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--INSTRUMENTS--
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27
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25
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4
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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Crtitères actifs :
choral (SSA)
Chorale SATB
Partitions à imprimer
3 799 partitions trouvées
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3776
Psalm 23 (from Missa Brevis)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Mark D
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Psalm 23
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Mark Templeton Choral Music
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SheetMusicPlus
Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Sacred. Sheet Music Single. 3 pages. Mark Templeton Choral Music #MTN015. ...
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Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Sacred. Sheet Music Single. 3 pages. Mark Templeton Choral Music #MTN015. Published by Mark Templeton Choral Music
For SATB chorus a cappella. This title is the third movement from Mark Templeton's "Missa Brevis."Mark Templeton, born 1974, is an American choral composer, conductor, and countertenor. Templeton?s music has been performed across the world at various international festivals and ACDA conventions. Some of his music is published by Santa Barbara Music Publishing, and he has recently started to self-publish. He teaches and resides with his wife, Becca, at West Nottingham Academy in Colora, Maryland, the oldest boarding school in the United States. He also enjoys coaching, playing, and watching soccer when he is not working. He is available for commission upon request.
$1.99
The City In the Sea: Choral Tone Poem
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Chorale SATB
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AVANCÉ
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Contemporain
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Pu...
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Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Skye Boat Song - Outlander Main Title Theme - for Choir SSATB and Piano Accompaniment
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Chorale SATB
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INTERMÉDIAIRE
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Scottish Folk Song
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Flavio Regis Cunha
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Skye Boat Song - Outlander Mai
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Flavio Regis Cunha
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1485320 By Scottish Folk Song. By Scottish Folk Song. Arranged by Flavio Regis Cunha. Contest...
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Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1485320 By Scottish Folk Song. By Scottish Folk Song. Arranged by Flavio Regis Cunha. Contest,Early Music,Festival,Film/TV,Instructional,Wedding. 9 pages. Flavio Regis Cunha #1062384. Published by Flavio Regis Cunha (A0.1485320). Skye Boat Song - Outlander Main Title Theme - for SSATB and Piano AccompanimentArtist Traditional Scottish FolksongComposer Traditional Scottish FolksongArranger Flavio Regis CunhaDescriptionDo you want to bring a bit of Scotland to your choir? Look no further than our sheet music of Skye Boat Song - from Outlander Main Title Theme - for SSA and Piano Accompaniment. Perfect for churches, school choirs, and professional SSA ensembles, this traditional Scottish folksong is full of energy and history. With this sheet music, you can add a unique flavor to your performance and transport your choir to the highlands! Stop searching for the right song and get ready to take your choir on an unforgettable musical journey. Get your sheet music now and experience the rich culture of Scotland in no time.This arrangement, featuring a solo Soprano and SSA choir with Piano accompaniment, reharmonizes the traditional folk song with a contemporary twist. This arrangement would work well for any a cappella high school, college, or community choir looking for modern arrangements of traditional folk songs.Level: Intermediate.Format: OctavoSize: 9 pages.Engraved with Urtext Kappelmeister FontsDuration: 2:30 min.NotesSkye Boat Song is one of my favoryte folk songs from the British Isles. Skye refers to the Island of Skye, a large island off the northwest coast os Scotland. There are several texts to this song; all refer, more or less, to an uprising of Scottish dissidents against the English is 1745-46. After their defeat, they fled to the Island of Skye. The text used here by the poet Robert Louis Stevenson. Scholars attribute the first half of the melody to an old se chantey and suspect thea the second half may have benn written by Annie MacLeod. ARRANGEMENT DETAILSVoicing SSATB Choir and Piano AccompanimentDifficulty IntermediateGENRE DETAILS Genres A Cappella, Classical, Film/TV, Holiday, Wedding.
$2.99
Missa Solemnis for mixed choir, soloist voices and organ - Full
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Santino Cara
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Missa Solemnis for mixed choir
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Santino Cara
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.516511 Composed by Santino Cara. Sacred. Octavo. 90 pages. Santino Cara #13549. Published by Santino Cara...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.516511 Composed by Santino Cara. Sacred. Octavo. 90 pages. Santino Cara #13549. Published by Santino Cara (A0.516511). The Solemn Mass CS524 for chorus of mixed voices, soloist voices and organ, was composed in Rome by Santino Cara at the end of 1999, and published in 2001. This Mass retraces the six classical canons Latin of the Roman Missal: Kyrie, Gloria, Credo, Sanctus-Benedictus and Agnus Dei. In addition to the complete score of the entire Mass, within the pdf file, are also included the separate part for choir and soloists voice. Movements and voices: 1. Kyrie - Choir SATB 2. Gloria - SATB choir and soloist voices (soprano, alto, tenor, and bass) 3. Credo - SSAATTBB choir and soloist voices (soprano, tenor and bass) 4. Sanctus - Choir SABrB and Variation on the Sanctus for solo voices 5. Benedictus - Choir SABrB 6. Agnus Dei - Choir SATB.
$20.20
IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M...
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Choral Choir (SATB) - Level 3 - SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation. Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and B♠Clarinet. The key signature of the anthem is B♠Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major). The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune.
$2.99
Have Yourself A Merry Little Christmas (SSAA a cappella)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Frank Sinatra
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Brandy Kay Riha / BK Riha
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Have Yourself A Merry Little C
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Brandy Kay Riha
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SheetMusicPlus
SSAA - Advanced Intermediate - By Frank Sinatra. Arranged by Brandy Kay Riha / BK Riha. Sheet Music Single. 6 pages. Published by Brandy Kay Riha ...
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SSAA - Advanced Intermediate - By Frank Sinatra. Arranged by Brandy Kay Riha / BK Riha. Sheet Music Single. 6 pages. Published by Brandy Kay Riha
This jazzy arrangement of a standard features some nuances in the pitch and rhythm of the melody.
With a Master of Music in Choral Conducting and a Bachelor of Arts in Music Theory & Performance, Brandy Kay Riha is an a cappella educator and arranger with a special interest in building treble repertoire. Her innovative yet accessible arrangements have been performed by middle school, high school, and collegiate singers around the world.
$4.00
MISSA CUM IUBILO
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Aurelio Porfiri
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MISSA CUM IUBILO
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CHORALIFE
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1014174 Composed by Aurelio Porfiri. Christian,Contemporary,Sacred,Spiritual. Octavo. 11 pages. CHORALIFE #58664...
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Choral Choir (SATB) - Level 4 - SKU: A0.1014174 Composed by Aurelio Porfiri. Christian,Contemporary,Sacred,Spiritual. Octavo. 11 pages. CHORALIFE #5866413. Published by CHORALIFE (A0.1014174). Mass alternating and based on the chant melodies of the Missa Cum Iubilo for Soprano, Alto, Tenor, Bass and Organ.Kyrie, Gloria, Sanctus, Agnus Dei.
$10.99
Choral Responses for Worship
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Chorale SATB
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DÉBUTANT
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Musique Sacrée
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Dale Grotenhuis
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Choral Responses for Worship
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Sacred Music Press
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SheetMusicPlus
SATB choir - Easy SKU: LO.10-1503S Composed by Dale Grotenhuis. Choral. Sacred Anthem. Octavo. Sacred Music Press #10/1503S. Published by Sacred Music Pr...
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SATB choir - Easy SKU: LO.10-1503S Composed by Dale Grotenhuis. Choral. Sacred Anthem. Octavo. Sacred Music Press #10/1503S. Published by Sacred Music Press (LO.10-1503S). UPC: 000308033885.
Song List
: Amens Choral Responses For Worship Call To Worship Invitation To Prayer Prayer Response Dismissal Sentence
$3.20
Choral Responses for Worship
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Chorale SATB
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Musique Sacrée
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Emma Lou Diemer
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Choral Responses for Worship
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Sacred Music Press
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SheetMusicPlus
SATB choir SKU: LO.S478 Composed by Emma Lou Diemer. Choral. Sacred Anthem. Octavo. Sacred Music Press #S478. Published by Sacred Music Press (LO.S478). ...
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SATB choir SKU: LO.S478 Composed by Emma Lou Diemer. Choral. Sacred Anthem. Octavo. Sacred Music Press #S478. Published by Sacred Music Press (LO.S478). UPC: 000308009736.
Song List
: Three-Fold Amen, pgs. 10, 11 Two-Fold Amen, pg. 10 Six-Fold Amen, pg. 12 Response to Scripture Reading, Prayer Response, pgs. 8, 9 Opening Sentences, pgs. 2-6 Invitation to Prayer, pgs. 6, 7 Dismissal Sentence, pgs. 13-15 Four-Fold Amen, pgs. 11, 12 pg. 9
$3.20
Sanctus - Benedictus (SSA)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Curtis Hanson
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Sanctus - Benedictus
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Curtis Hanson
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.719528 Composed by Curtis Hanson. Christian,Sacred. Octavo. 6 pages. Curtis Hanson #2033063. Published by Curti...
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Choral Choir (Mixed) - Level 3 - SKU: A0.719528 Composed by Curtis Hanson. Christian,Sacred. Octavo. 6 pages. Curtis Hanson #2033063. Published by Curtis Hanson (A0.719528). The Sanctus - Benedictus is an SSA arrangement of the 4th movement of the composer's Missa Millennia in Honor of St. Francis. Completely in Latin, a soprano solo sings the Sanctus and the full women's chorus intones the Benedictus on the same melody.
$2.00
MISSA SANCTI IOSEPH
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Aurelio Porfiri
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MISSA SANCTI IOSEPH
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CHORALIFE
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.1014180 Composed by Aurelio Porfiri. A Cappella,Contemporary,Sacred,Spiritual. Octavo. 11 pages. CHORALIFE #588...
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Choral Choir (Mixed) - Level 4 - SKU: A0.1014180 Composed by Aurelio Porfiri. A Cappella,Contemporary,Sacred,Spiritual. Octavo. 11 pages. CHORALIFE #5884407. Published by CHORALIFE (A0.1014180). This Mass was composed in thanksgiving for the 90th birthday of Pope emeritus Benedict XVI and offered to him. It has Kyrie, Gloria, Sanctus, Agnus Dei and Communio. It is set for Alto, Tenor and Bass a cappella and it is inspired from Renaissance music style.
$7.99
Maoz Tsur (SSAATTBB)
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Chorale SATB
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INTERMÉDIAIRE
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Klezmer
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Traditional
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Maoz Tsur
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Lagom Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.723289 Composed by Traditional. Arranged by Michael Berg Raunick, Garrett Breeze. Hanukkah,Jewish,Multicultural,...
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Choral Choir (SATB) - Level 3 - SKU: A0.723289 Composed by Traditional. Arranged by Michael Berg Raunick, Garrett Breeze. Hanukkah,Jewish,Multicultural,Sacred,World. Octavo. 8 pages. Lagom Music #6084107. Published by Lagom Music (A0.723289). This beautiful Hanukkah choral arrangement was written by Michael Berg Raunick and Garrett Breeze for the North Central High School Counterpoints of Indianapolis, IN. The piece features a solo on the first verse, an a cappella chorus on the second first and a majestic key change leading into the third. Maoz Tsur translated means Stronghold of Rock and the beautiful text will bring joy to any holiday concert. Also available in: SATB: http://bit.ly/3bguo5q SSA: http://bit.ly/3hP2w9S Visit https://garrettbreeze.com to read my blog and discover new music! Check out my catalog of choral music at https://holidaychoirmusic.com! Subscribe to my YouTube channel at https://bit.ly/35HZC2d! Lyrics: Maoz Tzur Yeshuati, lekha naeh leshabeah. Tikon beit tefilati, vesham toda nezabeah. Leat takhin matbeah mitzar hamnabeah. Az egmore beshir mizmor hanukat hamizbeah. Yevanim nikbetzu alai, azai bimei Hashemanim. Ufartzu homot migdalai, vetim'u kol hashemanim. Ufartzu homot migdalai, vetim'u kol hashmanim. Uminotar kankanim naasanes lashoshanim. B'nei vina yemei shmona kav'u shir urenanim. Yai lay lai, lai lai lai lai lai lai lai. Yai lai lai lai lai. Yai lai lai. Yai lay lai, lai lai lai lai lai lai lai. Ah. Maoz Tzur Yeshuati, lekha naeh leshabeah. Tikon beit tefilati, vesham toda nezabeah. Leat takhin matbeah mitzar hamnabeah. Az egmore beshir mizmor hanukat hamizbeah.
$2.75
The keeper did a hunting go (SSA)
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Chorale SATB
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INTERMÉDIAIRE
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Traditional
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David Warin Solomons
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The keeper did a hunting go
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David Warin Solomons
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.575605 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. Octavo. 4 pages. Dav...
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Choral Choir (Mixed) - Level 3 - SKU: A0.575605 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. Octavo. 4 pages. David Warin Solomons #2026281. Published by David Warin Solomons (A0.575605). Arrangement for three part choir of the traditional English folk song The keeper did a hunting go (with a repeated punning subtext Run away my dear) The sound sample is performed by Matthew Curtis of choraltracks.com 3 versions are available: Mixed voices (Mezzo-soprano (or alto) alto and bass) Men's voices (Alto Tenor Bass) Women's voices (2 sopranos and alto).
$2.99
Veni, Veni, Emmanuel SSATB version
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Chorale SATB
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INTERMÉDIAIRE
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James W
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Veni, Veni, Emmanuel SSATB ver
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Knox Music
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.942864 Composed by James W. Knox. Christmas,Contemporary,Sacred. Octavo. 42 pages. Knox Music #4786973. P...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.942864 Composed by James W. Knox. Christmas,Contemporary,Sacred. Octavo. 42 pages. Knox Music #4786973. Published by Knox Music (A0.942864). Veni, Veni, Emmanuel (O come, O come, Immanuel) is one of the most popular Advent pieces. The composition was commissioned for Patrick Jaskolka, Deputy Choir Director and Child Choirmaster from Aalto Opera House in Essen, Germany. The piece starts off reflective with the long expectation of Christ coming into the world. It quickly goes into a lively-celebratory manner filled with lush harmonies and beautiful sweeping lines throughout. A wonderful concert opener!Originally written for SSA and pianoThis is the SSATB version
$3.50
Coventry Carol SSATB
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Chorale SATB
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DÉBUTANT
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Unknown
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Michael Myrick
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Coventry Carol SSATB
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MICHAEL MYRICK
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.765695 Composed by Unknown. Arranged by Michael Myrick. A Cappella,Christian,Christmas,Renaissance,Sacred. Octav...
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Choral Choir (SATB) - Level 1 - SKU: A0.765695 Composed by Unknown. Arranged by Michael Myrick. A Cappella,Christian,Christmas,Renaissance,Sacred. Octavo. 8 pages. MICHAEL MYRICK #6473741. Published by MICHAEL MYRICK (A0.765695). Here is a hauntingly beautiful arrangement of the English Coventry Carol. The piece opens with SSA and unison men, a cappella. Each verse is crafted to reflect the deep meaning of the text then, ending with a return to the opening section. This is an excellent choice for choirs with a limited numbers of TB voices. Based on Matthew 2:16-18.
$2.20
Sanctus (Missa Luba) A Cappella
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Chorale SATB
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INTERMÉDIAIRE
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Traditional Congolese melodies
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Andrew Emmet
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Sanctus
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Andrew J Emmet
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.719014 Composed by Traditional Congolese melodies with Latin text. Arranged by Andrew Emmet. A Cap...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.719014 Composed by Traditional Congolese melodies with Latin text. Arranged by Andrew Emmet. A Cappella,Christian,Latin,Sacred,Spiritual. 6 pages. Andrew J Emmet #4627773. Published by Andrew J Emmet (A0.719014). SSAATB A Cappella.
$4.00
Joseph, Thou Son of David (Matthew 1 : 20-21) : SSAATB or SSATB Choir Acapella
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Chorale SATB
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M
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Joseph, Thou Son of David
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Vocal Works
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.741923 Composed by M. Ryan Taylor. 20th Century,A Cappella,Christian,Christmas,Contemporary,Sacred. Octavo. 6 pages. Vocal...
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Choral Choir (SATB) - SKU: A0.741923 Composed by M. Ryan Taylor. 20th Century,A Cappella,Christian,Christmas,Contemporary,Sacred. Octavo. 6 pages. Vocal Works #484783. Published by Vocal Works (A0.741923). It is difficult to find Christmas music that focuses on the role of Joseph, Christ’s foster father. That is one of the reasons I chose to set this text, it is a part of the story that is often left out. The other reason is that this it contains one of the first New Testament prophecies concerning Christ, the revelation that Jesus will save his people from their sins. That seems to be what Joseph needed to know at the time. Joseph was perhaps the third convert, after Mary and Martha. Demo: https://mryantaylor.bandcamp.com/track/joseph-thou-son-of-david-demo . . . Joseph, thou son of David, fear not to take unto thee Mary thy wife: for that which is conceived in her is of the Holy Ghost. And she shall bring forth a son, and thou shalt call his name JESUS: for he shall save his people from their sins.
$1.99
Missa super «Pour ung plaisir» (Amon)
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Chorale SATB
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INTERMÉDIAIRE
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Blasius Amon
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Aristotle A
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Missa super «Pour ung pl
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CantemusDomino.Net
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1003385 Composed by Blasius Amon. Arranged by Aristotle A. Esguerra. Christian,Classical,Renaissance,Sacred,Worl...
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Choral Choir (SATB) - Level 3 - SKU: A0.1003385 Composed by Blasius Amon. Arranged by Aristotle A. Esguerra. Christian,Classical,Renaissance,Sacred,World. Octavo. 16 pages. CantemusDomino.Net #3539299. Published by CantemusDomino.Net (A0.1003385). A polyphonic mass for SATB choir by Blasius Amon (or Ammon) (c.1560–1590) consisting of the following movements:1. Kyrie (~1:10);2. Gloria (~2:45 plus chanted Gloria incipit [not included in score]);3. Credo* (~5:30 plus chanted Credo incipit [not included in score]);4. Sanctus (~0:45);5. Benedictus** (~0:40);5b. Hosanna (~0:25; sung after both Sanctus and Benedictus)6. Agnus Dei I (~0:40 per invocation).*Credo includes a passage for SA duet and a passage for TB duet.**Benedictus is SAT.Total length: ~13:40 (all movements); ~8:10 (without Credo); ~5:25 (without Gloria and Credo)Key: C majorRange requirements (middle C = C4):· Cantus [Soprano]: C4–E5· Altus [Alto]: G3–A4· Tenor: F3–G4· Bassus [Bass]: A2–C4Format: 8.5x11Systems per page: 4 (5 for Benedictus; 3 for Agnus Dei)Accompaniment: none
$4.50
Missa Brevis
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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William Hawley
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Missa Brevis
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William Hawley
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.889672 Composed by William Hawley. A Cappella,Contemporary. Octavo. 28 pages. William Hawley #3411665. Pu...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.889672 Composed by William Hawley. A Cappella,Contemporary. Octavo. 28 pages. William Hawley #3411665. Published by William Hawley (A0.889672). William Hawley's Missa Brevis, commissioned and premiered by The Dale Warland Singers (audio clip of complete Kyrie) is for SSAATTBB Choir, a cappella. 28 pp. Duration: 14 minutes. ASCAP http://williamhawley.net
$4.50
Palestrina-Missa O Regem cœli,from 'Missarum liber primus(Missarum,Liber 1)',P 655-659 No.2,for A Ca
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Chorale SATB
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INTERMÉDIAIRE
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Classique
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Giovanni Pierluigi da Palestri
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MSM
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Palestrina-Missa O Regem c&oel
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Open Cloud
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.672356 Composed by Giovanni Pierluigi da Palestrina. Arranged by MSM. A Cappella,Classical,Romantic Perio...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.672356 Composed by Giovanni Pierluigi da Palestrina. Arranged by MSM. A Cappella,Classical,Romantic Period. 120 pages. Open Cloud #4999949. Published by Open Cloud (A0.672356). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Palestrina (Palestrina Giovanni Pierluigi da), 1525-1594, for A Cappella, published by More Sheet Music Press.
$13.99
KYRIE I - From Missa in B minor - Bwv 232 - Arr. SSATB Choir and organ
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Chorale SATB
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Classique
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Johann Sebastian Bach
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Renato Tagliabue
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KYRIE I - From Missa in B mino
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Renato Tagliabue
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SheetMusicPlus
Choral Choir (SATB divisi) - SKU: A0.724802 Composed by Johann Sebastian Bach. Arranged by Renato Tagliabue. Baroque,Sacred. Octavo. 14 pages. Renato Ta...
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Choral Choir (SATB divisi) - SKU: A0.724802 Composed by Johann Sebastian Bach. Arranged by Renato Tagliabue. Baroque,Sacred. Octavo. 14 pages. Renato Tagliabue #5317215. Published by Renato Tagliabue (A0.724802).
$2.19
KYRIE I - From Missa in B minor - Bwv 232 - Arr. SSATB Choir and organ
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Chorale SATB
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Classique
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Johann Sebastian Bach
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Renato Tagliabue
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KYRIE I - From Missa in B mino
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Renato Tagliabue
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SheetMusicPlus
Choral Choir (SATB divisi) - SKU: A0.726275 Composed by Johann Sebastian Bach. Arranged by Renato Tagliabue. Baroque,Christian,Spiritual. Octavo. 14 pag...
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Choral Choir (SATB divisi) - SKU: A0.726275 Composed by Johann Sebastian Bach. Arranged by Renato Tagliabue. Baroque,Christian,Spiritual. Octavo. 14 pages. Renato Tagliabue #5316871. Published by Renato Tagliabue (A0.726275).
$12.50
AGNUS DEI II (From Missa brevis by Palestrina - For SSATB Choir (SS in Canon)
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Chorale SATB
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G
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AGNUS DEI II
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Renato Tagliabue
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SheetMusicPlus
Choral Choir (SATB divisi) - SKU: A0.724124 Composed by G.P.L. da Palerstrina. Christian,Renaissance,Sacred,Spiritual. Octavo. 3 pages. Renato Tagliabue...
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Choral Choir (SATB divisi) - SKU: A0.724124 Composed by G.P.L. da Palerstrina. Christian,Renaissance,Sacred,Spiritual. Octavo. 3 pages. Renato Tagliabue #3493979. Published by Renato Tagliabue (A0.724124).
$2.29
Northwest Passage (Downloadable Piano/Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Z
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Northwest Passage
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir, wind quintet and string quartet or piano - Medium - SKU: MQ.1.3438-E Composed by Z. Randall Stroope. Advanced/Collegiate. Secular, 21st Cent...
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SATB choir, wind quintet and string quartet or piano - Medium - SKU: MQ.1.3438-E Composed by Z. Randall Stroope. Advanced/Collegiate. Secular, 21st Century, Creation/Nature. Score & instrument part. 24 pages. Duration 8 minutes, 25 seconds. Galaxy Music Corporation - Digital #1.3438-E. Published by Galaxy Music Corporation - Digital (MQ.1.3438-E). English.Northwest Passage is a set of “poetic landscapes†that reflects on three elements of the great Northwest of the United States—rivers, mountains, and prairies. Each sonic reflection (movement) combines to form a larger image, not unlike someone standing on a vista and seeing rivers, mountains, and prairies—each distinct, but part of one vast expanse.The work is scored for two versions: mixed chorus and piano, or mixed chorus, wind quintet, and string quartet. The harmonic vocabulary of the work maintains an uncomplicated, transparent (“organicâ€) approach in describing nature. The melodic vocabulary immediately pulls the listener's eye to the image, and rhythm is used as the underlying spark that is subtly ever changing and unpredictable. These three poetic landscapes should be performed without applause between movements.1. A Willow by the River|William Carlos Williams was a medical practitioner, pediatrician, and an avid writer. He wrote short stories, novels, plays, critical essays and, of course, poetry. The subjects of his writing were often “local†images, and he preferred to see the world “as it is,†without unnecessary trappings or “airs.†He was an important mentor to many younger poets of his day. “Willow Poem†(A Willow by the River) has no rhyme scheme but is comprised of fourteen individual lines. The willow is the focus of the poem (by its title and content) and how it never changes but will always “be.†The river represents, among other things, life quickly moving by and in a constant state of motion.2. Mountains|Marjorie Seiffert (who often used the pseudonyms Elijah Hay or Angela Cypher) led an incredibly full and balanced life. College introduced her to a world beyond her domestic and civic life and, as a result, she wanted to experience self-empowerment and independence. She prided herself in being a spouse, mother and maintaining a full slate of professional appearances and commissions for writing. Her poetry is vivid, keenly “visual,†and full of fast-paced, tightly woven ideas. “Mountain trails†(Mountains) was written at Glacier Park, Montana in September 1917.3. The Prairie|John Hay was an American statesman who was personal assistant to Abraham Lincoln. He also served as U. S. Secretary of State and Ambassador to Great Britain. He was a cultivated man of letters and wrote poetry which was straightforward in design and delivery. Nature was often the subject of his creative output. -Z. Randall StroopeDuration: 8:25Instrumental Parts packet includes: Flute, Oboe, Clarinet, Horn, Bassoon, Strings (1-1-1-1).
$3.20
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choral (SSA)