composed by J.A. Butterfield. Published 1868 by J.A. Butterfield in Chicago. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Spouses, Time, Aged persons, Death, Youth. First line reads I know dearest Ralph you are aged and gray.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Especially For You
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Chorale SATB
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FACILE
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Contemporain
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Jason Donovan
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Aldo Martinez
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Especially For You
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Aldo Martinez
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.944510 By Jason Donovan. By Matt Aitken, Mike Stock, and Pete Waterman. Arranged by Aldo Martinez. Contemporary....
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Choral Choir (SATB) - Level 2 - SKU: A0.944510 By Jason Donovan. By Matt Aitken, Mike Stock, and Pete Waterman. Arranged by Aldo Martinez. Contemporary. Octavo. 10 pages. Aldo Martinez #4885413. Published by Aldo Martinez (A0.944510). Especially for You is a song performed by the Australian recording artists Kylie Minogue and Jason Donovan, from Donovan's debut album Ten Good Reasons (1989). The single was released on 28 November 1988 and was written and produced by Stock Aitken Waterman.Especially for You received many positive reviews from older and contemporary critics, who deemed it one of the strongest of each singer's album, but also dubbed the song a classic. The song had commercial success, reaching number one in the UK, Ireland, Greece and Belgium and peaking inside the Top 5 in countries including Australia, New Zealand, France, Finland and Switzerland. In 2015 the song was voted by the British public as the nation's 20th favourite 1980s number one in a poll for ITV.And now you can perform this song with your choir.I wish you lots of fun and success with Especially for You.
$2.99
Sanbutsuge: A Buddhist Motet for Chorus SATB and Piano, with Solo Soprano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Richard St
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Sanbutsuge: A Buddhist Motet f
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Richard St. Clair
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.939717 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 23 pages. Richard St. Clair #3002339. P...
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Choral Choir (SATB) - Level 4 - SKU: A0.939717 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 23 pages. Richard St. Clair #3002339. Published by Richard St. Clair (A0.939717). This 9-minute motet in which the Buddha-to-be Dharmakara praises His master, Lokeshvaraja Buddha and vows to become the Savior of all Beings (namely, Amida Buddha). The music beings with an extended recitative/aria by solo soprano, and proceeds to the full choral ensemble to its conclusion. The MP3 Audio Clip is a computer-generated soundfile of the entire work. The music is completely tonal and traditional, suitable for good amateur choirs and professional choruses alike.Words from the Larger Sutra on Amida Buddha expounded by Shakyamuni Buddha some 2500 years ago in India.[Setting: Many ages ago, Dharmakara Bhikshu (in his stage before becoming Amida Buddha) declares to his Master, Buddha Lokeshvararaja, his intention to create a Pure Land wherein all suffering beings can be saved.]Text (slightly abridged):Then appeared a Buddha named Lokeshvararaja, the Tathagata, Arhat, Perfectly Enlightened One, Possessed of Wisdom and Practice, Perfected One, Knower of the World, Unsurpassed One, Tamer of Men, Master of Gods and Men, Buddha and World-Honored One.At that time there was a king, who, having heard the Buddha's exposition of the Dharma, rejoiced in his heart and awakened aspiration for the highest, perfect Enlightenment. He renounced his kingdom and the throne, and became a monk named Dharmakara. Having superior intelligence, courage and wisdom, he distinguished himself in the world. He went to see the Tathagata Lokeshvararaja, knelt down at his feet, walked round him three times keeping him always on his right, prostrated himself on the ground, and putting his palms together in worship, praised the Buddha with these verses:The shining face of the Buddha is glorious;Boundless is his magnificence.Radiant splendor such as hisIs beyond all comparison.The sun, the moon and the mani-jewel,Though shining with dazzling brightness,Are completely dimmed and obscuredAs if they were a pile of ink-sticksThe countenance of the TathagataIs beyond compare in the whole world.The great voice of the Enlightened OneResounds throughout the ten regions.His morality, learning, endeavor,Absorption in meditation, wisdomAnd magnificent virtues have no equal;They are wonderful and unsurpassed.I resolve to become a Buddha,Equal in attainment to you, O holy king of the Dharma,To save living beings from birth-and-death,And to lead them all to emancipation.I vow that, when I have become a Buddha,I shall carry out this promise everywhere;And to all fear-ridden beingsShall I give great peace.Even though there are Buddhas,A thousand million kotis in number,And multiudes of great sagesCountless as the sands of the Ganges,I shall make offeringsTo all those Buddhas.I shall seek the supreme WayResolutely and tirelessly.Even though the Buddha-lands are as innumerableAs the sands of the Ganges,And other regions and worldsAre also without number,My light shall shine everywhere,Pervading all those lands.Such being the result of my efforts,My glorious power shall be immeasurable.When I have become a Buddha,My land shall be most exquisite,And its people wonderful and unexcelled;The seat of Enlightenment shall be supreme.My land, being like Nirvana itself,Shall be beyond comparison.I take pity on living beingsAnd resolve to save them all.Those who come from the ten quartersShall find joy and serenity of heart;When they reach my land,They shall dwell in peace and happiness.I beg you, the Buddha, to become my witnessAnd to vouch for the truth of my aspiration.Having now made my vows to you,I will strive to fulfilll them.The World-Honored Ones in the ten quartersHave unimpeded wisdom;I call upon those Honored OnesTo bear witness to my intention.Even though I mu.
$10.99
I May Not Be the One - an original hymn for SATB voices
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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sending His Son who let me in
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Kevin G
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I May Not Be the One - an orig
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701452 Composed by Kevin G. Pace, Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevi...
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Choral Choir (SATB) - Level 4 - SKU: A0.701452 Composed by Kevin G. Pace, Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #3125159. Published by Kevin G. Pace (A0.701452). An original hymn with text by Mark Fotheringham below.YouTube video: https://youtu.be/BGhqSeLVhqgI may not be the one to brighten your eye, I may not be the one whose heart makes you fly, I may not be the one who shows you His ways, But know I am one who for you prays. I may not be the one who gave everything To bring you back to God, our glorious King, I cannot save your soul or cleanse it or mend, But this I can do, forever be your friend. I may not be the one who knows all the truth. It's true I may have been a faltering youth, But now I know my God, who saved me from sin By sending His Son who let me in. So now I am the one who will testify, And now I am the one who'll reach out to try To bless a friend in need, just as I've been blessed, Until we in heaven find eternal rest.
$1.99
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Chorale SATB
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INTERMÉDIAIRE
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 2 - Eighths
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Dots and Beams
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #47...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
All Things Are Mine Since I Am Yours
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Chorale SATB
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FACILE
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Musique Sacrée
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David Lantz
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All Things Are Mine Since I Am
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Lantz Choral Publications
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1242566 Composed by David Lantz. Christian,Praise & Worship,Religious,Sacred. Octavo. 7 pages. Lantz Choral Publ...
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Choral Choir (SATB) - Level 2 - SKU: A0.1242566 Composed by David Lantz. Christian,Praise & Worship,Religious,Sacred. Octavo. 7 pages. Lantz Choral Publications #837723. Published by Lantz Choral Publications (A0.1242566). Intended use: General, Prayer ResponseThemes: Salvation, Declaration of Faith(useful throughout the year!)A slight rewording of the penultimate line in Robert Lowry’s “How Can I Keep From Singing†provides the inspiration for this otherwise original text by David Lantz III. “All things are mine since I am His†becomes a bit more personal by changing “His†to “Yoursâ€. The textual hook is “All things are mine since I am Yours, and I am Yours forevermore. This beautiful, yet very simple piece can be learned in one short rehearsal. There is ample two-part writing, an opportunity for a soloist, an easy, lyrical piano part, and lush four-part writing in the key moments of the anthem. Also available in SAB (LCP0160) and Two-part mixed (LCP0150).
$2.35
In Olden Times, When You and I Were Young. Song & Chorus
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Chorale SATB
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James W
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In Olden Times, When You and I
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Composed by James W. Long. Nostalgia, Friendship, Time, Human life cycle, Sadness, Youth. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins Univers...
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Composed by James W. Long. Nostalgia, Friendship, Time, Human life cycle, Sadness, Youth. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3870). - - - Johns Hopkins University Sheridan Libraries
$5.99
I Was a Stranger - an original hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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I Was a Stranger - an original
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701764 Composed by Kevin G. Pace, Angie Killian. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pa...
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Choral Choir (SATB) - Level 4 - SKU: A0.701764 Composed by Kevin G. Pace, Angie Killian. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #3409835. Published by Kevin G. Pace (A0.701764). An original hymn with text by Angie Killian below.YouTube video: https://youtu.be/65jOsnpfYxY He taught us how to live He showed us how to give He opened up his arms and let the lepers in With poor men he walked With children he talked He took upon our pain and saved us from our sin I was hungry, you gave me meat I was thirsty, you gave me drink I was a stranger, you took me in I was a stranger, you took me in As we do unto men We're doing unto him So follow in the footsteps of the perfect one Help others on their way Spread light to bright their day And open up your heart to live like God's own Son I was hungry, you gave me meat I was thirsty, you gave me drink I was a stranger, you took me in I was a stranger, you took me in Give love and soon you'll see Though different we may be We're family, all children of a Heav'nly Father We're all around the world Some far and some near home Reach out your hand and lift the burden of your brother I was hungry, you gave me meat I was thirsty, you gave me drink I was a stranger, you took me in I was a stranger, you took me in
$1.99
Just You And I
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Chorale SATB
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INTERMÉDIAIRE
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Pop musique
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Tom Walker
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G
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Just You And I
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G. M. Morley
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - By Tom Walker. By Thomas Alexander Walker. Arranged by G. M. Morley. Contemporary. Octavo. 10 pages. G. M. Morley #4...
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Choral Choir (SATB) - Level 3 - By Tom Walker. By Thomas Alexander Walker. Arranged by G. M. Morley. Contemporary. Octavo. 10 pages. G. M. Morley #4983503. Published by G. M. Morley
$3.00
I WANT TO BE THERE TO HEAR GOD SINGING - SATB with piano accompanyment.
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Chorale SATB
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FACILE
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Musique Sacrée
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PAUL A
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Paul A
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I WANT TO BE THERE TO HEAR GOD
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.522294 Composed by PAUL A. AND MARCIA L. JORG. Arranged by Paul A. Jorg. Christian,Gospel,Praise & Worship,Sacre...
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Choral Choir (SATB) - Level 2 - SKU: A0.522294 Composed by PAUL A. AND MARCIA L. JORG. Arranged by Paul A. Jorg. Christian,Gospel,Praise & Worship,Sacred. Octavo. 8 pages. Paul A. Jorg #2027759. Published by Paul A. Jorg (A0.522294). The following scriptures support the fact that God is a musician. He not only composes, but He SINGS! God composed a song which He gave to Moses to teach the children of Israel - The Song of Moses. Deut. 31:19 Now write down for yourselves this song and teach it to the Israelites and have them sing it....... The first lines of the song go like this: Deut. 32:1-4 Listen, O heavens, and I will speak; hear, O earth, the words of my mouth. Let my teaching fall like rain and my words descend like dew, like showers on new grass, like abundant rain on tender plants. I will proclaim the name of the LORD. Oh, praise the greatness of our God! He is the Rock, His works are perfect, and all His ways are just. A faithful God who does no wrong, upright and just is He. This song will be sung by the redeemed in heaven! Revelation 15:2,3 And I saw what looked like a sea of glass mixed with fire and, standing beside the sea, those who had been victorious over the beast and his image and over the number of his name. They held harps given them by God and sang the song of Moses the servant of God and the song of the Lamb: Great and marvelous are your deeds, Lord God Almighty. Just and true are your ways, King of the ages. AND GOD SINGS! Zephaniah 3:17: The LORD your God is with you, He is mighty to save. He will take great delight in you, he will quiet you with his love, He will rejoice over you with SINGING. I WANT TO BE THERE TO HEAR GOD SINGING UP IN GLORY!
$4.59
Darkness as Light for SATB and pedal or lever harp or keyboard
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Chorale SATB
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FACILE
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Adrienne Inglis
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Darkness as Light for SATB and
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.953617 Composed by Adrienne Inglis (ASCAP). Contemporary,Easter,Multicultural,Sacred,World. Octavo. 15 pages. Ad...
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Choral Choir (SATB) - Level 2 - SKU: A0.953617 Composed by Adrienne Inglis (ASCAP). Contemporary,Easter,Multicultural,Sacred,World. Octavo. 15 pages. Adrienne Inglis (ASCAP) #4569683. Published by Adrienne Inglis (ASCAP) (A0.953617). Ideal for contemplative, Lenten, memorial services, easy/moderate for SATB (no divisi) with harp or keyboard Darkness As Light is loosely based on a Venezuelan pasaje rhythm with modified Dorian modality typical of Andean mestizo music. Psalm 139:1-12, 23-24 occurs in the 16th Sunday in Ordinary Time in Year A of the Common Lectionary. Psalm 139: 7-12 Where can I go from your spirit? Or where can I flee from your presence? If I ascend to heaven, you are there; if I make my bed in Sheol, you are there. If I take the wings of the morning and settle at the farthest limits of the sea, even there your hand shall lead me, and your right hand shall hold me fast. If I say, ‘Surely the darkness shall cover me, and the light around me become night,’ even the darkness is not dark to you; the night is as bright as the day, for darkness is as light to you. Scripture quotations are from the New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. Duration: about 2:00 Third Edition with revised harp/keyboard part February 2019 Second Edition 31 July 2005 Third Edition 26 Apr 2018 Founder, award-winning composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. Frequently drawing on her family history and Ojibwe, Venezuelan, and Scottish ethnicities, Inglis composes choral, chamber, and orchestral music. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.https://adrienneinglis.com/
$2.99
I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Chorale SATB
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INTERMÉDIAIRE
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Dandelion Music Press
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I Would Rock My Child to Sleep
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104...
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Choral Choir (SATB) - Level 3 - SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104497. Published by Dandelion Music Press (A0.891206). This tender lullaby is a touching memorial for an end of life commemoration of a parent or caregiver. Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infantIII. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Father, Into Your Hands I Commend My Spirit (for SATB)
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Chorale SATB
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FACILE
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Musique Sacrée
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Stephen DeCesare
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Father, Into Your Hands I Comm
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Exultet Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.621016 Composed by Stephen DeCesare. Contemporary,Easter,Praise & Worship,Religious,Sacred. Octavo. 5 pages. Exu...
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Choral Choir (SATB) - Level 2 - SKU: A0.621016 Composed by Stephen DeCesare. Contemporary,Easter,Praise & Worship,Religious,Sacred. Octavo. 5 pages. Exultet Music #3507203. Published by Exultet Music (A0.621016). Contemplative and meditative song for Holy Week or Good Friday that is scored for SATB, Solo, with Piano accompaniment. Accessible and appropriate for any church or concert setting. Featured in the musical service: The Seven Last Words From The Cross which is available on this site.
$3.99
Old Beggarman from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Chorale SATB
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INTERMÉDIAIRE
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Traditional Irish
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Laurie Betts Hughes
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Old Beggarman from "Lost
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 26 pages...
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Choral Choir (SATB) - Level 3 - SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 26 pages. Dandelion Music Press #3104495. Published by Dandelion Music Press (A0.891205). The first of three movements, here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project : Encore 2017Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved. I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WASet of three and single movements available for purchase.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Lost Songs of Ancient Ireland [SATB with Treble Descant]
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Chorale SATB
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INTERMÉDIAIRE
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Celtique/Irlandais
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Folklorique/Traditionel
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Traditional Irish
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Laurie Betts Hughes
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Lost Songs of Ancient Ireland
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 61 pages...
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Choral Choir (SATB) - Level 3 - SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 61 pages. Dandelion Music Press #3104111. Published by Dandelion Music Press (A0.891204). Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$6.25
How Gentle God's Commands : SATB and Piano
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Chorale SATB
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Musique Sacrée
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Hans G
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M
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How Gentle God's Commands : SA
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Vocal Works
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.741920 Composed by Hans G. Nageli. Arranged by M. Ryan Taylor. Christian,Praise & Worship,Sacred. Octavo. 5 pages. Vocal W...
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Choral Choir (SATB) - SKU: A0.741920 Composed by Hans G. Nageli. Arranged by M. Ryan Taylor. Christian,Praise & Worship,Sacred. Octavo. 5 pages. Vocal Works #484765. Published by Vocal Works (A0.741920). A simple arrangement of this well-loved hymn. The choral parts are derived wholly from the original hymn, while the piano takes on a more adventurous role. I chose this hymn for the theme repentance, but it would equally compliment themes like commandments, mercy, grace, or faith. How gentle God’s commands! How kind his precepts are! Come, cast your burden on the Lord And trust his constant care. Beneath his watchful eye, His saints securely dwell; That hand which bears all nature up Shall guard his children well. Why should this anxious load Press down your weary mind? Haste to your Heavenly Father’s throne And sweet refresh-ment find. His goodness stands approved, Unchanged from day to day; I’ll drop my burden at his feet And bear a song a-way.
$1.99
The Toyland Express
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Chorale SATB
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Michael Ryan
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The Toyland Express
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Heritage Music Press
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SheetMusicPlus
SATB choir, Piano - SKU: LX.15-3551H Composed by Michael Ryan. Educational, Secular Christmas. Octavo. 12 pages. Heritage Music Press #e15/3551H. Publis...
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SATB choir, Piano - SKU: LX.15-3551H Composed by Michael Ryan. Educational, Secular Christmas. Octavo. 12 pages. Heritage Music Press #e15/3551H. Published by Heritage Music Press (LX.15-3551H). ISBN 9780787760908.Come along, and I will show you the way. Save your worries for another day. Hop on aboard for a grand holiday. Be my guest on the Toyland Express. This relaxed, swingin’ original has a satisfying, laid-back groove that adds a dash of cool jazz to your December concert set. Perform with piano or add the accompaniment track for a splash of style.
$2.50
The Ten Commandments (I Am God and God Alone)
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Chorale SATB
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FACILE
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Musique Sacrée
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Ronald Owen
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Ronald Owen
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The Ten Commandments
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Ronald Owen
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1373804 Composed by Ronald Owen. Arranged by Ronald Owen. Praise & Worship,Sacred. 5 pages. Ronald Owen #...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1373804 Composed by Ronald Owen. Arranged by Ronald Owen. Praise & Worship,Sacred. 5 pages. Ronald Owen #958277. Published by Ronald Owen (A0.1373804). The Ten Commandments set to a singable, repetitive tune. An excellent congregational song and teaching tool for children, youth and adults.
$2.50
You And I
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Chorale SATB
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INTERMÉDIAIRE
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Ingrid Michaelson
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Gareth Treseder
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You And I
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Gareth Treseder
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1397709 By Ingrid Michaelson. By Ingrid Michaelson. Arranged by Gareth Treseder. 21st Century,A Ca...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1397709 By Ingrid Michaelson. By Ingrid Michaelson. Arranged by Gareth Treseder. 21st Century,A Cappella,Pop,Singer/Songwriter. 12 pages. Gareth Treseder #980997. Published by Gareth Treseder (A0.1397709). You and I, from Ingrid Michaelson's compilation album, Be OK (2008), is a fun reimagining of the beautiful song for SSAATB. Â
$2.50
Last Words Orchestra Score and Instrument Parts
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Michael Myrick
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Last Words Orchestra Score and
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MICHAEL MYRICK
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.765565 Composed by Michael Myrick. Easter,Sacred. Octavo. 228 pages. MICHAEL MYRICK #2998963. Published by MICHA...
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Choral Choir (SATB) - Level 3 - SKU: A0.765565 Composed by Michael Myrick. Easter,Sacred. Octavo. 228 pages. MICHAEL MYRICK #2998963. Published by MICHAEL MYRICK (A0.765565). Last Words begins on the day of the crucifixion, the heart of the passion story. The last statements Jesus makes are set to music to bring worshipers to a closer understanding of His sacrifice. The cantata takes the listener from sorrow to heartbreak as Christ looks down from the cross and speaks. This is a deeply moving service your choir and congregation will never forget. BREATHTAKING!CONTENTSPreludeI. Woman Behold Your SonII. Father, Forgive ThemIII. ParadiseIV. My God, Why?V. I ThirstVI. Father into Your HandsVII. It Is FinishedVIII. KyrieSCORE, ALL ORCHESTRA PARTS ARE INCLUDED WITH THIS PURCHASEVideo Promotional: https://youtu.be/jvKOh2oP8xUChoir / Keyboard edition is also available from SMP. S0.187873 Last Words SATB and Keyboard
$100.00
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You and I