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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
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MANDOLINE
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OCARINA
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7
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22
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13
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10
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10
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5
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4
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1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
64
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61
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32
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21
3 Saxophones (trio)
17
Flûte, Hautbois, Clarinette, Basson
13
Quatuor de Clarinettes: 4 clarinettes
12
2 Clarinettes (duo)
11
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10
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8
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7
5 Flûtes à bec
6
Quatuor de Flûtes à bec
6
2 Flûtes traversières (duo)
6
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Clarinette et Piano
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5
3 Clarinettes (trio)
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5
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4
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4
Quatuor de Flûtes : 4 flûtes
3
Flûte à Bec
3
Clarinette, Guitare (duo)
3
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3
Flûte, Clarinette (duo)
3
3 Flûtes à bec (trio)
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Flûte à bec Alto
3
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3
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2
Clarinette, Violon (duo)
2
Flûte traversière
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Clarinette
2
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2
Quintette de Clarinettes: 5 clarinettes
2
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2
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Clarinette et Alto
1
Hautbois (partie séparée)
1
Flûte, Clarinette, Piano (trio)
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
24
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Ensemble de Trombones
5
Ensemble de Trompettes
3
Trompette
3
Quatuor de cuivres: 4 trompettes
3
Ensemble de Cors
3
4 Tubas
3
Quatuor de cuivres: 4 trombones
3
Cor et Piano
3
Cor anglais, Piano
3
Trompette, Saxophone (duo)
2
Trombone et Piano
2
Quatuor de cuivres: 4 cors
2
2 Trompettes (duo)
2
Trombone
2
2 Cors (duo)
1
Tuba et Piano
1
Cor
1
2 Euphoniums (duo)
1
2 Trombones (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
27
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Violon et Piano
10
2 Violons (duo)
7
Violoncelle, Piano
7
Violoncelle
5
Violon, Violoncelle (duo)
5
Violon, Alto (duo)
5
Ensemble d'Altos
4
Ensemble de Violons
4
2 Violoncelles (duo)
4
Quatuor à cordes: 4 violons
4
Quatuor à cordes : 4 altos
4
2 Altos (duo)
4
Trio à Cordes: 3 violoncelles
4
Alto, Piano
4
Trio à cordes: 3 altos
3
Trio à Cordes: violon, alto, violoncelle
3
Alto, Violoncelle (duo)
3
4 Violoncelles
3
Violon
2
Alto (partie séparée)
1
Violon, Guitare (duo)
1
Harpe
1
Alto seul
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à cordes: 3 violins
1
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PERCUSSIONS & ORCHESTRES
Orchestre
11
Orchestre d'harmonie
10
Orchestre à Cordes
10
Ensemble de cuivres
7
Cloches
5
Orchestre de chambre
4
Piano et Orchestre
1
Ensemble Jazz
1
Ensemble de Percussions
1
Jazz combo
1
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SheetMusicPlus
Partitions à imprimer
13 partitions trouvées
<
1
Somewhere In Time
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1239399 By Allen Co…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1239399 By Allen Comyns. By B.A. Robertson and John Barry. Arranged by John Fries. 20th Century,Film/TV,Standards. 9 pages. John Fries #834792. Published by John Fries (A0.1239399). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Somewhere in Time is a 1980 American romantic fantasy drama film directed by Jeannot Szwarc. It is a film adaptation of the 1975 novel Bid Time Return by Richard Matheson, who also wrote the screenplay. The film stars Christopher Reeve, Jane Seymour, and Christopher Plummer. The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini also appears several times.
$1.99
1.82 €
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Chorale SATB
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Allen Comyns
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John Fries
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Somewhere In Time
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John Fries
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SheetMusicPlus
He Is Coming to Reign
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1430410 Compos…
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1430410 Composed by Ira A. Sankey. Arranged by Ken Litton. Christian,Praise & Worship,Religious,Sacred,Traditional. 6 pages. Artist of Note, Inc. #1011017. Published by Artist of Note, Inc. (A0.1430410). He Is Coming to ReignSATB & KeyboardAlice Montieth (Fanny J. Crosby) - NEWCASTLE Ira SankeyArranged by Ken Litton (ASCAP)He Is Coming, the Man of Sorrows, a little-known poem by the prolific Frances Jane Crosby and music by Ira Allan Sankey, one of the most noted musicians of the gospel era glow here with the excitement of the returning Savior!After a sudden and brief two beat call to attention, the early unison stanzas vary from section to section with supportive accompaniment, followed by the easy 4-voice version of the hymn. Then, the anticipation rises at the key change and the final stanza is combined with a counter melody—unusually—in alto and bass. The strong, yet vocally accessible ending leaves the air vibrating with hope. And all of it lies within easy vocal ranges!Available where you go for the best in downloadable resources, including:Sheet Music Directsheetmusicdirect.comSheet Music Plussheetmusicplus.comAnd via local Hal Leonard InStore retailersAlso…check out other titles from East of the Altar/Artist of Note, Inc.!Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard!
$1.99
1.82 €
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Chorale SATB
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Ira A
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Ken Litton
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He Is Coming to Reign
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Artist of Note, Inc.
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SheetMusicPlus
Anim Zemiros
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909…
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
2.74 €
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Chorale SATB
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Alfonso XII / Alfonso Doce (SATB, Accompanied)
Chorale SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1079960 Composed by Latin …
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1079960 Composed by Latin American Folk Song. Arranged by Sarah Martinez. Children,Folk,Multicultural,Traditional,World. Octavo. 4 pages. Sarah Martinez #684181. Published by Sarah Martinez (A0.1079960). This arrangement of Alfonso XII has been adapted for SATB chorus (with optional divisi) and set to a piano accompaniment. This song tells a story about Alfonso XII, King of Spain from December 1874 until his death in November 1885. It is a song tale known in many Latin American countries. As is typical of folk songs, there are many popular variations and additional verses. Where are you going, Alfonso XII? Where are you going so sadly? I am looking for Mercedes because I lost her yesterday. Mercedes is already dead, and it's true because I saw her. Four dukes carried her through the streets of Madrid. The lanterns of the castle no longer want to light, Because Mercedes has died, and they are in mourning. Poor little Mercedes, she died like a flower. Similar arrangements for SAB, TB, 2-part, and unison choirs are also available. You may also find this song under the alternate title ¿Dónde vas, Alfonso Doce?.
$1.99
1.82 €
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Chorale SATB
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Latin American Folk Song
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Sarah Martinez
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Alfonso XII / Alfonso Doce
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Sarah Martinez
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SheetMusicPlus
Drei Equale / Three Equali
Chorale SATB
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.882467 Composed by Ludwi…
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.882467 Composed by Ludwig van Beethoven. Arranged by Matthijs van der Moolen. Christian,Classical,Contemporary,Romantic Period. Octavo. 18 pages. Matthijs van der Moolen #566711. Published by Matthijs van der Moolen (A0.882467). These ‘Three Equali’ are amongst the few pieces that were written for trombone ensemble by a well- known composer, and therefor they are very important pieces for the trombone repertoire. This particular edition is different from the ones that most trombone players know. First of all, it contains a score for male choir. And secondly, it is transposed a major second down. The reason for this is that the original version is too high for the male voices. The version for male choir was added to the first and the last movement by Ignaz Seyfried, a friend of Beethoven. To make the words fit to the music, he had to be quite free with interpreting the rhythmical structure that Beethoven composed. It is debatable if the vocal and instrumental version should be performed all together or alternating with each other. According to the notes about Beethoven’s funeral (where the first and last movement were performed), the voices and instruments were alternating during this performance. The second movement was performed on a later moment, but the link between the instrumental version (with text by Frans Grillparzer) was not made. I have taken the freedom to put these two together in this score, and transposed it one major second down to make it fit smoothly in between the other two movements. The first and last movement also contained a text in Latin, but since the second movement was only available in German, I also used the German texts for the other movements.
$19.99
18.28 €
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Chorale SATB
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Ludwig van Beethoven
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Matthijs van der Moolen
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Drei Equale / Three Equali
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Matthijs van der Moolen
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SheetMusicPlus
Lullaby by Brahms for SATB Choir
Chorale SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1263310 Composed by Johann…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1263310 Composed by Johannes Brahms. Arranged by Langanho. 19th Century,Children,Classical,Romantic Period. Octavo. 2 pages. Avery Lynn Jordan #856265. Published by Avery Lynn Jordan (A0.1263310). Experience the timeless charm of Brahms’ Lullaby, also known as Wiegenlied, in Opus 49, in a unique arrangement for SATB choir with Chords. This delightful song has been carefully adapted to suit the vocal range of the performers, making it ideal for vocal students, teachers looking for instructional material, and parents wishing to encourage their children to explore classical music. This arrangement is incredibly accessible and easy to perform, making it perfect for academic studies as well as formal concerts. The sheet music has been meticulously transcribed to ensure accuracy and clarity in musical notation. The SATB vocals intertwine smoothly, creating rich and melodic harmonies that resonate with delicacy and emotion. By purchasing this digital sheet music, you will gain immediate access to a high-quality PDF file that can be printed or used on electronic devices. This offers flexibility for practicing, studying, or performing the music anywhere, anytime. Our online sheet music store provides ease and convenience for musicians of all levels. Don’t miss the opportunity to add this beautiful piece to your choral repertoire. With our search engine optimized text, you will easily find this sheet music on top online search engines. Secure your digital copy of Brahms’ Lullaby, also known as Wiegenlied, in Opus 49, now and delight your audience with this unique arrangement.
$3.99
3.65 €
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Chorale SATB
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purchasing this digital sheet music, you will gain immediate access to a high-quality PDF file that can be printed or used on electronic devices
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Johannes Brahms
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Langanho
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Lullaby by Brahms for SATB Choir
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Avery Lynn Jordan
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SheetMusicPlus
Lullaby by Brahms for Choir SATB and Piano
Chorale SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1263328 Composed by Johann…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1263328 Composed by Johannes Brahms. Arranged by Langanho. 19th Century,Children,Classical,Romantic Period. Octavo. 2 pages. Avery Lynn Jordan #856289. Published by Avery Lynn Jordan (A0.1263328). Experience the timeless charm of Brahms’ Lullaby, also known as Wiegenlied, in Opus 49, in a unique arrangement for SATB choir and Piano. This delightful song has been carefully adapted to suit the vocal range of the performers, making it ideal for vocal students, teachers looking for instructional material, and parents wishing to encourage their children to explore classical music. This arrangement is incredibly accessible and easy to perform, making it perfect for academic studies as well as formal concerts. The sheet music has been meticulously transcribed to ensure accuracy and clarity in musical notation. The SATB vocals intertwine smoothly, creating rich and melodic harmonies that resonate with delicacy and emotion. By purchasing this digital sheet music, you will gain immediate access to a high-quality PDF file that can be printed or used on electronic devices. This offers flexibility for practicing, studying, or performing the music anywhere, anytime. Our online sheet music store provides ease and convenience for musicians of all levels. Don’t miss the opportunity to add this beautiful piece to your choral repertoire. With our search engine optimized text, you will easily find this sheet music on top online search engines. Secure your digital copy of Brahms’ Lullaby, also known as Wiegenlied, in Opus 49, now and delight your audience with this unique arrangement.
$4.99
4.56 €
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Chorale SATB
#
purchasing this digital sheet music, you will gain immediate access to a high-quality PDF file that can be printed or used on electronic devices
#
Johannes Brahms
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Langanho
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Lullaby by Brahms for Choir SATB and Piano
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Avery Lynn Jordan
#
SheetMusicPlus
Lullaby by Brahms for SATB Choir
Chorale SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1263273 Composed by Johann…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1263273 Composed by Johannes Brahms. Arranged by Langanho. 19th Century,Children,Classical,Romantic Period. Octavo. 2 pages. Avery Lynn Jordan #856233. Published by Avery Lynn Jordan (A0.1263273). Experience the timeless charm of Brahms’ Lullaby, also known as Wiegenlied, in Opus 49, in a unique arrangement for SATB choir. This delightful song has been carefully adapted to suit the vocal range of the performers, making it ideal for vocal students, teachers looking for instructional material, and parents wishing to encourage their children to explore classical music. This arrangement is incredibly accessible and easy to perform, making it perfect for academic studies as well as formal concerts. The sheet music has been meticulously transcribed to ensure accuracy and clarity in musical notation. The SATB vocals intertwine smoothly, creating rich and melodic harmonies that resonate with delicacy and emotion. By purchasing this digital sheet music, you will gain immediate access to a high-quality PDF file that can be printed or used on electronic devices. This offers flexibility for practicing, studying, or performing the music anywhere, anytime. Our online sheet music store provides ease and convenience for musicians of all levels. Don’t miss the opportunity to add this beautiful piece to your choral repertoire. With our search engine optimized text, you will easily find this sheet music on top online search engines. Secure your digital copy of Brahms’ Lullaby, also known as Wiegenlied, in Opus 49, now and delight your audience with this unique arrangement.
$3.99
3.65 €
#
Chorale SATB
#
purchasing this digital sheet music, you will gain immediate access to a high-quality PDF file that can be printed or used on electronic devices
#
Johannes Brahms
#
Langanho
#
Lullaby by Brahms for SATB Choir
#
Avery Lynn Jordan
#
SheetMusicPlus
Lullaby by Brahms for SATB Choir and Piano
Chorale SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1263331 Composed by Johann…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1263331 Composed by Johannes Brahms. Arranged by Langanho. 19th Century,Children,Classical,Romantic Period. Octavo. 2 pages. Avery Lynn Jordan #856292. Published by Avery Lynn Jordan (A0.1263331). Experience the timeless charm of Brahms’ Lullaby, also known as Wiegenlied, in Opus 49, in a unique arrangement for SATB choir and Piano with Chords. This delightful song has been carefully adapted to suit the vocal range of the performers, making it ideal for vocal students, teachers looking for instructional material, and parents wishing to encourage their children to explore classical music. This arrangement is incredibly accessible and easy to perform, making it perfect for academic studies as well as formal concerts. The sheet music has been meticulously transcribed to ensure accuracy and clarity in musical notation. The SATB vocals intertwine smoothly, creating rich and melodic harmonies that resonate with delicacy and emotion. By purchasing this digital sheet music, you will gain immediate access to a high-quality PDF file that can be printed or used on electronic devices. This offers flexibility for practicing, studying, or performing the music anywhere, anytime. Our online sheet music store provides ease and convenience for musicians of all levels. Don’t miss the opportunity to add this beautiful piece to your choral repertoire. With our search engine optimized text, you will easily find this sheet music on top online search engines. Secure your digital copy of Brahms’ Lullaby, also known as Wiegenlied, in Opus 49, now and delight your audience with this unique arrangement.
$4.99
4.56 €
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Chorale SATB
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purchasing this digital sheet music, you will gain immediate access to a high-quality PDF file that can be printed or used on electronic devices
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Johannes Brahms
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Langanho
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Lullaby by Brahms for SATB Choir and Piano
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Avery Lynn Jordan
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SheetMusicPlus
Cast Off All Doubtful Care (2012)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1270895 Composed by Colin …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1270895 Composed by Colin Eatock. 21st Century,A Cappella,Christmas. Octavo. 18 pages. Colin Eatock Music #863278. Published by Colin Eatock Music (A0.1270895). A cappella SATB choir; ca. 4 minThe composer writes: Little is known of Francis Kindlemarsh (or Kinwelmersh), the poet who wrote this text. It is believed he was from Essex, and that he studied law in London in the 1550s, where he also took part in the literary and theatrical life of Gray’s Inn. His “Cast Off All Doubtful Care,†could be viewed as an early example of metaphysical poetic style, with its elaborate use of metaphor and imagery. Kindlemarsh evidently became known to William Byrd, who first set this poem to music. Byrd’s setting was published in 1589, in a collection of works by the English composer entitled “Songs of Sundrie Natures.â€.
$4.99
4.56 €
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Chorale SATB
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Colin Eatock
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ca
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Cast Off All Doubtful Care
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Colin Eatock Music
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SheetMusicPlus
La Cura
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.978040 By Franco Battiato. By France…
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Choral Choir (SATB) - Digital Download SKU: A0.978040 By Franco Battiato. By Francesco Battiato and Manlio Sgalambro. Arranged by Bacco Baccanels. Contemporary. Octavo. 8 pages. Bacco Baccanels #5989447. Published by Bacco Baccanels (A0.978040). Description is first in Italiano e then in English, since I think the song is quite famous in Italy but little known abroad.[ITALIANO]Arrangiare un brano di Franco Battiato è molto difficile perché la sua interpretazione staccata e narrativa, la sua voce dal timbro molto alto e l'argomento, di solito lontano nel tempo e dalla realtà ma qui estremamente vicino a raccontare l'amore in una delle fasi più intense della vita rischiano di stravolgerla. In più, ogni tentantivo di reinterpretarla con altra musica richiede di essere un artista altrettanto grande: io non sono nè grande nè artista, al limite... essere.Ho cercato perciò di stare vicino all'orginale, riconoscibile dal motivetto in sedicesimi che si ripete per tutta la canzone.Poiché si sa che la versione vocale stufa prima delle versioni suonate e l'originale dura 4 minuti, ho tagliato l'intera strofa Ti porterò.... Per chi volesse reinserirla, è facile: dalla battuta 41 si torna alla 5, si ripercorre fino alla 18 (con il testo cambiato per il solista, Ti porterò..., ma le altre voci sono identiche ) e si riprende dalla 42 fino alla fine.[ENGLISH]Arranging a piece by Franco Battiato it's not an easy game: lyrics are often very far in time and his singing very personal and narrative. Here the lyrics tells a love in a hard moment of life and every element is placed in a delicate balance where any change can be disruptive.Even trying to modify the music style would require an artist of the same weight, and I am not.So I tried to stay close to the original, using the most recognizable pattern of the song (the notes in sixteenth).Since we know that the vocal versions have to be shorter than the played ones (ears get bored before) and the original song if 4 minutes long, I cut the entire verse Ti porterò.... For those who want to play also the missing part, it’s easy: from bar 41 go back to bar 5, sing up to bar 18 (with the lyrics changed for the lead, Ti porterò..., other voices do not change) and then go ahead to bar 42 and from there to the end.
$2.99
2.73 €
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Chorale SATB
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Franco Battiato
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Bacco Baccanels
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La Cura
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Bacco Baccanels
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SheetMusicPlus
The Parting Glass
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.972797 Composed by John Sa…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.972797 Composed by John Sandford. Arranged by John Sandford. Folk,World. Octavo. 5 pages. John A Sandford #6036613. Published by John A Sandford (A0.972797). The famous 18th century Scottish ballad has been given a 21st century makeover! Although I like the well known tune made popular by the Clancy Brothers and the Gypsy Kings (among others), I feel it only really works as a solo unaccompanied song with a relaxed pulse. My melody line is more suited to accompanied singing where the piano provides a strong rhythmic support for the melody line. Some very simple harmonies are included, but the piece could easily be sung by a single voice (male or female) or as a duet. Please note that a simplified (SAB) version is also available to purchase from Sheet Music Plus.
$1.99
1.82 €
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Chorale SATB
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John Sandford
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John Sandford
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The Parting Glass
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John A Sandford
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SheetMusicPlus
Three Latin Elegies to Lesbia
Chorale SATB
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Cen…
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99
4.56 €
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Chorale SATB
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
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