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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Clarinet Sonata - 2nd Mov.,
Sheetmusicplus
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Clarinette et Piano
89
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49
2 Clarinettes (duo)
35
Flûte, Clarinette (duo)
22
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21
Flûte, Hautbois, Clarinette, Basson
20
3 Clarinettes (trio)
19
Clarinette et Alto
19
Clarinette, Violoncelle (duo)
18
Clarinette
17
Clarinette, Basson (duo)
16
Hautbois, Clarinette (duo)
16
Clarinette, Violon (duo)
14
Clarinette Basse, Piano
14
Flûte, Hautbois, Clarinette (trio)
14
Ensemble de Clarinettes
10
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7
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5
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4
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3
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2
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1
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1
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1
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1
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1
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1
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1
2 Clarinettes, Basson
1
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1
Clarinette, Harpe (duo)
1
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1
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3
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2
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2
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1
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1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
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EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Clarinet Sonata - 2nd Mov.,
SheetMusicPlus
Partitions à imprimer
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Sonata Franckoniana
#
Hautbois, Piano (duo)
#
AVANCÉ
#
Contemporain
#
Cesar Auguste Franck
#
Robert Fruehwald
#
Sonata Franckoniana
#
Robert Fruehwald
#
SheetMusicPlus
Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemp...
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Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemporary. Score and parts. 39 pages. Robert Fruehwald #2165237. Published by Robert Fruehwald (A0.923701). I have a love-hate relationship with the Cesar Franck D Minor Symphony. It was the first large scale romantic work that I played as a member of a youth orchestra. I remember the thrill of being immersed in the overwhelming drama of the work. As I have returned to the piece over the years, I still love it, or rather I love parts of it. It is a very, very long work. It takes a while to get to the point. The point of the piece, to me, is the last movement. It is fast, exciting, maybe even joyous. The long, dark, angst-ridden build-up seemed profound to me as a teenager. I am less patient today. Now I wish Franck had simply started with the last movement. I decided to try rewriting the symphony myself. I would start with material from the last movement. I would use all of the basic musical material of the piece, but I would condense it down to ten to fifteen minutes of music. I had originally intended to leave the romantic character of the work intact. That intention didn't last very long. As I worked on the piece, it very quickly became more post-modern than romantic. I think that's fine. The profundity may be gone, but I think the piece is more fun this way. As I get older the scales of my life are tipping more and more toward fun and less and less toward profundity. It's kind of nice that, as I age, I see more fun ahead me even if that means I'm seeing profundity recede in the rear-view mirror.
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