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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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207
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Orgue
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11
1 Piano, 4 mains
7
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2 Pianos, 4 mains
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Guitare
18
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3
4 Guitares (Quatuor)
1
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Ukulele
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2 Guitares (duo)
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18
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1
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1
Chorale 3 parties
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Flûte traversière et Piano
24
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23
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22
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11
Hautbois, Piano (duo)
11
Clarinette
10
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9
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8
2 Clarinettes (duo)
7
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6
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6
Saxophone Tenor et Piano
6
2 Hautbois (duo)
5
Cor anglais, Piano
4
Clarinette Basse, Piano
4
Flûte traversière
4
2 Flûtes traversières (duo)
4
Ensemble de Clarinettes
3
Saxophone, Clarinette (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Saxophone Baryton, Piano
3
Flûte, Clarinette (duo)
2
Hautbois, Clarinette (duo)
2
3 Clarinettes (trio)
2
Clarinette, Violon (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, Basson (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
Piccolo, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Clarinette, Piano (trio)
1
Flûte, Alto (duo)
1
Clarinette, Trompette (duo)
1
Flûte, Hautbois, Basson
1
Saxophone Alto
1
Clarinette et Alto
1
Ensemble de saxophones
1
Trio de Flûtes: 3 flûtes
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Basson (duo)
1
Flûte, Violon
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Flûte
1
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CUIVRES
Trombone et Piano
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Euphonium, Piano (duo)
7
Cor et Piano
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trompette
5
2 Trombones (duo)
4
Cor anglais, Piano
4
Trompette, Piano
3
Quatuor de cuivres: 4 cors
3
Tuba et Piano
3
Trompette, Saxophone (duo)
2
3 Trombones (trio)
2
Quatuor de cuivres: 4 trombones
2
2 Trompettes (duo)
2
Tuba
1
Trombone, Orgue
1
Quatuor de cuivres: 4 trompettes
1
Euphonium, Tuba (duo)
1
4 Tubas
1
3 Cors (trio)
1
Cor, Violoncelle (duo)
1
3 Euphoniums
1
Ensemble de Trombones
1
Trompette, Trombone (duo)
1
Trombone
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
34
Violoncelle, Piano
31
Violon et Piano
26
Alto, Piano
12
Trio à Cordes: violon, alto, violoncelle
7
Harpe
6
Alto seul
5
2 Violons (duo)
4
2 Violoncelles (duo)
3
Violon
3
4 Violoncelles
2
2 Altos (duo)
2
Violoncelle
2
Trio à cordes: 3 violins
1
Quatuor à cordes: 4 violons
1
Violon, Alto (duo)
1
Contrebasse, Piano (duo)
1
Flûte, Contrebasse (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à cordes: 3 altos
1
Violon, Violoncelle (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
21
Orchestre
10
Orchestre d'harmonie
6
Ensemble de cuivres
3
Marimba
1
AUTRES
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Character pieces
Hautbois, Piano (duo)
Partitions à imprimer
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Pleasant Landscape-Schumann-Oboe-Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.844536 Composed by Robert Schumann.…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.844536 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Romantic Period,Sacred,Standards. Score and part. 7 pages. Phil Beaman #3509359. Published by Phil Beaman (A0.844536). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Pleasant Landscape, which I have freely arranged for accompanied Instrumental Solo. I have slowed it down considerably from the original and marked it with passionate energy. The beauty and interest is created by the shaping and phrasing of this beautiful melodic line. It has a rubato feeling throughout with constant tempo changes like rall, molto rall, freely, accel, etc. In keeping with the characteristics of the Romantic period my arrangement is full of interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. The equally beautiful piano part provides great interplay of expressive harmony and countermelody. A beautiful piece to show your expressive musicianship and impress them in either concert or audition. Marked Intermediate due to the plethora of markings to observe, musicianship that is required for a mature performance, and a 2 octave range that will push the limits of some instruments.3:10 minutes, 5 page score, 2 page solo partTemporary recording of a piano reduction of total score.
$5.99
5.45 €
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Hautbois, Piano (duo)
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Robert Schumann
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Phil Beaman
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Pleasant Landscape-Schumann-Oboe-Piano
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Phil Beaman
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SheetMusicPlus
Roadside Inn - Schumann- Oboe-Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.844506 Composed by Robert Schumann.…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.844506 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3488993. Published by Phil Beaman (A0.844506). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free
$4.99
4.54 €
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Hautbois, Piano (duo)
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Oboe-Piano
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Phil Beaman
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SheetMusicPlus
"Moments" - for oboe and piano
Hautbois, Piano (duo)
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.983…
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Instrumental Duet Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.983283 Composed by André van Haren. Classical,Romantic Period. Score and parts. 79 pages. Andre van Haren #2851985. Published by Andre van Haren (A0.983283). 14 character pieces for oboe and piano. The main piano part and the oboe part are included in a single PDF. To hear the full album, please visit: https://soundcloud.com/andrevanharen/sets/moments-for-oboe-and-piano.
$5.00
4.55 €
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Hautbois, Piano (duo)
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André van Haren
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"Moments" - for oboe and piano
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Andre van Haren
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SheetMusicPlus
Slavonic Dance Op. 46 No. 2 for Oboe and Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.1271511 Composed by Antonin Dvorak.…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1271511 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Folk,Instructional,Romantic Period,Standards. Score and part. 12 pages. Diego Marani #863910. Published by Diego Marani (A0.1271511). The Slavonic Dances are a series of 16 orchestral pieces composed by AntonÃn Dvořák in 1878 and 1886 and published in two sets. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. This arrangement for oboe with piano accompaniment of the marvelous dance no. 2 (Dumka) is suitable for classroom, repertoire, recital or for a thoughtful encore.
$9.99
9.1 €
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Hautbois, Piano (duo)
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Antonin Dvorak
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Diego Marani
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Slavonic Dance Op. 46 No. 2 for Oboe and Piano
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Diego Marani
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SheetMusicPlus
Slavonic Dance Op. 72 No. 2 for Oboe and Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.1266816 Composed by Antonin Dvorak.…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1266816 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Contest,Festival,Folk,Instructional,Romantic Period. Score and part. 10 pages. Diego Marani #859495. Published by Diego Marani (A0.1266816). The Slavonic Dances are a series of 16 orchestral pieces composed by AntonÃn Dvořák in 1878 and 1886 and published in two sets. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. This arrangement for oboe with piano acccompaniment of the marvelous and nostalgic dance no. 2 is suitable for classroom, repertoire, recital or for a thoughtful encore.
$9.99
9.1 €
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Hautbois, Piano (duo)
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Antonin Dvorak
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Diego Marani
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Slavonic Dance Op. 72 No. 2 for Oboe and Piano
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Diego Marani
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549637 Composed by Ludwig van Beeth…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516553. Published by jmsgu3 (A0.549637). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation, or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto, and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge), and the final five sonatas for piano. Â
$24.95
22.72 €
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Hautbois, Piano (duo)
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 4 - Digital Download SKU: A0.549448 Composed by Sir Arthur Seymo…
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Oboe,Piano - Level 4 - Digital Download SKU: A0.549448 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497149. Published by jmsgu3 (A0.549448). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Requires sensitivity & dynamic control.Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$26.95
24.54 €
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Hautbois, Piano (duo)
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky - Sweet Dreams in C Major - Intermediate
Hautbois, Piano (duo)
Oboe,Piano - Level 1 - Digital Download SKU: A0.1150204 Composed by Peter Ilyich Tc…
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Oboe,Piano - Level 1 - Digital Download SKU: A0.1150204 Composed by Peter Ilyich Tchaikovsky. Arranged by Piacere Music Sheets. Chamber,Instructional,Romantic Period,Standards. Score and part. 9 pages. Piacere Music Sheets #750378. Published by Piacere Music Sheets (A0.1150204). Opus/Catalog Number: Op.39 ; TH 141, No. 21 Key/Tone: C Major Movements/Sections: Moderato Year/Date of Composition: 1878 Difficulty: Grade 3/12 (Easy) Obs.: This piece is the twenty-first of 24 pieces in Tchaikovsky's Album for the Young. It was originally composed for the piano in the key of C Major. This arrangement is made for Oboe with piano accompaniment. This short piece can be qualified as impressionnist music as it suggests a vaporous, dreamy atmosphere. It features an A-B-A musical form: Section A (measures 1 to 16): this section is calm and peaceful Section B (measures 17 to 32): this central section is restless and agitated Section A (measures 33 to 48): the first section returns with its quiet character Included: Full score and separated parts for each instrument.
$6.95
6.33 €
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Hautbois, Piano (duo)
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Peter Ilyich Tchaikovsky
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Piacere Music Sheets
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TH 141, No
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Tchaikovsky - Sweet Dreams in C Major - Intermediate
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Piacere Music Sheets
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SheetMusicPlus
Schubert: Moment Musicaux for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.549023 Composed by Franz Schubert. …
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Oboe,Piano - Level 2 - Digital Download SKU: A0.549023 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447463. Published by jmsgu3 (A0.549023). Description Schubert Oboe version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. Oboe 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is a great recital encore because it's short and very expressive. Oboe The Oboe works very well in this arrangement. The music portrays a melancholy character that the Oboe can express quite naturally. Works well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. Performance
$32.95
30 €
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Hautbois, Piano (duo)
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Franz Schubert
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James M
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Schubert: Moment Musicaux for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 1 - Digital Download SKU: A0.548719 Composed by Martin Luther. A…
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Oboe,Piano - Level 1 - Digital Download SKU: A0.548719 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411753. Published by jmsgu3 (A0.548719). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.72 €
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Hautbois, Piano (duo)
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Martin Luther
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James M
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Luther: Out of the Depths for Oboe & Piano
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jmsgu3
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SheetMusicPlus
25 Melodic Studies
Hautbois, Piano (duo)
Oboe and piano - intermediate - Digital Download SKU: S9.Q47944 Composed by Fritz F…
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Oboe and piano - intermediate - Digital Download SKU: S9.Q47944 Composed by Fritz Flemming. This edition: Sheet music. Downloadable. Op. Heft 1. Musikverlag Zimmermann - Digital #Q47944. Published by Musikverlag Zimmermann - Digital (S9.Q47944). German • English • French.The melodic studies for oboe by Fritz Flemming are a welcome addition to lesson. With the easy piano accompaniment, Flemming provides the possibility to involve piano-students or the teachers themselves can accompany their students without further difficulty. The studies have a great musical diversity and are therefore still part of examinations. Flemming’s practice pieces are characterized by nuanced dynamics and sophisticated tempos.
$13.99
12.74 €
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Hautbois, Piano (duo)
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Fritz Flemming
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25 Melodic Studies
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
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