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Vous avez sélectionné:
Weber
Hautbois, Piano (duo)
Partitions à imprimer
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Chopin Mazurka, Op.67, No. 4
Hautbois, Piano (duo)
Oboe,Piano - Level 4 - Digital Download SKU: A0.940359 Composed by Stephen Weber. A…
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Oboe,Piano - Level 4 - Digital Download SKU: A0.940359 Composed by Stephen Weber. Arranged by Dr. Stephen Weber. Instructional,Romantic Period,Standards. Score and part. 8 pages. Dr. Stephen Weber #3087061. Published by Dr. Stephen Weber (A0.940359). This arrangement of Chopin's Mazurka, Op. 67, No. 4, for piano, is a setting for solo oboe and piano. The lovely lyricism of Chopin and the Polish flavor of the mazurka emerge in this setting, suitable for intermediate through advanced players. The setting is ideal for high school students, as contest music, or for concert material for university students. The accompaniment is very accessible, providing harmonic support for the solo part. Composer Dr. Stephen Weber is Professor of Music at the University of Science and Arts of Oklahoma. He is a member of ASCAP and has a YouTube channel at which you can see performances of his works in the U.S., Europe, and Asia.
$2.99
2.69 €
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Hautbois, Piano (duo)
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Stephen Weber
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Dr
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Chopin Mazurka, Op.67, No. 4
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Dr. Stephen Weber
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549488 Composed by Felix Mendelssoh…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500659. Published by jmsgu3 (A0.549488). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
29.63 €
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Hautbois, Piano (duo)
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Ich sah ein Röschen am Wege stehn
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.640470 Composed by C.M.v.Weber. Arr…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.640470 Composed by C.M.v.Weber. Arranged by Kaiserin Rebecca. Concert,Holiday,Instructional,Love,Romantic Period. Score and part. 2 pages. Kaiserin Rebecca #4110947. Published by Kaiserin Rebecca (A0.640470). For oboe solo and piano accompaniment with chords.
$4.99
4.49 €
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Hautbois, Piano (duo)
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C
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Kaiserin Rebecca
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Ich sah ein Röschen am Wege stehn
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Kaiserin Rebecca
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SheetMusicPlus
Mendelssohn: Wedding March for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549890 Composed by Felix Bartholdy …
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602933. Published by jmsgu3 (A0.549890). Score: 12 pages, piano part: 6 pages, oboe part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Be.
$24.95
22.44 €
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Hautbois, Piano (duo)
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Oboe & Piano
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jmsgu3
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SheetMusicPlus
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