Partitions Numériques de Devil pour Violoncelle , Guitare (duo)

Devil

Cantabile, Op. 17, for Violoncello and Guitar #Violoncelle , Guitare (duo) #INTERMÉDIAIRE #Classique #Nicolo Paganini #Martin Rummel #Cantabile, Op. 17, for Violonc #Paladino Editions #SheetMusicPlus

Acoustic Guitar,Cello,Instrumental Duet - Level 3 - SKU: A0.1273679 Composed by Nicolo Paganini. Arranged by Martin Rummel. Classical,Romantic Period. 8...(+)

Acoustic Guitar,Cello,Instrumental Duet - Level 3 - SKU: A0.1273679 Composed by Nicolo Paganini. Arranged by Martin Rummel. Classical,Romantic Period. 8 pages. Paladino Editions #865824. Published by Paladino Editions (A0.1273679). NiccolÃ² Paganini wrote his Cantabile, Op. 17, in 1824, at the height of his career. It could almost be regarded to be an antipode to his image of the bewitched violinist â€“ in 1820, he had published the famous Capricci, Op. 1, with Ricordi. The fact that Paganini himself never played his most famous virtuoso pieces in concert has long been forgotten. All his other compositions are proof of his legendary art of violin playing which, according to a number of different legends, had its origin in a pact with the devil.

Instrumental Duet Cello,Guitar,Instrumental Duet - SKU: A0.942094 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,World. Score and parts. 29 pages. Silver Sickle Publications #6092705. Published by Silver Sickle Publications (A0.942094). A Sunny Day in Hell - for Guitar and Cello A small introduction from the guitar opens the work which brings the introductory material as a feeling of a sluggish and almost joyful day, an opening with a dark feeling. Almost like a sunny day in hell, I could say. This opening material gives its turn to a fast-fierce agitated section in where the guitar mostly plays 16th triplets and the cello introduces an exotic dance-like tune. A limping dance, I must add given the titleâ€™s influence. Almost like a small party in hell. The following slow section brings up a sad melancholic mood where both instruments share new material with an evocation of a past happy life. The work ends with the main fast material in a variation form. It was my intention to compose a friendly work for performers and audiences.First twist:Performers: prepare audience for an upcoming performance twist/surprise which will not come (at least not during performance). If or when members of the audience later ask about it, performers should assure them that the twist is still an upcoming great event. Have them re-live the performance as they wonder for years to come...If members of the audience should coerce or threaten you by force, you may reveal the twist: In the unfortunate event that you may later end up in hell, this performance guarantees that you will have at least one Sunny Day in HellOptional Second twist:Performers, could as an extra touch, wear fangs (teeth of a vampire or devil) and after performance could reveal them by either biting the lip or casually smiling or yawning at the audience. No audience preparation is needed for this twist. Although wearing Fangs during the performance, could be a nuisance to some performers, they could give to the work a special extra bite. As a variation, fangs could be wore after the end of the performance. Apostolos Paraskevas, Boston 2008