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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Non classifié
426
Piano & claviers
Accordéon
2 787
Piano seul
122
Piano Facile
60
Instruments en Do
36
Piano, Voix et Guitare
20
Piano, Voix
15
Accordéon, Voix
13
Accordéon, Piano
13
Accordéon, Corde(s)
12
Orgue
11
Accordéon et Orchestre
7
2 Accordéons
4
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
1
Clavier
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accompagnement Piano
1
2 Pianos, 4 mains
1
+ 13 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
1 000
Paroles et Accords
362
Guitare
22
Guitare notes et tablatures
10
Basse electrique
2
Ukulele
2
Dulcimer
1
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
Banjo
1
Ensemble de guitares
1
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Voix
Chorale SATB
50
Chorale 3 parties
8
Chorale 2 parties
5
Chorale Unison
4
Chorale SSAA
4
Voix moyenne, Piano
2
Pack Instrumental pour Chorale
2
Chorale SSAATTBB
2
Voix Alto, Piano
1
Voix Baryton, Piano
1
Chorale TTBB
1
Voix haute
1
+ 7 instrumentations
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Ensemble de saxophones
29
2 Saxophones (duo)
16
Saxophone Alto
15
Saxophone Tenor
13
Quintette de Saxophone: 5 saxophones
12
Flûte traversière et Piano
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Flûte traversière
11
Quatuor de Saxophones: 4 saxophones
10
Saxophone, Clarinette (duo)
9
Ensemble de Clarinettes
9
Saxophone (partie séparée)
9
Flûte, Hautbois, Clarinette, Basson
9
Clarinette
8
2 Clarinettes (duo)
7
Clarinette et Piano
7
Hautbois, Piano (duo)
7
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Soprano et Piano
6
2 Flûtes traversières (duo)
6
Saxophone Alto et Piano
6
Clarinette, Trompette (duo)
5
Hautbois (partie séparée)
5
Clarinette, Violon (duo)
5
Flûte, Violon
4
Quatuor de Flûtes : 4 flûtes
4
Flûte, Clarinette (duo)
4
Hautbois, Clarinette (duo)
3
Saxophone Tenor et Piano
3
Saxophone Baryton, Piano
3
Quintette de Flûte : 5 flûtes
3
Flûte, Trompette (duo)
3
Flûte, Saxophone (duo)
3
Hautbois, Flûte
3
Clarinette et Alto
3
2 Hautbois (duo)
3
3 Clarinettes (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Ensemble de Flûtes
2
Flûte à bec Alto, Piano
2
Clarinette Basse, Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Piccolo
1
Clarinette, Trombone (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Basson (duo)
1
3 Saxophones (trio)
1
Hautbois, Violoncelle
1
Clarinette, Guitare (duo)
1
Flute, harpe et violon
1
Flûte, Alto (duo)
1
Flûte irlandaise
1
2 Cors Anglais Et Pianoforte
1
Cor anglais, Piano
1
Flûte à bec Alto
1
2 Flûtes traversières, Piano
1
+ 51 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Quatuor de Cuivres
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Ensemble de Trombones
7
Trompette
7
Trompette, Saxophone (duo)
6
Ensemble de Trompettes
5
Cor et Piano
5
Trombone et Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trombone
3
Ensemble de Cors
3
Trompette, Trombone (duo)
3
2 Trompettes (duo)
3
Tuba
3
2 Trombones (duo)
3
Quatuor de cuivres: 4 cors
2
Quatuor de cuivres: 4 trombones
2
Cor
1
2 Euphoniums et 2 Tubas
1
Euphonium
1
Euphonium, Piano (duo)
1
Trompette (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Cor anglais, Piano
1
+ 20 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
34
Violon
21
Trio à Cordes: violon, alto, violoncelle
17
Violon, Violoncelle (duo)
16
Violoncelle
15
Violon et Piano
9
Alto, Piano
9
2 Violoncelles (duo)
6
Harpe
5
Violon, Alto (duo)
5
2 Violons (duo)
4
Violoncelle, Piano
3
4 Violoncelles
3
Alto seul
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
2 Altos (duo)
3
Ensemble d'Altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto (partie séparée)
2
Ensemble de Violons
2
2 Harpes (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 violins
1
Harpe, Voix
1
Alto, Violoncelle (duo)
1
Harpe, Trombone (duo)
1
+ 23 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
53
Orchestre
23
Orchestre à Cordes
21
Ensemble de cuivres
13
Orchestre de chambre
11
Ensemble Jazz
9
Cloches
1
Jazz combo
1
Ensemble de Percussions
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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FLUTE TRAVERSI…
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1
3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
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Hautbois, Piano (duo)
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AVANCÉ
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Robert Schumann
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Zellev
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3 Romances, Op. 94 for Oboe an
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Zellev Music
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SheetMusicPlus
Oboe,Piano - Level 5 - SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score ...
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Oboe,Piano - Level 5 - SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462). The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.An average full performance lasts roughly 12 minutes.The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and François Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.
$20.00
DvoÅ™ák: Largo from the New World Symphony for Oboe & Piano
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Hautbois, Piano (duo)
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FACILE
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AntonÃn Dvořák
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.549426 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,St...
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Oboe,Piano - Level 2 - SKU: A0.549426 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494023. Published by jmsgu3 (A0.549426). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25  Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation all nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Handel: Largo from Xerxes for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549386 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score a...
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Oboe,Piano - Level 3 - SKU: A0.549386 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492325. Published by jmsgu3 (A0.549386). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
J.S. Bach - Jesu, Joy of Man's Desiring in G Major - Intermediate
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Hautbois, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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Piacere Music Sheets
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J.S. Bach - Jesu, Joy of Man's
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Piacere Music Sheets
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1151921 Composed by Johann Sebastian Bach. Arranged by Piacere Music Sheets. Baroque,Chamber,Christmas,Instructional,Stan...
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Oboe,Piano - Level 2 - SKU: A0.1151921 Composed by Johann Sebastian Bach. Arranged by Piacere Music Sheets. Baroque,Chamber,Christmas,Instructional,Standards. Score and part. 15 pages. Piacere Music Sheets #752127. Published by Piacere Music Sheets (A0.1151921). Opus/Catalog Number: BWV 147, Second Part, Movement 10 Key/Tone:Â G Major Movements/Sections:Â Moderato Year/Date of Composition:Â 1723 Difficulty:Â Grade 4/12 (Intermediate) Obs.:Â This piece is the tenth and last movement of Bach's Cantata BWV 147. This is an arrangement for Oboe and Piano at the key of G Major. In accordance with the performance practice of the Baroque period, trills are played ON the beat, starting on the upper auxiliary note. The number of repercussions can be adjusted to the player's taste and ability. Included:Â Full score and separated parts for each instrument.
$14.95
O Come All Ye Faithful for Oboe & Piano
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Hautbois, Piano (duo)
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Obo
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.548513 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #33881...
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Oboe,Piano - Level 1 - SKU: A0.548513 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388123. Published by jmsgu3 (A0.548513). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Miss Lambert's Waltz - oboe and piano, optional side drum, bass & guitar
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Hautbois, Piano (duo)
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FACILE
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Karen E McAulay
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piano!
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Miss Lambert's Waltz - oboe an
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Dr Karen E McAulay
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SheetMusicPlus
Instrumental Duet,Oboe,Piano - Level 2 - SKU: A0.984280 Composed by Karen E McAulay. Contemporary,Romantic Period. 4 pages. Dr Karen E McAulay #4317603....
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Instrumental Duet,Oboe,Piano - Level 2 - SKU: A0.984280 Composed by Karen E McAulay. Contemporary,Romantic Period. 4 pages. Dr Karen E McAulay #4317603. Published by Dr Karen E McAulay (A0.984280). I started out writing an accordion tune - and ended up with an old-fashioned waltz for oboe & piano! The namesake of this waltz was Miss Lambert - a vicar's daughter & professor's niece in Georgian St Andrews. A bit of a bluestocking, but I like to think she'd have enjoyed her waltz nonetheless. Play it on oboe and piano, but the score does has optional sidedrum, bass and guitar chords for extra performance options.Oboe part listed separately.
$10.00
Tango Pour Claude for Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Contemporain
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Richard Galliano
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Tango Pour Claude for Oboe and
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Diego Marani
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SheetMusicPlus
Piano Accompaniment, Oboe - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 12 page...
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Piano Accompaniment, Oboe - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 12 pages. Published by Diego Marani
Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.
Astor strongly encouraged Richard to create the French ?New Musette?, as he himself had previously invented the Argentinean ?New Tango?.
Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,
Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.
This arrangement for oboe with piano of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital.
$12.99
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