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Bob's Song
Non classifié
122
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79
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77
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42
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39
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38
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35
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21
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2
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1
1 Piano, 4 mains
1
+ 5 instrumentations
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24
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17
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16
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15
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6
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2
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1
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1
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49
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42
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17
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16
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4
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4
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3
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2
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1
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1
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1
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83
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69
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68
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68
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49
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12
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11
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9
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6
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4
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1
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1
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1
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1
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74
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61
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25
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17
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13
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4
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3
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2
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1
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1
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1
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1
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34
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23
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21
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18
Alto seul
9
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7
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7
Alto (partie séparée)
7
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6
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4
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3
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2
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1
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1
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1
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17
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10
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8
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5
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3
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2
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1
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1
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--INSTRUMENTS--
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Vous avez sélectionné:
Bob's Song
Hautbois, Piano (duo)
Partitions à imprimer
4 partitions trouvées
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He Ain't Heavy, He's My Brother
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Pop musique
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Neil Diamond
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Kevin P Holdgate
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He Ain't Heavy, He's My Brothe
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Kevin P Holdgate
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.791242 By Neil Diamond. By Bob Russell and Bobby Scott. Arranged by Kevin P Holdgate. Pop. Score and part. 8 pages. Kevin...
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Oboe,Piano - Level 3 - SKU: A0.791242 By Neil Diamond. By Bob Russell and Bobby Scott. Arranged by Kevin P Holdgate. Pop. Score and part. 8 pages. Kevin P Holdgate #5771853. Published by Kevin P Holdgate (A0.791242). KPHMS 'Solo' CollectionHe Ain't Heavy, He's My Brother is a ballad written by Bobby Scott and Bob Russell. Originally recorded by Kelly Gordon in 1969, the song became a worldwide hit for The Hollies later that year and a minor hit for Neil Diamond in 1970. It has been recorded by many artists in subsequent years.Scott and Russell were introduced to each other by Johnny Mercer, at a California nightclub. Although Russell was dying of lymphoma and the pair met only three times, they managed to collaborate on the song.This is an arrangement as a solo with piano accompaniment that I would judge to be around Grade 5/6 standard for most instruments.
$4.99
Variations on Bobby Shaftoe for oboe and piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Traditional
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David Warin Solomons
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Variations on Bobby Shaftoe fo
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David Warin Solomons
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1449241 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. Score and part. 6 pages. Dav...
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Oboe,Piano - Level 3 - SKU: A0.1449241 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. Score and part. 6 pages. David Warin Solomons #1029038. Published by David Warin Solomons (A0.1449241). Based on an English folk songBobby Shaftoe's gone to sea,Silver buckles at his knee;He'll come back and marry me,Bonny Bobby Shaftoe!Bobby Shaftoe's bright and fair,Panning out his yellow hair;He's my love for evermaire,Bonny Bobby Shaftoe!The pdf file contains score and parts.
$5.00
Eagles' Victory Song
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Hautbois, Piano (duo)
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DÉBUTANT
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Dirk Quinn Band
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Marcony Carvalho
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Eagles' Victory Song
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Zedas Couve
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.1182613 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Pat...
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Oboe,Piano - Level 1 - SKU: A0.1182613 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782358. Published by Zedas Couve (A0.1182613). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
$4.99
An Avaloch Divertimento
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brett L
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An Avaloch Divertimento
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Sonata Grendel Publishing
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.837511 Composed by Brett L. Wery. 20th Century,Concert,Contemporary. Scor...
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Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.837511 Composed by Brett L. Wery. 20th Century,Concert,Contemporary. Score and parts. 56 pages. Sonata Grendel Publishing #6599293. Published by Sonata Grendel Publishing (A0.837511). An Avaloch Divertimento was begun-in fact the first two movements were completed-at the Avaloch Farm Music Institute in New Hampshire. Avaloch or Abhlach, is from the old Irish word meaning, place of the apple trees. The sacred Isle of the Apple Trees, Avalon-where Arthur, King of the Britons, was taken to be healed of his dreadful wounds-takes its name from this ancient word. Avaloch Farm Music Institute (AFMI) in New Hampshire is also a magical place where chamber music groups come to work and create in an atmosphere free from the distractions of everyday life. In the summer of 2021 I had the pleasure and honor of being a resident of AFMI along with Areli Mendoza-Pannone, Robert Frazier, and Mark Evans as we work-shopped my song cycle, Quarry Songs. Areli, Bobby, and Mark had to go back to the real world half way through the residency, leaving me at AFMI to begin work on An Avaloch Divertimento. The first movement is an Aubade, which are traditionally morning love songs-as opposed to evening love songs or serenades. In the seventeenth century aubades became associated with instrumental works depicting sunrises. It is this sense of the word that is used here, complete with a bird-song oboe cadenza. Pippin takes its name from a variety of apple. While at AFMI I would take afternoon walks through the nearby apple orchard to beautiful Walker Pond. It was on one of these walks that I came up with the first draft of the tune used in the central fughetta of the movement. The word, pippin is also included in Carolyn Forché’s poem, The Museum of Stones, which I had set as the final movement of Quarry Songs. The final movement, Amhrán, means song in Irish and is a simple song form with three interwoven themes that emulate the Irish Bodhran (frame drum), fiddle, and singer. Many thanks to Board Chair, Alfred Tauber, Artistic Director, Deborah Sherr, and Operations Director, Hannah Landes and the whole AFMI staff for creating such a wonderful refuge for musicians to work, learn, and create. Learn about Avaloch Farm Music Institute at www.avalochfarmmusic.org. Learn about more compositions by Brett L. Wery at www.BRETTLWERY.com. Duration: 12 minutes
$25.55
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Bob's Song
