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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
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FILM - TV
FILM WALT DISNEY
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FLAMENCO
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
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Vendeurs (tous)
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Pertinence
Ventes
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A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
15257
PIANO & CLAVIERS
Piano seul
17863
Piano, Voix
3728
Piano Facile
3125
Orgue
1400
1 Piano, 4 mains
547
Piano, Voix et Guitare
525
Instruments en Do
481
Accompagnement Piano
311
Piano Trio: piano, violon, violoncelle
163
2 Pianos, 4 mains
124
Accordéon
91
Piano Quatuor: piano, violon, alto, violoncelle
58
Clavecin
48
Orgue, Trompette (duo)
40
Piano Quintette: piano, 2 violons, alto, violoncelle
28
Piano Quatuor: piano, 2 violons, violoncelle
23
Orgue, Piano (duo)
21
Piano (partie séparée)
19
1 Piano, 6 mains
14
Clavier
14
2 Pianos, 8 mains
6
Piano grosses notes
3
2 Accordéons
2
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GUITARES
Guitare
1581
Guitare notes et tablatures
827
2 Guitares (duo)
219
Ukulele
167
Piano, Guitare (duo)
139
Ligne De Mélodie, (Paroles) et Accords
105
Basse electrique
81
4 Guitares (Quatuor)
45
Mandoline
32
Guitare (partie séparée)
31
Dulcimer
30
Ensemble de guitares
24
3 Guitares (trio)
22
Banjo
17
Ukulele Baryton
11
2 Ukuleles
9
Mandoline, Guitare (duo)
6
Paroles et Accords
6
2 Mandolines (duo)
5
Basse électrique (partie séparée)
4
Guitare, Violon, Violoncelle (trio)
3
Ensemble de Ukulélés
2
2 Dulcimers (duo)
1
Luth
1
Mandoline, Piano (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
4469
Chorale 3 parties
1305
Chorale 2 parties
1025
Chorale Unison
547
Chorale TTBB
486
Chorale SSAA
293
Voix duo, Piano
224
Voix seule
198
Voix duo
73
Voix Soprano, Piano
70
Voix Alto, Piano
39
Voix Tenor, Piano
37
Voix Tenor
34
Chorale
31
Voix Soprano
26
Voix haute
25
Chorale SSAATTBB
24
Voix basse, Piano
15
Voix moyenne, Piano
13
Chorale SSATB
11
Voix Baryton, Piano
7
Chorale SSATTB
6
Voix Mezzo-Soprano, Piano
6
Voix basse
4
Chorale SATBB
2
Male Voice
2
Chorale SSAB, Piano
2
Voix Baryton
1
Soli, choeur mixte et accompagnement
1
Chorale SAATB A Cappella
1
Voix duo, Orgue
1
Chorale SSAATB
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
1553
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1365
Clarinette et Piano
1270
Quatuor de Saxophones: 4 saxophones
1250
Hautbois, Piano (duo)
1091
Flûte, Hautbois, Clarinette, Basson
985
Saxophone Alto et Piano
896
Quatuor de Clarinettes: 4 clarinettes
892
2 Saxophones (duo)
797
Flûte traversière
785
Clarinette
735
Saxophone Tenor et Piano
598
Quintette de Saxophone: 5 saxophones
546
2 Flûtes traversières (duo)
503
2 Clarinettes (duo)
429
Quatuor de Flûtes : 4 flûtes
383
Saxophone Alto
338
3 Saxophones (trio)
324
Saxophone Soprano et Piano
311
Saxophone (partie séparée)
306
Ensemble de Clarinettes
281
Hautbois (partie séparée)
256
3 Clarinettes (trio)
256
Saxophone Baryton, Piano
232
Ensemble de Flûtes
228
Saxophone Tenor
201
2 Hautbois (duo)
195
Flûte, Clarinette (duo)
193
Trio de Flûtes: 3 flûtes
172
Quintette de Clarinettes: 5 clarinettes
159
Ensemble de saxophones
150
Hautbois
144
2 Flûte à bec (duo)
141
Flûte et Guitare
141
Clarinette (partie séparée)
128
Saxophone
127
Hautbois, Basson (duo)
126
Quatuor de Flûtes à bec
113
Flûte, Hautbois, Clarinette (trio)
110
Clarinette, Basson (duo)
108
Quintette de Flûte : 5 flûtes
105
Saxophone, Clarinette (duo)
98
Clarinette, Violon (duo)
98
Hautbois, Clarinette (duo)
96
Flûte, Violoncelle
95
Clarinette Basse, Piano
95
Flûte à Bec
95
Flûte, Clarinette et Basson
92
Cor anglais, Piano
87
Flûte à bec Soprano
86
Saxophone Soprano
78
Hautbois, Clarinette, Basson (trio d'anches)
74
Saxophone Baryton
73
Flûte, Violon
73
Clarinette, Violoncelle (duo)
67
Flûte à bec Soprano, Piano
60
Clarinette et Alto
59
Clarinette, Harpe (duo)
58
Clarinette, Trompette (duo)
57
Flûte à bec Alto
55
Hautbois, Violoncelle
52
Flûte, Alto (duo)
50
Flûte, Violon, Piano
48
Flûte, Hautbois, Basson
47
Hautbois, Flûte
46
3 Flûtes à bec (trio)
46
Flûte, Saxophone (duo)
46
Ensemble De Flûte à bec
42
Flûte, Harpe et Violoncelle
41
Flûte, Violoncelle, Piano (trio)
41
Flûte, Violon et Violoncelle
40
5 Flûtes à bec
39
Flute (partie séparée)
39
Clarinette, Guitare (duo)
35
2 Flûtes traversières, Piano
35
Flûte, Trompette (duo)
34
Flûte, Hautbois (duo)
33
Flûte à bec Tenor
32
Cor Anglais
32
Flûte à bec Alto, Piano
28
Hautbois et alto (duo)
27
2 Clarinettes, Basson
23
Flûte, Clarinette, Piano (trio)
20
Piccolo, Piano
19
Flûte, Trombone (duo)
18
4 Hautbois
18
Flûte traversière, Orgue (duo)
17
Hautbois, violon (duo)
17
Piccolo
16
Flûte à Bec, Piano
15
2 Clarinettes, Piano
14
Saxophone et Orgue
14
2 Saxophones, Piano
14
Clarinette, Tuba
11
3 Hautbois
11
Flûte, Tuba (duo)
10
Flûte, Violon, Violoncelle et Piano
9
Hautbois, trombone (duo)
9
Clarinette, Violoncelle, Piano (trio)
8
Flute, harpe et violon
8
Hautbois, Guitare (duo)
8
Flûte, Basson et Piano
7
Flûte et Trio à cordes
7
Flûte, alto et harpe
7
2 Cors Anglais Et Pianoforte
7
Flûte à bec Alto, Basse continue
6
Clarinette Basse
6
Cor anglais, Guitare (duo)
6
Flûte, Hautbois, Piano (trio)
6
Ensemble à vent
6
Hautbois, Basson et Piano
6
Ensemble de Hautbois
6
Hautbois, Violin, Alto et Violoncelle (Quatuor)
5
Hautbois, Harpe
5
Clarinette, Orgue
5
Flûte, trombone et piano
5
Flûte, Clarinette, Cor, Basson (Quartet)
5
Flute, Cor (duo)
4
Hautbois, Clarinette et Piano (Trio)
4
Saxophone et Guitare
4
Cornemuse
4
Saxophone, Violon (duo)
4
Clarinette, Basson, Piano (trio)
4
Flûte, Alto et Piano
4
Flûte, Clarinette, Violon (trio)
3
Clarinette, Trombone (duo)
3
Clarinette, Contrebasse (duo)
3
Hautbois, Violon, Piano
3
Harmonica
3
Flûte irlandaise
3
Saxophone et Harpe
2
Hautbois, Violoncelle et Piano
2
Clarinette, Alto et Piano (trio)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte traversière, Basse continue
2
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte et Quatuor à Cordes
1
Hautbois, Orgue
1
Flûte à bec Soprano, Basse continue
1
Clarinette, Saxophone, Piano
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
2 Flûtes à bec, Guitare
1
Clarinette, trompette et piano
1
3 Flûtes à bec, Piano
1
Saxophone et Piano
1
Cor anglais et Harpe (duo)
1
2 Hautbois, Piano
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1200
Trombone et Piano
781
Trompette, Piano
754
Quatuor de Cuivres : 2 trompettes, trombone, tuba
704
Trompette
683
Cor et Piano
566
Trombone
403
Cor
367
Tuba et Piano
359
Quatuor de cuivres: 4 cors
239
Quatuor de Cuivres: 2 trompettes, Cor, trombone
235
Tuba
228
2 Trombones (duo)
227
2 Trompettes (duo)
212
Trompette (partie séparée)
193
Euphonium, Piano (duo)
190
Trombone (partie séparée)
177
2 Cors (duo)
169
Quatuor de cuivres: 4 trombones
153
Quatuor de Cuivres
148
Trompette, Trombone (duo)
124
Trompette, Saxophone (duo)
89
Cor anglais, Piano
87
2 Tubas (duo)
78
Cor (partie séparée)
73
Ensemble de Cors
65
Trompette, Cor (duo)
61
Ensemble de Trombones
58
3 Trombones (trio)
49
Tuba (partie séparée)
47
Quatuor de cuivres: 4 trompettes
39
Euphonium
35
Ensemble de Trompettes
35
Trio de Cuivres
32
Cor Anglais
32
4 Tubas
27
Trompette, Violoncelle (duo)
23
3 Trompettes (trio)
22
2 Euphoniums (duo)
20
Cor, Violoncelle (duo)
20
Trombone, Tuba (duo)
17
Trombone basse
16
Trompette, Tuba (duo)
16
Trombone, Cor (duo)
16
Euphonium, Tuba (duo)
16
Trombone basse et Piano
16
2 Euphoniums et 2 Tubas
16
Cor, Tuba (duo)
14
Trompette, violon (duo)
14
Tuba et Orgue
13
Trombone, Violon (duo)
12
Trombone, Orgue
11
Trompette, Basson (duo)
10
3 Cors (trio)
10
3 Tubas (trio)
8
Cor et Basson (duo)
7
2 Cors Anglais Et Pianoforte
7
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Cor anglais, Guitare (duo)
6
2 Trompettes, Clavier (piano ou orgue)
6
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
5
Trompette et Guitare
4
Cor et Harpe
4
Cor et Orgue
4
Trompette, Trombone, Piano
4
Clarinette, Cor (duo)
4
Trombone et orchestre
2
3 Euphoniums
2
Trompette, Harpe
2
Trompette, Euphonium (duo)
2
Cornet et orchestre
1
2 Cors, Piano
1
Cor anglais et Harpe (duo)
1
Cor, Trompette, Trombone (trio)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
2654
Violon et Piano
1990
Harpe
1510
Violoncelle, Piano
1276
Alto, Piano
1078
Violon
967
Violoncelle
732
Alto seul
479
Violon, Violoncelle (duo)
476
2 Violons (duo)
444
Trio à Cordes: violon, alto, violoncelle
443
2 Violoncelles (duo)
354
Contrebasse, Piano (duo)
294
Violon (partie séparée)
275
Violon, Alto (duo)
274
2 Altos (duo)
247
Harpe, Flûte (duo)
239
Contre Basse
239
Quintette à cordes: 2 violons, alto, violoncelle, basse
228
Alto (partie séparée)
167
Trio à Cordes: 2 violons, violoncelle
133
Alto, Violoncelle (duo)
118
2 Harpes (duo)
106
4 Violoncelles
105
Contrebasse (partie séparée)
100
Harpe, Violon (duo)
73
Violon, Guitare (duo)
67
2 Contrebasses (duo)
67
Violoncelle (partie séparée)
64
Quatuor à cordes: 4 violons
63
Quatuor à cordes : 4 altos
61
Trio à Cordes: 3 violoncelles
58
Trio à cordes: 3 violins
55
Violon, Basson (duo)
54
Violoncelle, Contrebasse (duo)
47
Piano Trio: Violon, Alto, Piano
35
Trio à cordes: 3 altos
33
Trio à Cordes: 2 violons, alto
31
Alto et Basson
27
Violoncelle , Guitare (duo)
26
4 Contrebasses
24
Harpe, Voix
22
Quintette à cordes: 2 violons, 2 altos, violoncelle
19
Harpe, Violoncelle (duo)
19
Violoncelle, Orgue
15
Alto et Harpe
14
Alto, Guitare (duo)
13
Violon, Orgue
13
Violon, Tuba (duo)
12
3 Contrebasses
12
Violon, Basse continue
10
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Flûte, Contrebasse (duo)
8
Ensemble de Violons
8
Ensemble d'Altos
7
Violon, Clarinette, Piano (trio)
6
Ensemble de Violoncelles
6
3 Harpes
4
2 Violons, Piano
4
Violon, Violoncelle, Clarinette
4
Violoncelle, Basse continue
4
Trio à cordes
4
2 Violoncelles, Piano
3
Alto, Orgue
3
Harpe et Piano
3
Harpe, Trombone (duo)
3
Harpe et mandoline
2
Harpe (partie séparée)
2
Harpe, Violon, Violoncelle
2
Violoncelle, Orchestre
2
2 Violons et Basse continue
1
2 Altos, Piano
1
4 Harpes
1
Autoharp
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
5994
Orchestre à Cordes
2103
Orchestre
1152
Cloches
1063
Ensemble de cuivres
692
Ensemble Jazz
570
Jazz combo
475
Orchestre de chambre
372
Ensemble de Percussions
224
Batterie
171
Fanfare
129
Percussion (partie séparée)
108
Marimba
79
Xylophone, Piano
50
Batterie (partie séparée)
40
Vibraphone
38
Xylophone
24
Ensemble d'École
8
3 Marimbas
7
2 Xylophones
6
Piano et Orchestre
5
Quintette de Cuivres: autres combinaisons
4
Orchestre, Violon
4
Vibraphone et Marimba
3
Marimba, Piano (duo)
2
Percussion
2
Instrumentation Flexible
1
2 Caisses Claires (duo)
1
Marimba et Orgue
1
Timbales (partie séparée)
1
2 Marimbas
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Instrumentations suivantes
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AUTRES
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Chorale SATB
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Beyond The Sea
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Comp…
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
8.99 €
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Chorale SATB
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Charles Tenet
#
Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation. Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and B♠Clarinet. The key signature of the anthem is B♠Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major). The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune.
$2.99
2.69 €
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Chorale SATB
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Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
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SheetMusicPlus
AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926660 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Published by M.A. Morizio (A0.926660). During the late spring of 2017, I began composing a new choral piece based on the 1 Timothy 3:16 text. I was studying Paul's first letter to Timothy at the time when this particular passage jumped out at me. Not only was it an efficient summary of the Gospel message, but it was also a textual grouping, or form, such as might be found in a traditional hymn. What I was reading were indeed lyrics to an actual 1st Century Hymn to Christ, the music of which has since been lost. I entitled my piece, Great is the Mystery. I composed the anthem for SATB (a cappella), and set it to the ESV translation of the scripture. Based on its context, I suspected the song would work great for Ascension Sunday. Our choir sang the piece beautifully, crescendoing at the finish to the words, Believed on in the world and taken up in glory! Later that spring, I played the piece for a dear friend of mine who is Pastor at Immanuel Church in Manchester, New Hampshire. What he told me was actually a bit stunning. He informed me that there were (at least) seven specific known Hymns to Christ written into the New Testament Scriptures, whose text is found among the writings of the apostles’ Paul and John. The 1 Timothy 3:16 verse that I had selected for my piece was indeed one of those texts. At that moment, Pastor Don and I made a pact. If he were to supply me with the literal Greek translations of the other six known Hymns to Christ, I would set out to compose brand new anthems for them all. A new musical collaboration had begun. With this short introduction serving as the genesis of my new song cycle, I offer you these new Seven Anthems to Christ based on the seven known ancient ‘Hymns to Christ' texts found in the New Testament.
$9.99
8.98 €
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Chorale SATB
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Michael A
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AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
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M.A. Morizio
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SheetMusicPlus
The Sense of a Place Will Remain
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Con…
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Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95
7.15 €
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Chorale SATB
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Paul Burnell
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The Sense of a Place Will Remain
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Paul Burnell
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SheetMusicPlus
Favorite Theme From Rachmaninoff S Second Piano Concerto
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.844248 Composed by …
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.844248 Composed by Ray Conniff. Arranged by Gerhard Guter. A Cappella. 14 pages. Gerhard Guter #4302845. Published by Gerhard Guter (A0.844248). Voicing: SATB a cappella, with rhythm section (piano, electric bass, drums) Style: Bossa Nova This arrangement of Ray Conniff's Favorite Theme from Rachmaninoff's Second Piano Concerto will bring to mind the writing style of Clare Fischer for his 2+2 vocal groups. Though still a challenge, especially with the optional vocal soli, this Conniff-themed edition has been adapted from a more difficult version previously performed by Vocalogy on their 2005 Distilled release. The piece opens with a pulsating rhythm section figure as pianist, bassist, and drummer enter one by one. The wonderful moments of tension have been maintained beneath Rachmaninoff's soaringly romantic melody, and the wordless vocal provides an ethereal quality. With the optional soli, this is an Advanced level arrangement. There is room for improvising regardless of whether or not the soli is performed and, with no soli, this is an Advanced Intermediate arrangement.  Included individual piano, bass, and drum parts play from individual parts with chord symbols, slashes, and rhythmic notation. Drums alternate between brushes and sticks. Electric bass is preferred, but acoustic bass works. Backing tracks available from: http://tiny.cc/mpnsuz   Â
$3.99
3.59 €
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Chorale SATB
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Ray Conniff
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Gerhard Guter
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Favorite Theme From Rachmaninoff S Second Piano Concerto
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Gerhard Guter
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SheetMusicPlus
The City In the Sea: Choral Tone Poem
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanle…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
5.04 €
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Chorale SATB
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Stanley M Hoffman
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The City In the Sea: Choral Tone Poem
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stanleymhoffman.com
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SheetMusicPlus
THE GREAT HUMILITY OF CHRIST (SATB) – Philippians 2:5-11
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926663 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizio #3588423. Published by M.A. Morizio (A0.926663). In chapter two of Paul's letter to the Philippians, Paul begins speaking to his readers about encouragement, comfort from love, participation in the Spirit, and godly affection and sympathy for one another. He says, we are to count others as more important than ourselves. He pleads, Complete my joy by doing these things. From this point, Paul breaks immediately into this other known 1st century Hymn to Christ (Verses 5-11), which I have called, The Great Humility of Christ. The hymn text is a beautiful exposition of the Gospel; Christ in the form of God, did not hold onto (grasp) His equality with God, but humbled Himself and took on the human form of a servant (slave) and poured Himself out for all of mankind. The anthem is composed for SATB (a cappella) choir in two stanzas, with a bridge section and a coda. The piece is scored in D minor, but weaves between D minor and G Major (representing the dual natures of Christ-fully God and fully man). After the first stanza, regarding Christ’s taking on human flesh, the unthinkable happens; Christ humbles Himself in holy obedience to be put to death, even a humiliating and repugnant death on a cross. Here in the anthem we find the musical bridge between the two stanzas with the sopranos holding onto a single note (high D) followed by a cascade of dissonant suspensions, one voice handing off to the other, finally resolving in a descending scale.The second stanza declares God’s having exalted Christ as a consequence of His sacrifice, giving Him a name that is above every name, that at the name of Jesus every knee shall bow, in heaven and on earth and under the earth. The final coda (in G Major) trumpets the pronouncement that; Every tongue will confess that Jesus Christ is Lord, to the glory of the Father.
$1.99
1.79 €
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Chorale SATB
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Michael A
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THE GREAT HUMILITY OF CHRIST
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M.A. Morizio
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SheetMusicPlus
"Hope" is the thing with feathers (SATB)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1177607 Composed by Keaton…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1177607 Composed by Keaton Manwaring. A Cappella. Octavo. 6 pages. Keaton Manwaring #777622. Published by Keaton Manwaring (A0.1177607). Hope is such a powerful thing that can push us through the toughest of times. In this poem, Emily Dickinson calls hope a feathered thing. It perches in the soul and sings without stoping. The singing is at the loudest when things are at their worst. Although hope is the central theme to the poem, the harsh conditions that are described in the poem was the driving force while writing the music. Creating a sound for the chillest day and the storm that could not abash the little bird was what really inspired me to write this piece. Something that stood out for me, was the use of dashes that breaks up the poem. I used rests to create these breaks. These rests are very deliberate to show these pauses of contemplation, almost struggling for the right words to describe a complex subject such as hope. At first the rests felt like a hindrance, where it felt natural for the music to flow, but now I cannot imagine the piece without it.
$2.50
2.25 €
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Chorale SATB
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Keaton Manwaring
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"Hope" is the thing with feathers
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Keaton Manwaring
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SheetMusicPlus
Them Changes
Chorale SATB
Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1453743
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Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1453743 Composed by Chris Jasper, Ernie Isley, Marvin Isley, O'Kelly Isley, Ronald Isley, and Rudolph Isley. Arranged by Kerry Marsh. Funk,Jazz,Pop,Soul. Vocal Jazz Ensemble. 52 pages. Kerry Marsh #1032960. Published by Kerry Marsh (A0.1453743). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a much lower price than the standard flat-fee range ($60 to $75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the All Tracks Pack with SkyTracks (No Sheet Music) package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation)Them Changes is a standout track by Thundercat, featuring a funky, bass-driven groove that highlights Thundercat's virtuosic bass playing and unique blend of jazz, funk, and R&B influences. The lyrics explore themes of heartbreak and emotional turmoil, delivered with Thundercat's signature falsetto vocals.Kerry Marsh's vocal jazz arrangement begins with an a cappella rendition of the song's bridge, serving as a teaser before launching into the now-iconic drums and bass groove. A hallmark of neo-soul, the dissonance between the chord changes and the melody can present challenges for vocal harmonies. This arrangement skillfully navigates these tricky spots, employing octaves and unison writing to minimize clashes, and then breaking out into lush, dense harmonies where they are most effective.The chart concludes with a space for vocal or instrumental improv, accompanied by vocal backgrounds, ending the piece in a sudden and unconventional manner. This modern-day classic will be a hit with your vocal jazz ensemble, offering something for singers, instrumentalists, and the audience alike to enjoy.Perfect for advanced ensembles looking to explore contemporary jazz-funk, this arrangement captures the essence of Thundercat's innovative style while providing a fresh and exciting challenge. Check out the Scoreflipper preview to see how this arrangement can elevate your group's performance and captivate your audience.
$49.99
44.95 €
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Chorale SATB
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Chris Jasper, Ernie Isley, Marvin Isley, O'Kelly Isley, Ronald Isley, and Rudolph Isley
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Kerry Marsh
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Them Changes
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Kerry Marsh
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SheetMusicPlus
The Dawn’s Awake
Chorale SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1095125 Composed by…
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1095125 Composed by Mark Lehnowsky. A Cappella,Contest,Festival,Historic,Patriotic,Spiritual. Octavo. 11 pages. Mark Lehnowsky Music #699184. Published by Mark Lehnowsky Music (A0.1095125). This is a challenging SSAATTBB setting of Otto Leland Bohanan's Harlem Renaissance poem of the same name. My musical adolescence was spent singing music of the African and African American traditions with Essence of Joy. This piece, written for them in 2015, was inspired by those experiences and integrates spirituals that had special significance to me during my time in EOJ. There are quotations from Over My Head; Bye and Bye; My Lord, What a Morning; Great Day; and Oh, Freedom. During the climax of the piece, these spirituals combine into a moving tapestry of half-forgotten songs. As with most of my music, there is a numerological Easter Egg, a hidden message in the structure of the piece itself, for those music theorists who like deep diving into pieces they are singing. My Lord, what a morning...
$2.95
2.65 €
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Chorale SATB
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Mark Lehnowsky
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Bye and Bye
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The Dawn’s Awake
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Mark Lehnowsky Music
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SheetMusicPlus
For Us There Is No Other Help but Thee (Nye ímamï inïya pómoshchi) (Downloadable)
Chorale SATB
SATB choir (choir divisi) unaccompanied - Moderately Easy - Digital Download SKU: MQ.82…
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SATB choir (choir divisi) unaccompanied - Moderately Easy - Digital Download SKU: MQ.8248-E Composed by Anthony Antolini and Pavel Grigorievich Chesnokov. Arranged by Anthony Antolini. Advanced/Collegiate. 20th Century, Communion. Instrument parts. 8 pages. E. C. Schirmer Music Company - Digital #8248-E. Published by E. C. Schirmer Music Company - Digital (MQ.8248-E). English, Slavonic.Nye Ãmamï inïya pómoshchi comes from a set of ten communion hymns, Opus 25. It is technically a kontakion, (a hymn sung in commemoration of a feast day, whether referring to Christ, the Virgin Mary, or to a saint). Nye Ãmamï inïya pómoshchi is intended to be sung for the feast day commemorating an icon of the Virgin entitled “The joy of all who sorrow,†(Ð’Ñех ÑкорбÑщих РадоÑÑ‚ÑŒ|Vsekh skorbyashchikh Radost') observed on October 24 in the Orthodox Church calendar. The author of the text is unknown. In contemporary church practice, this work is sometimes sung during the communion of the clergy. Although other pieces in Opus 25 are based on traditional church chants, Nye Ãmamï inïya pómoshchi contains original music that is not based on any preexisting chant. The present edition is based on the first edition published in Moscow by Pyotr Ivanovich Jurgenson. The keyboard reduction has been modified from the Jurgenson edition. Russian Orthodox performance practice forbids the use of musical instruments to accompany church singing. Organ accompaniment, if used, should be unobtrusive. The Jurgenson edition includes Chesnokov's use of a quarter note without metronome marking. This indicates that the pulse is in a moderato tempo in quarter notes. A tempo of approximately 69 to the quarter note is suggested. The Jurgenson edition has inconsistent dynamic markings in various parts and text appears only below the soprano and tenor parts. For clarity and convenience, these indications have been included in each staff in the present edition. This scholarly performance edition includes notes concerning the history of Chesnokov and this piece, performance notes, the editorial method of the English singing version, and a pronunciation guide for the Slavonic transliteration.
$2.25
2.02 €
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Chorale SATB
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Anthony Antolini and Pavel Grigorievich Chesnokov
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Anthony Antolini
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For Us There Is No Other Help but Thee
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Son to Mother
Chorale SATB
SATB chorus divisi - Digital Download SKU: BJ.1370 Composed by Henrik Dahlgren. Sec…
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SATB chorus divisi - Digital Download SKU: BJ.1370 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1370. Published by Bo Ejeby Forlag - Digital (BJ.1370). 8.27 x 11.7 inches.In 2017, I was commissioned by the male voice choir Svanholm Singers to write a work for inclusion in a concert marking 70 years since the proclamation of the Universal Declaration of Human Rights. Choosing a text was difficult. I came across upon a poem by Maya Angelou, but it struck me as being too powerful and emotional for the music I was writing to carry it; everything I composed sounded banal next to Angelou's words. I soon realized that I could use silence to enhance the text, rather than heaping layers and layers of music upon it. Silence is both terrifying and serious - in a sense, it is the only adequate counterpoint to the poetry. So, I decided to build the piece on silence. Though the beginning of the piece is the opposite of silence - a scream of desperation -, I followed that outburst by cutting the poem's stanzas into single words, repeated in a different order each time, almost in the manner of a mantra. Finally, they end up in the right order and suddenly the words take on their rightful meaning. I hope, in this way, the music is equally powerful as the words. Son to Mother has been well-received and has gone on to become one of the most widely performed pieces I have written. It has been performed at various festivals and in various countries, including Taiwan, France and China - where it only just made it past the government censors. - Henrik DahlgrenThis version is an adaptation for mixed choir of the original male choir version. Henrik Dahlgren is a Swedish composer, born 1991. He has been studying at the Academy Of Music in Malmo with Prof. Rolf Martinsson and the Royal College Of Music in London with Dr. Haris Kittos. Henrik started his musical career as a drummer and has ever since worked in a very wide range of different genres and styles, both as a performer and as a composer.
$5.40
4.86 €
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Chorale SATB
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Henrik Dahlgren
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Son to Mother
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
How Beautiful on the Mountain
Chorale SATB
SATB Chorus, Piano, Flute, Oboe - Digital Download SKU: IZ.VMW221V Composed by Robe…
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SATB Chorus, Piano, Flute, Oboe - Digital Download SKU: IZ.VMW221V Composed by Robert M. Shearn. Octavo. 15 pages. Imagine Music - Digital #VMW221V. Published by Imagine Music - Digital (IZ.VMW221V). 9 x 12 inches.“The Galaxies is a grand orchestral composition in A minor written for string orchestra, mixing classical and modern musical writing styles. This piece tells the story of three young American astronauts who went up to space to discover the galaxies and life in outer space. They found out things that no one has ever thought of, the gleams and sophistication, the immense beauty that defies our human knowledge on space. This piece is divided into three parts, namely Adagietto, Maestoso and Grandioso. Adagietto represents the mysteriousness of space and the awe they felt as they took their first glance into the surreal world of fantasies and imaginations.Maestoso is the central part of the piece, where the main theme resembles the exquisitely beautiful galaxies in outer space. Over several years, they found a way to communicate with the extra-terrestrial and developed a mutual understanding. This part contains various majestically glorious melodies, symbolising the visions of humanity. They took a giant leap of faith for this nearly impossible mission to perceive what humankind can never envision. Grandioso signifies the lavish natural architectures that filled the galaxies and the monumental bonding between humans and aliens. As the friendship blossomed, they further explored the world that has been an enigma for centuries. Before the piece ends, the main theme is delivered again. This time, it is an emotional farewell as these astronauts return to Earth and cannot wait to share information that will revolutionise astrophysics forever.
$2.25
2.02 €
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Chorale SATB
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Robert M
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How Beautiful on the Mountain
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Imagine Music - Digital
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SheetMusicPlus
America, the Land of Liberty
Chorale SATB
SATB Chorus & Piano - Digital Download SKU: IZ.VMW2211 Composed by Michael Francis …
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SATB Chorus & Piano - Digital Download SKU: IZ.VMW2211 Composed by Michael Francis Smith. Octavo. 14 pages. Imagine Music - Digital #VMW2211. Published by Imagine Music - Digital (IZ.VMW2211). 9 x 12 inches.“The Galaxies is a grand orchestral composition in A minor written for string orchestra, mixing classical and modern musical writing styles. This piece tells the story of three young American astronauts who went up to space to discover the galaxies and life in outer space. They found out things that no one has ever thought of, the gleams and sophistication, the immense beauty that defies our human knowledge on space. This piece is divided into three parts, namely Adagietto, Maestoso and Grandioso. Adagietto represents the mysteriousness of space and the awe they felt as they took their first glance into the surreal world of fantasies and imaginations.Maestoso is the central part of the piece, where the main theme resembles the exquisitely beautiful galaxies in outer space. Over several years, they found a way to communicate with the extra-terrestrial and developed a mutual understanding. This part contains various majestically glorious melodies, symbolising the visions of humanity. They took a giant leap of faith for this nearly impossible mission to perceive what humankind can never envision. Grandioso signifies the lavish natural architectures that filled the galaxies and the monumental bonding between humans and aliens. As the friendship blossomed, they further explored the world that has been an enigma for centuries. Before the piece ends, the main theme is delivered again. This time, it is an emotional farewell as these astronauts return to Earth and cannot wait to share information that will revolutionise astrophysics forever.
$2.25
2.02 €
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Chorale SATB
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Michael Francis Smith
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America, the Land of Liberty
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Imagine Music - Digital
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SheetMusicPlus
THE ICON OF THE INVISIBLE GOD (SATB) – Colossians 1:15-20
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926661 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399. Published by M.A. Morizio (A0.926661). In the first chapter of Paul’s letter to the Colossians, we discover the next known Hymn to Christ right after his introductory passages, beginning at the 15th verse. Paul opens this letter with a blessing, then immediately flows to one of the 1st century hymns, which I have called, The Icon of the Invisible God. The lyrics of this hymn are declarative, bold and illuminating as to whom the Christ figure is-the icon, the very image of the invisible God, the firstborn of all creation. The text makes it abundantly clear that Jesus is the authority; that He was there before all things, that He created all things, and that through Him all things hold together. This anthem is composed for SATB choir with Pipe Organ accompaniment. The meter is set to 6/8 time, with a rhythm tempo of Totally Alive; which is one actual definition of the word Holy. The anthem starts at a good clip (♪=100). The key is G Major, with an incidental and occasional flatted 5th (Dâ™) as a surprise-landing befitting to the text presented, as if to say, This is so amazing, how can it be? The flatted 5th gives the piece it's own identity and causes the listener to stand up and take notice whenever it occurs. When the hymn's lyrics glide into the all-important resolution, having made peace through the blood of the cross, the song retards and lands on a surprising musical cadence, the sixth chord (E Major). In this piece, the pipe organ is boldly featured as it supports and under girds the musical line, occasionally trumpeting its own victorious motifs and adding some contrapuntal elements, such as this duplet motif, in the pedal line. The final lyrics about Christ having reconciled everything to Himself, whether things on the earth or in the heavens, finish the piece with a great, ‘High-Church’ choral ending.
$1.99
1.79 €
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Chorale SATB
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Michael A
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THE ICON OF THE INVISIBLE GOD
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M.A. Morizio
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SheetMusicPlus
Three Sacred Songs: 1. The Round Day (Downloadable)
Chorale SATB
SATB choir, flute and piano (ad lib.) - Moderately Difficult - Digital Download SKU: MQ…
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SATB choir, flute and piano (ad lib.) - Moderately Difficult - Digital Download SKU: MQ.7540-E Composed by Derek Healey. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #7540-E. Published by E. C. Schirmer Music Company - Digital (MQ.7540-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdalene’s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd lad’s (Jesus’s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, “And threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.†The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdalene’s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).
$1.95
1.75 €
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Chorale SATB
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Derek Healey
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Three Sacred Songs: 1. The Round Day
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Betrayal
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1012606 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1012606 Composed by Michelle Kraak. Easter,Praise & Worship,Sacred. 16 pages. Michelle Kraak #6102931. Published by Michelle Kraak (A0.1012606). The Betrayal is written for choir (soprano, alto, tenor, bass). It is a religious piece based on the passion of Christ. It has aspects of imitation, with a lot of independence in the parts. The vocal parts represent the voice of Jesus, the voices of those who crucified him, a narrator, and also briefly the voice of Peter, Jesus' disciple. The bass primarily sings the role of the people who called for his death, but as the piece continues others join in this role. I wrote some of the lyrics and also pulled some verses in from the Bible. I think this would be a great piece for Holy Week, perhaps on Good Friday or Maundy Thursday. the piece captures some of the intense emotions involved in the crucifixion and would make a great addition to Lenten music in the church. Lyrics:Why did you leave me?Why did you run?I absolved you of your sin. Jesus Christ must die for what he's done. I absolved you of your sin,I saved you from yourselves,I just wanted to lead you,Closer to God. Death! I wanted to give you new life. Three times you will deny me, Woman I do not know him! Jesus Christ must die for what he's done. Why did you leave me? Why did you run?I absolved you of your sin.I saved you from yourselves,I just wanted to lead you, Closer to God. Jesus I didn't know him.I don't know the man! Jesus Christ must die for what he's done. Peter struck him!Cut off his ear,Jesus touched him and healed him,Though the man had come for him. Jesus Christ must die for what he's done. Why should Jesus die for what he's done?Why did I forsake the Son of God?I'd have called for him to be crucified. We are no better,Then the past. Why did you forsake me,Why did you forsake me? Forgive them,For they do not know what they're doing. Forgive them,For they do not know what they're doing. Betrayed with a kiss. Surely he was the son of God.Surely he was the son of God.Surely he was the son of God.4 minutes 29 seconds6 minutes 29 secondsashevilletrumpet.comhttps://www.facebook.com/kraakmichellehttps://www.instagram.com/kraakmichelle/https://www.linkedin.com/in/michelle-kraak-71b0258a/
$16.95
15.24 €
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Chorale SATB
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Michelle Kraak
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The Betrayal
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Michelle Kraak
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SheetMusicPlus
Sing Glory Hallelujah - Anthem - Score
Chorale SATB
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.909976 Composed by Tinus…
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.909976 Composed by Tinus Badenhorst. 20th Century,Contemporary,Praise & Worship. Octavo. 18 pages. Envangeli #5025913. Published by envangeli (A0.909976). Sing Glory Hallelujah - Anthem - Score (A3)A universal praise anthem for most denominations and for all times of the year.To be performed by a full orchestra and two choirs. The larger, the better.In section A almost a marching rhythm is started by the contrabasses and cellos with an underlying drone sound from the synthesizer.In section B one alto flute begins with the verse.In section C the altos of the SATB 1 choir sing the verse.In section D the bass pattern changes slightly and the sopranos and altos sing together with an echo by the tenors+basses, then the SATB 1 choir sings in unison.4 Bars before section E the bass pattern changes completely, the SATB 2 choir and more instruments join in and in section E the SATB 1 choir sings the chorus of the piece.In section F more instruments join in and finish in a magnificant chord that plays 4 bars and reverb afterwards in another 4 bars rest.In section G the bass line returns to the first theme and the verse is sung again by the SATB 1 choir with the alto flutes playing a counter melody.
$4.99
4.49 €
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Chorale SATB
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Tinus Badenhorst
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Sing Glory Hallelujah - Anthem - Score
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envangeli
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SheetMusicPlus
The Legend of Ramund
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.1007125 Composed by Mogens Eliasen. …
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Choral Choir (SATB) - Digital Download SKU: A0.1007125 Composed by Mogens Eliasen. Folk,Romantic Period. Octavo. 40 pages. Soverenity Enterprises Inc. #2948289. Published by Soverenity Enterprises Inc. (A0.1007125). The 40-page score is a choral symphony with a powerful lesson to modern people, based on an old Danish folk song about the young super-hero Ramund. The score is dense with contents, both musically and lyrically, and alone for that reason, the 8-minute performance takes an advanced choir.The original folk song dates back to the Viking age and consist of many episodes ofRamund's life, almost like a personal saga. Some have undoubtedly been added later,making the total number of stanzas go up around 50, but the main idea of the song isto report about a young lad, whose ideas of what is right for him to do or not doare completely unaffected by other people's opinions, including those of royalties andcelebrities. The stories are in many regards comparable to those of Beowolf.Although the stories generally are dramatic and bloody, Ramund always retains hiscool attitude and shows how unimpressed he is with power demonstrations, even hisown when he is provoked to use his strength. It is a common element throughout thestories that Ramund detests evil and aggression, and he goes to great lengths to fightpower abusers and aggressive elements. He just wants to live in peace and not haveto be bothered by all those who like to abuse power!Included in this presentation for piano and 8 voices are 11 stanzas from what is believedto be original, in English translation, with focus on clarity of meaning, more so thanpoetical rules and rhymes. The first ruling concept has been to obtain clarity and agreat fit to the music. The second concept has been to add the inspiration this old folksong has created in the mind of a modern rebel who would like to see some ofRamund's attitude to power and power abusers put into action in our modern corruptsociety. Maybe in a less bloody version, but definitely with a similar effect! The added2 stanzas and the attached coda, as well as the added lyrics to the intermezzos and theincorporated commentaries to the action should serve that purpose.In addition, the original tune itself, as well as the lyrics and the intermezzo, haveinspired some musical development throughout the piece, to further accentuate themeaning and the messages about respecting each other, standing together againstabuse, and not letting power abusers get away with their crimes.The 8 voices cover ranges as follows: First sopranos: C4 through Bb5 (possibly G5); Second sopranos: C4 through E5; All altos: G3 through D5; All tenors: C3 through G#4(possibly F#4); First basses: F2 through D4; Second basses: D2 through B3
$7.00
6.29 €
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Chorale SATB
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Mogens Eliasen
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The Legend of Ramund
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Soverenity Enterprises Inc.
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SheetMusicPlus
Six Anthems for Lent and Holy Week (SATB divisi)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.719561 Composed by Multipl…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.719561 Composed by Multiple composers. Arranged by Curtis Hanson. Christian,Sacred. Octavo. 20 pages. Curtis Hanson #2036367. Published by Curtis Hanson (A0.719561). The pieces which comprise the Six Lenten Anthems are scored for SATB divisi chorus and organ and are both original and arrangements. They were conceived as a unit, i.e. some material is thematically related. The cycle is in arch form - pieces one (Out of the Depths) and six (Be Near Me, Precious Savior) are edited versions of German chorales, both of which have ties to Hassler and Protestant Germany and which have similar cadences. Pieces two (Lamb of God) and five (When Jesus Wept) are arrangements of works utilizing modal dissonance in juxtaposition, number two being another traditional German chorale, number five a familiar melody by Billings. Pieces three (Hosanna! and four (Jerusalem) are original works which require multiple divisi and also employ significant dissonance. Each of the pieces are available and may be performed separately.
$2.50
2.25 €
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Chorale SATB
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Multiple composers
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Curtis Hanson
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Six Anthems for Lent and Holy Week
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Curtis Hanson
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SheetMusicPlus
Deep In The Heart Of Texas
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.944691 By Bing Crosby. By Don Swande…
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Choral Choir (SATB) - Digital Download SKU: A0.944691 By Bing Crosby. By Don Swander. Arranged by Heather Sorenson. Contemporary. Octavo. 13 pages. Heather Sorenson #5024275. Published by Heather Sorenson (A0.944691). This beloved song is now available in choral format. The piece begins with lush vocal jazz chords, giving your singers an opportunity to show their skill and musicianship. The song then transitions into the high-energy folksong that all Texans know and love. A sure crowd-pleaser at any concert or gathering in the great state of Texas! Also available in TTBB and Two-Part Treble.
$2.20
1.98 €
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Chorale SATB
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Bing Crosby
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Heather Sorenson
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Deep In The Heart Of Texas
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Heather Sorenson
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SheetMusicPlus
Deep In The Heart Of Texas
Chorale SATB
Choral Choir (Mixed) - Digital Download SKU: A0.944693 By Bing Crosby. By Don Swand…
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Choral Choir (Mixed) - Digital Download SKU: A0.944693 By Bing Crosby. By Don Swander. Arranged by Heather Sorenson. Contemporary. Octavo. 10 pages. Heather Sorenson #5024879. Published by Heather Sorenson (A0.944693). This beloved song is now available in a modified easy 2-part treble format, with a slightly simpler piano accompaniment. The piece begins with lush vocal jazz chords, giving your singers an opportunity to show their skill and musicianship. The song then transitions into the high-energy folksong that all Texans know and love. A sure crowd-pleaser at any concert or gathering in the great state of Texas! Also available in SATB and TTBB.
$2.20
1.98 €
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Chorale SATB
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Bing Crosby
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Heather Sorenson
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Deep In The Heart Of Texas
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Heather Sorenson
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SheetMusicPlus
Round Me Falls the Night
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1316582 By Stacey P…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1316582 By Stacey Plays Hymns. By W. Romanis / Stacey Plays Hymns. Arranged by Anastace. A Cappella,Christian,Religious,Sacred,Spiritual. 4 pages. Anastace #905306. Published by Anastace (A0.1316582). This beautiful evening hymn is a perfect pairing of a solemn, contemplative melody with uplifting, scriptural lyrics that remind us of the hope we have in Christ, in this life and the next. I found this song in a very old hymnbook, so old that you could feel the raised print on the page, and loved the lyrics so much and felt that a minor melody would suit it extraordinarily well. This piece works well as a choir anthem for funerals or for any evensong themed service, and is written in a comfortable, singable range for everyday singers. It works well either with a soft organ accompaniment or a capella, to showcase the rich vocal harmony reminiscent of Elaine Hagenburg or John Rutter.For other formats including large print or special congregtional versions contact me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!As heard on YouTube!
$1.99
1.79 €
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Chorale SATB
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Stacey Plays Hymns
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Anastace
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Round Me Falls the Night
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Anastace
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SheetMusicPlus
The Song of My Soul
Chorale SATB
SATB chorus - Digital Download SKU: C7.CGA830 Composed by Stan Pethel. General. Mix…
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SATB chorus - Digital Download SKU: C7.CGA830 Composed by Stan Pethel. General. Mixed Voices. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA830. Published by Chorister's Guild - Digital (C7.CGA830). UPC: 749193005552.This anthem asks, What can we do to honor him today? The answer comes at the end of the piece, providing an inspirational focus for children as they contemplate their own place in the Christmas story.
$1.95
1.75 €
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Chorale SATB
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Stan Pethel
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The Song of My Soul
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Chorister's Guild - Digital
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SheetMusicPlus
The Heavens Are Telling - SATB choir and organ
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1376149 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1376149 Composed by Phil Beaman. Christian,Classical,Sacred,Standards. 11 pages. Phil Beaman #960700. Published by Phil Beaman (A0.1376149). The Heavens Are Telling is a very accessible classic SATB anthem for choir and organ.  I took two lines of music and lyrics from Haydn's 1797 oratorio The Creation and made that my chorus.  I then wrote verses using lyrics from other parts of The Creation and then wrote new music for the verses to sound like a continuation of Haydn's work.  The structure is through composed but with Ch/Vs/Ch/Vs/Ch/Ch with the final chorus having the lines reversed.  The piece makes a stately declaration of the wonders of God's creation of the heavens.  11 pages; 1:50 minutesThe range for each part is only 1 octave.Be the first choir to record this anthem and send me the link and I will post it.   plbeaman@gmail.com    Temporarily I have attached a recording of the vocal solo version, which is in another key, so you can get the text and main melody; which is then followed by a MIDI version of organ and 'aahs', to give you an idea of the SATB version.
$3.25
2.92 €
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Chorale SATB
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Phil Beaman
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The Heavens Are Telling - SATB choir and organ
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Phil Beaman
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SheetMusicPlus
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