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Colin C
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54
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSON
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Colin C
Hautbois, Piano (duo)
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Bach-Gounod: Ave Maria for Oboe and Piano
Hautbois, Piano (duo)
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Easter, Mother'…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Easter, Mother's Day, Wedding, Bar or Bat Mitzvah, Funeral. Set of Parts. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.33 €
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Hautbois, Piano (duo)
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Oboe and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Oh Shenandoah (for oboe and piano)
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.1311555 Composed by Traditional. Ar…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.1311555 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Instructional,Multicultural,Patriotic,World. Score and part. 9 pages. Colin Kirkpatrick Publications #900562. Published by Colin Kirkpatrick Publications (A0.1311555). This beautiful song is one of the most popular American folk songs, evoking images of the river life of yesteryear. It is sure to be a popular addition to your oboe recital, or it would make an excellent encore piece. The lowest note is the C just under the treble staff and the highest note is the A just above the staff.  The duration is 03:55. As with most folk songs, there are many different versions of Shenandoah, and it’s impossible to determine the song’s exact provenance with any degree of certainty. It probably has its origin among the French Canadians who traded with Native Americans around the Great Lakes during the sixteenth century. In most versions of the song, the lyrics tell of a seafarer, possibly a canoeing fur-trader, who was in love with the daughter of Shenandoah, a Native American Chief who lived in what is now the state of Virginia. Shenandoah was a real person: an individual of commanding presence who lived for over a hundred years. Sailors heading down the Mississippi picked up the song and made it a capstan shanty, which they sang while hauling in the anchor. By the mid-1800s versions of the song were heard almost everywhere the American clipper ships ventured. Shenandoah was one of the most popular capstan shanties, a slow song which set a manageable pace for the crew in a heavy and lengthy task. Add this lovely American song to your oboe repertoire today!
$6.99
6.44 €
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Hautbois, Piano (duo)
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the mid-1800s versions of the song were heard almost everywhere the American clipper ships ventured
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Traditional
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Colin Kirkpatrick
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Oh Shenandoah
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Colin Kirkpatrick Publications
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SheetMusicPlus
Searching (for Oboe and Piano)
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.1284096 Composed by Colin Kirkpatri…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.1284096 Composed by Colin Kirkpatrick. Easter,Hanukkah,Instructional. Score and part. 6 pages. Colin Kirkpatrick Publications #875329. Published by Colin Kirkpatrick Publications (A0.1284096). This is a lovely reflective solo piece for oboe and piano. All the notes are within easy reach of the early intermediate player. The technical level is about Grade 3 - 4 (UK ABRSM) The range covers low D to the A just above the staff. The oboe part makes considerable use of quarter note triplets and tied notes. The piece has long lyrical phrases, beginning in C major/A minor and ending in F. It is ideal for developing a sustained tone. The piece is rewarding to perform and the piano part has been kept fairly straightforward throughout. It would make an excellent piece for a student recital.
$7.99
7.37 €
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Hautbois, Piano (duo)
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Colin Kirkpatrick
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Searching
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Colin Kirkpatrick Publications
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SheetMusicPlus
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