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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
at the end
Non classifié
4 155
Piano & claviers
Piano seul
2 359
Piano, Voix
759
Piano Facile
655
Piano, Voix et Guitare
479
Instruments en Do
340
Orgue
220
Accompagnement Piano
78
1 Piano, 4 mains
75
Piano Trio: piano, violon, violoncelle
50
2 Pianos, 4 mains
36
Piano Quatuor: piano, violon, alto, violoncelle
21
Accordéon
19
Piano grosses notes
16
Piano (partie séparée)
12
Piano Quatuor: piano, 2 violons, violoncelle
7
Orgue, Trompette (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Piano (duo)
4
Clavecin
2
Fake Book
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
202
Guitare
194
Ukulele
131
Ligne De Mélodie, (Paroles) et Accords
43
Basse electrique
38
2 Guitares (duo)
24
Guitare (partie séparée)
20
Mandoline
17
Dulcimer
13
4 Guitares (Quatuor)
13
Piano, Guitare (duo)
11
Paroles et Accords
11
Banjo
6
Ensemble de guitares
4
3 Guitares (trio)
3
Guitare, Violon, Violoncelle (trio)
2
Mandoline, Piano (duo)
2
Basse électrique (partie séparée)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
1 242
Chorale 2 parties
415
Chorale 3 parties
352
Chorale TTBB
200
Chorale Unison
159
Voix duo, Piano
157
Chorale SSAA
146
Voix duo
54
Voix Soprano, Piano
48
Voix Tenor, Piano
30
Voix Baryton, Piano
29
Voix Alto, Piano
28
Pack Instrumental pour Chorale
22
Voix haute
17
Voix seule
11
Voix basse, Piano
9
Chorale SSAATTBB
5
Voix Mezzo-Soprano, Piano
4
Voix moyenne, Piano
4
Voix basse
4
Chorale SSATTB
2
Voix Tenor
2
Voix Soprano
2
Voix duo, Orgue
1
Chorale SSAB, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SSAB a cappella
1
Chorale SATTBB A Cappella
1
Chorale SSATB
1
Chorale
1
+ 25 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
300
Flûte à bec Soprano
275
Ocarina
275
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
272
Flûte traversière et Piano
250
Clarinette et Piano
222
2 Saxophones (duo)
210
Flûte, Hautbois, Clarinette, Basson
205
Harmonica
205
Flûte à bec Alto
196
Saxophone Alto et Piano
180
Hautbois, Piano (duo)
178
Quintette de Saxophone: 5 saxophones
158
Flûte traversière
150
Clarinette
142
Saxophone Tenor et Piano
124
2 Flûtes traversières (duo)
120
Saxophone (partie séparée)
116
Quatuor de Clarinettes: 4 clarinettes
110
Saxophone Alto
107
Saxophone Soprano et Piano
105
2 Clarinettes (duo)
100
Saxophone Tenor
85
Hautbois (partie séparée)
80
Saxophone
71
Flûte, Clarinette (duo)
65
Quatuor de Flûtes : 4 flûtes
64
Saxophone Baryton, Piano
60
Saxophone, Clarinette (duo)
57
Clarinette, Violon (duo)
46
Ensemble de Clarinettes
46
3 Saxophones (trio)
45
2 Hautbois (duo)
40
Flûte à bec Alto, Piano
37
Flûte à Bec
36
Clarinette, Trompette (duo)
36
Ensemble de Flûtes
35
Hautbois
35
Hautbois, Basson (duo)
35
Cor anglais, Piano
33
Ensemble de saxophones
32
Clarinette Basse, Piano
30
Hautbois, Clarinette (duo)
30
Quintette de Clarinettes: 5 clarinettes
29
3 Clarinettes (trio)
29
Trio de Flûtes: 3 flûtes
28
Flute (partie séparée)
28
Quintette de Flûte : 5 flûtes
24
Flûte et Guitare
24
Hautbois, Flûte
22
Flûte, Violon
22
Clarinette (partie séparée)
21
Flûte, Alto (duo)
21
Flûte, Saxophone (duo)
21
Clarinette et Alto
20
2 Flûte à bec (duo)
20
Quatuor de Flûtes à bec
19
Flûte, Trompette (duo)
17
Flûte, Violon, Piano
16
Saxophone Soprano
13
Hautbois, Clarinette, Basson (trio d'anches)
12
Flûte, Hautbois (duo)
12
Clarinette, Basson (duo)
11
Flûte, Hautbois, Clarinette (trio)
10
5 Flûtes à bec
9
Clarinette, Violoncelle, Piano (trio)
9
Clarinette, Violoncelle (duo)
9
Flûte, Violoncelle, Piano (trio)
9
Flûte, Clarinette et Basson
8
Flûte, Hautbois, Basson
7
2 Clarinettes, Piano
7
Hautbois, Violoncelle
7
Flûte, Hautbois, Piano (trio)
7
Clarinette, Guitare (duo)
6
Saxophone Baryton
6
Flûte, Violoncelle
6
Flûte, Basson et Piano
6
Flûte, Clarinette, Piano (trio)
6
Flûte à bec Tenor
5
3 Flûtes à bec (trio)
5
2 Flûtes traversières, Piano
4
Clarinette, Harpe (duo)
4
Hautbois, Violoncelle et Piano
4
Flûte, Alto et Piano
4
Hautbois, Clarinette et Piano (Trio)
3
Clarinette, Alto et Piano (trio)
3
Hautbois, Guitare (duo)
3
Clarinette, Basson, Piano (trio)
3
Piccolo
3
Flute, harpe et violon
3
Hautbois, Harpe
3
Piccolo, Piano
3
Flûte à bec Soprano, Piano
3
Hautbois, Basson et Piano
2
2 Saxophones, Piano
2
Hautbois, violon (duo)
2
Ensemble de Hautbois
2
Flûte, Violon, Violoncelle et Piano
2
Instruments en Mib
2
Cor Anglais
2
Saxophone et Guitare
2
Hautbois, Violon, Piano
2
Flûte à Bec, Piano
1
Clarinette, Tuba
1
Clarinette, Trombone (duo)
1
Saxophone et Orgue
1
Hautbois et Orchestre
1
2 Hautbois, Piano
1
Hautbois, trombone (duo)
1
4 Hautbois
1
2 Clarinettes, Basson
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Hautbois et alto (duo)
1
Flûte, Harpe et Violoncelle
1
Flûte irlandaise
1
Hautbois, Trompette (duo)
1
Flûte, Violon et Violoncelle
1
Flûte, Trombone (duo)
1
Clarinette, Orgue
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Tuba (duo)
1
+ 116 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
344
Trompette
192
Quatuor de Cuivres : 2 trompettes, trombone, tuba
166
Trombone et Piano
161
Trompette, Piano
152
Cor et Piano
122
Trombone
93
Trombone (partie séparée)
81
Cor
76
Trompette (partie séparée)
74
Ensemble de Trompettes
72
Quatuor de Cuivres: 2 trompettes, Cor, trombone
60
Quatuor de cuivres: 4 trombones
55
Tuba et Piano
51
Tuba
50
2 Trompettes (duo)
48
Trompette, Saxophone (duo)
46
Quatuor de Cuivres
45
Euphonium, Piano (duo)
45
2 Trombones (duo)
44
Ensemble de Trombones
34
Cor anglais, Piano
33
Trompette, Trombone (duo)
31
Cor (partie séparée)
21
2 Cors (duo)
20
Tuba (partie séparée)
13
Trio de Cuivres
13
Quatuor de cuivres: 4 cors
11
Quatuor de cuivres: 4 trompettes
9
2 Tubas (duo)
8
Trompette, Trombone, Piano
7
Euphonium
6
3 Trompettes (trio)
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Trompette, Cor (duo)
6
Trompette, Basson (duo)
5
4 Tubas
4
2 Euphoniums et 2 Tubas
4
Cor, Violoncelle (duo)
4
Trompette, Violoncelle (duo)
4
Trombone basse
3
Bass Clef Instruments
3
Cor et Basson (duo)
3
Trombone, Tuba (duo)
3
Cor et Harpe
3
Ensemble de Cors
3
Trompette, Harpe
3
Trombone, Violon (duo)
2
Euphonium, Tuba (duo)
2
Cor Anglais
2
Trompette, Tuba (duo)
2
Instruments en Sib
2
2 Cors, Piano
2
3 Euphoniums
1
Cor, Trompette, Trombone (trio)
1
Trombone basse et Piano
1
3 Cors (trio)
1
Trombone et orchestre
1
Ensemble de Tubas
1
Instruments en Fa
1
Trompette, Violoncelle et Piano
1
Trompette, Orchestre
1
Cor et Orgue
1
2 Euphoniums (duo)
1
3 Trombones (trio)
1
+ 60 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
882
Violon et Piano
323
Violon
225
Violon, Violoncelle (duo)
224
Violoncelle, Piano
202
Trio à Cordes: violon, alto, violoncelle
195
Violoncelle
191
Alto, Piano
182
Alto seul
110
Harpe
109
Trio à Cordes: 2 violons, violoncelle
105
2 Violons (duo)
105
Violon, Alto (duo)
75
Quintette à cordes: 2 violons, alto, violoncelle, basse
72
2 Violoncelles (duo)
67
Contre Basse
55
Contrebasse, Piano (duo)
46
2 Altos (duo)
43
Violon (partie séparée)
29
Alto (partie séparée)
28
Contrebasse (partie séparée)
22
2 Harpes (duo)
19
4 Violoncelles
19
Alto, Violoncelle (duo)
15
Piano Trio: Violon, Alto, Piano
13
Trio à Cordes: 3 violoncelles
11
Harpe, Flûte (duo)
11
Quatuor à cordes: 4 violons
9
Quatuor à cordes : 4 altos
9
Ensemble d'Altos
8
Trio à cordes: 3 violins
8
Harpe, Violon (duo)
7
Trio à Cordes: 2 violons, alto
7
Ensemble de Violons
7
Trio à cordes: 3 altos
7
Violon, Clarinette, Piano (trio)
6
Harpe, Voix
5
Violon, Guitare (duo)
5
Violon, Basson (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
2 Altos, Piano
3
2 Contrebasses (duo)
3
Alto et Harpe
3
Violoncelle, Orgue
2
Violoncelle , Guitare (duo)
2
Harpe, Violoncelle (duo)
2
Harpe et mandoline
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violoncelle (partie séparée)
2
Trio à cordes
1
2 Violoncelles, Piano
1
Violon, Violoncelle, Clarinette
1
Alto et Basson
1
Alto et orchestre
1
Harpe et Piano
1
Violoncelle, Contrebasse (duo)
1
Violon, Tuba (duo)
1
2 Violons, Piano
1
Violoncelle, Basse continue
1
Harpe, Violon, Violoncelle
1
Harpe, Trombone (duo)
1
+ 56 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 038
Orchestre
388
Orchestre à Cordes
239
Ensemble de cuivres
221
Ensemble Jazz
210
Fanfare
163
Cloches
119
Orchestre de chambre
102
Jazz combo
60
Ensemble de Percussions
51
Percussion (partie séparée)
21
Batterie
20
Xylophone, Piano
14
Xylophone
14
Batterie (partie séparée)
11
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Marimba
8
Vibraphone
6
Orchestre, Violon
2
Timbales (partie séparée)
2
2 Marimbas
1
Xylophone (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Percussion
1
2 Xylophones
1
Conga
1
Big band
1
3 Marimbas
1
Ensemble d'École
1
+ 25 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
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CHORALE - CHAN…
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Chorale SATB
Partitions à imprimer
1 242 partitions trouvées
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1226
Beyond The Sea
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Charles Tenet
#
Tobi Crawford
#
Beyond The Sea
#
Tobi Crawford
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
When I Survey the Wondrous Cross
#
Chorale SATB
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Isaac Watts / Lowell Mason
#
Robert Myers
#
When I Survey the Wondrous Cro
#
WheatMyer Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pag...
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Choral Choir (SATB) - Level 3 - SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.
$2.50
The Heart and the Fountain (SATB)
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Chorale SATB
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Contemporain
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Ofer Ben-Amots, composer and l
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The Heart and the Fountain
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The Composer's Own Press
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.944041 Composed by Ofer Ben-Amots, composer and librettist. Contemporary. Octavo. 28 pages. The Composer's Own Press #4799...
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Choral Choir (SATB) - SKU: A0.944041 Composed by Ofer Ben-Amots, composer and librettist. Contemporary. Octavo. 28 pages. The Composer's Own Press #4799263. Published by The Composer's Own Press (A0.944041). Composer’s Notes: The Hebrew text stems from a mystical Kabalistic source attributed to the great Hassidic Rabbi Nachman of Breslav. The words tell us, in a poetic and metaphysical manner, about the mechanism that moves the world and keeps the universe alive: there is a singing fountain at the end of the world and a pounding heart at the other end. The fountain and the heart are attracted to each other and wish to get closer, but as soon as they move from their place they lose sight of each other. Once they cannot see each other anymore the heart would stop beating and the fountain would stop singing. Thus, they both stay in their places and sing to each other. Their song spreads over the entire world and sparks of light emanate from it. When the sparks are woven together they produce enough Time for a new day to be created. The music mirrors the soft pounding of the heart and the spreading of this magical melody.Duration: 9' 40 For demo recording, any questions, or additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$9.90
Three Hymns For Palm Sunday(Dykes, Havergal, Theodulph)
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Chorale SATB
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FACILE
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Musique Sacrée
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JB Dykes, ST
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Michael D
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Three Hymns For Palm Sunday(Dy
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Michael D. McClish
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.940839 Composed by JB Dykes, ST. THEODULPH, and Wm. H. Havergal. Arranged by Michael D. McClish. Christian,Easte...
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Choral Choir (SATB) - Level 2 - SKU: A0.940839 Composed by JB Dykes, ST. THEODULPH, and Wm. H. Havergal. Arranged by Michael D. McClish. Christian,Easter,Sacred. Octavo. 24 pages. Michael D. McClish #6702051. Published by Michael D. McClish (A0.940839). This is a wonderful setting of three hymns that are usually sung on Palm Sunday. I wrote a melody that is used to tie the three together. It would be for early intermediate or more choir. The hymns themselves are in typical chorale style for the most part, and are tied together by my common theme. This is a nice, budget friendly way to celebrate Palm Sunday, as it employs one trumpet, piano, and organ, as well as the choir. This would work with a minimum octet choir or larger. Also offered is a Piano-Choral version for the choir to use, which is less pages than the full score. The trumpet part is included at the end of the full score.
$3.00
It's Christmastime (or Hear the Bells Ring)
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Chorale SATB
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INTERMÉDIAIRE
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and large, Christmas music is
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Shaun Parry
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It's Christmastime
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MusicforMillions
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.935511 Composed by Shaun Parry. A Cappella,Christian,Christmas,Traditional. Octavo. 7 pages. MusicforMillions #...
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Choral Choir (Mixed) - Level 3 - SKU: A0.935511 Composed by Shaun Parry. A Cappella,Christian,Christmas,Traditional. Octavo. 7 pages. MusicforMillions #4994317. Published by MusicforMillions (A0.935511). Written in the style of classic Christmas carols with fun, memorable melody and lyrics, this new Christmas song will quickly become a part of everyone's caroling canon. By and large, Christmas music is either sacred or secular, about Jesus, Mary, the shepherds and angels or about presents and parties and Santa Claus. We live them both simultaneously. This carol represents that, with the first verse being a patter of excitement and the second more lyrical, focusing on the Advent of the Savior. Then, just as in life, they are sung together, complimenting each other. We end in unison with a glorious and memorable refrain Nativity mangers make friends out of strangers with peace on earth, good will to all men. * Bells/Chimes sound beautiful but it can also be performed with just piano and the voices singing the bell parts.* Perfect of school or church Christmas concerts or caroling. Also great for families around the fireplace or out Christmas caroling. * Written to be sung by two groups, however, there is a cut version (explained in print) that does not require splitting in two groups. It can be sung straight through without overlapping the verses. * Some harmony parts are indicated in the vocal line. Of course you can sing just the melody in unison all the way through, but there are ample opportunities to break out into fun 2,3 and (in some places) 4-part harmonies. Up to you. You can find me at @the_shaunparry or www.shaunparry.com
$3.99
AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
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Chorale SATB
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INTERMÉDIAIRE
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Michael A
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AND THE WORD BECAME FLESH - SE
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Pu...
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Choral Choir (SATB) - Level 3 - SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Published by M.A. Morizio (A0.926660). During the late spring of 2017, I began composing a new choral piece based on the 1 Timothy 3:16 text. I was studying Paul's first letter to Timothy at the time when this particular passage jumped out at me. Not only was it an efficient summary of the Gospel message, but it was also a textual grouping, or form, such as might be found in a traditional hymn. What I was reading were indeed lyrics to an actual 1st Century Hymn to Christ, the music of which has since been lost. I entitled my piece, Great is the Mystery. I composed the anthem for SATB (a cappella), and set it to the ESV translation of the scripture. Based on its context, I suspected the song would work great for Ascension Sunday. Our choir sang the piece beautifully, crescendoing at the finish to the words, Believed on in the world and taken up in glory! Later that spring, I played the piece for a dear friend of mine who is Pastor at Immanuel Church in Manchester, New Hampshire. What he told me was actually a bit stunning. He informed me that there were (at least) seven specific known Hymns to Christ written into the New Testament Scriptures, whose text is found among the writings of the apostles’ Paul and John. The 1 Timothy 3:16 verse that I had selected for my piece was indeed one of those texts. At that moment, Pastor Don and I made a pact. If he were to supply me with the literal Greek translations of the other six known Hymns to Christ, I would set out to compose brand new anthems for them all. A new musical collaboration had begun. With this short introduction serving as the genesis of my new song cycle, I offer you these new Seven Anthems to Christ based on the seven known ancient ‘Hymns to Christ' texts found in the New Testament.
$9.99
Carol of the Wise Men
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Chorale SATB
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FACILE
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Annie Routley
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Carol of the Wise Men
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Annie Routley
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.914719 Composed by Annie Routley. 20th Century,Christian,Christmas,Contemporary,Sacred. Octavo. 9 pages. Annie R...
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Choral Choir (SATB) - Level 2 - SKU: A0.914719 Composed by Annie Routley. 20th Century,Christian,Christmas,Contemporary,Sacred. Octavo. 9 pages. Annie Routley #4301147. Published by Annie Routley (A0.914719). This is the full score - piano accompaniment, drum and SATB choir. A choir score is available separately This carol is designed to be very easy to learn and perform. It needs to be accompanied by piano (simple part) and drum (no snare). A bodhran or cajon would work just as well. There is one minor-key tune for both the men and ladies to learn. (This works as a 4-part round later in the carol) · The men start, accompanied just by the piano ostinato. The drum doesn’t enter until bar 7, when the men finish their ‘drums drumming’ · While the ladies sing verse 2, the men sing ‘Drum, drum’ in consecutive 5ths. NB, the melody is slightly different at the end of the ladies’ verse, since the words ‘poor and lowly stable’ need the melody to come down rather than go up · Then the ladies sing the ‘Drum, drum’ 5ths whilst the men sing verse 3 · Everyone sings verse 4 in unison and joyously · Everyone then sings verse 4 twice in a round – basses, altos, tenors then sopranos · Everyone repeats the last line of verse 4 ‘The child we’ve waited for is born …’ together (the piano and drum cut out so that the voices are unaccompanied in bar 35 – and then resume for bar 36) · ‘O hear the angels singing’ (unaccompanied) – then a loud chord and drum on beat 3 of the last bar Enjoy! A high-definition video of the carol is available on YouTube – type in ‘Carol of the Wise Men – CMM Choir’ and select the picture with the choir ladies in white blouses and red scarves
$4.51
The House We Build
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Lukas C Jaeger
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The House We Build
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Lukas C Jaeger
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1292341 By Lukas C Jaeger. By Lukas C Jaeger. 21st Century,Contemporary,New Age. 22 pages. Lukas C Jaeger...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1292341 By Lukas C Jaeger. By Lukas C Jaeger. 21st Century,Contemporary,New Age. 22 pages. Lukas C Jaeger #882681. Published by Lukas C Jaeger (A0.1292341). As a creator, something I value above all else is the ability to do so with others. There’s a beauty found where minds meet that no one person can achieve alone.   So, in search of that beauty, before I even started to work on this piece, I met with the students of Waukesha North High School at the end of their 2023 school year. And we talked. We talked about how life was going. The good and bad. The ups and downs. Things lost. Things found… They shared some laughs and even some tears… The conversations we had were unexpectedly poignant and stuck with me throughout the writing process.   School is a time of great change in our lives and often we are so focused on “getting through†that we don’t really stop to appreciate it until later. This piece celebrates that part of the process. The way we build onto ourselves- acknowledging and accepting that our experiences we have during this time, both good and bad, are crucial to our identity and our ability to move forward in life. They are the cornerstones of who we are and who we become… Inspired by these experiences we shared, I wrote this text. It’s about building a house. The “house†being our self.
$3.00
Whiter Than the Snow
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Chorale SATB
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FACILE
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Text: Eden Reeder Latta
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Ken Litton
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Whiter Than the Snow
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1490010 Composed by Text: Eden Reeder Latta (1839 - 1915) Tune: Henry Southwick Perkins (1833 -1914....
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1490010 Composed by Text: Eden Reeder Latta (1839 - 1915) Tune: Henry Southwick Perkins (1833 -1914. Arranged by Ken Litton. Christian,Lent,Religious,Sacred. 11 pages. Artist of Note, Inc. #1066874. Published by Artist of Note, Inc. (A0.1490010). Whiter Than the Snow/Eden Reeder Latta - Henry Southwick Perkins BLESSED BE THE FOUNTAIN arr. Ken Litton (ASCAP)As an SBC music missionary active in Brazil I quickly discovered the hymns missionaries had taken with them as the work gained impetus from the 1890s when the Bagbys arrived to build on the foundation laid by early pioneers like Solomon Ginsburg. I found myself leading those hymns from the nearly 100 year old Cantor Cristão (Christian Singer) in the strongly attended evening services at the Igreja Batista Rio Doce (Sweet River Baptist Church) in Recife, with people literally leaning in through the windows from outside to sing along. Just a normal p.m. attendance or... curiosity about the missionary leading? No, certainly it was the message of the gospel in these great hymns and in the Brazilians’ creative work as well. I mainly remember holding that small print hymnal in one hand and leading with the other (shaking badly) and singing in Portuguese!From that kind of congregational participation I vividly remember the hymn Blessed be the Fountain by Eden Reeder Latta (1839 - 1915) and Henry Southwick Perkins (1833 -1914) with it’s energetic dotted eighth and sixteenth rhythm figures and text of confession based on Zechariah 13:1. That text was very important in the lives of disciples in Brazil and in my own heart. Here I have used only the verses of the text and tune, simply smoothing out the rhythm and adjusting the lyric to more modern usage (yet preserving the devotional pronouns Thee, Thy and Thine).The tune BLESSED BE THE FOUNTAIN is altered in rhythm, tempo and one descending interval from the original. The arrangement is by me, having built the intro, interlude and key change as well as the ending from the material that constituted the refrain in the origina. As a bridge and additional textual/musical impulse into the key change and final verse I’ve interpolated the refrain from the well-known gospel hymn Whiter than Snow (FISCHER) by James Nicholson and William G. Fischer.The voices include a wide variety of unison, two-part and four-part passages that are well within the capability of the average church choir. The accompaniment difficulty level is about as minimal as it can be I hope, while still reflecting support for the voices, a measure of variety as well as some real independence.I certainly think choirs of some ability and their dedicated accompanists will enjoyWhiter Than the Snow as much as I have in developing it.
$2.99
The Song of My Soul
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Chorale SATB
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Musique Sacrée
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Stan Pethel
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The Song of My Soul
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Chorister's Guild - Digital
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SheetMusicPlus
SATB chorus - SKU: C7.CGA830 Composed by Stan Pethel. General. Mixed Voices. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA830. Publis...
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SATB chorus - SKU: C7.CGA830 Composed by Stan Pethel. General. Mixed Voices. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA830. Published by Chorister's Guild - Digital (C7.CGA830). UPC: 749193005552.This anthem asks, What can we do to honor him today? The answer comes at the end of the piece, providing an inspirational focus for children as they contemplate their own place in the Christmas story.
$1.95
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
The Mummers' Dance
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Loreena Mckennitt
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the Canadian Celtic singer Lor
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Kerry Marsh
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The Mummers' Dance
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Kerry Marsh
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SheetMusicPlus
Rhythm Section SATB Chorus divisi,Voice - Level 4 - SKU: A0.1488659 By Loreena Mckennitt. By Cseki Kalman and Roby Lakotos. Arranged by Kerry Marsh. Jaz...
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Rhythm Section SATB Chorus divisi,Voice - Level 4 - SKU: A0.1488659 By Loreena Mckennitt. By Cseki Kalman and Roby Lakotos. Arranged by Kerry Marsh. Jazz,New Age,Pop. Vocal Jazz Ensemble. 64 pages. Kerry Marsh #1065505. Published by Kerry Marsh (A0.1488659). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a lower price than the standard flat-fee range for vocal jazz ensemble arrangements ($75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the “All Tracks Pack (With SkyTracks Mixer)“ package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation).Composed by the Canadian Celtic singer Loreena McKennitt, Mummers' Dance has its roots in a centuries old tradition in which a roving band of costumed actors travels and puts on performances for people throughout the land. McKennitt's lyrics speak of the beautiful natural settings in which these mummers would live and work, and the musical landscape is matched perfectly in this arrangement, featuring both sustained and open sounds and exotic melismatic figures that would normally be played by period instruments. This arrangement features a break-out treble-clef soloist, with some modern reharmonization included to employ the vocal jazz aesthetic, and a polyphonic, wordless development section increases the energy of the piece before it winds down at the end, as if the mummers have moved on to travel to the next village.
$49.99
The United States Army Hymn (Eternal Father, Hear Our Prayer)
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Chorale SATB
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DÉBUTANT
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James F
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The United States Army Hymn
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Military Bible Association
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1465850 Composed by James F. Linzey and William H. Monk. 21st Century,Chamber,Christian,Classical,Re...
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Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1465850 Composed by James F. Linzey and William H. Monk. 21st Century,Chamber,Christian,Classical,Religious. 4 pages. Military Bible Association #1044448. Published by Military Bible Association (A0.1465850). The History of the Four Immortal Chaplains and the United States Army HymnDuring World War II, four Army chaplains met at the Army Chaplains School at Harvard University. ere, they received training for their assignments in the European theater. They then boarded and sailed on the United States Army Transport (USAT) Dorchester to report to their new assignments. The USAT Dorchester left New York on January 23, 1943, en route to Greenland. She carried about 900 military personnel and was escorted by Coast Guard Cutters Tampa, Escanaba, and Comanche. During the early morning hours of February 3, 1943, the vessel was torpedoed by the German submarine U-223 off Newfoundland in the North Atlantic. As the Dorchester sank on that fateful day of February 3, 1943, the four Army chaplains on board helped their soldiers board lifeboats as they handed out life jackets. When they ran out of life jackets, the chaplains gave their own life jackets to four soldiers that they might live. Then the chaplains joined arms and prayed as they went down with the Dorchester. These were young chaplains, new to the Army, holding the rank of first lieutenant. They included Methodist minister Reverend George L. Fox, Reform Rabbi Alexander D. Goode, Catholic priest Father John P. Washington, and Reformed Church in America minister Reverend Clark V. Poling. e four chaplains were posthumously awarded the Distinguished Service Cross and the Purple Heart. Chaplain (MAJ) James F. Linzey, USA (Ret.), who was one of four military chaplains in his family, composed the United States Army Hymn, “Eternal Father, Hear Our Prayer,” in remembrance of the “Four Immortal Chaplains” on board the Dorchester. Also, James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
$1.99
Bottom Of The River
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Eric Holljes and Ian Holljes
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Jan-Hendrik Herrmann
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Bottom Of The River
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Jan-Hendrik Herrmann
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1144857 Composed by Eric Holljes and Ian Holljes. Arranged by Jan-Hendrik Herrmann. A Cappella. Octavo. 7...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1144857 Composed by Eric Holljes and Ian Holljes. Arranged by Jan-Hendrik Herrmann. A Cappella. Octavo. 7 pages. Jan-Hendrik Herrmann #745174. Published by Jan-Hendrik Herrmann (A0.1144857). This is an a cappella Arrangement of the powerfull and spooky Delta Rae-Hit. There is a basic body percussion for all singers and a more complex pattern at the end for those who like the challenge.
$3.00
As the Lights Gathered in as One
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Chorale SATB
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Musique Sacrée
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Nigel Mann
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As the Lights Gathered in as O
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Nigel Mann
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1024331 Composed by Nigel Mann. Christian,Sacred. Octavo. 1 pages. Nigel Mann #4790247. Published by Nigel Mann (A0.102433...
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Choral Choir (SATB) - SKU: A0.1024331 Composed by Nigel Mann. Christian,Sacred. Octavo. 1 pages. Nigel Mann #4790247. Published by Nigel Mann (A0.1024331). Christian Hymn based on Gathering around Jesusboth during pre-mortal, new testament and present day.optional verse 2 suitable for ChristmasGeneral modal music with hebrew influences and optional tierce de picardie at the end. .
$1.99
Abendlied for SATB
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Chorale SATB
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INTERMÉDIAIRE
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Johan de Wit
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Abendlied for SATB
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Concustic
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.984324 Composed by Johan de Wit. Concert,Contemporary,World. Octavo. 8 pages. Concustic #4270371. Published by C...
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Choral Choir (SATB) - Level 3 - SKU: A0.984324 Composed by Johan de Wit. Concert,Contemporary,World. Octavo. 8 pages. Concustic #4270371. Published by Concustic (A0.984324). Abendlied (Evening song) - SATB. Duration 5 minutes. Difficulty level 4. Based on a poem by Wolfgang Borchert. German language.The eternal question of children about why, mantrically returns. The answers reveal the real suffering, namely the loneliness, step by step. Very vividly the composition is composed. The ever-lonely protagonist becomes even audible and visible at the end, in which a soloist is pushed forward and stands alone, while the rest of the choir turns around and turns their backs on her.
$35.95
We'll gather Lilacs
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Chorale SATB
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INTERMÉDIAIRE
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Comédie Musicale
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Ivor Novello
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Marcus Martin
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We'll gather Lilacs
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Cornelius Edition
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1271624 Composed by Ivor Novello. Arranged by Marcus Martin. 20th Century,Broadway,Musical/Show,Standards. Octav...
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Choral Choir (SATB) - Level 3 - SKU: A0.1271624 Composed by Ivor Novello. Arranged by Marcus Martin. 20th Century,Broadway,Musical/Show,Standards. Octavo. 6 pages. Cornelius Edition (uk) #864013. Published by Cornelius Edition (uk) (A0.1271624). We'll Gather Lilacs, is a song by Welsh composer Ivor Novello which he wrote for the hit musical romance 'Perchance to Dream'. The stage musical opened at the Hippodrome Theatre in London's West End in 1945 and ran until 1948. This song was the most popular and enduring to emerge from the production. It was originally recorded by Muriel Barron & Olive Gilbert (1945) and has since been performed by many artists, including notably Anne Zieglerand Webster Booth, Richard Tauber, Bing Crosby and Frank Sinatra (for his album Sinatra Sings Great Songs from Great Britain (1962)Written as World War II drew to its close, the song describes the yearning of parted couples to be reunited. It evokes the joy they would feel when together once again, and the pleasures of the English countryside in spring with its lilac blossom. It is arranged here for SATB with piano accompaniment.  Orchestral parts and a full score are also available for purchase.
$2.25
And His Kingdom Will Have No End
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Kevin Longley
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Kevin Longley
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And His Kingdom Will Have No E
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Kevin Longley
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1109087 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. A Cappella,Christian,Praise...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1109087 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. A Cappella,Christian,Praise & Worship,Religious,Sacred. 10 pages. Kevin Longley #711630. Published by Kevin Longley (A0.1109087). Inspiration While I have recited the Nicene Creed countless times, in July 2021 something changed. The church had cleared the return of the choir, post pandemic, and it was my first Sunday of singing in well over a year. That Sunday as I recited the creed something happened when I reached the line “And His Kingdom Will Have No Endâ€. Was it louder? Was it spoken with greater conviction? Something was different! Maybe it was just me. I'm not sure but all I know is that every Sunday thereafter it had the same impact on me. Within a few weeks I decided to compose a choral piece about that very line. I had to! The Music For the most part the harmony and structure are traditional but do contain harmonic structures with a contemporary flair. The arrangement is refrain, verse, refrain, verse, bridge and then refrain. The first and 3rd refrains are highly similar while the second refrain contains a soprano section descant while featuring the bass's carrying the main melody. The overall intent of the music is that on every return to the refrain, it is louder than the previous refrain. This signifies the singers confidence growing, in the existence of God's Kingdom, after each verse. With that said the piece starts quietly, almost being heard from a distance. The refrain lyrics speak to the hope that we carry for God's kingdom while the verses speak to God and Jesus in a more intimate way. The bridge speaks to the strength of the Kingdom and then leads back to the opening refrain, now in double forte. The high point in the piece is reached where volume, emotion and a significant ritard occur at the phrase “we'll be togetherâ€. From there the piece decreases in volume ending in a quiet confidence repeating “No end, no end, no endâ€.
$1.99
The Gift to Sing - SATB choir
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Chorale SATB
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Gospel Spirituel
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Musique Sacrée
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Francis Kayali
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The Gift to Sing - SATB choir
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Francis Kayali
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.973048 Composed by Francis Kayali. 20th Century,Contemporary. Octavo. 19 pages. Francis Kayali #6230277. Published by Fran...
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Choral Choir (SATB) - SKU: A0.973048 Composed by Francis Kayali. 20th Century,Contemporary. Octavo. 19 pages. Francis Kayali #6230277. Published by Francis Kayali (A0.973048). The Gift to Sing is a poem by James Weldon Johnson (1871-1938) published in 1917. The central theme of the text is one of optimism and resilience, using the power of song – meaning, more broadly, art or any kind of artful, heightened expression – to overcome adversity. Although the poem can be interpreted broadly to pertain to any kind of struggle, it is likely that Johnson, as a civil-rights activist was alluding more specifically to the oppression African-Americans in the United States, a struggle that continues to this day, in 2020. I composed this setting in September of 2020, right after the Black Lives Matter protests that took place that summer, so current events played a role in this interpretation on my part as well. If one reads the poem as pertaining the continued struggle of African Americans, some passages may come across as ambiguous. For instance, I brood not over the broken past should not be taken as suggesting that the horrors of the past should be forgotten, but as an injunction that the memory of these horrors should not discourage us or diminish our resolve to work toward overcoming the injustices. The musical inspiration for the opening of the piece comes from the song Lonesome Valley, which starts with a pentatonic melodic gesture. The pentatonic scale is often used in African American Spirituals, Christian hymns, and folksongs (e.g., Swing Low, Sweet Chariot, Amazing Grace, How Can I Keep from Singing?, Red River Valley, Oh Shenandoah). The more rhythmic parts take inspiration from the African-American spiritual tradition, as found for instance in the choral music of Moses Hogan (1957-2003). Meanwhile, the tenor solo at the end, is intended to be very loud, bright, and without the pronounced vibrato one would find in a Western operatic style. This kind of bright and intense vocal sound is not unfamiliar to most listeners, who may have encountered it in places as varied as Sacred Harp singing, the opening of the Lion King soundtrack, or the Muslim call to prayer.
$1.99
Tolkien Song: 'The Riddle Song'
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Chorale SATB
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DÉBUTANT
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Charles McCreery
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Tolkien Song: 'The Riddle Song
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St Maur Music
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SheetMusicPlus
Choral Choir (Mixed) - Level 1 - SKU: A0.1007142 Composed by Charles McCreery. 20th Century,Children,Contemporary,Romantic Period. Octavo. 8 pages. St M...
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Choral Choir (Mixed) - Level 1 - SKU: A0.1007142 Composed by Charles McCreery. 20th Century,Children,Contemporary,Romantic Period. Octavo. 8 pages. St Maur Music #5044457. Published by St Maur Music (A0.1007142). This song is one of a series of Fourteen Tolkien Songs.. A comment on the collection by an Oxford piano teacher:‘For those who only know Tolkien via the recent blood-and-thunder films, this song-cycle by Charles McCreery will give a very different angle on the classic saga. Here we find a gentle and ethereal world, where rhythms lilt and words echo. The twelve songs, suitable for choir, evoke a dreamy, water-colour landscape with no harsh sounds, the tunes are singable and in a traditional style that Tolkien would surely have approved.' - Dr Julia Gasper, LGSMA general comment on Charles McCreery’s music by a violinist and composer in the USA: ‘Charles McCreery’s beautifully melodic, intricately textured compositions are infused with classical, romantic and folk idioms.’ - Samantha Gillogly The Riddle Song is appropriate for either women’s or children’s voices, and is potentially of interest to anyone who is familiar with the works of J.R.R. Tolkien. The vocal part be printed out separately at the end of the full score. The MP3 which plays from this page is of an orchestral version of the song.
$4.55
Where'd All The Time Go?
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Chorale SATB
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FACILE
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Dr
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Matthew Udland
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Where'd All The Time Go?
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Midwest A Cappella
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1202738 By Dr. Dog. By Scott Mcmicken and Toby Leaman. Arranged by Matthew Udland. A Cappella,Contemporary,Folk,...
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Choral Choir (SATB) - Level 2 - SKU: A0.1202738 By Dr. Dog. By Scott Mcmicken and Toby Leaman. Arranged by Matthew Udland. A Cappella,Contemporary,Folk,Pop,Singer/Songwriter. Octavo. 10 pages. Midwest A Cappella #801503. Published by Midwest A Cappella (A0.1202738). Dr. Dog's groovy song, Where'd All the Time Go, makes a WONDERFUL a cappella arrangement for your SSATB group with a tenor or alto soloist. The rhythmic displacement at the end of the chorus drives this song to a really satisfying and entertaining end. Definitely recommend for your early or intermediate a cappella ensemble!
$2.50
Sound the Bell of Holy Freedom: Come to Us, O Holy Spirit (Downloadable Concertato Choral Score)
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Chorale SATB
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FACILE
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Normand Gouin
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8
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Sound the Bell of Holy Freedom
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Congregation, SATB choir, brass quintet, timpani, suspended cymbal, organ - Moderately Easy - SKU: MQ.60-6015-E Composed by Normand Gouin. Cathedral Ser...
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Congregation, SATB choir, brass quintet, timpani, suspended cymbal, organ - Moderately Easy - SKU: MQ.60-6015-E Composed by Normand Gouin. Cathedral Series. Ordination, Pentecost, Confirmation, Ordination/Installation, 21st Century. Instrument parts. 12 pages. MorningStar Music Publishers - Digital Sheet Music #60-6015-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-6015-E). English.This new hymn, with words by Andrew Ciferni and music by Normand Gouin, was chosen as the official hymn of the World Meeting of Families 2015, and it will be used at the liturgies in Philadelphia during Pope Francis' first visit to the United States. This festive concertato features brass and percussion, and includes a special introduction appropriate for a solemn procession. The arrangement may also be pared down to fit available musical resources and liturgical use. It includes a second text, by Anthony Corvaia, that invokes the Holy Spirit and is appropriate for general use and for Pentecost. A special optional verse is provided for use at Confirmation and Ordination.Instrumental parts packet includes: Trumpets I and II C and in B-flat, Trombones I and II, Horn in F (sub for Trombone I), Bass Trombone/Tuba, Timpani, Suspended Cymbal, OrganNotes regarding Congregation Card Pack, 60-6015C: Printed on white card stock and are sold in quantities of 50 packs. Dimensions: 5.5†width; 8.5†length. Notes regarding Downloadable Congregation Part, file_60-6015C-E:Purchaser may reproduce this page for the congregation under these circumstances:-With valid license from OneLicense or LicenSing. -Usage must be reported to either OneLicense or LicenSing. -Copyright notice must be included. -If the purchaser does not have a license from OneLicense or LicenSing, one may be obtained directly from the publisher. Click here to email the MorningStar Music Publishers Copyright Department. -If the purchaser does not wish to purchase a license, then they should purchase the printed congregational cards, product 60-6015C. Notes regarding SATB/Accompaniment Hymn Only:This publication serves as the accompaniment to the hymn Sound the Bell of Holy Freedom. The publication may also be used as a simple SATB version for the choir. If used by the choir, multiple copies need to be purchased. -Reprint permission is not included with the purchase of this publication.-Multiple copies must be purchased for additional instrumentalists, or the choir.-This publication is available in two forms, either as a downloadable publication, or as a printed publication.
$2.65
Psalm 100 (Make a Joyful Noise to the Lord) (Downloadable)
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Chorale SATB
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FACILE
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Gospel Spirituel
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David Hurd
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Psalm 100
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and organ - Moderately Easy - SKU: MQ.8456-E Composed by David Hurd. Building Dedication, African American Heritage, New Year, Wedding. 15 pa...
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SATB choir and organ - Moderately Easy - SKU: MQ.8456-E Composed by David Hurd. Building Dedication, African American Heritage, New Year, Wedding. 15 pages. Duration 3 minutes, 20 seconds. E. C. Schirmer Music Company - Digital #8456-E. Published by E. C. Schirmer Music Company - Digital (MQ.8456-E). English. Psalms 100.This anthem was commissioned by Dorothy Yates to mark the 50th anniversary of St. Dunstan’s Episcopal Church, Atlanta, Georgia. The text is announced by a brief fanfare on the organ. The raised 4th scale degree of the opening theme suggests the Lydian mode and accentuates the music’s upward thrust. Following the opening fanfare, the setting passes back and forth between duple and triple meter several times. Triple and duple rhythmic elements occur simultaneously and play off of one another. In the anthem’s middle section, the rhythmic energy of the opening is exchanged for a gentle extended crescendo as voices alternately sing their four-note, stepwise, rising lines over sustained organ chords. Then, the more energetic and somewhat metrically ambiguous elements of the previous section return. Finally, the text and music heard at the anthem’s opening recur in the manner of an antiphon. Duration: 3:20.
$2.85
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