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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All Of The Lights
Non classifié
74
Piano & claviers
Piano seul
64
Piano, Voix et Guitare
22
Piano, Voix
14
Piano Facile
10
Orgue
7
Instruments en Do
4
Clavier
1
1 Piano, 4 mains
1
Piano grosses notes
1
+ 4 instrumentations
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Guitares
Basse electrique
3
Guitare
3
Basse électrique (partie séparée)
1
Guitare notes et tablatures
1
Ligne De Mélodie, (Paroles) et Accords
1
Paroles et Accords
1
+ 1 instrumentations
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Voix
Chorale SATB
41
Chorale 3 parties
14
Chorale 2 parties
11
Voix Alto, Piano
10
Chorale TTBB
7
Voix duo, Piano
5
Chorale Unison
5
Chorale
3
Chorale SSAA
3
Voix moyenne, Piano
1
+ 5 instrumentations
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Vents
Quatuor de Clarinettes: 4 clarinettes
6
Flûte traversière et Piano
5
Saxophone (partie séparée)
4
Clarinette (partie séparée)
2
Quatuor de Saxophones: 4 saxophones
2
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2
Flute (partie séparée)
2
Hautbois, Piano (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone Alto et Piano
1
Saxophone Baryton, Piano
1
Ensemble de saxophones
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Clarinette et Basson
1
Trio de Flûtes: 3 flûtes
1
Flûte à bec Soprano
1
Saxophone Tenor et Piano
1
Clarinette
1
Hautbois, Guitare (duo)
1
Clarinette Basse, Piano
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Saxophone Tenor
1
Cor anglais, Piano
1
Saxophone Soprano et Piano
1
Saxophone Alto
1
Clarinette et Piano
1
Ensemble de Clarinettes
1
Hautbois (partie séparée)
1
+ 23 instrumentations
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Cuivres
Trompette (partie séparée)
5
Quatuor de Cuivres
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Ensemble de Trombones
2
Euphonium, Piano (duo)
2
Trombone (partie séparée)
2
Trompette, Piano
2
Instruments en Sib
2
Trombone
1
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1
Cor
1
2 Trompettes, Clavier (piano ou orgue)
1
4 Tubas
1
Tuba et Piano
1
Cor anglais, Piano
1
Cor (partie séparée)
1
Quatuor de cuivres: 4 cors
1
Trompette
1
+ 13 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
30
Trio à Cordes: violon, alto, violoncelle
8
Violon, Violoncelle (duo)
6
Violon et Piano
6
Violon
4
Trio à Cordes: 2 violons, violoncelle
3
Violon, Guitare (duo)
3
2 Violons (duo)
3
Violoncelle, Piano
3
Violoncelle
2
Alto, Piano
2
Violon (partie séparée)
1
Violoncelle , Guitare (duo)
1
Contrebasse, Piano (duo)
1
Harpe
1
2 Violoncelles (duo)
1
Violon, Alto (duo)
1
Harpe, Flûte (duo)
1
Trio à cordes
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 15 instrumentations
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Orchestre & Percussions
Fanfare
25
Orchestre
12
Orchestre d'harmonie
10
Orchestre à Cordes
8
Ensemble Jazz
3
Batterie (partie séparée)
3
Ensemble de cuivres
3
Percussion (partie séparée)
1
Ensemble de Percussions
1
Jazz combo
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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Vous avez sélectionné:
All Of The Lights
Hautbois, Piano (duo)
Partitions à imprimer
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Variations on David of the White Rock (Dafydd Y Garreg Wen) for oboe and piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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David Owen
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David Warin Solomons
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Variations on David of the Whi
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David Warin Solomons
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1449233 Composed by David Owen. Arranged by David Warin Solomons. Contemporary,Traditional. Score and part. 3 pages. Davi...
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Oboe,Piano - Level 3 - SKU: A0.1449233 Composed by David Owen. Arranged by David Warin Solomons. Contemporary,Traditional. Score and part. 3 pages. David Warin Solomons #1029028. Published by David Warin Solomons (A0.1449233). Based on a song by the Welsh harpist David OwenDavid the bard on his bed of death liesPale are his features and dim are his eyesYet all around him his glance wildly rovesTill it alights on the harp that he loves.Give me my harp, my companion so longLet it once more add its voice to my songThough my old fingers are palsied and weakStill my good harp for its master will speak.Often the hearts of our chiefs it has stirredWhen its loud summons to battle was heardHarp of my country, dear harp of the braveLet thy last notes hover over my grave. The pdf file contains score and parts.
$5.00
Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,...
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Oboe,Piano - Level 3 - SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499773. Published by jmsgu3 (A0.549470). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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All Of The Lights
