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I Will Say
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Vous avez sélectionné:
I Will Say
Violoncelle , Guitare (duo)
Partitions à imprimer
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Up I arose in verno tempore for cello and guitar
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Violoncelle , Guitare (duo)
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INTERMÉDIAIRE
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Anon
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David Warin Solomons
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Up I arose in verno tempore fo
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Cello,Guitar,Instrumental Duet - Level 3 - SKU: A0.577529 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,Wo...
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Instrumental Duet Cello,Guitar,Instrumental Duet - Level 3 - SKU: A0.577529 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985937. Published by David Warin Solomons (A0.577529). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
$6.00
A Sunny Day in Hell (cello and guitar)
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Violoncelle , Guitare (duo)
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Apostolos Paraskevas
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A Sunny Day in Hell
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Silver Sickle Publications
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SheetMusicPlus
Instrumental Duet Cello,Guitar,Instrumental Duet - SKU: A0.942094 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,World. Score and...
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Instrumental Duet Cello,Guitar,Instrumental Duet - SKU: A0.942094 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,World. Score and parts. 29 pages. Silver Sickle Publications #6092705. Published by Silver Sickle Publications (A0.942094). A Sunny Day in Hell - for Guitar and Cello A small introduction from the guitar opens the work which brings the introductory material as a feeling of a sluggish and almost joyful day, an opening with a dark feeling. Almost like a sunny day in hell, I could say. This opening material gives its turn to a fast-fierce agitated section in where the guitar mostly plays 16th triplets and the cello introduces an exotic dance-like tune. A limping dance, I must add given the title’s influence. Almost like a small party in hell. The following slow section brings up a sad melancholic mood where both instruments share new material with an evocation of a past happy life. The work ends with the main fast material in a variation form. It was my intention to compose a friendly work for performers and audiences.First twist:Performers: prepare audience for an upcoming performance twist/surprise which will not come (at least not during performance). If or when members of the audience later ask about it, performers should assure them that the twist is still an upcoming great event. Have them re-live the performance as they wonder for years to come...If members of the audience should coerce or threaten you by force, you may reveal the twist: In the unfortunate event that you may later end up in hell, this performance guarantees that you will have at least one Sunny Day in HellOptional Second twist:Performers, could as an extra touch, wear fangs (teeth of a vampire or devil) and after performance could reveal them by either biting the lip or casually smiling or yawning at the audience. No audience preparation is needed for this twist. Although wearing Fangs during the performance, could be a nuisance to some performers, they could give to the work a special extra bite. As a variation, fangs could be wore after the end of the performance. Apostolos Paraskevas, Boston 2008
$14.99
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I Will Say 
