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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Arthur
Non classifié
43
Piano & claviers
Piano seul
41
Piano, Voix
9
Instruments en Do
7
Piano, Voix et Guitare
7
Orgue
3
2 Pianos, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 8 mains
1
+ 3 instrumentations
Retracter
Guitares
Guitare notes et tablatures
5
Guitare
3
2 Guitares (duo)
1
Ukulele
1
Voix
Voix seule
13
Chorale SATB
13
Chorale TTBB
10
Chorale SSAA
4
Voix Soprano, Piano
2
Chorale 3 parties
1
+ 1 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Saxophone Tenor
4
Quatuor de Saxophones: 4 saxophones
3
Quintette de Saxophone: 5 saxophones
3
Flûte traversière
3
Saxophone Alto
3
Clarinette
3
Hautbois, Piano (duo)
2
Ensemble de Clarinettes
2
Ensemble de saxophones
2
Saxophone (partie séparée)
2
Clarinette et Piano
2
Flûte, Clarinette et Basson
2
Hautbois (partie séparée)
2
Cor anglais, Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte traversière et Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Soprano et Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone Tenor et Piano
1
Saxophone Alto et Piano
1
Saxophone Baryton, Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Clarinette Basse, Piano
1
Flûte, Hautbois, Basson
1
Ensemble de Flûtes
1
Piccolo, Piano
1
Flûte, Violoncelle
1
+ 24 instrumentations
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Cuivres
Trompette
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trombone et Piano
3
2 Euphoniums et 2 Tubas
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trombone
2
Quatuor de Cuivres
2
Tuba
1
Cor anglais, Piano
1
Quatuor de cuivres: 4 trombones
1
Cor et Piano
1
Quatuor de cuivres: 4 cors
1
Euphonium, Piano (duo)
1
Cor
1
+ 9 instrumentations
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Cordes
Violon
12
Quatuor à cordes: 2 violons, alto, violoncelle
10
Violoncelle
6
Violon, Violoncelle (duo)
4
Violon et Piano
3
Violon, Alto (duo)
3
2 Violoncelles (duo)
3
Alto seul
3
2 Altos (duo)
2
2 Violons (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à Cordes: violon, alto, violoncelle
2
Harpe
1
Violoncelle, Contrebasse (duo)
1
Alto, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
Trio à cordes: 3 violins
1
Contrebasse, Piano (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 14 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
14
Ensemble Jazz
13
Orchestre
11
Ensemble de cuivres
11
Orchestre à Cordes
8
Orchestre de chambre
3
Jazz combo
2
Batterie
2
Ensemble de Percussions
2
Fanfare
1
Cloches
1
+ 6 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
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Vous avez sélectionné:
Arthur
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Hautbois, Piano (duo)
Partitions à imprimer
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Sullivan: The Lost Chord for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for O
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.549448 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred...
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Oboe,Piano - Level 4 - SKU: A0.549448 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497149. Published by jmsgu3 (A0.549448). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Requires sensitivity & dynamic control.Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$26.95
An Avaloch Divertimento
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brett L
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An Avaloch Divertimento
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Sonata Grendel Publishing
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.837511 Composed by Brett L. Wery. 20th Century,Concert,Contemporary. Scor...
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Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.837511 Composed by Brett L. Wery. 20th Century,Concert,Contemporary. Score and parts. 56 pages. Sonata Grendel Publishing #6599293. Published by Sonata Grendel Publishing (A0.837511). An Avaloch Divertimento was begun-in fact the first two movements were completed-at the Avaloch Farm Music Institute in New Hampshire. Avaloch or Abhlach, is from the old Irish word meaning, place of the apple trees. The sacred Isle of the Apple Trees, Avalon-where Arthur, King of the Britons, was taken to be healed of his dreadful wounds-takes its name from this ancient word. Avaloch Farm Music Institute (AFMI) in New Hampshire is also a magical place where chamber music groups come to work and create in an atmosphere free from the distractions of everyday life. In the summer of 2021 I had the pleasure and honor of being a resident of AFMI along with Areli Mendoza-Pannone, Robert Frazier, and Mark Evans as we work-shopped my song cycle, Quarry Songs. Areli, Bobby, and Mark had to go back to the real world half way through the residency, leaving me at AFMI to begin work on An Avaloch Divertimento. The first movement is an Aubade, which are traditionally morning love songs-as opposed to evening love songs or serenades. In the seventeenth century aubades became associated with instrumental works depicting sunrises. It is this sense of the word that is used here, complete with a bird-song oboe cadenza. Pippin takes its name from a variety of apple. While at AFMI I would take afternoon walks through the nearby apple orchard to beautiful Walker Pond. It was on one of these walks that I came up with the first draft of the tune used in the central fughetta of the movement. The word, pippin is also included in Carolyn Forché’s poem, The Museum of Stones, which I had set as the final movement of Quarry Songs. The final movement, Amhrán, means song in Irish and is a simple song form with three interwoven themes that emulate the Irish Bodhran (frame drum), fiddle, and singer. Many thanks to Board Chair, Alfred Tauber, Artistic Director, Deborah Sherr, and Operations Director, Hannah Landes and the whole AFMI staff for creating such a wonderful refuge for musicians to work, learn, and create. Learn about Avaloch Farm Music Institute at www.avalochfarmmusic.org. Learn about more compositions by Brett L. Wery at www.BRETTLWERY.com. Duration: 12 minutes
$25.55
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