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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Schumann
Non classifié
101
Piano & claviers
Piano, Voix
2 711
Piano seul
296
1 Piano, 4 mains
8
Piano Trio: piano, violon, violoncelle
5
Piano, Voix et Guitare
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Facile
3
Orgue
2
2 Pianos, 4 mains
1
Instruments en Do
1
+ 5 instrumentations
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Guitares
Guitare
13
2 Guitares (duo)
7
Ligne De Mélodie, (Paroles) et Accords
6
Guitare notes et tablatures
6
Ukulele
3
3 Guitares (trio)
1
Dulcimer
1
+ 2 instrumentations
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Voix
Chorale SATB
17
Chorale 3 parties
10
Voix seule
7
Chorale TTBB
6
Chorale SSAA
4
Chorale Unison
4
Chorale 2 parties
1
Voix moyenne, Piano
1
+ 3 instrumentations
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Vents
Flûte traversière et Piano
64
Clarinette et Piano
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
Clarinette
14
Flûte et Guitare
13
Flûte, Hautbois, Clarinette, Basson
13
Quatuor de Clarinettes: 4 clarinettes
12
Flûte traversière
12
Quatuor de Saxophones: 4 saxophones
9
2 Clarinettes (duo)
9
Saxophone Alto et Piano
8
Hautbois, Piano (duo)
8
2 Flûtes traversières (duo)
7
Saxophone Soprano et Piano
7
3 Clarinettes (trio)
6
Hautbois, Basson (duo)
5
Saxophone Tenor et Piano
4
Saxophone Baryton, Piano
4
Hautbois
3
Saxophone Alto
3
Clarinette, Basson (duo)
3
Quatuor de Flûtes : 4 flûtes
2
Saxophone et Guitare
2
Ensemble de saxophones
2
Flûte, Clarinette (duo)
2
Flûte à bec Alto
2
Quintette de Clarinettes: 5 clarinettes
2
Trio de Flûtes: 3 flûtes
2
Saxophone
2
Flûte, Violoncelle
2
Flûte à Bec
2
Saxophone Tenor
2
Flûte à bec Soprano
2
Cor anglais, Piano
2
Flûte, Trombone (duo)
2
Clarinette Basse, Piano
2
2 Saxophones (duo)
2
3 Flûtes à bec (trio)
1
Flûte, Violon
1
Flûte, Basson et Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Ensemble de Clarinettes
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Violoncelle, Guitare
1
Clarinette, Trombone (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Ensemble de Flûtes
1
Clarinette Basse
1
Flûte, Violon, Piano
1
+ 45 instrumentations
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Cuivres
Trompette
6
Cor et Piano
6
Trombone et Piano
5
Trombone
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Euphonium, Piano (duo)
4
Trompette, Piano
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Quatuor de cuivres: 4 cors
2
Cor
2
Quatuor de cuivres: 4 trombones
2
Cor anglais, Piano
2
Trompette, Trombone (duo)
2
Trompette et Guitare
1
2 Trompettes (duo)
1
Trombone basse et Piano
1
Trompette, violon (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
3 Trombones (trio)
1
3 Cors (trio)
1
Quatuor de Cuivres
1
Tuba
1
+ 17 instrumentations
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Cordes
Violon et Piano
75
Violoncelle, Piano
62
Quatuor à cordes: 2 violons, alto, violoncelle
49
Alto, Piano
23
Violon
18
Violoncelle
12
Alto seul
10
2 Violons (duo)
5
Violon, Alto (duo)
4
Violoncelle , Guitare (duo)
4
2 Violoncelles (duo)
3
Violon, Violoncelle (duo)
3
Contrebasse, Piano (duo)
3
Violon, Guitare (duo)
3
Harpe
2
2 Altos (duo)
2
Trio à cordes: 3 violins
2
Quatuor à cordes: 4 violons
2
Trio à Cordes: violon, alto, violoncelle
2
4 Violoncelles
1
Alto, Guitare (duo)
1
Violon, Basson (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Piano Trio: Violon, Alto, Piano
1
Flûte, Contrebasse (duo)
1
4 Contrebasses
1
Alto, Violoncelle (duo)
1
Trio à cordes: 3 altos
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
17
Orchestre
11
Ensemble de cuivres
6
Orchestre d'harmonie
3
Orchestre de chambre
3
Xylophone
1
Ensemble Jazz
1
Ensemble de Percussions
1
+ 3 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
Schumann
intermédiaire
Hautbois, Piano (duo)
Partitions à imprimer
8 partitions trouvées
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Pleasant Landscape-Schumann-Oboe-Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Robert Schumann
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Phil Beaman
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Pleasant Landscape-Schumann-Ob
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Phil Beaman
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.844536 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Romantic Period,Sacred,Standards. Score and part. 7 ...
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Oboe,Piano - Level 3 - SKU: A0.844536 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Romantic Period,Sacred,Standards. Score and part. 7 pages. Phil Beaman #3509359. Published by Phil Beaman (A0.844536). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Pleasant Landscape, which I have freely arranged for accompanied Instrumental Solo. I have slowed it down considerably from the original and marked it with passionate energy. The beauty and interest is created by the shaping and phrasing of this beautiful melodic line. It has a rubato feeling throughout with constant tempo changes like rall, molto rall, freely, accel, etc. In keeping with the characteristics of the Romantic period my arrangement is full of interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. The equally beautiful piano part provides great interplay of expressive harmony and countermelody. A beautiful piece to show your expressive musicianship and impress them in either concert or audition. Marked Intermediate due to the plethora of markings to observe, musicianship that is required for a mature performance, and a 2 octave range that will push the limits of some instruments.3:10 minutes, 5 page score, 2 page solo partTemporary recording of a piano reduction of total score.
$5.99
Dichterliebe, Op.48 No.1 - Oboe and Piano (Full Score and Parts)
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Robert Schumann
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César Madeira
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Dichterliebe, Op.48 No.1 - Obo
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Sheet Music To Play Editions
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1420459 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Classical,Multicultural,Romantic Period,W...
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Oboe,Piano - Level 3 - SKU: A0.1420459 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Classical,Multicultural,Romantic Period,Wedding,World. Score and part. 8 pages. Sheet Music To Play Editions #1001888. Published by Sheet Music To Play Editions (A0.1420459). Dichterliebe, Op.48 No.1 (Im wunderschönen Monat Mai) by Robert Schumann. Arrangement for Oboe and Piano. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
5 Romantic Songs for Oboe and Piano - Book 1
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens, Edward El
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César Madeira
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5 Romantic Songs for Oboe and
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Sheet Music To Play Editions
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1203794 Composed by Camille Saint-Saens, Edward Elgar, Jules Massenet, Ludwig van Beethoven, and Robert Schumann. Arrange...
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Oboe,Piano - Level 3 - SKU: A0.1203794 Composed by Camille Saint-Saens, Edward Elgar, Jules Massenet, Ludwig van Beethoven, and Robert Schumann. Arranged by César Madeira. 19th Century,20th Century,Classical,Romantic Period,Wedding. Score and part. 51 pages. Sheet Music To Play Editions #802356. Published by Sheet Music To Play Editions (A0.1203794). The Romantic Era Song Album (Book 1). The Most Famous Romantic Songs. Arrangement for Oboe and Piano. With Full Score and Individual Parts. Enjoy it!Song List:Beethoven - Moonlight Sonata Schumann - TräumereiSaint-Saens - Le CygneMassenet - MeditationElgar - Pomp and CircumstanceFor Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$9.99
Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Oboe,Piano - Level 3 - SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500659. Published by jmsgu3 (A0.549488). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Waltz
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Robert Schumann
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Tabitha Kierszka
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Waltz
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Tabitha Kierszka
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.900998 Composed by Robert Schumann. Arranged by Tabitha Kierszka. Concert,Romantic Period,Standards. Score and part. 4 pa...
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Oboe,Piano - Level 3 - SKU: A0.900998 Composed by Robert Schumann. Arranged by Tabitha Kierszka. Concert,Romantic Period,Standards. Score and part. 4 pages. Tabitha Kierszka #5997953. Published by Tabitha Kierszka (A0.900998). The Album Leaves opus 124 were originally written for piano solo. The Waltz presented here is number 6 from this collection. It has been arranged for oboe with piano accompaniment.Total 4 pages, separate oboe part has been included. Key of A minor.
$1.99
Saint-Saëns: The Swan for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Rom...
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Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Mendelssohn: Wedding March for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. S...
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Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602933. Published by jmsgu3 (A0.549890). Score: 12 pages, piano part: 6 pages, oboe part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Be.
$24.95
Classical Highlights for Oboe
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Classical Highlights for Oboe
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Schott Music - Digital
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SheetMusicPlus
Arranged for Oboe and Piano. Burial - festive - Wedding - wedding music - instrumental - classic - classics - sheet music - oboe. Classical Highlights...
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Arranged for Oboe and Piano. Burial - festive - Wedding - wedding music - instrumental - classic - classics - sheet music - oboe. Classical Highlights. Popular classics arranged for oboe and piano. Downloadable, Play-along. Schott Music - Digital #Q576330. Published by Schott Music - Digital
'Classical Highlights' presents the best-known and most popular performance pieces of the classical repertoire in arrangements for oboe and piano. The extensive selection of literature provides an excellent gateway to classical masterpieces from Handel and Bach to Schubert, Mendelssohn, Schumann, and Wagner, as well as Fauré, Elgar, Debussy, and Satie. Every oboist looking for a popular classic for lessons or performances will make a find. Suitable repertoire for musical accompaniment at weddings and funerals can be found here as well. To make practising easier, backing tracks can be downloaded as MP3 files. The piano accompaniment is available in PDF format.
$13.99
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